Fiction Characters Quotes & Sayings

Every once in a while a messy character who manifests a REAL body emerges, for instance, Lisbeth Salander - and certainly commercial genre fiction is full of examples of real bodied sexual encounters or violence encounters - but for the most part, and particularly if you are a woman or minority author, your characters' bodies have to fit a kind of norm inside a narrow set of narrative pre-ordained and sanctioned scripts. — Lidia Yuknavitch

I was commissioned to write some romantic fiction, and I really liked doing those, and they were very instructive in terms of building characters and plots. But it never felt right for me. — Paula Hawkins

By appealing to his imagination, a pornographic novel brings the reader's body into play; libertine fiction appeals only to his mind. The goal of the former is erotic pleasure, or rather the desire to experience erotic pleasure, which the pornographic novel, obviously, cannot satisfy by itself. It is in this regard merely an intermediary, a stimulant, a kind of literary pimp.

With libertine fiction, the goal is that of overcoming the prejudices of some of the characters, which are assumed to be the same as those of the reader. The reader is somewhat the equivalent of the fictional object of seduction. — Jean-Marie Goulemot

The emotions triggered by fiction are very real. When Charles Dickens wrote about the death of Little Nell in the 1840s, people wept - and I'm sure that the death of characters in J.K. Rowling's 'Harry Potter' series led to similar tears. — Paul Bloom

A writer can't just be well-educated or good at research; to build a living, breathing world with interesting characters, you have to write from the gut. I'm not saying you have to live your life like a fantasy adventure. The trick is the ability to synthesize your own everyday experiences into your fiction. Infuse your characters with believable emotions and motivations. Infuse your world with rich sensory detail. For that you have to be in touch with your own existence and your own soul, the dark and the light of it. — Lynn Flewelling

The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form. — Penelope Lively

Is the writer cruel that makes his characters suffer only to bring them to triumph or tragedy in the end? — Johnny Rich

I have no problem in moving a date one way or another or coming up with a subplot that gets my characters in (or out) of a fix more rambunctiously than the extant records show. — Sara Sheridan

'The Things They Carried' is labeled right inside the book as a work of fiction, but I did set out when I wrote the book to make it feel real ... I use my own name, and I dedicated the book to characters in the book to give it the form of a war memoir. — Tim O'Brien

Find depressing his determination to make his characters suffer even when a little common sense on both his part and theirs could avoid it. Tess is one of the most irritating young women in Victorian fiction. Won — P.D. James

This isn't the road home. This is a road littered with questions that will inevitably lead to an answer. — Meryl S. Kavanagh

Most people surrendered fairy tale hopes in exchange for cookie cutter lives — Roy L. Pickering Jr.

When you're writing a book that is going to be a narrative with characters and events, you're walking very close to fiction, since you're using some of the methods of fiction writing. You're lying, but some of the details may well come from your general recollection rather than from the particular scene. In the end it comes down to the readers. If they believe you, you're OK. A memoirist is really like any other con man; if he's convincing, he's home. If he isn't, it doesn't really matter whether it happened, he hasn't succeeded in making it feel convincing. — Samuel Hynes

But the reason that writers like Harlan and Lee don't outline is that they enjoy the serendipity, the surprises that arise when they're not constricted by the steel girdle of an outline. And I get that too. Some of the best plot twists in my work have been ones that I didn't plan on, including the ending to PARANOIA. One of the great pleasures of writing fiction is living in the story so that you "experience" it the way your characters do. — Joseph Finder

The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell together, as quickly as possible. — Mark Twain

The Legend of the Firefish,first in the Trophy Chase Trilogy by George Bryan Polivka, is a winner ... filled with action,adventure, danger, intrigue,surprise,suspense ... The characters Polivka created are fresh and interesting ... A must read for fantasy lovers, and a highly recommended drating for others who want a good story.
Rebecca LuElla Miller
A Christian Worldview of Fiction
Website — George Bryan Polivka

I do not allow fan-fiction. The characters are copyrighted. It upsets me terribly to even think about fan-fiction with my characters. I advise my readers to write your own original stories with your own characters. It is absolutely essential that you respect my wishes. — Anne Rice

On occasion he would think back to the fiercest passion it had been his pleasure to experience and reflect on what might have been. He would look upon the woman who occupied the opposite half of his bed and feel his life had not quite lived up to the promise of another day. These moments would be mercifully brief, or so he hoped. — Roy L. Pickering Jr.

