Fiction Of Art Quotes & Sayings

My thoughts about pornography tend to revolve around the fact that while very few of us are zombies, detectives, cowboys, or spacemen, there are an infinite number of books that are recounting the stories of those lifestyles. However, all of us have some sort of feelings or opinions about sex. And yet the only art form which in any way is able to discuss sex, or depict sex, is this grubby despised under the counter art form, which has absolutely no standards. This was what Lost Girls was intended as a remedy for, that there is no reason why a horny piece of literature, that is purely about sex, could not be as beautiful, as meaningful, and have as absorbing characters as any other piece of fiction. — Alan Moore

Telling ourselves that fiction is in a sense true and at the same time not true is essential to the art of fiction. It's been at the heart of fiction from the start. Fiction offers both truth, and we know it's a flat-out lie. Sometimes it drives a novelist mad. Sometimes it energizes us. — Joanna Scott

A cardinal principle of good fiction [is]: the theme and the plot of a novel must be integrated - as thoroughly integrated as mind and body or thought and action in a rational view of man. — Ayn Rand

I became much more interested in plot when I really didn't consider myself a writer anymore. When I was in an art context and I started to do installations, that was when writing of mine almost returned to fiction. Earlier I felt like I didn't have anything to write about, I could only concentrate on the page, I could only concentrate on words. — Vito Acconci

Kitsch parodies catharsis ... It is in vain to try to draw the boundaries abstractly between aesthetic fiction and kitsch's emotional plunder. It is a poison admixed to all art; excising it is today one of art's despairing efforts ... — Theodor Adorno

Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama. — Flannery O'Connor

Art, though, is never the voice of a country; it is an even more precious thing, the voice of the individual, doing its best to speak, not comfort of any sort, but truth. And the art that speaks it most unmistakably, most directly, most variously, most fully, is fiction; in particular, the novel. — Eudora Welty

Fiction is about telling a good story, first and foremost. But of course, everything I'm interested in or angry about leaks into my writing, from art to violence against women. — Lauren Beukes

The great city seemed to weigh upon me, as though it were crushing me under its heap of brick and stone. Gray, drizzly skies, congested streets, the soot-belching boats and barges chugging up and down the Thames, the teeming mass of four millions hastening about the countless activities of daily life in a metropolis, things adventurous, meaningful, spiritual, quotidian, futile, criminal, meaningless and absurd. Amidst this seething stew of humanity, I painted. — Gary Inbinder

The 21st chapter gives the novel the quality of genuine fiction, an art founded on the principle that human beings change.
"A Clockwork Orange Resucked" intro to first full American version 1986 — Anthony Burgess

A novel, or so-called "fiction," if deeply researched and conscientiously written, might well contain as much truth as a high-school history textbook approved by a state board of education. But having been designated "historical fiction" by its publisher, it is presumed to be less reliably true than that textbook. If fiction were defined as "the opposite of truth," then much of the content of many approved historical textbooks could be called "historical fiction."
But fiction is not the opposite of truth. Fiction means "created by imagination." And there is plenty of evidence everywhere in literature and art that imagination can get as close to truth as studious fact-finding can. — James Alexander Thom

America is a nation of liars, and for that reason science fiction has a special claim to be our national literature, as the art form best adapted to telling the lies we like to hear and to pretend we believe. — Thomas M. Disch

... she was a pudding of immaturity and precocious wisdom that had not yet set into a stable mold. — Mark Zero

I want to paint something that no one has ever painted before," he was saying. I almost laughed at that -- doesn't every artist? We are all touched, however lightly, by the finger of god, and long to be gods ourselves, bringing forth new creations, and yet, so very few achieve it. Michelangelo, Rembrandt, Titian. We stumble in their footsteps, and wait at the closed door. — Mary F. Burns

