Fear Of Music Quotes & Sayings

To ask them to legalize pot is something like asking them to put butter on the handcuffs before they place them on you, something else is hurting you - that's why you need pot or whiskey, or whips and rubber suits, or screaming music turned so fucking loud you can't think, or madhouses or mechanical cunts or 162 baseball games in a season. or vietnam or israel or the fear of spiders. your love washing her yellow false teeth in the sink before you screw. — Charles Bukowski

The best way to avoid being confused about Bruce Jenner is get your head out of his bedroom and closet, and then think about all of the things you've been hiding and been miserable about. So what he made his announcement via media. Books, music, movies, business launches are announced in the same manner. Just focus on the feeling of finally disclosing something that enables you to be free and to live as authentically as possible. And then imagine what it's like to own your truth, tell it your way, thus taking away anyone else's ability to spin it their way or use it against you. If you can do any of the above, you will no longer be confused. — Robin Caldwell

White folks have controlled New Orleans with money and guns, black folks have controlled it with magic and music, and although there has been a steady undercurrent of mutual admiration, an intermingling of cultures unheard of in any other American city, South or North; although there has prevailed a most joyous and fascinating interface, black anger and white fear has persisted, providing the ongoing, ostensibly integrated fete champetre with volatile and sometimes violent idiosyncrasies. — Tom Robbins

Making a record is a lot like surgery without an anesthetic. You first have to cut yourself up the middle. Then you have to rip out every single organ, every single part and lay them on a table. You then need to examine the parts, and the reality of the situation hits you. You find yourself saying things like "I didn't know that part was so ugly." Or "I better get a professional opinion about that." You go to bed hollow and then back into the operating room the next day ... facing every fear, every disgusting thing you hate about yourself. Then you pop it all back in, sew yourself shut and perform ... you perform like your life depended on it
and in those perfect moments you find beauty you never knew existed. You find yourself and you friends all over again, you find something to fight for, something to love. Something to show the world. — Gerard Way

I work with musicians whose opinions I respect and if they don't like something they don't hold back. They'll say, 'That really sucks' and 'You've lost it' and 'You're no good anymore.' And I crawl away with my tail between my legs and I fear that kind of ridicule, but I want them to like the music I'm bringing to them. — Billy Joel

Until I die there will be sounds. And they will continue following my death. One need not fear about the future of music. — John Cage

There are many themes found in the Book of Psalms that are generally not found in modern music. These include the fear of God, the righteousness and justice of God, the sovereignty of God, the judgement of God, the evil of sin, spiritual and physical warfare, the arch enemies of the Christian, the destruction of the wicked, the reality of hell, the blessedness of the church, the vicious attacks upon the church, the commandments of God, the dominion of David's son, and so on. Without the backdrop of these truths, the themes of love, mercy, faith, and salvation become largely meaningless. — Kevin Swanson

All at once it seemed like too much of a betrayal to continue to pretend that his brother was delirious, hallucinating, not in his right mind. Lying when he was telling the truth. Maybe Kenzie was right-maybe secrets were more the problem than the solution. Maybe Kenzie was the only clearheaded person in that room.
And yet-he couldn't supress a twinge of fear that if he told the truth, he'd never see Emma again. Never hear her music again. Their musical connection was the closest he'd ever come to slacking his thirst for a human touch. — Cinda Williams Chima

I finally found him sitting on his balcony. He was leaning back against the wall with his eyes closed. Soft music played, and a cool ocean breeze blew back my hair as I stepped on to the balcony and inhaled the scent of the sea.
"May I join you?" I asked softly.
He didn't bother opening his eyes. "If you like."
The moon in the dark sky looked like a giant white plate dipping its edge into the ocean. We sat quietly for a while. I closed my eyes too and listened to him hum along in harmony with the music.
"You haven't played your guitar in a long time. I miss it," I said when the song was finished.
Ren turned away. "I fear there is no music left in me. — Colleen Houck

Growing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music. — Anne Waldman

Off the southeast tip of Italy a young Austrian U-boat commander named Georg von Trapp, later to gain eternal renown when played by Christopher Plummer in the film The Sound of Music, fired two torpedoes into a large French cruiser, the Leon Gambetta. The ship sank in nine minutes, killing 684 sailors. "So that's what war looks like!" von Trapp wrote in a later memoir. He told his chief officer, "We are like highway men, sneaking up on an unsuspecting ship in such a cowardly fashion." Fighting in a trench or aboard a torpedo boat would have been better, he said. "There you hear shooting, hear your comrades fall, you hear the wounded groaning - you become filled with rage and can shoot men in self defense or fear; at an assault you can even yell! But we! Simply cold-blooded to drown a mass of men in an ambush! — Erik Larson

