Feeling And Form Quotes & Sayings

Knowing a great deal about what is in the world art, catastrophe, the beauties of nature through photographic images, people are frequently disappointed, surprised, unmoved when the see the real thing. For photographic images tend to subtract feeling from something we experience at first hand and the feelings they do arouse are, largely, not those we have in real life. Often something disturbs us more in photographed form than it does when we actually experience it. — Susan Sontag

When I stepped away from the white pine, I had the definite feeling that we had exchanged some form of life energy ... Clearly white pines and I are on the same wavelength. What I give back to the trees I cannot imagine. I hope they receive something, because trees are among my closest friends. — Anne LaBastille

There is, then, the feeling that we live in a time of unusual insecurity. In the past hundred years so many long-established traditions have broken down - traditions of family and social life, of government, of the economic order, and of religious belief. As the years go by, there seem to be fewer and fewer rocks to which we can hold, fewer things which we can regard as absolutely right and true, and fixed for all time. To some this is a welcome release from the restraints of moral, social, and spiritual dogma. To others it is a dangerous and terrifying breach with reason and sanity, tending to plunge human life into hopeless chaos. To most, perhaps, the immediate sense of release has given a brief exhilaration, to be followed by the deepest anxiety. For if all is relative, if life is a torrent without form or goal in whose flood absolutely nothing save change itself can last, it seems to be something in which there is "no future" and thus no hope. — Alan W. Watts

Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist's feeling for form is stronger than a formless feeling. — Herbert Read

We humans are unhappy in large part because we are insatiable; after working hard to get what we want, we routinely lose interest in the object of our desire. Rather than feeling satisfied, we feel a bit bored, and in response to this boredom, we go on to form new, even grander desires. — William B. Irvine

It is an art form to hate New York City properly. So far I have always been a featherweight debunker of New York; it takes too much energy and endurance to record the infinite number of ways the city offends me. Were I to list them all, I would fill up a book the size of the Manhattan yellow pages, and that would merely be the prologue. Every time I submit myself to the snubs and indignities of that swaggering city and set myself adrift among the prodigious crowds, a feeling of displacement, profound and enervating, takes me over, killing all the coded cells of my hard-won singularity. The city marks my soul with a most profane, indelible graffiti. There is too much of too much there. — Pat Conroy

The term comics long ago became obsolete and inaccurate. It merely defined the content of the early joke-based comical strips. Sequential Art is a more accurate description of the form. I first suggested it because I believed something needed to be done to correct the feeling of inferiority by artists and writers in this field. — Will Eisner

Drinking is an emotional thing. It joggles you out of the standardism of everyday life, out of everything being the same. It yanks you out of your body and your mind and throws you against the wall. I have the feeling that drinking is a form of suicide where you're allowed to return to life and begin all over the next day. It's like killing yourself, and then you're reborn. I guess I've lived about ten or fifteen thousand lives now. — Charles Bukowski

Literary criticism can be no more than a reasoned account of the feeling produced upon the critic by the book he is criticizing. Criticism can never be a science: it is, in the first place, much too personal, and in the second, it is concerned with values that science ignores. The touchstone is emotion, not reason. We judge a work of art by its effect on our sincere and vital emotion, and nothing else. All the critical twiddle-twaddle about style and form, all this pseudoscientific classifying and analysing of books in an imitation-botanical fashion, is mere impertinence and mostly dull jargon. — D.H. Lawrence

The decision to use torture as a terror of retribution gives an inner satisfaction to the person who practises it, even if this is difficult for him to accept openly. Having been injured and humiliated by aggression, he can now humiliate in his turn those whom he considers to be his aggressors, and rediscover his self-esteem. As an ex-soldier of the Algerian War explains, forty years after the events: 'You could feel a certain form of jubilation while being present at such extreme scenes . . . Doing to a body whatever you feel like doing to it.' Reducing the other to a state of complete impotence gives you a feeling of supreme power. This feeling is one which torture gives you more than murder does, since the latter does not last: once dead, the other becomes an inert object and no longer produces that jubilation which stems from fully triumphing over the will of another, without his ceasing to exist. — Tzvetan Todorov

The feeling, "this can't be it", is a very powerful form of prayer. It's the agony of the separated self longing for reunion with wholeness. It's the call of your soul urging you to return to your own path and purpose. It's the force of evolution driving you home. Do not try to deny or override your divine discontent. Heed its call. Knowing "this can't be it" implies that somewhere inside you, you DO know what IS it. — Alan Cohen