Good," said the First Speaker. "And tell me, what do you think of all this. A finished work of art, is it not?"
"Definitely!"
"Wrong! It is not." This, with sharpness. "It is the first lesson you must unlearn. The Seldon Plan is neither complete nor correct. Instead, it is merely the best that could be done at the time. Over a dozen generations of men have pored over these equations, worked at them, taken them apart to the last decimal place, and put them together again. They've done more than that. They've watched nearly four hundred years pass and against the predictions and equations, they've checked reality, and they have learned. — Isaac Asimov

It is not my purpose here to document the destruction caused by war [...] The point is to ask ourselves why these accounts have not had greater effect. [...] Why is it that many of us are deeply moved by visual art, fiction, and firsthand accounts of destruction and yet accept war as a means of resolving conflict or defending ourselves? — Nel Noddings

I'd love to be a tabletop in Paris, where food is art and life combined in one, where people gather and talk for hours. I want lovers to meet over me. I'd want to be covered in drops of candle wax and breadcrumbs and rings from the bottom of wineglasses. I would never be lonely, and I would always serve a good purpose. — Maureen Johnson

I cannot recall having believed, even as a child, that the purpose of reading fiction was to learn about the place commonly called the real world. I seem to have sensed from the first that to read fiction was to make available for myself a new kind of space. In that space, a version of myself was free to move among places and personages the distinguishing features of which were the feelings they caused to arise in me rather than their seeming appearance, much less their possible resemblance to places or persons in the world where I sat reading. — Gerald Murnane

You can tell within a sentence if something is fiction or non-fiction. You can tell in the artifice of the language or the care of the construction the difference between art and life. — Ethan Canin

Because you live to love and love to live/ And because of what your heardrum will give/ Now we might love to live and live to love. — Janet Goodfriend

Jo told me once that she was an old woman everywhere but in her studio. "There I'm only myself," she'd said. Standing in the middle of masterpieces that only Jo had ever seen and touched, I knew what she meant. — Laura Anderson Kurk

Fiction and lies are both works of creative art, and creation always reveals the creator. — Helen McCloy

Proust, who did not greatly admire Flaubert, except perhaps in his narrow sense as a stylist - or perhaps only did not care very much for his work - nevertheless owed him a great deal, without realizing how much. From Flaubert he obtained the art of expressing his characters indirectly, through a monologue interieur. This method of characterization is one of Flaubert's greatest contributions to the art of fiction and, as we have seen in Madame Bovary, it is very different from the direct method of characterization practised by Balzac and Stendhal. — Enid Starkie

Science fiction is a kind of archaeology of the future. — Clifton Fadiman

Why should their pain produce such marvelous beauty? he wonders. Or is all beauty created through pain? Is that the secret of great art, both human and Melnibonen? — Michael Moorcock

Reporting the extreme things as if they were the average things will start you on the art of fiction. — F Scott Fitzgerald

Making a living out of acting sounded like science-fiction when I was growing up. I didn't know anyone around me who lived from anything related to art. — Penelope Cruz

Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art. — Susan Sontag

No. I cannot expect you to believe it. Take it as a lie
or a prophecy. Say I dreamed it in the workshop. Consider I have been speculating upon the destinies of our race until I have hatched this fiction. Treat my assertion of its truth as a mere stroke of art to enhance its interest. And taking it as a story, what do you think of it? — H.G.Wells

Many great authors of the 19th century wrote under conditions of strict censorship. The great thing about the art of writing a novel, is that you can write about anything. All you have to say is that it's fiction. — Orhan Pamuk

Being a fan of science fiction, I collect a lot of science fiction art work and so if you go to my house there's like a library and you just geek out on science fiction material. A lot of the colony worlds specifically are built as a melting pot of different societies, because the world is at a point where there are only two zones that are left inhabitable. — Len Wiseman

Any artist is insulted by the suggestion that art is merely a matter of recording reality, and knows that it is impossible to explain how imagination can transform not only events and people, but the artist as well, into quite different "realities". — Joan Lindsay

I was joking earlier when I said that all writers are manic depressives, but it's a joke with a lot of truth behind it. For fiction writers and poets, too, there's something wrong with you and you do this art as a way of correcting it or addressing it in some way. — T.C. Boyle