But all the while, there was one thing we most needed even from the start, and certainly will need from here on out into the New Jerusalem: the ability to take our freedom seriously and act on it, to live not in fear of mistakes but in the knowledge that no mistake can hold a candle to the love that draws us home. My repentance, accordingly, is not so much for my failings but for the two-bit attitude toward them by which I made them more sovereign than grace. Grace - the imperative to hear the music, not just listen for errors - makes all infirmities occasions of glory. — Robert Farrar Capon

But since death is inevitable we don't have to deal with it (it'll deal with us when it decides to). What we do have to deal with is the psychic, physical, and fusion diseases wrought during our so-called lives as byproducts of the elemental clash. In other words we're all terminally psychotic and no doctor, hospital, pill, needle, book or guru holds the cure. Because the disease is called life and there is no cure for that but death and death's just part of the set-up designed to keep you terrified and thus in bondage from the cradle to the crypt so ha ha the joke's on you except there's no punchline and the comedian forgot you ever existed as even a comma. — Lester Bangs

They have difficulty when being observed (at work, say, or performing at a music recital) or judged for general worthiness (dating, job interviews). But there were also new insights. The highly sensitive tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive (just as Aron's husband had described her). They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions - sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments - both physical and emotional - unusually deeply. They tend to notice subtleties that others miss - another — Susan Cain

Then come the lights shining on you from above. You are a performer. You forget all you learned, the process of technique, the fear, the pain, you even forget who you are you become one with the music, the lights, indeed one with the dance. — Shirley Maclaine

Maybe there's a different story when it comes to hip-hop or different genres, but as far as rock music goes, I think there is a sort of fear of saying things people might be apt to criticize. Our band is the opposite of that. — Conor Oberst

We enjoy lovely music, beautiful paintings, a thousand intellectual delicacies, but we have no idea of their cost, to those who invented them, in sleepless nights, tears, spasmodic laughter, rashes, asthmas, epilepsies, and the fear of death, which is worse than all the rest. — Marcel Proust

A rising tide of desire threatened to swamp her like a tidal wave, washing away fear and doubt and leaving behind it the knowledge that in her topsy turvy life, she was certain of only one thing: she wanted this man, right now, and she'd deal with the consequences later....
"I want to make love to you," he said, his voice low and thrumming through her veins as if it were a music only she could hear. — Deborah Blake

I had an all-Fear of Music iPod, just versions of the 11 songs from the record. No other songs allowed. — Jonathan Lethem

Lady Dance's music wasn't a magic charm. I'd misunderstood. We had all failed to understand. The song and dance didn't stop us dying. It just stopped the fear of death swallowing us up while we were still alive. 'Rejoice,' came the soft voice of Lady Dance in my mind. 'Watch the moon and stars ... ' Death had ruled my life till I met Lady Dance. Her dance had set me free. — Jackie French

The other me, who did not mean to drown herself, went under the sea and remained there for a long time. Eventually she surfaced near Japan and people gave her gifts but she had been so long under the sea she did not recognize what they were. She is a sly one. Mostly at night we commune. Night. Harbinger of dream and nightmare and bearer of omens which defy the music of words. In the morning the fear of her going is very real and very alarming. It can make one tremble. Not that she cares. She is the muse. I am the messenger. — Edna O'Brien

A good portion of my work with Tangerine Dream at the time involved film music, and I remember approaching it as any 23-year-old would - without much fear or respect. Also, Tangerine Dream was typically asked to deliver a monochromatic kind of score, the electronic-analog trademark sound that TD had become famous for following landmark films such as Sorcerer [Universal, 1977], Thief [MGM, 1981], and Risky Business [Warner Brothers, 1983]. — Paul Haslinger

In previous centuries, the Church was the great controller, dictating morality, stifling free expression and posing as conservator of all great art and music. Instead we have TV, doing just as good a job at dictating fashions, thoughts, attitudes, objectives as did the Church, using many of the same techniques but doing it so palatably that no one notices. Instead of 'sins' to keep people in line, we have fears of being judged unacceptable by our peers (by not wearing the right shoes, not drinking the right kind of beer, or wearing the wrong kind of deodorant). Coupled with that fear is imposed insecurity concerning our own identities. All answers and solutions to these fears come through the television, and only through television. Only through exposure to TV can the new sins of alienation and ostracism be absolved. — Anton Szandor LaVey

