Feet In The Seat Quotes & Sayings

A twitch at the controls could swerve the cat', but the driver's hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow got into the driver's hands, into his brain and muscle, had goggled him and muzzled him - goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was nothing. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He — John Steinbeck

My feet walked me down the aisle of the Greyhound bus, all the way to the back. My butt sat me in a seat.
My butt's accomplished a lot since then.
My butt's a movie star. — Chuck Palahniuk

Out of the brown mouth into a slanted easterly rain they head south along the shore, pushed toward it on a light chop, all but the pilot huddling under plastic sheeting that covers lumber, nails, window casings and plantains - the women sharing a seat, Reese behind them and the boatman behind him in a narrow-running balance. The land retreats as the dory crosses a wide bight toward the next point, rising and dropping on larger waves while a seaside village of thatch and palm passes thin and blurry in the drizzled distance. Two miles later another village appears, much the same but longer along the curve and then, past the point, the coast is tangled in mangrove, grass and sea grape. The passengers peer out of the plastic at a rain-erased horizon as the dory slices and slows in equal measure and the boatman bails with a cut jug the rolling puddle at his feet. — Michael Jarvis

Her eyes scanned the room and spotted her cell phone lying on the coffee table at least three whole feet away from her hands. She groaned. This was when she didn't want to be a witch, she wanted to be a Jedi, so she could use the Force to make her phone fly right into her hand.
What the hell, right? Lifting one arm she reached out an open hand toward the small electronic device. Use the Force, Wynn, she thought and had to stifle a slightly punch-drunk giggle.
From his seat in the oversized chair, Knox eyed her strangely. After a moment, she gave up and dropped her hand to her side, rolling her head along the sofa cusions to meet her mate's gaze. "What were just doing?" he asked warily.
"Using the Force."
He looked from her to the table and back again. "Did you do this successfully?"
She shook her head and grinned. "The Force is weak with this one. I'll never be a Jedi Master. — Christine Warren

Gansey sat down in the seat in front of Adam with a sigh. He turned around. "Jesus Christ, I haven't slept a second." He remembered his manners and extended his fist. As Adam bumped knuckles with him, he felt an extraordinary rush of relief, of fondness. "Ronan, feet down."

Ronan put his feet down. — Maggie Stiefvater

Burne was drawing farther and farther away from the world about him. He resigned the vice-presidency of the senior class and took to reading and walking as almost his only pursuits. He voluntarily attended graduate lectures in philosophy and biology, and sat in all of them with a rather pathetically intent look in his eyes, as if waiting for something the lecturer would never quite come to. Sometimes Amory would see him squirm in his seat; and his face would light up; he was on fire to debate a point. He grew more abstracted on the street and was even accused of becoming a snob, but Amory knew it was nothing of the sort, and once when Burne passed him four feet off, absolutely unseeingly, his mind a thousand miles away, Amory almost choked with the romantic joy of watching him. Burne seemed to be climbing heights where others would be forever unable to get a foothold. — F Scott Fitzgerald

Your heart perhaps but what price the fellow in the six feet by two with his toes to the daisies ? No touching that. Seat of the affections. Broken heart. A pump after all, pumping thousands of gallons of blood every day. One fine day it gets bunged up and there you are. Lots of them lying around here : lungs, hearts, livers. Old rusty pumps : damn the thing else. The resurrection and the life. Once you are dead you are dead. That last day idea. Knocking them all up out of their graves. Come forth, Lazarus!* And he came fifth and lost the job. Get up! Last day! Then every fellow mousing around for his liver and his lights and the rest of his traps. Find damn all of himself that morning. Pennyweight of powder in a skull. Twelve grammes one pennyweight. Troy measure. — James Joyce

THE ROSE OF THE WORLD
WHO dreamed that beauty passes like a dream?
For these red lips, with all their mournful pride,
Mournful that no new wonder may betide,
Troy passed away in one high funeral gleam,
And Usna's children died.
We and the labouring world are passing by:
Amid men's souls, that waver and give place
Like the pale waters in their wintry race,
Under the passing stars, foam of the sky,
Lives on this lonely face.
Bow down, archangels, in your dim abode:
Before you were, or any hearts to beat,
Weary and kind one lingered by His seat;
He made the world to be a grassy road
Before her wandering feet. — W.B.Yeats

In front of us, Annabelle and Aspen argue over whether black-and-white movies are amazing or archaic. Blue walks a few feet behind like he's waiting for the pair to transition from verbal zingers to hair pulling. He wants a front-row seat for that show, and I don't blame him. — Victoria Scott

People have said over the years that the reason I did not give up my seat was because I was tired. I did not think of being physically tired. My feet were not hurting. I was tired in a different way. I was tired of seeing so many men treated as boys and not called by their proper names or titles. I was tired of seeing children and women mistreated and disrespected because of the color of their skin. I was tired of Jim Crow laws, of legally enforced racial segregation. — Rosa Parks