Careful observation will confirm that virtually all spontaneous parapsychological events occur through some form of sleight of mind. It is invariably something hovering just below the threshold of awareness that initiated an unusual event or gave one a curious half sensed feeling that something was about to happen just before it did. The magician seeks to exploid this effect deliberately, but in doing so he must avoid doing it deliberately as it were. Conscious lust of result destroys magical effect, so trickery must be employed to annul it and to activate the subconscious. — Peter J. Carroll

As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling. — Bernard Herrmann

I had dropped one form and not taken on the other, and was become like Mohammed's coffin in our legend, with a resultant feeling of intense loneliness in life, and a contempt, not for other men, but for all they do. — T.E. Lawrence

He was proud of her, he admired her, and at that moment he was conscious of life as something good and he fell in love with her all over again. This consciousness of love took the form of a deep patience inhabiting him, rather than a feeling of cheer or even hope — Michael Stein

Lost," I say, dropping the photo on to the counter. "I've lost Elizabeth." She pauses a moment and straightens to look at the photo. "Oh, was it an advert you wanted?" Breath floods into my lungs. "Yes. Yes, that's it. I wanted to place an advert." "I'll get you a form. Awful, cats, aren't they?" I nod, feeling as though I've missed some part of the conversation. I nod, but I quite like cats, and I wonder what this woman has against them. "I remember when my auntie lost her Oscar. She was frantic. Missing for weeks, he was. Found him in a beach hut in the end. Have you asked your neighbours to look in their sheds?" I stare at the woman. I can't imagine finding Elizabeth in a shed. But perhaps it is a good suggestion. Perhaps it's just me it doesn't make sense to. I borrow a pen and write beach hut on a scrap of paper. — Emma Healey

Terrorism is a state of mind that on the one hand has to do with ignorance and, on the other hand, can be attributed to a feeling of desperation over the political situation, which at some point takes the form of revenge. — Bashar Al-Assad

I feel very giddy with the idea of making my imagination take form and being able to put on a show where people leave feeling like they've experienced something. — Carly Rae Jepsen

But guilt is guilt. It doesn't go away. It can't be nullified. It can't even be fully understood, I'm certain - it's roots run too deep into private and long-standing karma. About the only thing that saves my neck when I get to feeling this way is that guilt is an imperfect form of knowledge. Just because it isn't perfect doesn't mean that it can't be used. The hard thing to do is to put it to practical use, before it gets around to paralyzing you. — J.D. Salinger

Since ancient times, people have bowed down to idols in the appearance of humility and contrition. But their goal wasn't to be mastered by the idol. People worship to get things. We choose idols in part because we believe that they will give us what we want. The god of drugs brings fearlessness; the god of sex promises pleasure and intimacy; the god of wealth holds out power and influence. We can feel miserable about ourselves because we want to be great, at least at something, and we are not feeling very great. Like the prophets of Baal, we are arrogant enough to believe that we can manipulate the idol - whether by cutting or some other form of works righteousness - so it will relent and give us what we want. — Edward T. Welch

The enjoyment of a cigar after a hard week gives me a feeling of well-being and relaxation that a Valium could not match. While there may be a more ideal form of stress reduction, I haven't yet discovered anything else as effective and easy. — Lou Gehrig

Indo-European peoples and Semitic peoples are today still completely different ... Jews almost everywhere form a special society ... Muslims (the Semitic spirit is today represented mainly by Islam) and the Europeans stand face to face like two beings of different species, having nothing common in the way of thinking and feeling ... — A. C. Cuza

Let's clear the air here,Joshua." She leaned forward,the confidence in her eyes sultry. "I like sex.i think it's an excellent form of entertainment. But I don't have to be entertained every time someone suggests a party.I select the time,the place, and my playmates."
Satisfied,she sat back and lazily chose a tiny cake from the basket. That, she was sure,should settle that.
"You might be able to get away with that.If you hadn't been trembling and moaning under me half an hour ago."
"I was not moaning."
He smiled. "Oh,yes.You were." Yes,indeed,he was feeling much,much better. "And on the verge of writhing."
"I never writhe."
"You will. — Nora Roberts

The music and the dance themselves are the 'drug'. Once the three portals of the human's being are in synch; once the music fills the heart and the mind and the soul of the individual, the body automatically takes over in a free form expression of the self. It's an incredible feeling that permeates every fiber of your being. — Dennis DeRoche

Tis to create, and in creating live
A being more intense, that we endow
With form our fancy, gaining as we give
The life we image, even as I do now.
What am I? Nothing: but not so art thou,
Soul of my thought! with whom I traverse earth,
Invisible but gazing, as I glow
Mix'd with thy spirit, blended with thy birth,
And feeling still with thee in my crush'd feelings' dearth. — George Gordon Byron