One need not fear for the future of music. — John Cage

If you cannot come, if you fear
What music might wind your feet
In the moss and migrant roots,
What drink will score your throat
Like a sky scratched
By the claw-end of leaves
What wheels will drive you
Home at dawn, where the dew-blades
Bear up the infancies of light -
Then send, in the tremble
Of your own cold hand,
Regrets only, nothing but regrets. — Elton Glaser

I am always hearing ... the sound of a far off song. I do not exactly know where it is, or what it means; and I don't hear much of it, only the odour of its music, as it were, flitting across the great billows of the ocean outside this air in which I make such a storm; but what I do hear, is quite enough to make me able to bear the cry from the drowning ship. So it would you if you could hear it.'
'No it wouldn't,' returned Diamond stoutly. 'For they wouldn't hear the music of the far-away song; and if they did, it wouldn't do them any good. You see you and I are not going to be drowned, and so we might enjoy it.'
'But you have never heard the psalm, and you don't know what it is like. Somehow, I can't say how, it tells me that all is right; that it is coming to swallow up all the cries ... It wouldn't be the song it seems if it did not swallow up all their fear and pain too, and set them singing it themselves with all the rest. — George MacDonald

As a rule, we don't like to feel to sad or lonely or depressed. So why do we like music (or books or movies) that evoke in us those same negative emotions? Why do we choose to experience in art the very feelings we avoid in real life?
Aristotle deals with a similar question in his analysis of tragedy. Tragedy, after all, is pretty gruesome. [ ... ] There's Sophocles's Oedipus, who blinds himself after learning that he has killed his father and slept with his mother. Why would anyone watch this stuff? Wouldn't it be sick to enjoy watching it? [ ... ] Tragedy's pleasure doesn't make us feel "good" in any straightforward sense. On the contrary, Aristotle says, the real goal of tragedy is to evoke pity and fear in the audience. Now, to speak of the pleasure of pity and fear is almost oxymoronic. But the point of bringing about these emotions is to achieve catharsis of them - a cleansing, a purification, a purging, or release. Catharsis is at the core of tragedy's appeal. — Brandon W. Forbes

Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine. — Anais Nin

Music became a healer for me. And I learned to listen with all my being. I found that it could wipe away all the emotions of fear and confusion relating to my family. — Eric Clapton

I had no room now for this fear, or for any other fear, because I was filled to the brim with music. And even when it was not literally (audibly) music, there was the music of my muscle-orchestra playing - "the silent music of the body," in Harvey's lovely phrase. With this playing, the musicality of my motion, I myself became the music - "You are the music, while the music lasts." A creature of muscle, motion and music, all inseparable and in unison with each other - except for that unstrung part of me, that poor broken instrument which could not join in and lay motionless and mute without tone or tune. — Oliver Sacks

Music in a movie might tell you about longing. It might tell you about fear. It might tell you any number of things, but it tells you something different. Something happy might be going on, but there can be this little sad tinge underneath that tells you something. — Fred Schepisi

The highly sensitive [introverted] tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive. They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions
sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments
both physical and emotional
unusually deeply. They tend to notice subtleties that others miss
another person's shift in mood, say, or a lightbulb burning a touch too brightly. — Susan Cain

We look for evidence of the divine and we find it in nature, in art, in literature, in music in film, so, rather than fear the surrounding culture, and the surrounding cities which predictably results in a bunker mentality the emerging congregation embraces the culture and expects to find God in it the emerging congregation embraces the culture recognizing that its not all pretty but it embraces the culture and even then expects to find god in it because there is nowhere god isn't. there are many places where the church isn't but I don't think that means there are places where god isn't. — John Middendorf

It crouches near the center of creation. There is no night where it waits. Only the riddle of which terrible dream will set it loose. It beheaded mercy to take possession of that place. It feasts on darkness from the minds of men. No one has ever seen its eyeless face. When it sleeps we know a few moments of peace. But when it breathes again we go down in fire and mate with jackals. It knows our fear. It has our number. It waited for our coming and it will abide long after we have become congealed smoke. It has never heard music, and shows its fangs when we panic. It is the beast of our savage past, hungering today, and waiting patiently for the mortal meal of all our golden tomorrows. It lies waiting. — Harlan Ellison

Turning off the electric light he continued the conversation with himself. It is the light of course but it is necessary that the place be clean and pleasant. You do not want music. Certainly you do not want music. Nor can you stand before a bar with dignity although that is all that is provided for these hours. What did he fear? It was not fear or dread. It was a nothing that he knew too well. It was all a nothing and a man was nothing too. It was only that and light was all it needed and a certain cleanness and order. Some lived in it and never felt it but he knew it all was nada y pues nada y nada y pues nada. Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee. He smiled and stood before a bar with a shining steam pressure coffee machine. — Ernest Hemingway,

