Fiction Is What Quotes & Sayings

It is not cynical to admit the past has been turned into a fiction. It is a story, not a fact. The real has been erased. Whole eras have been added or removed. Wars have been aggrandized, and human struggle relegated to the margins. Villains are redressed as heroes. Generous, striving, imperfect men and women have been stripped of their flaws or plucked of their virtues and turned into figurines of morality or depravity. Whole societies have been fixed with motive and visions and equanimity where there was none. Suffering has been recast as noble sacrifice! Do you know why the history of the Tower is in such turmoil? Because too many powerful men are fighting for the pen, fighting to write their story over our dead bodies. They know what is at stake: immortality, the character of civilization, and influence beyond the ages. They are fighting to see who gets to mislead our grandchildren. — Josiah Bancroft

Meanwhile, however, what's most bothersome about Pulp Fiction is its success. This is not to be mean-spirited about Tarantino himself; may he harvest all the available millions. But the way that this picture has been so widely ravened up and drooled over verges on the disgusting. Pulp Fiction nourishes, abets, cultural slumming. — Stanley Kauffmann

There are many of us who live alongside others, less fortunate, watching them go through everyday suffering for one reason or another, and we're not moving even our little finger to help them. It's in human nature, unfortunately: for the most part, the only people we genuinely care about are ourselves. However, once in a while we encounter different species, different kind of human beings among us: full of compassion, willing and wanting to help, and doing so with joy and happiness. Those are a rarity. But you know what, my dear? Being one of them is not a special calling- it's a choice. So what will you choose, huh? — Yoleen Valai

This looks interesting, I say, but what I'm really thinking is, Wow, Aimee, science fiction? Really, could you try any harder to brand yourself with the mark of the nerd herd? What's next, anime? — Tim Tharp

'Farscape' is not what you call hard science fiction. — Ben Browder

My title "The Fabrication of Facts," has the virtue not only of indicating pretty clearly what I am going to discuss but also of irritating those fundamentalists who know very well that facts are found not madder, that facts constitute the one and only real world, and that knowledge consists of believing the facts. These articles of faith so firmly possess most of us, they so bind and blind us, that "fabrication of fact" has a paradoxical sound. "Fabrication" has become a synonym for "falsehood" or "fiction" as contrasted with "truth" or "fact." Of course, we must distinguish falsehood and fiction from truth and fact; but we cannot, I am sure, do it on ground that fiction is fabricated and fact found. - 91 — Nelson Goodman

I did not fear that I might tread upon a live rail and be killed. I feared something far more intangible-doing what was not contemplated by the Machine. Then I said to myself, "Man is the measure", and I went, and after many visits I found an opening. — E. M. Forster

Sweet fiction, in which bravado and despair beckon from a cold panache, in which the protected essential self suffers flashes of its existence to be immortalized by a writing self that is incapable of performing its actions without mixing our essence with what is false. — Frank Bidart

Rules such as "Write what you know," and "Show, don't tell," while doubtlessly grounded in good sense, can be ignored with impunity by any novelist nimble enough to get away with it. There is, in fact, only one rule in writing fiction: Whatever works, works. — Tom Robbins

Literature is a source of pleasure, he said, it is one of the rare inexhaustible joys in life, but it's not only that. It must not be disassociated from reality. Everything is there. That is why I never use the word fiction. Every subtlety in life is material for a book. He insisted on the fact. Have you noticed, he'd say, that I'm talking about novels? Novels don't contain only exceptional situations, life or death choices, or major ordeals; there are also everyday difficulties, temptations, ordinary disappointments; and, in response, every human attitude, every type of behavior, from the finest to the most wretched. There are books where, as you read, you wonder: What would I have done? It's a question you have to ask yourself. Listen carefully: it is a way to learn to live. There are grown-ups who would say no, that literature is not life, that novels teach you nothing. They are wrong. Literature performs, instructs, it prepares you for life. — Laurence Cosse

Do remember, though, that unless you're a playwright, the result [dialogue] isn't what you want; it's only an element of what you want. Actors embody and re-create the words of drama. In fiction, a tremendous amount of story and character may be given through the dialogue, but the story-world and its people have to be created by the storyteller. If there's nothing in it but disembodied voices, too much is missing. — Ursula K. Le Guin