Overpopulated fiction can be so confusing that readers put the story down. Under-populated novels can seem claustrophobic or boring. You want the right number of characters for your particular work. — Nancy Kress

Proust, who did not greatly admire Flaubert, except perhaps in his narrow sense as a stylist - or perhaps only did not care very much for his work - nevertheless owed him a great deal, without realizing how much. From Flaubert he obtained the art of expressing his characters indirectly, through a monologue interieur. This method of characterization is one of Flaubert's greatest contributions to the art of fiction and, as we have seen in Madame Bovary, it is very different from the direct method of characterization practised by Balzac and Stendhal. — Enid Starkie

Amity Gaige has written a flawless book. It does not contain a single false note. Playful and inventive, SCHRODER movingly depicts the ways we confound our own hearts
how even with the best intentions, we fail to love those closest to us as well as we wish we could. Eric Schroder should take his place among the most charismatic and memorable characters in contemporary fiction, and Amity Gaige her place among the most talented and impressive writers working today. — David Bezmozgis

That's the fine balance of a fiction writer ... to be able to give your characters enough freedom to surprise you and yet still maintain some kind of artistic control. — Alan Lightman

I was so enthused with literature -- not stuck on literature, but in love with letters -- that I was easily inclined to bring all the conversations round to works I had read or fictitious characters from my readings about whom I loved to talk — Joseph Zobel

Fiction has consisted either of placing imaginary characters in a true story, which is the Iliad, or of presenting the story of an individual as having a general historical value, which is the Odyssey. — Raymond Queneau

Totally agree! The fiction reading process is basically a human communication on an emotional, intellectual and spiritual level between reader and writer, transcending space, time, cultures, societies and religions, through the medium of the narrative and characters. Language matters in the sense of aesthetics and embellishment, but not in a rigid scientific way. — Alice Poon

Fortunately, there is more to life than death. There is for one thing, fiction. A thousand thousand characters to be sent marching out into the world to divert time from its forward gallop to the terrible horizon. — Fay Weldon

That the question of likability even exists in literary conversations is odd. It implies that we are engaging in a courtship. When characters are unlikable, they don't meet our mutable, varying standards. Certainly we can find kinship in fiction, but literary merit shouldn't be dictated by whether we want to be friends or lovers with those about whom we read. — Roxane Gay

In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary
from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes. — Don DeLillo

When I write fiction, I create characters whose views are not my own, and I allow them to be eloquent in defense of their, not my, views. — Orson Scott Card

Time of course has showed the question up in all its young illogic. We can justify any apologia simply by calling life a successive rejection of personalities. No apologia I s any more than a romance - half a fiction - in which all the successive identities are taken on and rejected by the writer as a function of linear time are treated as separate characters. The writing itself even constitutes another rejection, another "character" added to the past. So we do sell our souls: paying them away to history in little installments. It isn't so much to pay for eyes clear enough to see past the fiction of continuity, the fiction of cause and effect, the fiction of a humanized history endowed with "reason. — Thomas Pynchon

The writer of fiction is not a scholar but an artist impacted emotionally by characters from life, who then strives to present these in his works. These characters present us with human truth but do not necessarily represent social truth. — Alaa Al Aswany

Like most modern people, we no longer bothered to make the distinction between events in real life and the dramas of fictional worlds, and so the cliff-hanger that inevitably, reliably ended the hour held just as much or more importance to us as the newspaper that usually went from doorstep to garbage bin unread, and we speculated about the future lives of the characters that populated decayed mansions or desert isles as if they weren't inventions of other human minds. — Dexter Palmer

Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra. — E. M. Forster

As a novelist, Scott's influence was immense: his creation of a wide range of characters from all levels of society was immediately likened to Shakespeare's; the use of historical settings became a mainstay of Victorian and later fiction; his short stories helped initiate that form; his antiquarian researches and collections were a major contribution to the culture of Scotland. — Ronald Carter

This is a work of fiction. All the characters in it, human and otherwise, are imaginary, excepting only certain of the fairy folk, whom it might be unwise to offend by casting doubts on their existence. Or lack thereof. — Neil Gaiman

If the writer believes that our life is and will remain essentially mysterious, if he looks upon us as beings existing in a created order to whose laws we freely respond, then what he sees on the surface will be of interest to him only as he can go through it into an experience of mystery itself. His kind of fiction will always be pushing its own limits outward toward the limits of mystery, because for this kind of writer, the meaning of a story does not begin except at a depth where adequate motivation and adequate psychology and the various determinations have been exhausted. Such a writer will be interested in what we don't understand rather than in what we do. He will be interested in possibility rather than probability. He will be interested in characters who are forced out to meet evil and grace and who act on a trust beyond themselves - whether they know clearly what it is they act upon or not. — Flannery O'Connor