Every single one of them with their eyes open and on him, their mouths, too, halfway screaming, halfway begging. Offering themselves to him, because the call was irresistible despite being recognizable. They were moths who know what the light is, know what it will do to them. And come anyway. — Glen Hirshberg

She opens her eyes as the fury continues, pinning me with her glare. Her gaze reached into my soul as I spin the music back to the simple melody at its core - our melody. A moment of recognition washes over her, followed by regret, fear, terror. An entire kaleidoscope of emotions exists within a single heartbeat. — Christine Fonseca

... For love it is never the same. What goes on inside is never the same just like this music which changes every instant. For love there are a million variations, a million nights, a million days, contrasts in moods, in textures, whims, a million gestures colored by emotion, by sorrow, joy, fear, courage, triumph, by revelations which deepen the groove, creations which expand its dimensions, sharpen its penetrations. Love is vast enough to include a phrase read in a book, the shape of a neck seen and desired in a crowd, a face loved and desired, seen in the window of a passing subway, vast enough to include a past love, a future love, a film, a voyage, a scene in a dream, an hallucination, a vision. Love-making under a tent, or under a tree, with or without a cover, under a shower, in darkness or in light, in heat or cold. — Anais Nin

My wife's the reason anything gets done, she nudges me towards promise by degrees. She is a perfect symphony of one our son is her most beautiful reprise. We chase the melodies that seem to find us until they're finished songs and start to play. When senseless acts of tragedy remind us that nothing here is promised--not one day. This show is proof that history remembers. We live in times when hate and fear seem stronger. We rise and fall and light from dying embers--remembrances that hope and love last longer. And love is love is love is love is love is love is love is love cannot be killed or swept aside. I sing Vanessa's symphony. Eliza tells her story. Now, fill the world with music, love, and pride. — Lin-Manuel Miranda

Nietzsche called the ear "the organ of fear," and believed that the sense of hearing "could have evolved as greatly as it has only in the night and twilight of obscure caves and woods, in accordance with the mode of life in the age of timidity, that is to say the longest human age there has been: in bright daylight the ear is less necessary. That is how music acquired the character of an art of night and twilight. — Ben Macintyre

Reese sucked in a breath and played faster, hurling the anger through his fingers until it spun all his
fear, all his rage, into the gentle voice of music. — Willowy Whisper

If I regarded my life from the point of view of the pessimist, I should be undone. I should seek in vain for the light that does not visit my eyes and the music that does not ring in my ears. I should beg night and day and never be satisfied. I should sit apart in awful solitude, a prey to fear and despair. But since I consider it a duty to myself and to others to be happy, I escape a misery worse than any physical deprivation. — Helen Keller

I do consider myself a very spiritual being. I fear being seen as political in any context because it's so limiting, but I do feel Godflesh is a protest music of sorts. That was the background that I came from. — Justin Broadrick

Every now and then when your life gets complicated and the weasels start closing in, the only cure is to load up on heinous chemicals and then drive like a bastard from Hollywood to Las Vegas ... with the music at top volume and at least a pint of ether. — Hunter S. Thompson

The "omnivore's dilemma" (a term coined by Paul Rozin) is that omnivores must seek out and explore new potential foods while remaining wary of them until they are proven safe. Omnivores therefore go through life with two competing motives: neophilia (an attraction to new things) and neophobia (a fear of new things). People vary in terms of which motive is stronger, and this variation will come back to help us in later chapters: Liberals score higher on measures of neophilia (also known as "openness to experience"), not just for new foods but also for new people, music, and ideas. Conservatives are higher on neophobia; they prefer to stick with what's tried and true, and they care a lot more about guarding borders, boundaries, and traditions. — Jonathan Haidt

My big fear was that my guitar would go out of tune. — Bob Dylan

Hope is for people who wait. And I don't want to wait no more. I'm not scared anymore. I'm not scared of myself. Of my things. Of my fear. Of absolutely nothing. And that's music. — Concha Buika

The church, by and large, has had a poor record of encouraging freedom. She has spent so much time inculcating in us the fear of making mistakes, that she has made us like ill-taught piano students: we play our songs, but we never really hear them because our main concern is not to make music to avoid some flub that will get us in dutch. — Robert Farrar Capon

Not everyone loves to read, but everyone loves stories. Some stories are told with words, some with paint, and some with music. Some are filmed, others are set on a stage. Some are sculpted from clay or woven in thread, and some are even explored in video games. The best ones are from other people, because they are raw and unique. But however they come, stories are powerful because they create something out of nothing: courage out of fear, knowledge out of ignorance, and hope out of despair. — Trudy Adams