Fortune's Malice. Mad Fortune sweeps along in wanton pride, Uncertain as Euripus' surging tide; Now tramples mighty kings beneath her feet; Now sets the conquered in the victor's seat. She heedeth not the wail of hapless woe, But mocks the griefs that from her mischief flow. Such is her sport; so proveth she her power; And great the marvel, when in one brief hour She shows her darling lifted high in bliss, Then headlong plunged in misery's abyss. — Boethius

Her feet hurt. Her head hurt. And a man was bleeding in the passenger seat. This was what she got for dating. — Lisa Medley

I spun and jogged around the SUV. Climbing in I readjusted the seat from Godzilla setting to Normal so my feet could reach the pedals. — Jennifer L. Armentrout

It was always the same for her when she arrived to meet the body. After she unbuckled her seat belt, after she pulled a stick pen from the rubber band on the sun visor, after her long fingers brushed her hip to feel the comfort of her service piece, what she always did was pause. Not long. Just the length of a slow deep breath. That's all it took for her to remember the one thing she will never forget. Another body waited. She drew the breath. And when she could feel the raw edges of the hole that had been blown in her life, Detective Nikki Heat was ready. She opened the car door and went to work ... Heat could have made it easier on herself by parking closer, but this was another of her rituals: the walk up. Every crime scene was a flavor of chaos, and these two hundred feet afforded the detective her only chance to fill the clean slate with her own impressions. — Richard Castle

Six feet directly beneath his seat is a suitcase in the baggage hold containing enough C-4 to turn an airplane into a meteor. — David Mitchell

The urge to climb will never be explained. In olden days, perhaps it was a wish to reach the stars. Today, anyone so minded can buy a seat on a plane and feel himself master of the skies. Even so, he will not have rock under his feet, or air upon his face; nor will he know the silence that comes only on the hills. — Daphne Du Maurier

We were pulling into the next station, when the woman suddenly got to her feet and made a move to squeeze past me. As her knees made contact with mine, she turned towards me. Her eyes locked straight onto mine, her eyelids pinned back, with a look I could only describe as sheer dread. In the next second, deep tram-lines formed between her eyebrows and her expression shifted. It was as if she was silently imploring me, entreating me. To do what? I had no idea. I was immobile, her gaze pressing me into my seat by some centrifugal force and I held her stare, unsure of how to react. Just as swiftly, she dropped her eyes and the moment passed. With one final glance behind her, she was swallowed up in the bodies at the door.
She was getting off. Something wasn't right. — A.J. Waines

When the main crowd of worshipers reached the short bridge spanning the pond, the ragged sound of honky-tonk music assailed them. A barrelhouse blues was being shouted over the stamping of feet on a wooden floor. Miss Grace, the good-time woman, had her usual Saturday-night customers. The big white house blazed with lights and noise. The people inside had forsaken their own distress for a little while. Passing near the din, the godly people dropped their heads and conversation ceased. Reality began its tedious crawl back into their reasoning. After all, they were needy and hungry and despised and dispossessed, and sinners the world over were in the driver's seat. How long, merciful Father? How long? A stranger to the music could not have made a distinction between the songs sung a few minutes before and those being danced to in the gay house by the railroad tracks. All asked the same questions. How long, oh God? How long? — Maya Angelou

own. That was the reflection that made you creepy all over. It was impossible - it was not good for one either - trying to imagine. He had taken a high seat amongst the devils of the land - I mean literally. You can't understand. How could you? - with solid pavement under your feet, surrounded by kind neighbors ready to cheer you or to fall on you, stepping delicately between the butcher and the policeman, in the holy terror of scandal and gallows and lunatic asylums - how can you imagine what particular region of the first ages a man's untrammeled feet may take him into by the way of solitude - utter solitude without a policeman - by the way of silence, utter silence, — Joseph Conrad

I can't fathom the day when I'll be able to figure out how to independently maneuver my way into my bra, like I used to, every day since I was thirteen. The left arm through the left loop, the left boob into the left cup. Never mind the clasp in the back. My poor injured brain gets all twisted up like some circus contortionist even trying to imagine how this procedure would work. I'm supposed to at least try every step of getting dressed on my own, but when it comes to the bra, I no longer bother. My mother just does it for me, and we don't tell the therapists.She holds up one of my white Victoria's Secret Miracle Bras. I close my eyes, shutting out the humiliating image of my mother manhandling my boobs. But even with my eyes closed, I can feel her cold fingers against my bare skin, and as I can't help but picture what she's doing, humiliation saunters right in, takes a seat, and puts its feet up. Like it does every day now. — Lisa Genova

I reached between the seats to the backseat, where her purse was on the floor. It was the size of a grocery bag and it weighed a ton.
"What the hell do you have in this thing?"
"Everything."
I didn't ask for further explanation. I managed to pull the bag up to the front seat, open it, and find her iPad. I put the bag on the floor between my feet, lest I pull a muscle leveraging it into the back again. — Michael Connelly