Spreadsheets are fiction. Believing in what you're doing and what you're building is what's important. — Vinod Khosla

What is Gornite? Why can't you heat it? Will it make you laugh? - I hope so — Lucas Riddle

Not a lot of contemporary fiction is written about brothers and sisters. Salinger's Franny and Zooey was an inspiration for me. In Franny and Zooey, the sister gets in trouble and the brother comes to help her out. But I wanted to make sure that in my novel the sister had more to do than lie around on a sofa muttering, which is what Franny does for two-thirds of Salinger's novel. — K.M. Soehnlein

I ended up working on "Chicago Hope" and other things, but always with the idea that, eventually, I would want to take what I'd learned in character drama and try to apply that to the genre that I love, which is science fiction and "The Twilight Zone" type mysteries. — Remi Aubuchon

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

Think of my movies as heightening our awareness, not confusing the difference between truth and fiction, but heightening our awareness of how confused we can become about what is real. — Errol Morris

What is it in humans that makes us so eager to believe ill of one another? ... What makes us so hungry for it? Failed idealism, he suspected. We disappoint ourselves and then look around for other failures to convince ourselves: it's not just me. (15) — Mary Doria Russell

At seventy-one you can't expect to hear a story, any story, and take it as it is. At my age a story stirs up a vortex that sucks into its eye more stories, and spits out still more. I must remember what I must. — Miroslav Penkov

The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation. — Tana French

I think what people really want is fiction that in some tiny way makes their life more meaningful and makes the world seem like a richer place. The world is awfully short on joy and richness, and I think to some extent it's the fiction writer's job to salvage some of that and to give it to us in ways that we can believe in. — Wells Tower

The "paranormal" is what we call a phenomenon when examined through the narrow lens of what we consider "normal." You have to transcend the senses to understand them. — Alan Joshua

[ ... ]i'm not a leftist trying to smuggle in my evil message by the nefarious means of fantasy novels. I'm a science fiction and fantasy geek. I love this stuff. And when I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have [ ... ] I'm trying to say I've invented this world that I think is really cool and I have these really big stories to tell in it and one of the ways that I find to make that interesting is to think about it politically. If you want to do that too, that's fantastic. But if not, isn't this a cool monster? — China Mieville

It's not fiction's job to be photographically representative of reality. If I want to make a fictional world where there's no kindness, this doesn't mean I believe there's no kindness in the real world. In fact, what it may mean is that I very much value kindness. Like if you make a painting in which only greens are allowed, it wouldn't mean you don't believe in blue. — George Saunders

Maven Gustav, what is that awful noise?" Tobin bellowed, holding his hands over his ears.
"Why, it's my very own creation!" Gustav replied, beaming with pride. "I made this spell to be activated in the event of a castle emergency. In all my tests, it never failed to wake everyone," he noted, proudly.
"Yes, Gustav. It's fantastically loud. Well done. But what is the emergency, and how do we turn the alarm off? — R.S. Mollison-Read

Like a cross between Paul Auster's The Book of Illusions and Janice Lee's Damnation, The Absolution of Roberto Acestes Laing is at once smart and slyly unsettling. It is expert at creating a quietly building sense of dread while claiming to do something as straightforward as describe lost films - like those conversations you have in which you realize only too late that what you actually talking about and what you think you are talking about are not the same thing at all. With Rombes, Two Dollar Radio deftly demonstrates why it is rapidly becoming the go-to press for innovative fiction. — Brian Evenson

What they [critics of Lessing's switch to science fiction] didn't realize was that in science fiction is some of the best social fiction of our time. — Doris Lessing

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

Tell you what, you let me go, and I'll ask you plenty of questions about your race. Until then, I'm slightly distracted with how this little vacation on the good ship Holy Sh*t is going to pan out for me. — J.R. Ward

A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later. — Stanley Kubrick

Hey, we live each day, start each day, as if we had an endless number stretching out ahead of us. We don't, but that's how one has to face the day, right? I see an analogy with writing fiction: the story at hand probably won't come off well, and even if it does, it probably won't get published, but if it does there won't be any payment for it - and even if there is, almost nobody will read it, and most who do won't understand or like it. But you go ahead and write the story. What choices do you have? There's always silence, but that won't do for me." - Gordon Weaver (who is suddenly my hero, even though I don't know who he is). — Gordon Weaver

What do you want me to do? Arrest them all?"