But there is an unholy fascination in systematic noise. He did not flee from it incontinently, as one might have expected him to do. He remained, astonished at himself for remaining, since nothing could have been more repulsive to his tastes, more painful to his senses, and, so to speak, more contrary to his genius, than this rude exhibition of vigour. The Zangiacomo band was not making music; it was simply murdering silence with a vulgar, ferocious energy. One felt as if witnessing a deed of violence; and that impression was so strong that it seemed marvelous to see the people sitting so quietly on their chairs, drinking so calmly out of their glasses, and giving no signs of distress, anger, or fear. Heyst averted his gaze from the unnatural spectacle of their indifference. — Joseph Conrad

I wrote about everything I didn't write on The Fame. While traveling the world for two years, I've encountered several monsters, each represented by a different song on the new record: my 'Fear of Sex Monster,' my 'Fear of Alcohol Monster,' my 'Fear of Love Monster,' my 'Fear of Death Monster,' my 'Fear of Loneliness Monster,' etc. I spent a lot of nights in Eastern Europe, and this album is a pop experimentation with industrial/Goth beats, 90's dance melodies, an obsession with the lyrical genius of 80's melancholic pop, and the runway. I wrote while watching muted fashion shows and I am compelled to say my music was scored for them. — Lady Gaga

The music of cri-cri and cigales droned on in a hypnotic rhythm, punctuated by the occasional croon of the nightingale. I thought of lullabies and how as a child they would placate my disappointment that another day had ended. I was used to sleeping in strange places, and would always focus on sound to relax. In the pawnshop, it was the ticking of grandfather clocks or the tuning of antique instruments. In the thieves' den, it was striking of a match, the bubbling of a water pipe and the gentle murmur floating in off the streets. On the Wastrel, it was the wind or the creaking wood. It was important to me to find lullabies where I could. If death came with a lullaby, perhaps fewer men would fear it. — Meg Merriet

I wanted to be with her, like all the time. Eliminate the obstacles, the people and things in our lives that were keeping us apart: Brandi, Seth, Kirsten, society, me.
Me? Make that my fear. What was I afraid of, exactly? What other people would think? I guess, a little. But that wasn't what was stopping me from acting on my feelings. It was the intensity of them. The desire for her. I knew if I gave into it, I'd have to surrender myself completely. I'd lose all control. Everything I knew, everything I was, the walls I'd built up to protect myself all these years would come crashing down. I might get lost in the rubble. Yet, she made me feel alive in a way I'd only ever imagined I could feel. Bells, whistles, music. (Chapter. 15) — Julie Anne Peters

I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys...loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. — Ta-Nehisi Coates

It may be that that we can sing what we often cannot say, whether it be from shyness, fear, lack of the right words or the passion or dramatic gift to express them. More souls have rallied to more causes by the strains of music than by straining rhetoric. — Richard Rodgers

Chamberlain closed his eyes and saw it again. It was the most beautiful thing he had ever seen. No book or music would have that beauty. He did not understand it: a mile of men flowing slowly, steadily, inevitably up the long green ground, dying all the while, coming to kill you, and the shell bursts appearing above them like instant white flowers, and the flags all tipping and fluttering, and dimly you could hear the music and the drums, and then you could hear the officers screaming, and yet even above your own fear came the sensation of unspeakable beauty. He shook his head, opened his eyes. Professor's mind. But he thought of Aristotle: pity and terror. So this is tragedy. Yes. He nodded. In the presence of real tragedy you feel neither pain nor joy nor hatred, only a sense of enormous space and time suspended, the great doors open to black eternity, the rising across the terrible field of that last enormous, unanswerable question. — Michael Shaara

An image of Mia flashes before my eyes. Seventeen years old, those dark eyes full of love, intensity, fear, music, sex, magic, grief. — Gayle Forman

Take the time to make some sense for what you wanna say,
And cast your words away upon the waves.
Sail them home with acquiesce on a ship of hope today,
And as they land upon the shore,
Tell them not to fear no more.
I'm not saying right is wrong,
It's up to us to make the best of all the things that come our way.
Cos' everything that's been has past,
The answers in the looking glass.
There's four and twenty million doors
On life's endless corridor,
So say it loud and sing it proud today. — Noel Gallagher

I often use music as a handle for very emotionally explosive substances: love, sex, God, fear, doubt, politics, the economics of the soul - these are daunting thoughts in the back of my mind that I rarely visit without the safety gloves of song. — Jon Foreman

After 10 years, I have been touring for 20, playing basically the same type of music, a four-piece or three-piece type of music with loud, crashing drums and screaming vocals. It gets to the point where you're looking for something new, and you don't want to do something that's way too left-field, for fear that it might seem contrived. — Dave Grohl