I am an adherent of the ideal of democracy, although I well know the weaknesses of the democratic form of government. Social equality and economic protection of the individual appeared to me always as the important communal aims of the state. Although I am a typical loner in daily life, my consciousness of belonging to the invisible community of those who strive for truth, beauty, and justice has preserved me from feeling isolated. — Albert Einstein

Icons are also beautiful, with their luminous colors and gold leaf. On first glance, the subjects can seem flat, their poses artificial. But the wonder of the icons has to do with the relationship which develops between the panel and the viewer. Looking at an icon brings me a feeling of serenity; it's like a form of prayer. So I suppose in this sense, the icon is unsurpassed. — Mary Pope Osborne

Maybe my homesickness was a form of prescience because when I look back, it's the circumstances of this very car ride that I recognize as irretrievable: the experience of driving nowhere in particular with my sister, both of us seventeen years old, the open windows causing our hair to blow wildly; that feeling of being unencumbered; that confidence that our futures would inform the way we wanted them to and our real lives were just beginning. — Curtis Sittenfeld

If you think about the world of a preschooler, they are surrounded by stuff they don't understand-things that are novel. So the driving force for a preschooler is not a search for novelty, like it is with older kids, it's a search for understanding and predictability," says Anderson. "For younger kids, repetition is really valuable. They demand it. When they see a show over and over again, the not only are understanding it better, which is a form of power, but just by predicting what is going to happen, I think they feel a real sense of affirmation and self-worth. And Blue's Clues doubles that feeling, because they also feel like they are participating in something. They feel like they are helping Steve. — Malcolm Gladwell

Well, possibly," I said, feeling my lips twitch again. "But maybe first you would tell us why you chose to manifest yourself in the form of Shirley Temple as last seen on the 'Good Ship Lollipop'?"
The demon twirled around, its big pink sash fluttering as it smoothed down its dress and frilly little petticoat. "My grotesque form isn't making you sick with fright?"
We both shook our heads, Noelle with a hand over her mouth to keep from laughing out loud. "Shirley Temple at her pinnacle was frightening," I finally told it, "but not in the sense I think you mean. — Katie MacAlister

My primary pastoral work had to do with Scripture and prayer. I was neither capable nor competent to form Christ in another person, to shape a life of discipleship in man, woman or child. That is supernatural work, and I am not supernatural. Mine was the more modest work of Scripture and prayer- helping people listen to God speak to them from the Scriptures and then joining them in answering God as personally and honestly as we could in lives of prayer. This turned out to be slow work. From time to time, impatient with the slowness, I would try out ways of going about my work that promised quicker results. But after a while it always seemed to be more like meddling in these people's lives than helping them attend to God. More often than not I found myself getting in the way of what the Holy Spirit had been doing long before I arrived on the scene, so I would go back, feeling a bit chastised, to my proper work: Scripture and prayer; prayer and Scripture. — Eugene H. Peterson

As for those who seek the transcendental Reality, without name, without form, contemplating the Unmanifested, beyond the reach of thought and of feeling, 4 with their senses subdued and mind serene and striving for the good of all beings, they too will verily come unto me. — Krishna-Dwaipayana Vyasa

The scientist's religious feeling takes the form of a rapturous amazement at the harmony of natural law, which reveals an intelligence of such superiority that, compared with it, all the systematic thinking and acting of human beings is utterly insignificant reflection. This feeling is the guiding principle of his life and work, in so far as he succeeds in keeping himself from the shackles of selfish desire. It is beyond question closely akin to that which has possessed the religious geniuses of all ages. — Albert Einstein

What art makes us see, and therefore gives to us in the form of 'seeing', 'perceiving' and 'feeling' (which is not the form of knowing,) is the ideology from which it is born, in which it bathes, from which it detaches itself as art, and which it alludes. — Louis Althusser

I believe that if one man were to live out his life fully and completely, were to give form to every feeling, expression to every thought, reality to every dream - I believe that the world would gain such a fresh impulse of joy that we would forget all the maladies of mediaevalism, and return to the Hellenic ideal - to something finer, richer, than the Hellenic ideal, it may be. — Oscar Wilde

I have never collected an object or figure from Africa or Oceania because of anything curious about it or because of its utility or historic interest. Everything has been chosen entirely because of its aesthetic significance; its form, feeling, structure, and plastic values. — Frank Crowninshield