"When you can, absolutely."

"And when I can't?"

"Do whatever is necessary to remove their ability to act against us - against humanity."

"You mean kill them."

Her expression darkened in what he sensed was sorrow, but her shoulders rose. "If that's what it takes. — G.S. Jennsen

I hate all the worry about what someone else is feeling, this crippling insecurity, this tightness in my chest. — Danila Botha

About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction. — Barry B. Longyear

For a moment nothing happens. The figure stands still and I stand cold and alive and-
He starts to run. I make my way down the rocks, slipping, sliding, trying to get to the plain. I wish, I think, my feet clumsy, moving too fast, not fast enough, I wish i could run, I wish I'd written a whole poem, I wish I kept the compass-
And then I reach the plain and wish for nothing but what I have. Ky. Running toward me. I have never seen him run like this, fast, free, strong, wild. He looks so beautiful, his body moves so right. He stops just close enough for me to see the blue of his eyes and forget the red on my hands and the green I wish I wore. "You're here," he says, breathing hard and hungry. sweat and dirt cover his face, and he looks at me as though I'm the only thing he ever needed to see. I open my mouth to say yes. But I only have time to breathe in before he closes the last of the distance. All I know is the kiss. — Ally Condie

Reality is but several levels of consciousness that can be accepted or dismissed depending on what one perceives. — Lauren Lola

What a writer can do, what a fiction writer or a poet or an essay writer can do is re-engage people with their own humanity. — Barbara Kingsolver

Good fiction must be entertaining, but what makes fiction special - and True - is that the realness of a novel allows it to carry a larger message. — Jerry B. Jenkins

A memoir is my version of events. My perspective. I choose what to tell and what to omit. I choose the adjectives to describe a situation, and in that sense, I'm creating a form of fiction. — Isabel Allende

Fiction inhabits the zone between the real and the impossible. The tug of those two poles is what gives it motion, vitality. Tethering fiction too tightly to the real produces plodding, lifeless stories. Letting it float too far from that anchor produces stories that are arbitrary and unpersuasive. — Vinnie Tesla

Six month of sitting home, six month of doing absolutely nothing but watching TV, going out, sleeping, getting drunk and sleeping again. Oh no, wait, I was busy with something, I was doing some renovations in my new apartment. Which legally became mine only a month ago. Yep, that's what all my life has been about, spontaneous decisions and living in the moment. Because right now technically I'm a 25-year-old illegal immigrant from Russia, four years in New York, no papers, no work authorization, no work itself. Only a crazy life filled with restaurants, shops, beauty salons, clubs and restaurants again. How is it all possible? Very simple. I used to be a stripper. — Ellie Midwood

As a child of privilege, no one is your friend. They will claim to be your friends, they will laugh at your jokes and invite you to their parties, but they do not like you. They like your power, they like what you will become someday. — Orson Scott Card

I seem to wish to have some importance
In the play of time. If not,
Then sad was my mother's pain, my breath, my bones,
My web of nerves, my wondering brain,
to be shaped and quickened with such anticipation
Only to feed the swamp of space.
What is deep, as love is deep, I'll have
Deeply. What is good, as love is good,
I'll have well. Then if time and space
Have any purpose, I shall belong to it.
If not, if all is a pretty fiction
To distract the cherubim and seraphim
Who so continually do cry, the least
I can do is to fill the curled shell of the world
With human deep-sea sound, and hold it to
The ear of God, until he has appetite
To taste our salt sorrow on his lips.
And so you see it might be better to die.
Though, on the other hand, I admit it might
Be immensely foolish. — Christopher Fry

