Fear And Art Quotes & Sayings
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Top Fear And Art Quotes

Fools, art is a heavy task, more heavy than gold crowns; it's far more difficult to match firm words than armies, they're disciplined troops, unconquered, to be placed in rhythm, the mind's most mighty foe, and not disperse in air. I'd give, believe me, a whole land for one good song, for I know well that only words, that words alone, like the high mountains, have no fear of age or death. — Nikos Kazantzakis

An observant friend will recognize the signs of the rise of grief: eyes that easily well with tears, a smile that is difficult to sustain, a tendency to withdraw. And ultimately, perhaps we each need to create our own symbol of grieving - to wear our version of black, or maybe to color with black crayons for a while. — Sandy Oshiro Rosen

Vulnerability gives us freedom, power and connects us to a network of injured souls. It is through the art of being real that we can heal ourself and others. — Shannon L. Alder

Spirit of BEAUTY, that dost consecrate With thine own hues all thou dost shine upon Of human thought or form, where art thou gone? Why dost thou pass away and leave our state, This dim vast vale of tears, vacant and desolate? Ask why the sunlight not for ever Weaves rainbows o'er yon mountain-river, Why aught should fail and fade that once is shown, Why fear and dream and death and birth Cast on the daylight of this earth Such gloom, why man has such a scope For love and hate, despondency and hope? — Percy Bysshe Shelley

The Lord's my Shepherd, I'll not want;
He makes me down to lie
In pastures green; He leadeth me
The quiet waters by.
My soul He doth restore again,
And me to walk doth make
Within the paths of righteousness,
E'en for His own name's sake.
Yea, though I walk in death's dark vale,
Yet will I fear no ill;
For Thou art with me, and Thy rod
And staff my comfort still.
My table Thou hast furnished me
In presence of my foes;
My head Thou dost with oil anoint,
And my cup overflows.
Goodness and mercy all my life
Shall surely follow me;
And in God's house forevermore,
My dwelling place shall be. — Psalm 23

If thou hadst a good conscience thou wouldst not greatly fear death. It were better for thee to watch against sin, than to fly from death. If to-day thou art not ready, how shalt thou be ready to-morrow? To-morrow is an uncertain day; and how knowest thou that thou shalt have a to-morrow? — Thomas A Kempis

All art is fundamentally subversive, because it upsets people's perceptions, their notions about society. Therefore, art is dangerous, but good art is always making us reassess our thoughts and feelings about how we relate to other people. There are always people who fear that and want to suppress that. — John Boorman

We all stood and gathered our backpacks and I looked at the floor around my chair to make sure I hadn't dropped anything. I was terrified of unwittingly leaving behind a scrap of paper on which were written all my private desires and humiliations. The fact that no such scrap of paper existed, that I did not even keep a diary or write letters except bland, earnest, falsely cheerful ones to my family (We lost to St. Francis in soccer, but I think we'll win our game this Saturday; we are working on self-portraits in art class, and the hardest part for me is the nose) never decreased my fear. — Curtis Sittenfeld

Like writing, publishing is not easy. No endeavor worth pursuing is. Discomfort and fear are easy outs - and ultimately dead ends. They are responses to keep us locked in the role of victim. Empowerment is encapsulated in the written word. Writing about trauma is more than simply documenting experience - it's about illuminating life on earth. It's about transforming tragedy into art, and hoping that somehow that piece of art may help someone else who's gone through something unbearable and who doesn't yet see that there is truly a light at the end of the tunnel. . . . It's about transcendence. It's about where we go from here." Tracy Strauss — Rossandra White

Habitualization devours objects, clothes, furniture, one's wife, and the fear of war. If all the complex lives of many people go on unconsciously, then such lives are as if they had never been.
Art exists to help us recover the sensation of life; it exists to make us feel things, to make the stone stony. The end of art is to give a sensation of the object seen, not as recognized. The technique of art is to make things 'unfamiliar,' to make forms obscure, so as to increase the difficulty and the duration of perception. The act of perception in art is an end in itself and must be prolonged. In art, it is our experience of the process of construction that counts, not the finished product. — Victor Shklovsky