The most frequent manifestations of the anima takes the form of erotic fantasy. Men may be driven to nurse their fantasies by looking at films and strip-tease shows, or by day-dreaming over pornographic material. This is a crude, primitive aspect of the anima, which becomes compulsive only when a man does not sufficiently cultivate his feeling relationships-when his feeling attitude toward life has remained infantile. — C. G. Jung

The feeling of intense repulsion, which had begun to oppress and torture his heart while he was on his way to the old woman, had by now reached such a pitch and had taken such a definite form that he did not know what to do with himself to escape from his wretchedness — Fyodor Dostoyevsky

A form of intellectual productiveness, therein lies its peculiar charm. Intellectual productiveness is one of the greatest joys - if not the greatest one - of human existence. It is not everyone who can write a play, or build a bridge, or even make a good joke. But in chess everyone can, everyone must be intellectually productive, and so can share in this select delight. I have always a slight feeling of pity for the man who has no knowledge of chess, just as I would pity the man who has remained ignorant of love. Chess, like love, like music, has the power to make men happy. — Siegbert Tarrasch

And Lopate's anthology helped a lot too. It came out the same year I started grad school, and I remember the book's publication feeling eventful and celebratory. It got a ton of attention for giving voice to this form that had sort of slipped between the cracks. That was exciting to see. — John D'Agata

The brown earth, the torn, blasted earth, with a greasy shine under the sun's rays; the earth is the background of this restless, gloomy world of automatons, our gasping is the scratching of a quill, our lips are dry, our heads are debauched with stupor - thus we stagger forward, and into our pierced and shattered souls bores the torturing image of the brown earth with the greasy sun and the convulsed and dead soldiers, who lie there - it can't be helped - who cry and clutch at our legs as we spring away over them. We have lost all feeling for one another. We can hardly control ourselves when our glance lights on the form of some other man. We are insensible, dead men, who through some trick, some dreadful magic, are still able to run and to kill. — Erich Maria Remarque

You determine your assumptions in this way: Form a mental image, a picture of the state desired, of the person you want to be. Concentrate your attention upon the feeling that you are already that person. First, visualize the picture in your consciousness. Then feel yourself to be in that state as though it actually formed your surrounding world. By your imagination that which was a mere mental image is changed into a seemingly solid reality. The great secret is a controlled imagination and a well-sustained attention firmly and repeatedly focused on the object to be accomplished. It cannot be emphasized too much that, by creating an ideal within your mental sphere, by assuming that you are already that ideal, you identify yourself with it and — Neville Goddard

Single parents - both women and men - can play as critical a role as the traditional two-parent family, and gay and lesbian parents can, and do, raise happy, resilient children. When it comes to family life, form is not merely as important as content. Feeling loved and supported, nurtured and safe, is far more critical than the 'package' it comes in. — Michael S. Kimmel

Form is all we have to help us cope with fundamentally chaotic facts and assaults. Formulating something is a great start. I trust form, trust my feeling or capacity to find the right form for something. Even if that is only by being well organized. That too is form. — Gerhard Richter

Through the fuzziness the form of a person struggles to exist, but instantaneously vanishes, leaving a warm, melty feeling inside me. I focus, once more and I can see a smile with straight teeth. Teeth that make me want to climb my tongue inside and feel around. I explore further and can taste sweetness and spice at the same time. — Elle Klass

I once listed all the good things I did over the past year, and then turned them into resolution form and backdated them. That was a good feeling — Robert Fulghum

As you release, align and commit to your life's purpose, you begin to access more of your lightbody. And as we birth this new world together, you may go through preparation stages, as your physical body restructures and reassembles into its new form. As you embark on this journey, you may go through periods of feeling loss, sadness and grief as you may be faced with the reality that you will never return back to this old world that held you safe for so many lifetimes. We are moving into a new energy, and a new world, and in this new world will be different ways to live, create and be. Nothing will ever be the same again. We are changing from the inside out and sometimes from the outside in! — Lee-Anne Peters

I had a growing feeling that most of the best art of the world in painting and sculpture had been done, and that this newest form [photography] was more related to the progress and tempo of modern science of the eye. — Paul Outerbridge

She's kept her love for him as alive as the summer they first met. In order to do this, she's turned life away. Sometimes she subsists for days on water and air. Being the only known complex life-form to do this, she should have a species named after her. Once Uncle Julian told me how the sculptor and painter Alberto Giacometti said that sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you're limiting yourself at first, but after a while you realize that having a quarter-of-an-inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky.
My mother did not choose a leaf or a head. She chose my father. And to hold on to a certain feeling, she sacrificed the world. — Nicole Krauss