I would love to see what's going to happen with science fiction with peoples' heads, because we still have people running around in the year 2050 or 2100 or 2200 and they have incredible technology and you see the effects: laser beams and rays and beaming down and beaming up. Incredible technical things happening, but everybody is still running around jealous, fighting, whacking, cheating. There's got to be something going on! Some kind of change. I'd like to see something starting to happen in that area, with the psychology of the human being and how that changed. — Leslie Nielsen

She held up three hangers inside a vinyl garment bag and hooked them sideways on the coatrack to unzip. "Raw silk. Vintage. Sort of a purple-black."
"Aubergine," he declared and cracked the opening wider.
"I love a man who can make colors sound dirty." She grinned.
"Cross-dyed." He wondered if Trip had helped pick this out, if he'd seen her model it and convinced her to splurge. "Great suit."
"I gotta stand next to J.R. Ward. Feel me?" She fluttered her short nails at him. "Baby, I went and bought a pair of Givenchy boots I cannot even afford because the Warden is gonna be there in full effect, and you know what that means!"
He didn't really, but he got the gist. "So you want nighttime for daytime."
"Extra vampy, hold the trampy. Like, more Lust For Dracula than Breaking Dawn." Rina squeezed her shoulders together to amp her cleavage. "If I'm hauling the girls out, no way can I do sparkly anorexia. — Damon Suede

Valerik spit to one side. "We laugh at religion's brand of love, forms and rules that keep the poor feeding from the church's coffers. It is in deed."
"I agree. That kind of love is porcelain-coated balls of dung.
But what of true affection? ... — Ted Dekker

The best I can say, it's like this. A man's in his skin, see, like a nut in its shell ... It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is.
A woman's a different thing entirely. Who knows where a woman begins and ends? Listen mistress, I have roots, I have roots deeper than this island. Deeper than the sea, older than the raising of the lands. I go back into the dark ... I go back into the dark! Before the moon I am, what a woman is, a woman of power, a woman's power, deeper than the roots of trees, deeper than the roots of islands, older than the Making, older than the moon. Who dares ask questions of the dark? Who'll ask the dark its name? — Ursula K. Le Guin

Blindsight is excellent. It's state-of-the-art science fiction: smart, dark and it grabs you by the throat from page one. Like a C J Cherryh book it makes you feel the danger of the hostile environment (or lack of one) out there. And it plays with some fascinating possibilities in human development, and some disconcerting ideas about human consciousness. What else can I say? Thanks for giving me the privilege of reading this. — Neal Asher

How are you supposed to know what to read next? This is the question that keeps us up at night, so at Day One our mission is to feed an audience of literature-hungry, time-constrained readers like you with a weekly lineup of talented authors, poets, and artists that we believe you will love. And if we can identify some of the next generation of literary stars, and cultivate an appreciation for transformative poetry and fiction, then frankly we will sleep better at night. — Carmen Johnson

Artworks, whether fiction, music, or painting, because they have the power and possibility to become truth, when repeated enough or told enough are somehow truth about what America is, whether they were or not. — Cynthia Daignault

I used to hammer away at the idea of simplicity.
In both fiction and non-fiction, there's only one question and one answer. 'What happened?' the reader asks. 'This is what happened,' the writer responds. 'This ... and this ... and this, too.' Keep it simple. It's the only sure way home. — Stephen King

Plan B?' Ivy said. 'What is plan B?'
Jenks reddened. 'Grab the fish and run like hell,' he muttered, and I almost giggled. — Kim Harrison

I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters. — Roger Zelazny

Genres do exist because frequent users of any large bookstore can instantly tell what any piece of fiction is supposed to be about by its title, its cover and its location in the shop. — John Clute

I need to make myself strong on the inside instead of what is on the outside. I know all of this, but why can't I put any of it into action? I guess that's why I am in this place. — Piper Caleb

Why do we weep once we know that everything will be alright? We weep because the only way everything could ever be alright is in fiction. We weep because what we've seen can't be true, no matter how badly we wish it were. We weep at the truth. — Adam Levin

Nothing is 'wrong' with me, Dan. What's wrong with you? she said in the same eerily quiet voice, dark eyes fixated on Dan, as she breathed heavily. — Martin Hopkins