Now whenever I left class to go to the boys' room, I worried that I would end up on the blue tiled floor in a puddle of piss and blood. — Kenneth Logan

I've noticed a lot of younger artists have less fear of doing different sorts of things, whether it's various types of music, or gallery artists moving between video and sculpture and drawing. — David Byrne

I haven't a single friend; I must live alone. But well I know that God is nearer to me than to the others of my art; I associate with Him without fear, I have always recognized and understood Him, and I have no fear for my music,-it can meet no evil fate. Those who understand it must become free from all the miseries that the others drag with them. — Ludwig Van Beethoven

He ordered Ronan to put on some terrible music
Ronan was always too happy to oblige in this department
and then he abused the Camaro at every stoplight on the way out of town. "Put your back into it!" Gansey shouted breathlessly. He was talking to himself, of course, or to the gearbox. "Don't let it smell fear on you!" Blue wailed each time the engine revved up, but not unhappily. Noah played the drums on the back of Ronan's headrest. Adam, for his part, was not wild, but he did his best not to appear unwild, so as not to ruin it for the others. — Maggie Stiefvater

Outside the house is a world where the shelves are stocked, where radio waves are full of music, where young men walk the streets again, men who have deprievation and a fear worse than death, who have willingly given up their early twenties and now, thinking of thirty and beyond, haven't any time to spare. — Michael Cunningham

Their silence was not the result of boredom or apathy, nor were they quiet because it was expected of them or through fear of consequences; but they were listening, actively, attentively listening to those records, with the same raptness they had shown in their jiving; their bodies were still, but I could feel that their minds and spirits were involved with the music. I glanced towards Miss Blanchard and as though she divined my thoughts she smiled at me and nodded in understanding ... — E.R. Braithwaite

The truth is, anyone who puts so much of herself and her life into art as you do must naturally fear any failure in that art as a potential threat to your life. And so you protect your art more than you protect your health or the common forms of happiness the rest of us have. And you probably have this in common with every artist you admire. — Arthur Phillips

Before the Battle:
Music of whispering trees
Hushed by the broad-winged breeze
Where shaken water gleams;
And evening radiance falling
With reedy bird-notes calling.
O bear me safe through dark, you low-voiced streams.
I have no need to pray
That fear may pass away;
I scorn the growl and rumble of the fight
That summons me from cool
Silence of marsh and pool,
And yellow lilies islanded in light.
O river of stars and shadows, lead me through the night. — Siegfried Sassoon

There is no feeling, except the extremes of fear and grief, that does not find relief in music. — George Eliot

Her fierce and fearful friend
who loved country music and cherry Pop Tarts and singing in public and the color pink, who was terrified of germs and dogs and ladders. — Lauren Oliver

It is the light of course but it is necessary that the place be clean and pleasant. You do not want music. Certainly you do not want music. Nor can you stand before a bar with dignity although that is all that is provided for these hours. What did he fear? It was not fear or dread. It was a nothing that he knew too well. It was all a nothing and a man was nothing too. — Ernest Hemingway,

... especially the young ones, come into the canyon for the first time, quiet as deer, some of them, coming to your hand for salt: their dark eyes wide and gleaming with the wonder and the fear we had all felt at seeing for the first time life as our dreams had always imagined it ... at seeing so many people with whom they could fall in love. The old enchantment composed of lights, music, people was transfixing them for the first time, and it made their faces even more touching. — Andrew Holleran

Writing is the dragon that lives underneath my floorboards. The one I incessantly feed for fear it may turn and devour my ass. Writing is the friend who doesn't return my phone calls; the itch I'm unable to scratch; a dinner invitation from a cannibal; elevator music for a narcoleptic. Writing is the hope of lifting all boats by pissing in the ocean. Writing isn't something that makes me happy like a good cup of coffee. It's just something I do because not writing, as I've found, is so much worse. — Quentin R. Bufogle

Back then he'd hammered out rags as rough as the planks that made up that schoolhouse stage. Over the years he's taken a saw and rasp to those tunes and smoothed them at the edges, sanded them slowly over time with finer and finer grit paper, and applied a polish to them. The songs are comfortable now. People can take their shoes off to dance without fear of a spike in the foot; they can lie back on that smooth and waxed wood to take a nap in the afternoon or make love all night long. Oliver sees himself as a carpenter, a craftsman putting notes and melodies together, fitting them when they will, stepping back to rest and reconsider when they won't. — Richard J. Alley