The idea of hunting and gathering as the best way for life has become quite popular recently, much more populare in some circles than the idea of simple farming as the best way of life. Many of the new primitives regard the beginnings of agriculture as one of humanity's major steps in the wrong direction. Most of the people who are drawn to such ideas do their actual hunting and gathering in grocery stores, but the *feeling* is there; it takes the form of a religion ... expressed by particpating in American Indian rituals - or primitive-style rituals that are created anew. — Walter Truett Anderson

The first source of art, then, is akin to the display of colors and plumage on the male animal in mating time; it lies in the desire to adorn and beautify the body. And just as self-love and mate-love, overflowing, pour out their surplus of affection upon nature, so the impulse to beautify passes from the personal to the external world. The soul seeks to express its feeling in objective ways, through color and form; art really begins when men undertake to
beautify things. — Will Durant

The dog next-door had settled down, and the neighbourhood seemed stunned by this event occurring in our backyard. It was like it could sense it. It could sense some form of tragedy and helplessness being played out, and to tell you the truth, it all surprised me. I was so used to things just going on, oblivious and ignorant to all feeling. — Markus Zusak

When a bull is being lead to the slaughter, it still hopes to break loose and trample its butchers. Other bulls have not been able to pass on the knowledge that this never happens and that from the slaughterhouse there is no way back to the herd. But in human society there is a continuous exchange of experience. I have never heard of a man who broke away and fled while being led to his execution. It is even thought to be a special form of courage if a man about to be executed refuses to be blindfolded and dies with his eyes open. But I would rather have the bull with his blind rage, the stubborn beast who doesn't weigh his chances of survival with the prudent dull-wittedness of man, and doesn't know the despicable feeling of despair. — Nadezhda Mandelstam

But, then, I cannot escape the objection that there is no state of mind, however simple, which does not change every moment, since there is no consciousness without memory, and no continuation of a state without the addition, to the present feeling, of the memory of past moments. It is this which constitutes duration. Inner duration is the continuous life of a memory which prolongs the past into the present, the present either containing within it in a distinct form the ceaselessly growing image of the past, or, more profoundly, showing by its continual change of quality the heavier and still heavier load we drag behind us as we grow older. Without this survival of the past into the present there would be no duration, but only instantaneity. — Henri Bergson

If I dismiss the ordinary - waiting for the special, the extreme, the extraordinary to happen - I may just miss my life ... To allow ourselves to spend afternoons watching dancers rehearse, or sit on a stone wall and watch the sunset, or spend the whole weekend rereading Chekhov stories - to know that we are doing what we're supposed to be doing - is the deepest form of permission in our creative lives. The British author and psychologist Adam Phillips has noted, 'When we are inspired, rather like when we are in love, we can feel both unintelligible to ourselves and most truly ourselves.' This is the feeling I think we all yearn for, a kind of hyperreal dream state. We read Emily Dickinson. We watch the dancers. We research a little known piece of history obsessively. We fall in love. We don't know why, and yet these moments form the source from which all our words will spring. — Dani Shapiro

Love, she believed, had to come, suddenly, with a great clap of thunder and a lightning flash, a tempest from heaven that falls upon your life, like a devastation, scatters your ideals like leaves and hurls your very soul into the abyss. Little did she know that up on the roof of the house, the rain will form a pool if the gutters are blocked, and there she would have stayed feeling safe inside, until one day she suddenly discovered the crack right down the wall. — Gustave Flaubert

The Beautiful is the expression of the absolute Spirit, which is truth itself. This region of Divine truth as artistically presented to perception and feeling, forms the center of the whole world of Art. It is a self-contained, free, divine formation which has completely appropriated the elements of external form as material, and which employs them only as the means of manifesting itself. — Georg Wilhelm Friedrich Hegel

What I really felt was this: chopped down like a tree, a new feeling, and I was realizing that all new feelings from here on in would probably be bad ones. Surprises would no longer be good. And feelings might take on actual physical form, like those sad fish lips, a mouth speared into a gasping silence, or worse. — Lorrie Moore

The 'Rise, Rebel, Resist' video is a reflection of the outrage the American people are feeling at the absurd hypocrisy, and overwhelming nonsense and balderdash plaguing Washington D.C. It uses a bit of satire and a bit of wishful thinking to form this powerful amalgam of imagery that nourishes and empowers the living art of the song. Our message is clear: Either these elected officials do their job and protect the rights and lives of ALL Americans or be prepared to face the consequences. — Otep Shamaya