A fiction which is designed to inculcate an object wholly alien to the imagination sins against the first law of art; and if a writer of fiction narrow his scope to particulars so positive as polemical controversy in matters ecclesiastical, political or moral, his work may or may not be an able treatise, but it must be a very poor novel. — Edward Bulwer-Lytton, 1st Baron Lytton

The art of fiction does not begin until the novelist thinks of his story as a matter to be shown, to be so exhibited that it will tell itself. — Percy Lubbock

The secret of genius is to suffer no fiction to exist for us; to realize all that we know; in the high refinement of modern life,in arts, in sciences, in books, in men, to exact good faith, reality, and a purpose; and first, last, midst, and without end, to honor every truth by use. — Ralph Waldo Emerson

Ambivalence and contradiction energize nearly every figure Michaelangelo carved, from the adolescent Madonna of the Stairs onward...But the four allegories atop the sarcophagi raise them to a symphonic crescendo. Each is a battleground of conflicting emotions and motives, in which will and paralysis battle for supremacy. — Eric Scigliano

Then I realized the vital necessity of art. Human life, yes, you nurse people, you clean house, you market, but then comes the moment of solace and flight. i sit and write and summon other friends, other forms of life, other experiences, and the voyage and the exploration, the delving into character, the vast expanse of life's possibilities and potentialities, contemplation of future travels, of dazzling friendships, all this then makes the chores and the sacrifices beautiful because they are diverted toward some beautiful aim, they become part of the structure of a work of art. — Anais Nin

And if we can imagine the art of fiction come alive and standing in our midst, she would undoubtedly bid us break her and bully her, as well as honour and love her, for so her youth is renewed and her sovereignty assured. — Virginia Woolf

Art is never the voice of a country, it is an even more precious thing, the voice of the individual, doing its best to speak, not comfort of any sort, but truth. And the art that speaks it most unmistakably, most directly, most variously, most fully, is fiction. — Eudora Welty

I feel like a sailor, or better, like an explorer of the immense universe of art. The artist is a discoverer in search of the keys that open the door to emotions and feelings . Art is the place where rationality, fantasy, truth and fiction mix up in a detonating mixture. — Augusto De Luca

To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and the rest, can be real only as an idea, and so all I can do is create a colour nuance that means grey but is not it. The painting is then a mixture of grey as a fiction and grey as a visible, designated area of colour. — Gerhard Richter

To use the enemy's weapon is to play the enemy's game ... speak the truth and hear the truth. — Ursula K. Le Guin

At the Uffizi, I experienced a moment that was touching, painful, and almost embarrassing. We stopped in front of the famous Botticelli painting, The Birth of Venus. I gazed wistfully at her incomparably lovely, yet, as Vasari described, oddly distorted form emerging from the waves in a seashell, her long red-golden tresses blown by Zephyrs. No woman ever had so elongated a neck or such sinuous limbs. Botticelli contorted, and some might say deformed, the human shape to give us a glimpse of the sublime. — Gary Inbinder

The power of fiction is that it gives us, as readers, the opportunity to move inside another human being, to look out through that person's eyes, hear with her ears, think with his thoughts, feel with her feelings. It is the only form of art which can accomplish that feat so deeply, so completely. And thus it is the perfect bridge for helping us coming to know the other - the other inside as well as outside ourselves. (x) — Marion Dane Bauer

And really the purpose of art - for me, fiction - is to alert, to indicate to stop, to say: Make certain that when you rush through you will not miss the moment which you might have had, or might still have. — Jerzy Kosinski

Over recent years I had increasingly lost faith in literature. I read and thought this is something someone has made up. Perhaps it was because we were totally inundated with fiction and stories... All these millions of paperbacks, hardbacks, DVDs and TV series, they were all about made-up people in a made-up, though realistic, world. And news in the press, TV news and radio news had exactly the same format, documentaries had the same format, they were also stories, and it made no difference whether what they told had actually happened or not...