Rick Bass is one of a dwindling handful of American fiction writers still celebrating the importance of place, the natural world, and the struggle of a few brave souls to live and work respectfully in what's left of our western wilderness ... The Lives of Rocks is his most lyrical and powerful book to date ... a masterwork. — Howard Frank Mosher

What I find interesting and heartening, though, is that there does seem to be a shift in the subject matter being written about by women that is doing well in the culture. We're seeing more women writing dystopian fiction, more women writing novels set post-apocalyptic settings, subjects and themes that used to be dominated by men. — Laurie Foos

My old man tells me every chance he gets I'm "style over substance" and that I've never done anything of value in my life. I'm fifteen. What does he expect? Being "cool as" is the only thing anyone cares about."
Burt, Book 1 "Making it — Jamie Scallion

In the end, the discipline of verification is what separates journalism from entertainment, propaganda, fiction, or art. — Bill Kovach

Why not take a science fiction comic and put the characters in a small town to gain their particular perspective? A lot of that comes from me growing up in a small town on a farm, so that's what I know and what I'm comfortable with. My drawing style is also very sparse and minimalist, so a rural setting complements that. — Jeff Lemire

An eerie, chilling voice interrupted him to reverberate through the house.

"You believe you are safe, but you will never be safe from me. My reach is limitless, my capabilities legion. Sleep fitfully and avoid the shadows, for know that I am coming for you. When I arrive, you will pay for what you did. — G.S. Jennsen

Intensely moving but never sentimental, Academy Street is a profound meditation on what Faulkner called 'the human heart in conflict with itself'. In Tess Lohan, Mary Costello has created one of the most fully realized characters in contemporary fiction. What a marvel of a book. — Ron Rash

Fiction, like sculpture or painting, begins with a rough
sketch. One gets down the characters and their behavior any
way one can, knowing the sentences will have to be revised,knowing the characters' actions may change. It makes no difference
how clumsy the sketch is - sketches are not supposed
to be polished and elegant. All that matters is that, going over
and over the sketch as if one had all eternity for finishing one's
story, one improves now this sentence, now that, noticing
what changes the new sentences urge, and in the process one
gets the characters and their behavior clearer in one's head,
gradually discovering deeper and deeper implications of the
characters' problems and hopes. — John Gardner

Renia, tell me: does the thought of dying scare you?'
He asked softly, and with such concern in his voice, that it all welled up in her at once and caught her by surprise.
'Yes.' Her voice broke, and the tears came. She could not stop them. 'Is that what I must do, to save them? — Helen Bell

It is amazing what a woman can do if only she ignores what men tell her she can't. — Carol K. Carr

GET IN he says, getting in on the driver side. I get in with no questions. Okay. This is a bad movie waiting to happen-I'm getting in a car with a guy I just met today who is keeping secrets from me. What the hell is wrong with me? I'm too scared to speak or ask or run away, though. So I just get in and put on my seat belt. I am so stupid. — Sara Daniell

For the girl without words, there is laughter for what is light, gesture for want, and tears for all that is dark. There is not much more. Names are nothing but extravagance. — Lois-Ann Yamanaka

IT IS SAID that time is unrelated to everything else. It goes on and on, unnoticing of our actions, our falls, our triumphs. Who's to care then, if time does not remember us? It flies by, fleeting, inattentive and disinterested in any occupants of this earth. What are we, then, if time thinks so little of everyone it passes? Time is truly apathetic to the many to whom a little empathy would mean so much.
~April~
Disarming Reign of Blood — Alexia Purdy

You have to get inside the people you are writing about. You have to go below the surface. And that's to a very large degree what all writers are doing - they're trying to get below the surface. Whether it's in fiction or poetry or writing history and biography. Some people make that possible because they write wonderful letters and diaries. And you have to sort of go where the material is. — David McCullough

Everything about us, everything around us, everything we know and can know of is composed ultimately of patterns of nothing; that's the bottom line, the final truth. So where we find we have any control over those patterns, why not make the most elegant ones, the most enjoyable and good ones, in our own terms? Yes, we're hedonists, Mr. Bora Horza Gobuchul. We seek pleasure and have fashioned ourselves so that we can take more of it; admitted. We are what we are. But what about you? What does that make you? — Iain Banks