In other words, eventually through this practice we can begin to experience feelings as feelings - impersonal phenomena as opposed to feelings in the form of explosive dramas of "I, me, and mine." Feeling is the key to the present moment. It anchors us in experience. — Michael Stone

What is this world condition? Body is the world condition. And with body and form goes feeling, perception, consciousness, and all the activities throughout the world. The arising of form and the ceasing of form-everything that has been heard, sensed, and known, sought after and reached by the mind-all this is the embodied world, to be penetrated and realized. — Gautama Buddha

All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fullnessess and concavities, through hollows and over peaks - feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and the hollow, the thrust and the contour. — Barbara Hepworth

People get into a heavy-duty sin and guilt trip, feeling that if things are going wrong, that means that they did something bad and they are being punished. That's not the idea at all. The idea of karma is that you continually get the teachings that you need to open your heart. To the degree that you didn't understand in the past how to stop protecting your soft spot, how to stop armoring your heart, you're given this gift of teachings in the form of your life, to give you everything you need to open further. — Pema Chodron

We all travel different roads to our ultimate destinations. For some of us the path is rockier than for others. But no one reaches the end without feeling some form of adversity. So rather than fight it, why not accept it as the way of life? Why not detach yourself from the outcomes and simply experience every circumstance that enters your life to the fullest? — Robin Sharma

Feeling is never invisible; it takes shape and manifests as form everywhere in nature. Nature can, therefore, be viewed as feeling unfurled, a living reality in front of us and amidst us. — Andreas Weber

Every form of causeless self-doubt, every feeling of inferiority and secret unworthiness is, in fact, man's hidden dread of his inability to deal with existence. — John Galt

Women are no longer required to be chaste or modest, to restrict their sphere of activity to the home, or even to realize their properly feminine destiny in maternity. Normative femininity [that is, the rules for being a good woman] is coming more and more to be centered on women's body - not its duties and obligations or even its capacity to bear children, but its sexuality, more precisely, its presumed heterosexuality and its appearance. . . . The woman who checks her makeup half a dozen times a day to see if her foundation has caked or her mascara has run, who worries that the wind or the rain may spoil her hairdo, who looks frequently to see if her stockings have bagged at the ankle, or who, feeling
fat, monitors everything she eats, has become, just as surely as the inmate
of Panopticon, a self-policing subject, a self committed to a relentless self-surveillance. This self-surveillance is a form of obedience
to patriarchy. — Rosemarie Tong

One of the hardest things to live with in any relationship is criticism, real or implied. Criticism is a form of humor for them, and they enjoy feeling superior when they see someone else's discomfort. — Robert E. Wells

If I'm doing a logo, I'll do it in black and white. Once the form is feeling right, only then do I start exploring the color palettes. A good example was the process of rebranding the Salvador Dali Museum. I did at least 100 versions in black and white. — David Carson

One of the reasons I wanted to write this column, I think, is because I assumed that the cultural highlight of my month would arrive in book form, and that's true, for probably eleven months of the year. Books are, let's face it, better than everything else ... . Even if you love movies and music as much as you do books, it's still, in any given four week period, way, way more likely you'll find a great book that you haven't read than a great movie you haven't seen, or a great album you haven't heard: the assiduous consumer will eventually exhaust movies and music ... the feeling everyone has with literature: that we can't get through the good novels published in the last six months, let alone those published since publishing began. — Nick Hornby

I think music is the greatest art form that exists, and I think people listen to music for different reasons, and it serves different purposes. The best songs are the ones that make you feel something — Eddie Vedder

Reason and emotion are not antagonists. What seems like a struggle between two opposing ideas or values, one of which, automatic and unconscious, manifests itself in the form of a feeling. — Nathaniel Branden

I always have a feeling you should move the playing field and the minute you know what you're doing, you're wrong. Therefore, I wanted us not to try to follow Spamalot immediately, but to do something different. This is perfect because it uses all the same skills, like story telling and lyric writing and music writing, but it's presenting it in a different form. And of course it gives me and John a nice chance to perform and show off which is also fun. — Eric Idle

To transcend limitations and form positive new patterns of life based on who you know you can be rather than who you were yesterday, you must give up the modes of thinking, feeling and behaving that only keep you chained to your past. — Debbie Ford

I'm an alcoholic who doesn't (and doesn't want to) drink anymore so I exist in a state of never-ending micro-addictions that reveal themselves in the form of obsessions. I was the same as a child. These obsessions are things I want, want to do, or want to be. I become so fixated I neglect every other aspect of my life. What results is that I get really good at doing a lot of different things but no matter what I do, it's never the thing that gives me the feeling, this is what I've been searching for, I am home. In other words, I never feel thin. One hundred percent of the time. It — Augusten Burroughs