If you're lucky, at the right time you come across music that is not only "great," or interesting, or "incredible," or fun, but actually sustaining. Though some elusive but tangible process, a piece of music cuts through all defenses and makes sense of every fear and desire you bring to it. As it does so, it exposes all you've held back, and then makes sense of that, too. Though someone else is doing the talking, the experience is like a confession. Your emotions shoot out to crazy extremes; you feel both ennobled and unworthy, saved and damned. You hear that this is what life is all about, that this is what it is for. Yet it is this recognition itself that makes you understand that life can never be this good, this whole. With a clarity life denies for its own good reasons, you see places to which you can never get. — Greil Marcus

When I hear music, I fear no danger. I am invulnerable. I see no foe. I am related to the earliest times, and to the latest. — Henry David Thoreau

I closed my eyes and let the music flow through me, cleansing my soul of all fear and sin and reminding me that I am always better than I think and stronger than I believe. — Paulo Coelho

I don't live in as much fear as I used to. I'm not afraid of the music business. Life is too damn short. I know what's important, and the tasks are very clear. — Kathy Mattea

To become aware of the ineffable is to part company with words ... the tangent to the curve of human experience lies beyond the limits of language. the world of things we perceive is but a veil. It's flutter is music, its ornament science, but what it conceals is inscrutable. It's silence remains unbroken; no words can carry it away. Sometimes we wish the world could cry and tell us about that which made it pregnant with fear
filling grandeur. Sometimes we wish our own heart would speak of that which made it heavy with wonder. — Abraham Joshua Heschel

Charlie whistled "Amazing Grace" as he drove. It was all I could do not to whip my head around and snap, Are you kidding me? Couldn't he pick something more appropriate, like "Shout at the Devil" or "Don't fear the Reaper"? Some people had no sense of the proper music for a kidnapping. — Jeaniene Frost

It throbbed and pulsed, channeled by elemental forces of fear, love, hope, and sadness. The bow stabbed and flitted across the strings in a violent whorl of creation; its hairs tore and split until it seemed the last strands would sever in a scrape of dissonance. Those who saw the last fragile remnants held their breath against the breaking. The music rippled across the ship like a spirit, like a thing alive and eldritch and pregnant with mystery. The song held. More than held, it deepened. It groaned. It resounded in the hollows of those who heard. Then it softened into tones long, slow, and patient and reminded men of the faintest stars trembling dimly in defiance of a ravening dark. At the last, when the golden hairs of the bow had given all the sound they knew, the music fled in a whisper. Fin was both emptied and filled, and the song sighed away on the wind. — A.S. Peterson

The Song of the Winged Ones is a song of celebration, written as though the singer were standing on the Dragon Isle watching the dragons flying in the sun. The words are full of wonder at the beauty of the creatures; and there is a curious pause in the middle of one of the stanzas near the end, where the singer waits a full four measures in silence for those who listen to hear the music of distant dragon wings. It seldom fails to bring echoes of something beyond the silence, and is almost never performed because many bards fear it.
I love it. — Elizabeth Kerner

I've withdrawn many times. Part of me is a monk, and part a performing flea! The fear in the music business is that you don't exist if you're not at Xenon with Andy Warhol. — John Lennon

Joel Lane documents a life we don't quite live, in a city we can't quite find: half glimpsed and half imagined, we know it's out there somewhere. Waiting, maybe. Mixing fear with desire, reputation with regret. Touching the blood-beat of our secret hunger with the rhythms of a music that never felt alien till now. Wasted lives, with never a wasted word. It's an extraordinary achievement: vivid as neon, real as rain. Devastating. — Chaz Brenchley

Many of my readers are women and some of them email me their thoughts about the stories I've written. Almost all of them find a delicious pleasure in being totally frightened by the strange and dark side of life. Perhaps it's because horror books are an escape from our sometimes-mundane lives? Or could it be that many of us actually do have a private darker side that we like to explore secretly through books, movies and music? — Sara Brooke

His men had begun gathering the wounded or stunned into a small group some distance back up the slope. Here and there an animal or human stirred, but not many. There were few cries of pain or fear now. Mostly, it was eerily quiet. Even the insects had ceased their music. — Derek Donais

There is no feeling, perhaps, except the extremes of fear and grief, that does not find relief in music,
that does not make a man sing or play the better. — George Eliot

I'm completely in love with the world but also terrified of it. It creates some overwhelming feelings. Wanting to battle out that joy and fear is part of my music. — Florence Welch