Fictional writing has no value, documentary narrative has no value. The only genres I saw value in, which still conferred meaning, were diaries and essays, the types of literature that did not deal with narrative, that were not about anything, but just consisted of a voice, the voice of your own personality, a life, a face, a gaze you could meet. What is a work of art if not the gaze of another person? — Karl Ove Knausgard

Writing fiction is the act of weaving a series of lies to arrive at a greater truth. — Khaled Hosseini

The only science fiction I have written is Fahrenheit 451. It's the art of the possible. Science fiction is the art of the possible. It could happen. It has happened. — Ray Bradbury

If you write literary fiction that's set partly in the future, you're apparently a sci-fi writer ... I think of it as being more of a story about what remains after we lose everything and the importance of art in our lives. — Emily St. John Mandel

He thought, that all men, trickled away, changing constantly, until they finally dissolved, while the artist-created images remained unchangeably the same. He thought that the fear of death was perhaps the root of all art, perhaps also of all things of the mind. We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. Perhaps the woman after whom the master shaped his beautiful Madonna is already wilted or dead, and soon he, too, will be dead; others will live in his house and eat at his table- but his work will still be standing hundreds of years from now, and longer. It will go on shimmering in the quiet cloister church, unchangingly beautiful, forever smiling with the same sad, flowering mouth. — Hermann Hesse

I had a conversation with a biologist in an art gallery, and he persuaded me that it was possible to grow a dress from microbes. It was the craziest thing I had ever heard, but I'm a bit of a science fiction fan and I thought it sounded like an interesting challenge. — Suzanne Lee

For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm. There are not many such books. All the rest is either topical trash or what some call the Literature of Ideas, which very often is topical trash coming in huge blocks of plaster that are carefully transmitted from age to age until somebody comes along with a hammer and takes a good crack at Balzac, at Gorki, at Mann. — Vladimir Nabokov

There is a very simple statement to be made about all these stories: they do not really come off intellectually as problems, and they do not come off artistically as fiction. They are too contrived, and too little aware of what goes on in the world. They try to be honest, but honesty is an art. The poor writer is dishonest without knowing it, and the fairly good one can be dishonest because he doesn't know what to be honest about. He thinks a complicated murder scheme which baffled the lazy reader, who won't be bothered itemizing the details, will also baffle the police, whose business is with details. — Raymond Chandler

I define science fiction as the art of the possible. Fantasy is the art of the impossible. Science fiction, again, is the history of ideas, and they're always ideas that work themselves out and become real and happen in the world. And fantasy comes along and says, 'We're going to break all the laws of physics.' ... Most people don't realize it, but the series of films which have made more money than any other series of films in the history of the universe is the James Bond series. They're all science fiction, too - romantic, adventurous, frivolous, fantastic science fiction! — Ray Bradbury

Who would not spout the family teapot in order to talk with Keats for an hour about poetry, or with Jane Austen about the art of fiction? — Virginia Woolf

Tales of ordinary characters would appeal to a larger class , but I have no wish to make such an appeal . The opinions of the masses are of no interest to me , for praise can truly gratify only when it comes from a mind sharing the author's perspective . There are probably seven persons in all , who really like my work and they are enough . I should write even if I were the only patient reader , for my aim is merely self expression . I could not write about ' ordinary people ' because I am not in the least interested in them . Without interest there can be no art . Man's relations to man do not captivate my fancy . It is man's relations to the cosmos - to the unknown - which alone arouses in me the spark of creative imagination . — H.P. Lovecraft

There are gentle souls who would pronounce Lolita meaningless because it does not teach them anything. I am neither a reader nor a writer of didactic fiction ... For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm. — Vladimir Nabokov

Among the Igbo the art of conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten. — Chinua Achebe

The novel is perhaps the highest art form because it so closely resembles life: it is about human relationships. It's technique, page by page, resembles our technique of living day by day
a way of relating. — Joyce Carol Oates