A translation needs to read convincingly. There's no limit to what can go into it in terms of background research, feeling, or your own interests in form and history. But what should come out is something that reads as convincing English-language text. — Jonathan Galassi

Too many believe that love is a condition, a feeling that involves 100 percent of the heart, something that happens to you. They disassociate love from the mind and, therefore, from agency. In commanding us to love, the Lord refers to something much deeper than romance - a love that is the most profound form of loyalty. He is teaching us that love is something more than feelings of the heart; it is also a covenant we keep with soul and mind. — Lynn G. Robbins

The third kind of loneliness is avoiding unnecesssary activities. When we're lonely in a "hot" way, we look for something to save us; we look for a way out. We get this queasy feeling that we call loneliness, and our minds just go wild trying to come up with companions to save us from despair. That's called unnecessary activity. It's a way of keeping ourselves busy so we don't have to feel any pain. It could take the form of obsessively daydreaming of true romance, or turning a tidbit of gossip into the six o'clock news, or even going off by ourselves into the wilderness. The point is that in all these activities, we are seeking companionship in our usual, habitual way, using our same old repetitive ways of distancing ourselves from the demon loneliness. Could we just settle down and have some — Pema Chodron

I think cultural criticism and long-form critique have their place and their purpose. But for a creator, it's so easy for the discussion surrounding a phenomenon to usurp the phenomenon itself. It's worse, of course, with comment sections on websites and blogs, particularly anonymous comments, or the incessant chatter and opinions on social media. Everyone gets to write a headline, and when you or the thing you do is being talked about, you get to feel like a headline - an addicting feeling for sure, but also a pernicious one. The discourse builds its own body, and it's usually a monster. — Carrie Brownstein

Man is no form no mighty molecule no just
idea alone - all that Thing -
I feel man tender radiance at Heart between
breast and belly, that physical place
where the Self urges - delicate sensation — Allen Ginsberg

Beauty is one in the universe, and, whatever form it assumes, it always arouses a religious feeling in the hearts of mankind. — Madame De Stael

If one were to live his life fully and completely were to give form to every feeling, expression to every thought, reality to every dream. — Oscar Wilde

I'm in good form, taking no interest in things, neglecting clothes, meals, company, and feeling calm and stable as I write. — Bertolt Brecht

I tell my students, with a feeling of pride that I hope they will share, that the carbon, nitrogen, and oxygen that make up ninety-nine per cent of our living substance were cooked in the deep interiors of earlier generations of dying stars. Gathered up from the ends of the universe, over billions of years, eventually they came to form, in part, the substance of our sun, its planets, and ourselves. Three billion years ago, life arose upon the earth. It is the only life in the solar system. — George Wald

Whatever I think or feel inevitably turns into a form of inertia. Thought, which for other people is a compass to guide action, is for me its microscope, making me see whole universes to span where a footstep would have sufficed, as if Zeno's argument about the impossibility of crossing a given space - which, being infinitely divisible, is therefore infinite - were a strange drug that had intoxicated my psychological self. And feeling, which in other people enters the will like a hand in a glove, or like a fist in the guard of a sword, was always in me another form of thought - futile like a rage that makes us tremble so much we can't move, or like a panic (the panic, in my case, of feeling too intensely) that freezes the frightened man in his tracks, when his fright should make him flee. — Fernando Pessoa

What is the song, the pop song? Is it a conduit to give out the feeling in a compact form, a short form? Shorter is better because it is physically much easier to share. A slogan verse a book, single versus record. What if it's blank white with really no cover? That leaves the meaning clear.
wait?
It's more vague.
With no hints to intentions.
Except that maybe the intention was to seem vague
or not to have a cover.
Maybe just there's no cover
And if the children cared then the children are pissed. You said you wanted pop but instead you got this....