People who read literary fiction (as opposed to popular fiction or nonfiction) were better able to detect another person's emotions, and the theory proposed was that literary fiction engages the reader in a process of decoding the characters' thoughts and motives in a way that popular fiction and nonfiction, being less complex, do not. — Daniel J. Levitin

There was a lot of fiction I did not enjoy, whose landscapes seemed bland and unevocative, the characters faint-hearted within them, the very words lacking vibrancy. — Sarah Hall

Though in this genre we write about the fantastic, the stories work best when there is solid grounding in our world. Magic works best for me when it aligns with scientific principles. Worldbuilding works best when it draws from sources in our world. Characters work best when they're grounded in solid human emotion and experience. — Brandon Sanderson

I've long been interested in the role of 'minor characters' in major events. This has been the focus of a lot of the fiction and nonfiction I've written. — Thomas Mallon

I shook my head back and forth as though I was a human etch-a-sketch, erasing the memory. — Nicole Gulla

I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot. — Ira Glass

When I started writing fiction it always seemed in retrospect (I didn't realise at the time) that it was always caused by environments rather than by incidents and characters. — Jonathan Meades

If they are good characters, they have minds of their owns. If they are great characters, they go stomping off into the sunset and leave you to pick up the trash. — Wendi Kelly

I am careful about fiction. A novel is not a tract or an essay. If I want to write about land reforms, or Hindu-Muslim relations, or position of women, I can do it as it affects my characters as in 'A Suitable Boy.' I could only write about issues specifically through essays. But I'll do that only if I have something worthwhile to say. — Vikram Seth

Dialogue in fiction is what characters do to one another. — Elizabeth Bowen

One likes to think that there is some fantastic limbo for the children of imagination, some strange, impossible place where the beaux of Fielding may still make love to the belles of Richardson, where Scott's heroes still may strut, Dickens's delightful Cockneys still raise a laugh, and Thackeray's worldlings continue to carry on their reprehensible careers. Perhaps in some humble corner of such a Valhalla, Sherlock and his Watson may for a time find a place, while some more astute sleuth with some even less astute comrade may fill the stage which they have vacated. — Arthur Conan Doyle

None but the most blindly credulous will imaging the characters and events in this story to be anything but fictitious. It is true that the ancient and noble city of Oxford is, of all the towns of England, the likeliest progenitor of unlikely events and persons. But there are limits. — Edmund Crispin

Fiction has the incredible power to put readers into the lives and minds of characters whose backgrounds and natures are nothing like theirs, and create an empathy and understanding that readers can take into the real world. — Cheryl B. Klein

The hardest part about writing fiction is finding long stretches of time to do it: for me, this means writing mostly on Saturdays and Sundays. But I am always thinking about my characters, jotting down ideas in stolen moments and hoping I'll be able to make sense of them when the weekend rolls around. — J. Courtney Sullivan

Comics shouldn't be 'tools' for anyone's agenda except for the characters. And I am speaking only of super hero action comics. I love many of the alternative comics that are like journalistic stories. Documentary comics, a mix of reportage and fiction. Those are just great. — Ann Nocenti

This is a work of fiction.
If certain characters resemble people in real life, it is because certain people in real life resemble characters from a novel.
Nobody, therefore, is entitled to feel included in this book.
Nobody, by the same token, to feel excluded. — Fernando Del Paso

I've never written a fiction before about real people ... I read everything that I could find by people who met them and tried to get some impression of them, but as always when you write fiction, even if you have completely fictitious characters, you start by thinking of what is plausible, what would they say, what would they be likely to do, what would they be likely to think. At some point, if it is every going to come to life, the characters seem to take over and start speaking themselves, and it happened with [COPENHAGEN]. — Michael Frayn

A dark shadow rose from the depth of the watercourse. Forced to crawl out of the oceans rolling waves, it struggled against the pull of the undertow. Rising, it moved further up the white sandy beach away from the cold water. The creature collapsed onto the cool sand as the crescent moon above shone on his sleek gray skin revealing two immense leather-like wings protruding from his back. Exhaustion clouded his mind.
The darkness of night was soothing, refreshing. Somehow he knew it would bring him strength and sustenance. The creature watched as a great rolling storm cloud sunk into the salty water before him and he tried to remember why he had come. — Alaina Stanford