I finally understood why laughter is a mark of wanderers, from the holy fools of Old Russia to the roadies of rock music. It's the surprise, the unexpected, the out of control. It turns out that laughter is the only free emotion - the only one that can't be compelled. We can be made to fear. We can even be made to believe we're in love because, if we're kept dependent and isolated for long enough, we bond in order to survive. But laughter explodes like an aha! It comes when the punch line changes everything that has gone before, when two opposites collide and make a third, when we suddenly see a new reality. — Gloria Steinem

One practice I rely on all the time is basic meditation which allows me to strip away the noise. Its like the old-fashioned dial on the radio, where you were getting static and then you found that clear, sweet spot on the dial, where the music would come through. That's what meditation is for me. Dialing out the static, the noise, the anxiety, the fear, and coming into a place that's deep and quiet. It's like dropping into a well of inspiration and wisdom. — Elizabeth Lesser

What is there in music that it should so stir our deeps? We are all ordinarily in a state of desperation; such is our life; ofttimes it drives us to suicide. To how many, perhaps to most, life is barely tolerable, and if it were not for the fear of death or of dying, what a multitude would immediately commit suicide! But let us hear a strain of music, we are at once advertised of a life which no man had told us of, which no preacher preaches. Suppose I try to describe faithfully the prospect which a strain of music exhibits to me. The field of my life becomes a boundless plain, glorious to tread, with no death nor disappointment at the end of it. All meanness and trivialness disappear. I become adequate to any deed. No particulars survive this expansion; persons do not survive it. In the light of this strain there is no thou nor I. We are actually lifted above ourselves. — Henry David Thoreau

The music was more than music- at least what we are used to hearing. The music was feeling itself. The sound connected instantly with something deep and joyous. Those powerful moments of true knowledge that we have to paper over with daily life. The music tapped the back of our terrors, too. Things we'd lived through and didn't want to ever repeat. Shredded imaginings, unadmitted longings, fear and also surprisingly pleasures. No, we can't live at that pitch. But every so often something shatters like ice and we are in the river of our existence. We are aware. And this realization was in the music, somehow, or in the way Shamengwa played it. — Louise Erdrich

I do support artists standing by their beliefs and walking with integrity. We have to find a better way to commercially exploit music while giving artists their proper respect. This cannot be done while taking their contributions for granted or trying to control the scope of their growth and power through threats and fear tactics. — Lauryn Hill

Have you ever been up in your plane at night, alone, somewhere, 20,000 feet above the ocean? ... Did you ever hear music up there? ... It's the music a man's spirit sings to his heart, when the earth's far away and there isn't any more fear. It's the high, fine, beautiful sound of an earth-bound creature who grew wings and flew up high and looked straight into the face of the future. And caught, just for an instant, the unbelievable vision of a free man in a free world. — Dalton Trumbo

As darkness descended, fear continued hammering on the cracks of her rational mind. Even the critters had decided to ratchet up the volume. Great. A creepy nature soundtrack for my own personal nightmare. How about some Tomb Raider music, people! — Mimi Jean Pamfiloff

Rush headlong and hard at life
or just sit at home and wait.
All things good and all the wrong
will come right to you: it's fate.

Hear the music, dance if you can.
Dress in rags or wear your jewels.
Drink your choice, nurse your fear
in this old honkytonk of fools. — Dean Koontz

The alcohol danced down his throat like a contented snake on the way to a magic ball... The lights seemed suddenly brighter... He felt an immediate sense of danger... Electricity... Fear... Excitement... The glass left his lips he needed another. He needed ten, twenty, thirty more...
He needed rivers, seas, oceans...
He swore under his breath. Somewhere a woman laughed and a man shouted... He looked at the stage. Temptresses dancing... Strange Northern music.... Whores... laws... violence... — James A. Newman

Nothing about multiculturalism antagonized Rachel. She liked all kinds of food, clothing, cultural customs, and music. The one thing that held her aloof was a fear of offending through ignorance. — Ausma Zehanat Khan

We need to welcome the experimental creativity that is always searching out new ways of singing the Gospel, and banish the fear that grips us when familiar music passes away. — Michael Adam Hamilton

It is quite natural, then, that the solidly unionized professional paraphrast experiences a surge of dull hatred and fear, and in some cases real panic, when confronted with the possibility that a shift in fashion, or the influence of an adventurous publishing house, may suddenly remove from his head the cryptic rosebush he carries or the maculated shield erected between him and the specter of inexorable knowledge. As a result the canned music of rhymed versions is enthusiastically advertised, and accepted, and the sacrifice of textual precision applauded as something rather heroic, whereas only suspicion and bloodhounds await the gaunt, graceless literalist groping around in despair for the obscure word that would satisfy impassioned fidelity and accumulating in the process a wealth of information which only makes the advocates of pretty camouflage tremble or sneer. — Vladimir Nabokov