Feininger Quotes & Sayings

Each individual work serves as an expression of our most personal state of mind at that particular moment and of the inescapable, imperative need for release by means of an appropriate act of creation: in the rhythm, form, colour and mood of a picture. — Lyonel Feininger

It's nothing but a matter of seeing, thinking, and interest. That's what makes a good photograph. And then rejecting anything that would be bad for the picture. The wrong light, the wrong background, time and so on. Just don't do it, not matter how beautiful the subject is. — Andreas Feininger

A technically perfect photograph can be the world's most boring picture. — Andreas Feininger

The difference in 'seeing' between the eye and the lens should make it obvious that a photographer who merely points his camera at an appealing subject and expects to get an appealing picture in return, may be headed for a disappointment. — Andreas Feininger

The photographer has almost as much control over his subject matter as a painter. He can control light and shade, form and space, pattern and texture, motion and mood, everything except composition. — Andreas Feininger

Before you shoot an irresistible subject, mute all your senses except sight to find out how much is left for the camera to record. — Andreas Feininger

Photographers - idiots, of which there are so many - say, "Oh, if only I had a Nikon or a Leica, I could make great photographs." That's the dumbest thing I ever heard in my life. It's nothing but a matter of seeing, and thinking, and interest. — Andreas Feininger

Two factors thus emerge as requisites of success in the field of creative photography. First, the subject must be photogenic. Second, its re-creation in a photograph must be based upon technical knowledge, guided and supported by artsitic inspiration. — Andreas Feininger

Golf has made me and shaped me into the person I am here today. — Tiger Woods

We are living in a world where everything is based on security. — Alain Robert

Love others and as you do, that love will return to you. — Clay Aiken

Light is the photographic medium par excellence; it is to the photographer what words are to the writer; color and paint to the painter; wood, metal, stone, or clay to the sculptor. — Andreas Feininger

The first impression of a new subject is not necessary the best. Seen from a different angle or under different condition it might look even better. Always study a three - dimensional subject with one eye closed. — Andreas Feininger

It takes a minute to say hello
Why? I wonder why
When it's seems to take forever
When you have to say Goodbye? — John Walter Bratton

With a short lens I can reveal the hidden things near at hand, with a long lens the hidden things far away. The telephoto lens provides a new visual sensation for people: it widens their horizons. And, conversely, the things under our nose invariably look good when blown up really big. — Andreas Feininger

When the life gives you lemon, simply sell them and buy something sweet like chocolate — Samuel Ariel Parker

Every successful photograph, except for lucky shots, begins with an idea and a plan. The more precisely a photographer knows what it is he wishes to do, the better the chances are that he will do it. — Andreas Feininger

Why, my dear fellow, you may drive yourself into delirium if you have the impulse to work upon your nerves, to go ringing bells at night and asking about blood! — Fyodor Dostoyevsky

SELF-MOCKERY IS AN UGLIER THING THAN ANY HUMAN FACE, IRIS ... YOU ARE SMART AND YOU ARE KIND. DON'T BETRAY THOSE IMPULSES IN YOURSELF. DON'T BELABOR THE LACK OF PHYSICAL BEAUTY, WHICH IN ANY CASE EVENTUALLY FLEES THOSE WHO HAVE IT AND MAKES THEM SAD. — Gregory Maguire

I really don't know why it is that all of us are so committed to the sea, except I think it's because in addition to the fact that the sea changes, and the light changes, and ships change, it's because we all came from the sea. And it is an interesting biological fact that all of us have in our veins the exact same percentage of salt in our blood that exists in the ocean, and, therefore, we have salt in our blood, in our sweat, in our tears. We are tied to the ocean. And when we go back to the sea - whether it is to sail or to watch it - we are going back from whence we came.
[Remarks at the Dinner for the America's Cup Crews, September 14 1962] — John F. Kennedy

(1) The more thoroughly a photographer explores his subject with the camera (i.e., the more pictures he makes), the more he sees and the better his chance of getting good results. (2) Even slight changes in subject approach can make significant differences in the effect of the picture. — Andreas Feininger

Don't look for "depth" but instead search for subject aspects which prove the presence of depth. — Andreas Feininger

Where I used to strive for movement and restlessness I now attempt to sense and express the complete total calm of objects and the surrounding air. — Lyonel Feininger

Any good photograph is a successful synthesis of technique and art. — Andreas Feininger

There's nothing in the recent past I want to write about. — Sinead O'Connor

There is no foreground or background, only a continuity of interlacing relationships — Lyonel Feininger

Human vision is untrustworthy, subjective and selective. Camera vision is total and non - objective. — Andreas Feininger

Science, as it reaches the public mind, has both served to discredit and unintentionally reaffirmed mystical ideas. — Mitch Horowitz

As they stood there together, Ekwefi's mind went back to the days when they were young. She had married Anene because OKonkwo was too poor then to marry. Two years after her marriage to Anene she could bear it no longer and she ran away to Okonkwo. It had been early in the morning. The moon was shining. She was going to the stream to fetch water. Okonkwo's house was on the way to the stream. She went in and knocked at his door and he came out. Even in those days he was not a man of many words. He just carried her into his bed and in the darkness began to feel around her waist for the loose end of her cloth. — Chinua Achebe

No one can do inspired work without genuine interest in his subject and understanding of its characteristics. — Andreas Feininger

Unless a subject interests me, I'll pass it over and save my film for better things. — Andreas Feininger

Know - how is worthless unless guided by know - why and know - when. — Andreas Feininger

What matters is not what you photograph, but why and how you photograph it. Even the most controversial subject, if depicted by a sensitive photographer with honesty, sympathy, and understanding, can be transformed into an emotionally rewarding experience. — Andreas Feininger

Experience has shown that the more fascinating the subject, the less observant the photographer. — Andreas Feininger

A photographer who does not know how to translate his feelings and ideas into a graphically satisfactory form is bound to produce ineffective photographs, no matter how idealistic, compassionate, sensitive or imaginative he may be. For in order to be considered good, a photograph must not only say something worthwhile, it must say it well. — Andreas Feininger

As an amateur you have an advantage over photographers - you can do as you wish ... This should make amateurs the happiest of photographers. — Andreas Feininger

Does God know I'm still here? Does God know it's still me inside?"
"Sure He does! Of course He does! He's right with you. he's right there."
"Because I feel really alone sometimes."
"You're not alone." I move to her, put my hand on her shoulder. "You're not, believe me. — Andrew Klavan

Realism and superrealism are what I'm after. This world is full of things the eye doesn't see. The camera can see more, and often 10 times better. — Andreas Feininger

The most beautiful landscape cannot hold my fascinated attention as much as nature by the seaside and all that is connected with water. — Lyonel Feininger

The camera can push the new medium to its limits - and beyond. It is there - in the "beyond" - that the imaginative photographer will compete with the imaginative painter. Painting must return to the natural world from time to time for renewal of the artistic vision. The key sector of renewal of vision today is the new vistas revealed by science. Here photography, which is not only art but science also, stands on the firmest ground. — Andreas Feininger

Once a photographer is convinced that the camera can lie and that, strictly speaking, the vast majority of photographs are camera lies, inasmuch as they tell only part of a story or tell it in distorted form, half the battle is won. Once he has conceded that photography is not a naturalistic medium of rendition and that striving for naturalism in a photograph is futile, he can turn his attention to using a camera to make more effective pictures. — Andreas Feininger

None of us can take anything with us when we're gone. It's what we leave that's gonna matter. — Erin Brockovich