Feature.allow Single Quotes & Sayings

Religion is ... the most pernicious single influence in human society, without one redeeming feature. — Theodore Schroeder

But my vote for Venus's most peculiar feature is the presence of craters that are all relatively young and uniformly distributed over its surface. This innocuous-sounding feature implicates a single planetwide catastrophe that reset the cratering clock ... turning Venus's entire surface into the American automotive dream-a totally paved planet. — Neil DeGrasse Tyson

The really destructive feature of their relationship is its inherent quality of boredom. It is quite natural for Peter often to feel bored with Otto - they have scarecely a single interest in common - but Peter, for sentimental reasons, will never admit that this is so. When Otto, who has no such motives for pretending, says, "It's so dull here!" I invariably see Peter wince and looked pained. Yet Otto is actually far less often bored than Peter himself; he finds Peter's company genuinely amusing, and is quite glad to be with him most of the day. Often, when Otto has been chattering rubbish for an hour without stopping, I can see that Peter really longs for him to be quiet and go away. But to admit this would be, in Peter's eyes, a total defeat, so he only laughs and rubs his hands, tacitly appealing to me to support him in his pretense of finding Otto inexhaustibly delightful and funny. — Christopher Isherwood

Reading is a key feature in the life of every single successful person I have ever met. — Mario Batali

I love dishes that feature the various shades of a single colour, making you stop to check what's in there. — Yotam Ottolenghi

Typically, an historic site is considered by the National Park Service to contain a single historical feature, while generally a National Historic Park extends beyond single properties or buildings. — Rick Renzi

Everything we do on 'Luck' is absolutely no different than if we'd had been doing it in a feature film. There's no short cuts. The specificity of what every single line might mean. Everything Dustin Hoffman does. Kevin Dunn is as authentic in the last scene of the last episode as he is in the first scene of the first episode. — Michael Mann

Almost a quarter of our planet is a single mountain range and we didn't enter it until after Neil Armstrong and Buzz Aldrin went to the moon. So we went to the moon, played golf up there, before we went to the largest feature on our own planet. — Robert Ballard

It was a place without a single feature of the space-time matrix that he knew. It was a place where nothing yet had happened - an utter emptiness. There was neither light nor dark: there was nothing here but emptiness. — Clifford D. Simak

My photographs don't go below the surface. They don't go below anything. They're readings of the surface. I have great faith in surfaces. A good one is full of clues. But whenever I become absorbed in the beauty of a face, in the excellence of a single feature, I feel I've lost what's really there been seduced by someone else's standard of beauty or by the sitter's own idea of the best in him. That's not usually the best. So each sitting becomes a contest. — Richard Avedon

Man has imagined a heaven, and has left entirely out of it the supremest of all his delights ... sexual intercourse! ... His heaven is like himself: strange, interesting, astonishing, grotesque. I give you my word, it has not a single feature in it that he actually values. — Mark Twain

The dance took place on a viewpoint level of Tower Four. Each hour, the whole floor would make a single revolution, so couples at tables could see both the city and the ocean. This was by far its lowest-tech feature. The Synth-Bio Club had engineered all manner of plants and animals just for the occasion: grabby little tentacular vines that climbed up the walls, twirling maple keys that danced and spun in the air like pixies and spiralled up from whatever surface they touched, butterflies that dampened signal by flapping their Faraday wings.
None of the students really noticed. They were too busy miming anal on the dance floor. — Madeline Ashby

I'm starting to believe that part of the solution regarding the devices is that they have a role to play in engaging the customer and keeping our product in front of them during the pre-show. They certainly have a role to play in ticket sales. Inside the movie auditorium, though, during the feature presenation there's no place for them. Every single weekend two out of the top three reasons people contact us are: somebody's being disruptive, with a device most of the time, or a dirty bathroom. — Gerry Lopez

What if, however, humans exceed animals in their capacity for violence precisely because they speak? As Hegel was already well aware, there is something violent in the very symbolisation of a thing, which equals its mortification. This violence operates at multiple levels. Language simplifies the designated thing, reducing it to a single feature. It dismembers the thing, destroying its organic unity, treating its parts and properties as autonomous. It inserts the thing into a field of meaning which is ultimately external to it. When we name gold "gold," we violently extract a metal from its natural texture, investing into it our dreams of wealth, power, spiritual purity, and so on, which have nothing whatsoever to do with the immediate reality of gold. — Slavoj Zizek

Tobacco, in its various forms, is one of the most mischievous of all drugs. There is perhaps no other drug which injures the body in so many ways and so universally as does tobacco. Some drugs offer a small degree of compensation for the evil effects which they produce; but tobacco has not a single redeeming feature and gives nothing in return. — John Harvey Kellogg

His heaven is like himself: strange, interesting, astonishing, grotesque. I give you my word, it has not a single feature in it that he actually values. It consists
utterly and entirely
of diversions which he cares next to nothing about, here in the earth, yet is quite sure he will like them in heaven. Isn't it curious? Isn't it interesting? You must not think I am exaggerating, for it is not so. I will give you details. — Mark Twain

If you have had an unfortunate experience, forget it. If you have made a failure in speech, your song, your book, your article, if you have been placed in an embarrassing position, if you have fallen and hurt yourself by a false step, if you have been slandered and abused, do not dwell upon it. There is not a single redeeming feature in these memories, and the presence of their ghosts will rob you of many a happy hour. There is nothing in it. Drop them. Forget them. Wipe them out of your mind forever. If you have been indiscreet, imprudent, if you have been talked about, if your reputation has been injured so that you fear you can never outgrow it or redeem it, do not drag the hideous shadows, the rattling skeletons about with you, Rub them off from the shite of memory. Wipe them out. Forget them. Start with a clean slate and spend all your energies in keeping it clean for the future. — Orison Swett Marden