Today, fantasy is, for better or for worse, just another genre, a place in a bookshop to find books that, too often, remind one of far too many other books; it is an irony, and not entirely a pleasant one, that what should be, by definition, the most imaginative of all types of literature has become so staid, and, too often, downright unimaginative. — Neil Gaiman

You're supposed to make your child feel like you want them. No matter what. Even if you're tired, or you're stressed, or you have a fucking photo shoot, or you move across the world, or you haven't gotten a full night's sleep. You do whatever you can to make them feel like the only thing you want in the world is to be by their side, even if you can't. — Nic Joseph

I tend more towards what some people call literary science fiction, but what I mean by that is that it is full of interesting language, experimentation, and ideas. — Edward Einhorn

What stories can do, I guess, is make things present.
I can look at things I never looked at. I can attach faces to grief and love and pity and God. I can be brave. I can make myself feel again. — Tim O'Brien

Read Mann's notes, which contain precise accounts of cholera and its symptoms, and observe how careful he is throughout his fiction in getting medical details straight - then you might begin to wonder whether cholera is the only candidate for the cause of Aschenbach's death. What results from this, I think, is a deeper appreciation of Mann's brilliance in keeping so many possibilities in play. The ambiguity is even more artful than people have realized. — Philip Kitcher

A writer is congenitally unable to tell the truth and that is why we call what he writes fiction. — William Faulkner

I've always thought of myself as a realist. I can remember fighting with my professors about it in grad school. The world that I live in consists of 250 advertisements a day and any number of unbelievably entertaining options, most of which are subsidized by corporations that want to sell me things. The whole way that the world acts on my nerve endings is bound up with stuff that the guys with the leather patches on their elbows would consider pop or trivial or ephemeral. I use a fair amount of pop stuff in my fiction, but what I mean by it is nothing different than what other people mean in writing about trees and parks and having to walk to the river to get water 100 years ago. It's just the texture of the world I live in. — David Foster Wallace

Fiction is not necessarily about what you know, it's about how you feel. That is the truth about fiction, and the other truth is that all science is a tool, and we use our tools not to actualise what we know, but to implement how we feel. — Margaret Atwood

What you must do," she continued, "you will. Your mission will be as clear to you and as demanding as your heartbeat. Everything else is just a waste of your time. — Stephen Whitfield

This is why we apply the LCD Principle or Lowest Common Democracy. In short, this is social interaction based not on the best possible good, but on the least possible offense. Without saying so, the parties involved have entered into the following arrangement: What is the least we can all agree on and still get along? Of course, you can see this means no one is pleased. — Geoffrey Wood

I just ... ," Cath started again: "I realized that I'm not cut out for fiction-writing."
Professor Piper blinked and pulled her head back. "What are you talking about? You're exactly cut out for it. You're a Butterick pattern, Cath
this is what you were meant to do. — Rainbow Rowell

People say I talk slowly. I talk in a way sometimes called laconic. The phone rings, I answer, and people ask if they've woken me up. I lose my way in the middle of sentences, leaving people hanging for minutes. I have no control over it. I'll be talking, and will be interested in what I'm saying, but then someone - I'm convinced this what happens - someone - and I wish I knew who, because I would have words for this person - for a short time, borrows my head. Like a battery is borrowed from a calculator to power a remote control, someone, always, is borrowing my head. — Dave Eggers

Commentators frequently blame MMORPGs for an increasing sense of isolation in modern life. But virtual worlds are less a cause of that isolation than a response to it. Virtual worlds give back what has been scooped out of modern life. The virtual world is in important ways more authentically human than the real world. It gives us back community, a feeling of competence, and a sense of being an important person whom people depend on. — Jonathan Gottschall

[E]verything is fiction. When you tell yourself the story of your life, the story of your day, you edit and rewrite and weave a narrative out of a collection of random experiences and events. Your conversations are fiction. Your friends and loved ones - they are characters you have created. And your arguments with them are like meetings with an editor - please, they beseech you, you beseech them, rewrite me. You have a perception of the way things are, and you impose it on your memory, and in this way you think, in the same way that I think, that you are living something that is describable. When of course, what we actually live, what we actually experience - with our senses and our nerves - is a vast, absurd, beautiful, ridiculous chaos. — Keith Ridgway