Fiction doesn't appeal to me because it can describe physical appearances exhaustively or because it can offer access to the inner depths of an array of human characters - neither that kind of "realism" of bodily surfaces nor of individual psychologies seems particularly realistic to me. — Ben Lerner

Intensely moving but never sentimental, Academy Street is a profound meditation on what Faulkner called 'the human heart in conflict with itself'. In Tess Lohan, Mary Costello has created one of the most fully realized characters in contemporary fiction. What a marvel of a book. — Ron Rash

[E]verything is fiction. When you tell yourself the story of your life, the story of your day, you edit and rewrite and weave a narrative out of a collection of random experiences and events. Your conversations are fiction. Your friends and loved ones - they are characters you have created. And your arguments with them are like meetings with an editor - please, they beseech you, you beseech them, rewrite me. You have a perception of the way things are, and you impose it on your memory, and in this way you think, in the same way that I think, that you are living something that is describable. When of course, what we actually live, what we actually experience - with our senses and our nerves - is a vast, absurd, beautiful, ridiculous chaos. — Keith Ridgway

I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters. — Roger Zelazny

Historical fiction is not history. You're blending real events and actual historical personages with characters of your own creation. — George R R Martin

The best fiction is geared towards conflict. We learn most about our characters through tension, when they are put up against insurmountable obstacles. This is true in real life. — Sufjan Stevens

The characters tell their story - I am merely the tool used to record it — Marti Melville

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

One of the things I find in writing about people who are dead is that, after a short or long time, no matter how close the relationship was, they become like characters in fiction. — Michael Lindsay-Hogg

Nothing on earth in fiction is less interesting than characters under the influence of alcohol. — John L'Heureux

Why not take a science fiction comic and put the characters in a small town to gain their particular perspective? A lot of that comes from me growing up in a small town on a farm, so that's what I know and what I'm comfortable with. My drawing style is also very sparse and minimalist, so a rural setting complements that. — Jeff Lemire

In older science fiction stories, they had to rely on storytelling as opposed to spectacle. The old run of the 'Twilight Zone,' the star was the writing and the storytelling, and the characters and the twists and the cleverness in the setup and payoff and execution. — Josh Trank

If you read a book that's fiction and you get caught in the characters and the plot, and swept away, really, by the fiction of it - by the non-reality - you sometimes wind up changing your reality as well. Often, when the last page is turned, it will haunt you. — Jodi Picoult

I'm always looking for complicated characters in fiction about whom I can feel a dozen feelings at once - in the space of a single paragraph, even. — Edan Lepucki

Fiction, like sculpture or painting, begins with a rough
sketch. One gets down the characters and their behavior any
way one can, knowing the sentences will have to be revised,knowing the characters' actions may change. It makes no difference
how clumsy the sketch is - sketches are not supposed
to be polished and elegant. All that matters is that, going over
and over the sketch as if one had all eternity for finishing one's
story, one improves now this sentence, now that, noticing
what changes the new sentences urge, and in the process one
gets the characters and their behavior clearer in one's head,
gradually discovering deeper and deeper implications of the
characters' problems and hopes. — John Gardner

If you ever meet someone who thinks they are so special, the best thing to do is smile. You don't have to say anything. Be friendly and then go do
your best. That will make you special, too! — Jeff Hutchins

Another strand of my writing is the importance of the idea. If you think about fiction writing as a spectrum, where at one end of the spectrum in the infrared, are the story tellers, and the people for whom creation of wonderful characters and telling a good story is the most important thing. — Alan Lightman

Good fantasy fiction: ... explores real human conditions through fantastic metaphors which universalize the characters' individual experiences to speak personally to us all. — Laura Resnick

The movement for women's liberation was about an emotional transformation, an explosion, a feeling all over the country that things must be different, and ideas about how they should be. I think fiction can capture that kind of thing better than other genres because in fiction you can explore the feelings of your characters - the before and the after. — Alix Kates Shulman

A good novel, one which entices the author as much as it beckons the reader. — W.J. Raymond

The only form of fiction in which real characters do not seem out of place is history. In novels they are detestable. — Oscar Wilde

Good fiction often gives us characters in extremity, which ironically gives us a clearer mirror in which to see ourselves. — Sarah Van Arsdale

Secret Saturdays ought to be required reading at middle schools everywhere. Maldonado gives us both voice and heart. His young characters navigate a challenging world with endearing earnestness, lively style, and a heartening desire for true friendship and dignity. — E.R. Frank