Blindsight is excellent. It's state-of-the-art science fiction: smart, dark and it grabs you by the throat from page one. Like a C J Cherryh book it makes you feel the danger of the hostile environment (or lack of one) out there. And it plays with some fascinating possibilities in human development, and some disconcerting ideas about human consciousness. What else can I say? Thanks for giving me the privilege of reading this. — Neal Asher

There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone - intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art. — David Foster Wallace

Daemonic compulsiveness can kill as easily as it can save.
The true novelist must be at once driven and indifferent. Van
Gogh never sold a painting in his life. Poe came close with
poetry and fiction, selling very little. Drivenness only helps if
it forces the writer not to suicide but to the making of splendid
works of art, allowing him indifference to whether or not the
novel sells, whether or not it's appreciated. Drivenness is trouble
for both the novelist and his friends; but no novelist, I
think, can succeed without it. Along with the peasant in the
novelist, there must be a man with a whip. — John Gardner

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

Fiction seeks to represent human experience as it is lived and as it reverberates in our hopes, fears, dreams, and memories. So much of our lives are internal. The art of fiction has claimed - more than anything else - this internal ground as its own. — Varley O'Connor

... she wore a masterpiece smile with smudges of paint and graphite across her cheek, and her eyes were a Jackson Pollock painting. — Ellie Lieberman

In this choice, as I look back over more than half a century, I can only follow - and trust - the same sort of instinct that one follows in the art of fiction. — Mary Augusta Ward

But if we are to say anything important, if fiction is to stay relevant and vibrant, then we have to ask the right questions. All art fails if it is asked to be representative - the purpose of fiction is not to replace life anymore than it is meant to support some political movement or ideology. All fiction reinscribes the problematic past in terms of the present, and, if it is significant at all, reckons with it instead of simply making it palatable or pretty. What aesthetic is adequate to the Holocaust, or to the recent tragedy in Haiti? Narrative is not exculpatory - it is in fact about culpability, about recognizing human suffering and responsibility, and so examining what is true in us and about us. If we're to say anything important, we require an art less facile, and editors willing to seek it. — Michael Copperman

There is no excuse for anyone to write fiction for public consumption unless he has been called to do so by the presence of a gift. It is the nature of fiction not to be good for much unless it is good in itself. — Flannery O'Connor

Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great hypnotic blah, blah." You can sit around and have these pity parties for yourself. Of course this is bullshit. If an art form is marginalized it's because it's not speaking to people. One possible reason is that the people it's speaking to have become too stupid to appreciate it. That seems a little easy to me. — David Foster Wallace

It's neither and it's both. That's the perfect kind of art. Labels only detract from the artist's intention. — Ted Dekker

I look at the human sciences as poetic sciences in which there is no objectivity, and I see film as not being objective, and cinema verite as a cinema of lies that depends on the art of telling yourself lies. If you're a good storyteller then the lie is more true than reality, and if you're a bad one, the truth is worse than a half lie. — Jean Rouch

The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies. — William Faulkner

There is his religion of art, my young successor: rejecting life! Not living is what he makes his beautiful fiction out of! And you will now be the person he is not living with! — Philip Roth

In the end, the discipline of verification is what separates journalism from entertainment, propaganda, fiction, or art. — Bill Kovach

Therefore I would ask you to write all kinds of books, hesitating at no subject however trivial or however vast. By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream. For I am by no means confining you to fiction. If you would please me - and there are thousands like me - you would write books of travel and adventure, and research and scholarship, and history and biography, and criticism and philosophy and science. By so doing you will certainly profit the art of fiction. For books have a way of influencing each other. Fiction will be much the better for standing cheek by jowl with poetry and philosophy. — Virginia Woolf

By denying people's sense of visual beauty in painting and sculpture , melody in music , meter and rhyme in poetry , plot and narrative and character in fiction , the elite arts wrote off the vast majority of their audience . They purposely excluded people who approach art in part for pleasure and edification in favour of social one-upmanship and an ever-narrowing, in-crowd elite. — Steven Pinker