— Brendan Fowler

Let yourself be loved, O Beloved, in the One. And from this One move out into the world, carrying within you the great potent energies of life to green your world, to create planets, suns, stars, stones, waves, oceans, to create new forms of life and expression - whether a friendship, a feeling or a new form of vocation. — Rumi

Poetry is only the highest eloquence of passion, the most vivid form of expression that can be given to our conception of anything, whether pleasurable or painful, mean or dignified, delightful or distressing. It is the perfect coincidence of the image and the words with the feeling we have, and of which we cannot get rid in any other way, that gives an instant "satisfaction to the thought." This is equally the origin of wit and fancy, of comedy and tragedy, of the sublime and pathetic. — William Hazlitt

Hal wills himself to stay objective and not form any judgments before he has serious data, hoping desperately for some sort of hopeful feeling to emerge. — David Foster Wallace

Common to all these types is the anthropomorphic character of their conception of God. In general, only individuals of exceptional endowments, and exceptionally high-minded communities, rise to any considerable extent above this level. But there is a third stage of religious experience which belongs to all of them, even though it is rarely found in a pure form: I shall call it cosmic religious feeling. It is very difficult to elucidate this feeling to anyone who is entirely without it, especially as there is no anthropomorphic conception of God corresponding to it. — Albert Einstein

And also
to add to my problems
my parents and relatives kept telling me how they'd grown up feeling so close to the Almighty that they'd spoken to Him on a daily basis as one would speak to a friend and how, now and then, God had actually spoken back to them in the form of miracles. — Victor Villasenor

In those days Cheboygan was already something of a resort town, although Milo didn't realize this fact until he was older. For most of his childhood, he knew only the deep woods that ran behind their property - 350 acres of sugar maple, beech, and evergreen that had managed to remain unlogged during the huge timber harvests that had denuded much of the rest of the state. He spent a good part of his days inside this forest. The soil there was padded with a layer of decaying leaves and needles whose scents mingled to form a cool spice in his nose. He didn't notice the smell when he was in it so much as feel its absence when he wasn't. School, home, any building he had to spend time in - they all left him with the feeling that something had been cleaned away. — Ethan Canin

...With the failure of the imagination to present form the mind discovers that it has the capacity to conceive of the infinite, and thus has the power to transcend everything that sense can measure and thus present. The sublime feeling in this case arises from the play between the finite nature of the senses and the infinite capacity of reason. — Nicholas Gane

Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling.
But they expected nothing else: she was very young. — Philip Pullman

For God has not linked our salvation with any particular kind of devotion. Any one devotional practice has things which others lack, but the effectiveness of all good practices comes from God alone and is denied to none of them, for one form of goodness cannot conflict with another. Therefore people should remember that if they see or hear of a good person who is following a way which is different from theirs, then they are wrong to think that such a person's efforts are all in vain. If someone else's way of devotion does not please them, then they are ignoring the goodness in it as well as that person's good intention. This is wrong. We should see the true feeling in people's devotional practices and should not scorn the particular way that anyone follows. — Meister Eckhart

Over time, the life of a productive artist becomes filled with useful conventions and practical methods, so that a string of finished pieces continues to appear at the surface. And in truly happy moments those artistic gestures move beyond simple procedure, and acquire an inherent aesthetic all their own. They are your artistic hearth and home, the working-places-to-be that link form and feeling. They become - like the dark colors and asymmetrical lilt of the Mazurka - inseparable from the life of their maker. They are canons. They allow confidence and concentration. They allow not knowing. They allow the automatic and unarticulated to remain so. Once you have found the work you are meant to do, the particulars of any single piece don't matter all that much. — David Bayles

The territorial state is such an ancient form of society - here in Europe it dates back thousands of years - that it is now protected by the sanctity of age and the glory of tradition. A strong religious feeling mingles with the respect and the devotion to the fatherland. — Christian Lous Lange

The acquisition by dishonest means and cunning,' said Levin, feeling that he was incapable of clearly defining the borderline between honesty and dishonesty. 'Like the profits made by banks,' he went on. 'This is evil, I mean, the acquisition of enormous fortunes without work, as it used to be with the spirit monopolists. Only the form has changed. Le roi est mort, vive le roi! Hardly were the monopolies abolished before railways and banks appeared: just another way of making money without work. — Leo Tolstoy

The creative force in man recognizes and records these rhythms with the medium most suitable to him, the object, or the moment, feeling the cause, the life within the outer form. Recording unfelt facts, acquired by rule, results in sterile inventory. To see the Thing Itself is essential: the quintessence revealed direct without the fog of impressionism - the casual noting of the superficial phase, a transitory mood. — Edward Weston

The Puritan, of course, is not entirely devoid of aesthetic feeling. He has a taste for good form; he responds to style; he is even capable of something approaching a purely aesthetic emotion. But he fears this aesthetic emotion as an insinuating distraction from his chief business in life: the sober consideration of the all-important problem of conduct. Art is a temptation, a seduction, a Lorelei, and the Good Man may safely have traffic with it when it is broken to moral uses
in other words, when its innocence is pumped out of it, and it is purged of gusto. — H.L. Mencken