Journeys become very good metaphors. They always have the character put into circumstances that reveal him. If I had based my characters in New York and had them just sitting and thinking about life, it would be like what contemporary U.S. fiction is about. That is very heavy, literally, for me. It doesn't become mainstream enough because the pages don't turn themselves. — Karan Bajaj

All of a sudden, I sort of started to feel that I was constrained by the characters as opposed to enjoying them. And that remains for me to this day the line that I know where it's like, OK, you're not writing fan fiction anymore. — Naomi Novik

One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out. — Nick Earls

When our characters show us the full fire of that inner battle, we have the makings of great fiction. For whether the choice is ultimately for honor or dishonor, we will see the consequences and the reader will be instructed without being taught. — James Scott Bell

In fiction, characters could punch their bosses and get away with it.
In real life, you lost your job, and then you were dining on Cup-a-Soup seven nights a week instead of four. — Sarah Morgan

We liked to believe there is an alternate world, a better world, populated entirely by characters created by the yearnings of humanity
governing and inspiring themselves with all the lucidity wit which we rendered them. — Miguel Syjuco

Good fiction is trawling back into the past and digging up the real characters who've influenced your entire being. — Ken Scott

You take people, you put them on a journey, you give them peril, you find out who they really are. — Joss Whedon

I think the type of actor I am, I tend to play strong leading female characters. The shows I've been on happen to be science fiction genre. — Alaina Huffman

The following is a fictionalized and utterly false account of the events that most definitely did not happen on June 9-10, 1967. And yet, while all the characters in this story are little green men and women running around inside my head, the events that served as inspiration, the historical facts, as it were, must be considered no less than a sibling of the tale contained in these pages: the story I didn't write, but could have written--the book this could have been, but isn't. — Montague Kobbe

It allows you to say things that sound very dramatic and get away with it. If you had characters in modern fiction say the same things as they're driving down the street in an Oldsmobile they'd sound ludicrous! — Terry Goodkind

Good characters in fiction are the very devil. Not only because most authors have too little material to make them of, but because we as readers have a strong subconscious wish to find them incredible. — C.S. Lewis

Fiction writers come up with some interesting metaphors when speaking of plot. Some say the plot is the highway and the characters are the automobiles. Others talk about stories that are "plot-driven," as if the plot were neither the highway nor the automobile, but the chauffeur. Others seem to have plot phobia and say they never plot. Still others turn up their noses at the very notion, as if there's something artificial, fraudulent, contrived. — James N. Frey

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

The great mystery is why robots come off so well in science-fiction films when the human characters are often so astoundingly wooden. — John Podhoretz

Writing fiction means putting a lot of what you believe about the world at risk, because you have to follow your characters. — Phil Klay

This book is a work of fiction. Names, characters, places, and incidents are the product of the author's imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental. — Shannon Hale

I love science fiction, and one of the things I love about it is that it's so very different. You can read stuff that's just fast-paced adventure, and the characters are cardboard, but who cares, because they're heroes, and we love it. And you can read stuff that's really deep character, and everything in between. — Ann Leckie

It only took Alexis a day to read a five-hundred page book. Fiction stories took her to another world where she could lose herself for a while in someone else's life.
Its funny how things like loans to pay back, a broken home and family, and a future to worry about meant nothing to characters who only had to worry about things like boys, beaches and fun. — Lindsay Chamberlin

Tales of ordinary characters would appeal to a larger class , but I have no wish to make such an appeal . The opinions of the masses are of no interest to me , for praise can truly gratify only when it comes from a mind sharing the author's perspective . There are probably seven persons in all , who really like my work and they are enough . I should write even if I were the only patient reader , for my aim is merely self expression . I could not write about ' ordinary people ' because I am not in the least interested in them . Without interest there can be no art . Man's relations to man do not captivate my fancy . It is man's relations to the cosmos - to the unknown - which alone arouses in me the spark of creative imagination . — H.P. Lovecraft

Fantasy stories will always be popular, as there are always readers who are willing to escape, freely, to the worlds that the authors create, and spend time with the characters we give life to. — Jason Ellis

Was happiness (which was perhaps achieved not by getting what you wanted, but rather, by obtaining what you didn't know you wished for until it was in hand) a hologram that would continually change appearance with the slightest shift of perspective? Or maybe happiness by definition was a temporary state of being recognizable only in hindsight. It was impossible to catch what always managed to be overrun and end up in the rear view mirror. — Roy L. Pickering Jr.

Is it the freedom of characters in fiction that we find so inspiring, or the way that freedom transforms them? — Marc Levy