Within the period of human history we do not know of a single instance of the transformation of one species into another one. It may be claimed that the theory of descent is lacking, therefore, in the most essential feature that it needs to place the theory on a scientific basis, this must be admitted. — Thomas Hunt Morgan

But whence came this curious difference between them? He found that he could point to no single feature wherein the difference resided, yet it was impossible to ignore. One could try - Ransom has tried a hundred times - to put it into words. He has said that Malacandra was like rhythm and Perelandra like melody. He has said that Malacandra affected him like a quantitative, Perelandra like an accentual, metre. He thinks that the first held in his hand something like a spear, but the hands of the other were open, with the palms towards him. But I don't know that any of these attempts has helped me much. At all events what Ransom saw at that moment was the real meaning of gender. — C.S. Lewis

The sight of a being who is not adorned with a single feature of a pure and good will, enjoying unbroken prosperity, can never give pleasure to an impartial rational spectator. Thus a good will appears to constitute the indispensable condition even of being worthy of happiness. — Immanuel Kant

The greatest single distinguishing feature of the omnipotence of God is that our imagination gets lost thinking about it. — Blaise Pascal

Only with great care. For thousands, carols will be their only link with a church. At the same time, sentimentality is perhaps the single most dangerous feature of our Church and culture-and the sentimental air is never thicker than at Christmas. The Incarnation is messy, dirty, and resonates with the crucifixion. We need a new wave of carol writing that can gradually swill out the nonsense and catch the piercing, joy-through-pain refrains of the New Testament. — Jeremy Begbie

When you read The Arabian Nights you accept Islam. You accept the fables woven by generations as if they were by one single author or, better still, as if they had no author. And in fact they have one and none. Something so worked on, so polished by generations is no longer associated with and individual. In Kafka's case, it's possible that his fables are now part of human memory. What happened to Quixote could happen to to them. Let's say that all the copies of Quixote, in Spanish and in translation, were lost. The figure of Don Quixote would remain in human memory. I think that the idea of a frightening trial that goes on forever, which is at the core of The Castle and The Trial (both books that Kafka, of course, never wanted to publish because he knew they were unfinished), is now grown infinite, is now part of human memory and can now be rewritten under different titles and feature different circumstances. Kafka's work now forms a part of human memory. — Jorge Luis Borges

You're a projectionist and you're tired and angry, but mostly you're bored so you start by taking a single frame of pornography collected by some other projectionist that you find stashed away in the booth, and you splice this frame of a lunging red penis or a yawning wet vagina close-up into another feature movie. This is one of those pet adventures, when the dog and cat are left behind by a traveling family and must find their way home. In reel three, just after the dog and cat, who have human voices and talk to each other, have eaten out of a garbage can, there's the flash of an erection. Tyler does this. — Chuck Palahniuk

The salient feature of the absurd age I was at
an age which for all its alleged awkwardness, is prodigiously rich
is that reason is not its guide, and the most insignificant attributes of other people always appear to be consubstantial with their personality. One lives among monsters and gods, a stranger to peace of mind. There is scarcely a single one of our acts from that time which we would not prefer to abolish later on. But all we should lament is the loss of the spontaneity that urged them upon us. In later life, we see things with a more practical eye, one we share with the rest of society; but adolescence was the only time when we ever learned anything. — Marcel Proust

My view of writing "Coldest Girl in Coldtown" was to take every single thing that I loved from every vampire book I had ever read and dump it into one book
everything I like
trying to evoke some of the decadence ... Vampires are a high-class monster: They want to dress up. They want to drink a lot of absinthe, or force their victims to drink a lot of absinthe. They have big parties and have elegant rituals. I think that's a thing we associate with vampires
they are the royalty of our monsters. We expect them to be rich, we expect them to be well-dressed. I wanted to have some of that be true because I like it, and have some of it not be true because it's kind of weird.
I wanted to put in the idea of infection, which I was really interested in and which was a big feature of the vampire books I read growing up. And, the fear and desire for infection
the way in which our urge towards loving vampires is nihilistic. Our fear of them is our survival instincts kicking in. — Holly Black

It has been recognized that hydrogen bonds restrain protein molecules to their native configurations, and I believe that as the methods of structural chemistry are further applied to physiological problems it will be found that the significance of the hydrogen bond for physiology is greater than that of any other single structural feature. — Linus Pauling

My necessities were books. I read a book at school, another to and from school, yet another at the beach, which was the closest escape from my father's dying. Though when I walked alone it was far. Though I wasn't allowed to walk alone when younger - so young that my concern wasn't the danger to myself but to the books I'd bring, because they weren't mine, they were everyone's, entrusted to me in return for exemplary behavior, and if I lost even a single book, or let even its corner get nicked by a jitney, the city would come, the city itself, and lock me up in that grim brick jail that, in every feature, resembled the library. — Joshua Cohen

When I heard the book (Thomas Friedman's latest) was actually coming out, I started to worry. Among other things, I knew I would be asked to write the review. The usual ratio of Friedman criticism is 2:1, i.e., two human words to make sense of each single word of Friedmanese. Friedman is such a genius of literary incompetence that even his most innocent passages invite feature-length essays. — Matt Taibbi