Initially, suspended headfirst, thousands of feet above the ground, restrained from falling only by a seat belt, I was paralyzed by terror. My hands and arms reflexively braced against the sides of the cockpit, as if holding on would hold me in. Every muscle in my body was tensed, vibrating, and there was a rushing feeling, almost like a noise, going up and down the back of my skull. Yet I didn't fall out of the plane. The seat belt attached in five places and kept me pinioned, rock-solid, in my seat. My eyes told me that nothing was keeping me from plummeting to my death, but with experience, I started to be able to override that sensation with reason: I was actually just fine, I wasn't going to fall out of the plane. Eventually the fear that I might faded. — Chris Hadfield

I slide my feet onto the seat next to him, my ankle brushing against his thigh. "No shallowness of breath? No rapidly beating heart?"
He rests one hand on my foot as he continues to mess with his phone. His eyes meet mine in amusement. "Are those the indicators? I might have an issue after all. — Kasie West

She pinned him to the bulkhead with a kiss that was pure alchemy, and his hands found their way down her tunic, down to her breeches, where he unhitched her weapons belt with as much gratuitous fondling of the areas not covered by it as he could manage.
She took the belt from his hands and flung it against one of the stiffened canvas walls, where it struck with a clattering racket and slid to the floor. "If there is no way, make a way, Jean Tannen. Losers don't fuck in this particular cabin."
He picked her up, making a seat for her from his crossed arms, and whirled her around so that her back was against the bulkhead and her feet were dangling. He kissed her breasts through her tunic, grinning at her reaction. He stopped to put his head against her chest; felt the rapid flutter of her heart against his left cheek. — Scott Lynch

Don't you stay at home of evenings? Don't you love a cushioned seat in a corner, by the fireside, with your slippers on your feet? — Oliver Wendell Holmes, Sr.

I roll the window down
And then begin to breathe in
The darkest country road
And the strong scent of evergreen
From the passenger seat as you are driving me home.
Then looking upwards
I strain my eyes and try
To tell the difference between shooting stars and satellites
From the passenger seat as you are driving me home.
"do they collide?"
I ask and you smile.
With my feet on the dash
The world doesn't matter.
When you feel embarrassed then i'll be your pride
When you need directions then i'll be the guide
For all time. — Death Cab For Cutie

His feet went banging down some stairs. He closed his eyes. They went through cinders and dirt, his heels gathering small windrows of trash. A dim world receded above his upturned toes, shapes of skewed shacks erupted bluely in the niggard lamplight. The rusting carcass of an automobile passed slowly on his right. Dim scenes pooling in the summer night, wan ink wash of junks tilting against a paper sky, rorschach boatmen poling mutely over a mooncobbled sea. He lay with his head on the moldy upholstery of an old car seat among packingcrates and broken shoes and suncrazed rubber toys in the dark. Something warm was running on his chest. He put up a hand. I am bleeding. Unto my death. — Cormac McCarthy

Somer reclines in her airplane seat, watching through the window as the glimmering lights of Mumbai recede into the darkness of night. In the seat next to her, Asha is already asleep, her head and pillow resting on Somer's lap, her feet in Krishnan's. They should both try to sleep as well, but she knows Krishnan, like her, is reluctant to disturb Asha. He extends his hand to Somer, and she takes it. They rest their interlocking hands on Asha's sleeping body between them, just as they did the first time they made this journey. — Shilpi Somaya Gowda

You know, we'll hardly get our feet out of time [and] into eternity that we'll bow our heads in shame and humiliation. We'll gaze on eternity and say, 'My God! Look at all the riches there were in Jesus Christ, and I've come to the Judgment Seat almost a pauper! — Aiden Wilson Tozer

I murmur: "It's a seat," a little like an exorcism. But the word stays on my lips: it refuses to go and put itself on the thing. It stays what it is, with its red plush, thousands of little red paws in the air, all still, little dead paws. This enormous belly turned upward, bleeding, inflated - bloated with all its dead paws, this belly floating in this car, in this grey sky, is not a seat. It could just as well be a dead donkey tossed about in the water, floating with the current, belly in the air in a great grey river, a river of floods; and I could be sitting on the donkey's belly, my feet dangling in the clear water. — Jean-Paul Sartre

She took a seat by his feet and eyed the half-empty bottle in his hand, then shifted her gaze to the other three empty bottles on the floor. 'Are you drunk?' 'Comfortably Inebriated,' he said with a dark laugh, thinking of Shahara and her continuous need to know what C.I. stood for. Nykyrian scoffed. 'Well, if you get any more comfortable, buddy, I'll have to call in a med-tech.'
- Kasen, Syn, & Nykyrian — Sherrilyn Kenyon

A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window-seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I — Charlotte Bronte

Walking into the library, I took in my breath sharply and stopped: glass fronted bookcases and Gothic panels, stretching fifteen feet to a frescoed and plaster-medallioned ceiling. In the back of the room was a marble fireplace, big as a sepulchre, and a globed gasolier
dripping with prisms and strings of crystal beading
sparkled in the dim.
There was a piano, too, and Charles was playing, a glass of whiskey on the seat beside him. He was a little drunk; the Chopin was slurred and fluid, the notes melting sleepily into one another. A breeze stirred the heavy, moth-eaten velvet curtains, ruffling his hair. — Donna Tartt