I'm aware of narrating certain experiences as they happen or obliterating those experiences with narrative and then those stories - not the experiences themselves - might become material for art. This kind of transformation shows up a lot in 10:04 because the book tracks the transposition of fact into fiction in the New Yorker stor — Ben Lerner

The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole. — Flannery O'Connor

Lucifer endears himself to us only as the Lord of Lies, for in this role he is most convincing as a character, which is to say, as a fiction that has been so fully realized that he misguides us with a false feeling of our own reality because we are the ones who made him: he is subordinate to us, especially in the art of lying. For the acephalics among us who have said that the Devil's greatest trick was convincing the world that he did not exist, it must be said back: if he did not exist, then neither would we. — Thomas Ligotti

... my books are derived from city images, and the city of my dreams or nightmares is Mexico City. (The Art of Fiction, No. 68. The Paris Review, No. 82, Winter 1981.) — Carlos Fuentes

For me, where genre ends and literature begins doesn't matter. What matters is whether a given novel hits me with high impact. If it does, it probably is fulfilling the purpose of fiction. It has drawn me into a story world, held me captive, taken me on a journey with characters like none I've ever met, revealed truths I've somehow always known and insights that rock my brain. It's filled me with awe, which is to say it's made me see the familiar in a wholly new way and made the unfamiliar a foundational part of me. It both entertains and matters. It both captures our age and becomes timelessly great. It does all that with the sturdy tools of story and the flair of narrative art. — Donald Maass

But there's the paradox of fiction - why do you cry when a fake character dies? It's the basis of art. You engage with people who don't exist and care about them as you would your friends and relatives. — Michael Gruber

Gossip is not adopted by the bored. It is an art of discourse adopted by those who have experienced absolutely nothing thrilling in their lives; they have never really fallen in love or casually spoken to a complete stranger, and they never dreamt of doing anything extraordinary. They are a group of people with dull lives and souls. — Kanza Javed

Technically and logically speaking, actual Victorian science fiction writers cannot be dubbed 'steampunks.' Although they utilized many of the same tropes and touchstones employed later by twenty-first-century writers of steampunk, in their contemporary hands these devices represented state-of-the-art speculation. — Paul Di Filippo

Now it is done. Now the story ends. And there is no way to tell it. The art of fiction is dead. Reality has strangled invention. — Red Smith

Fiction shows us the past as well as the present moment in mortal light; it is an art served by the indelibility of our memory, and one empowered by a sharp and prophetic awareness of what is ephemeral. It is by the ephemeral that our feeling is so strongly aroused for what endures, or strives to endure. — Eudora Welty

What I had to say to you, moreover, would not take long, to wit: Practice any art, music, singing, dancing, acting, drawing, painting, sculpting, poetry, fiction, essays, reportage, no matter how well or badly, not to get money and fame, but to experience becoming, to find out what's inside you, to make your soul grow.
Seriously! I mean starting right now, do art and do it for the rest of your lives ... .
You have experienced becoming, learned a lot more about what's inside you, and you have made your soul grow. — Kurt Vonnegut

Of all the hardships and deprivations a people can suffer, I am not sure if the deprivations of art and culture are not the most devastating. As meat and rice are food for the body, art and culture are food for the soul. Starve the body and the person dies; starve the soul and the spirit dies. — Gerard De Marigny

The two of us locked up our own little secrets from the real world. We had experienced countless sleepless nights when we would share our fears, our worries, and our passions; when we would gossip about the school and the other girls. We had played too many pranks and snuck out more than enough times to be expelled if the teachers ever found out. We were professionals at the art of being discreet; however, we had never found sneaking out of a residence necessary, especially when the reason was not to play a prank. — Erica Sehyun Song