Journeys become very good metaphors. They always have the character put into circumstances that reveal him. If I had based my characters in New York and had them just sitting and thinking about life, it would be like what contemporary U.S. fiction is about. That is very heavy, literally, for me. It doesn't become mainstream enough because the pages don't turn themselves. — Karan Bajaj

I took on a year of reading books for a reason. Because words are witness to life: they record what has happened, and they make it all real. Words create the stories that become history and become unforgettable. Even fiction portrays truth: good fiction is truth. — Nina Sankovitch

To understand what's happening in the U.S. presidential election of 2016, you need to know what's going on in the year 2024! Soundscape: Where hearing is believing. — Royce Flippin

That tank," Bucktooth pointed at the gas gauge on the dashboard of the decidedly unfredneck-like '65 Dodge Dart, "is almost empty. We ain't going much farther."
"Indeed it is." A solemn Phosphate agreed. "I suggest we stop the car and weigh our options."
"What options?" Professor Buckley asked. "Why do-that is- we've been traveling up and down this path for over an hour without seeing anyone or encountering anything. Even the doughnut shop cannot be relocated. In light of this, what options do we have?"
It was difficult to argue with the ex-history teacher's typically alarmist position. Brisbane's reliable old automobile had indeed been expending its remaining fuel supply in what seemed to be a hopeless effort to exit the unnamed dirt path. After leaving the doughnut shop and the blonde presidential descendant who worked there, they'd been unable to find DeMohrenschildt Lane again, or any other side street. — Donald Jeffries

Doubt is what keeps the heart and mind of every man alive. It 's what makes us think twice. — Vasileios Kalampakas

... inside of a year, almost all of the stuff of which you were made got regularly switched out for other stuff, as you ate and drank and breathed, and yet if you said you had the same identity you did a year ago, no one would think to call you a liar. Being is always becoming; people change and stay the same. What is true for bodies is also true for selves: even the most honest person has many faces, none of which is false. — Dexter Palmer

All the stories are fictions. What matters is which fiction you believe. — Orson Scott Card

The truth is that every writer, whether it's fiction or nonfiction, is trying to write something truly original and that's what I think I'm doing. — Lisa Scottoline

I hold to fiction as a cure, or partial cure, or cause for hope, or essential distraction from the rain you wake up to, the doubts in your head, the daily desolation that you have not yet said what is most true, you have not yet crafted the story that reveals you. And therefore something waits. Therefore you must wake and you must write and you are not alone.
Your fiction is with you. — Beth Kephart

There is his religion of art, my young successor: rejecting life! Not living is what he makes his beautiful fiction out of! And you will now be the person he is not living with! — Philip Roth

Man leave the past in the past. That's where it belongs. The trouble with addicts is that they carry bad memories around with them - like old luggage. And in that luggage that's where they carry their blueprint for living. You got to decide what's worth keeping, and then set the rest of it on the curb for the garbage.
-Joseph — Valjeanne Jeffers

We sometimes drive ourselves crazy with how our books will be "seen," when in fact we already know what they're about, and where our obsessions are. If we can spin those obsessions into fiction, then there's a decent chance they will be "fiction-worthy," as you call it. The idea of the "sweep of ideas" is a complicated one. — Meg Wolitzer

...erosion control in Japan is like a game of chess. The forest
engineer, after studying his eroding valley, makes his first move, locating and building
one or more check dams. He waits to see what Nature's response is. This determines the
forest engineer's next move, which may be another dam or two, an increase in the former
dam, or the construction of side retaining walls. After another pause for observation, the
next move is made and so on until erosion is checkmated." (An Agricultural Testament) — Albert Howard

Leela: Why are we listening to them? It is a waste of time.
The Doctor; It is difficult to know what will be a waste of time until after the time has been wasted, by which time it is too late. So predicting what will be a waste of time is something of a waste of time. Unless it gives you pleasure of course when it probably doesn't count as a waste of time.
Leela (yawning): I am sorry I did not hear what you said, Doctor.
The Doctor (smiling): That was a waste of time then. — Chris Boucher