What did one see if one looked in any depth into the world of this writer's fiction? Elegant self-control concealing from the world's eyes until the very last moment a state of inner disintegration and biological decay; sallow ugliness, sensuously marred and worsted, which nevertheless is able to fan its smouldering concupiscence to a pallid impotence, which from the glowing depths of the spirit draws strength to cast down a whole proud people at the foot of the Cross and set its own foot upon them as well; gracious poise and composure in the empty austere service of form; the false, dangerous life of the born deceiver, his ambition and his art which lead so soon to exhaustion
— Thomas Mann

An author's extraliterary utterance (blunt information), prenovel or postnovel, may infiltrate journalism; it cannot touch the novel itself. Fiction does not invent out of a vacuum, but it invents; and what it invents is, first, the fabric and cadence of language, and then a slant of idea that sails out of these as a fin lifts from the sea. The art of the novel (worn yet opulent phrase) is in the mix of idiosyncratic language - language imprinted in the writer, like the whorl of a fingertip - and an unduplicable design inscribed on the mind by character and image. Invention has little capacity for the true-to-life snapshot. It is true to its own stirrings. — Cynthia Ozick

Dull late-afternoon light glittered on the hanging copper pots in the kitchen where the old painter sat with his wine, smoking cigarette, a letter angrily crumpled on the table in front of him. — Stephanie Cowell

Most people think of fiction as a wildly creative art form. But this just shows how much creativity is possible inside a prison. — Jonathan Gottschall

I was a man who stood in symbolic relations to the art and culture of my age ... The gods had given me almost everything. I had genius, a distinguished name, high social position, brilliancy,intellectual daring; I made art a philosophy, and philosophy an art: I altered the minds of men and the colour of things: there was nothing I said or did that did not make people wonder ... I treated Art as the supreme reality, and life as mere mode of fiction: I awoke the imagination of my century so that it created myth and legend around me: I summed up all systems in a phrase, and all existence in an epigram. — Oscar Wilde

It's a powerful moment, when you discover a vocabulary exists for something you'd thought incommunicably unique. Personally, I felt it reading Joseph Conrad's "Lord Jim." I have friends who've found themselves described in everything from science fiction to detective novels. This self-recognition through others is not simply a by-product of art - it's the whole point. — Phil Klay

There was a single window that tapered into a funnel, with eerie moonlight passing through it, reflecting directly off the globe like a mirror. For a moment, as I rose I saw something glimmering within. Dumbly, with feverish whispers assailing me, I realized it was the center of one of the distant galaxies, flaring after some unknown cataclysm. Its radiance was such that it burst from its prison. It met the moonlight halfway. It created kaleidoscopic colours on the walls. Then, in answer, the reliefs transformed from majestic art into something approaching divine, alive, plays from Egyptian memory, given the spark of life from space. I saw animal-headed gods move. They stepped from the walls to take their place around the altar. All stared at the globe. Each raised their arms in silent supplication. And such was their toxic ecstasy that I wished to join them, to forget my dreadful experiences and revel in something truly wondrous. — Tim Reed

In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. This affirmation lies in the way the author takes control of reality by retelling it in his own way, thus creating a new world. Every great work of art, I would declare pompously, is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life. The perfection and beauty of form rebels against the ugliness and shabbiness of the subject matter. — Azar Nafisi

A house, having been willfully purchased and furnished, tells us more than a body, and its description is a foremost resource of the art of fiction. — John Updike

See, the institutions and specialist, experts, you see. Yes, yes,
experts, indeed. See, they would have us believe that there is an order
to art. An explanation. Humans are odd creatures in that way. Always
searching for a formula. Yes, a formula to create an expected norm for
unexplainable greatness. A cook book you might say. Yes, a recipe
book for life, love, and art. However, my dear, let me tell you. Yes,
there is no such thing. Every individual is unique in their own design,
as intended by God himself. We classify, yes, always must we classify,
for if not, then we would be lost, yes lost now wouldn't we?
Classification, order, expectations, but alas, we forget. For what is art,
if not the out word expression of an artist. It is the soul of the artisan
and if his expectations are met, than who are we to judge whether his
work be art or not? — Cristina Marrero