God is not a technician. God is an Artist. This is the God who made you. The same God who lives inside of you. He comes into us, then comes out of us, in a million little ways. That's why there's freedom, even in the blah. Hope, even in the dark. Love, even in the fear. Trust, even as we face our critics. And believe in the midst of all that? It feels like strength and depth and wildflower spinning; it feels risky and brave and underdog winning. It feels like redemption. It feels like art. — Emily P. Freeman

Let us not lose the Bible, but with diligence, in fear and invocation of God, read and preach it. While that remains and flourishes, all prospers with the state; 'tis head and empress of all arts and faculties. Let but divinity fall, and I would not give a straw for the rest. — Martin Luther

In the height of thy prosperity expect adversity, but fear it not. If it come not, thou art the more sweetly possessed of the happiness thou hast, and the more strongly confirmed. If it come, thou art the more gently dispossessed of the happiness thou hadst, and the more firmly prepared. — Francis Quarles

Through this tradition of face-to-face oral communication, now in danger of disappearing, black folks maintained the conviction of their own worth and saved their own souls by refusing to fall victim to fear or the hatred of their oppressors, which they recognized would have been more destructive to themselves than to their enemies. As the poet Lucille Clifton put it, "Ultimately if you fill yourself with venom you will be poisoned."3 There were incidents of individual violence, usually crimes of passion committed by someone under the influence of alcohol and over a man or a woman. But despite the unimaginable cruelty that they suffered, blacks kept their sense of humor and created the art form of the blues as a way to work through and transcend the harshness of their lives. Living under the American equivalent of Nazism, they developed an oasis of civility in the spiritual desert of "me-firstism" that characterized the rest of the country. — Grace Lee Boggs

Poe had this curious kind of alchemical courage, where he took all the terrible things and terrors that happened in his life, all this shame and fear and pain, and turned them into great works of art. He was a complex, brilliant person who was just wired too tight. — John Cusack

It's terrifying to think you can remember things you shouldn't possibly be able to. It's like that childhood fear of having your soul slip from your body in your sleep. The darkness, those black sheets of glass sliding over you, upping the pressure, pushing you through the time and space and story. — Tim Winton

Growing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music. — Anne Waldman

Books, like all art, breed in us desire. In times of crisis and fear and misrepresentation we need desire, or else we shut down and hide out in our houses, succumbing to infotainment and the ease of an available latte, turning off our brains and emotions. Books breed desire. — Lidia Yuknavitch

The very first thing I remember in my early childhood is a flame, a blue flame jumping off a gas stove somebody lit... I remember being shocked by the whoosh of the blue flame jumping off the burner, the suddenness of it... I saw that flame and felt that hotness of it close to my face. I felt fear, real fear, for the first time in my life. But I remember it also like some kind of adventure, some kind of weird joy, too. I guess that experience took me someplace in my head I hadn't been before... The fear I had was almost like an invitation, a challenge to go forward into something I knew nothing about. That's where I think my personal philosophy of life and my commitment to everything I believe in started... In my mind I have always believed and thought since then that my motion had to be forward, away from the heat of that flame. — Miles Davis

They have difficulty when being observed (at work, say, or performing at a music recital) or judged for general worthiness (dating, job interviews). But there were also new insights. The highly sensitive tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive (just as Aron's husband had described her). They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions - sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments - both physical and emotional - unusually deeply. They tend to notice subtleties that others miss - another — Susan Cain

All art is an intensely vulnerable gesture, and it is made with no small amounts of risk, and fear. So, I have plenty of sympathy for self-defense mechanisms, especially among artists. — Steven Erikson

What follows is the sum and substance of a remarkable year in a great artist's life -
Alexander Wainwright. He was at the pinnacle of his career when his art took a strange turn and I began to fear he had become possessed by some devil. But I was only beginning to understand the power of his passionate and hungry spirit, which nearly devoured him in his search for his new art - and his new life.
James Helmsworth, [art dealer for Alexander Wainwright] in The Drawing Lesson.
Enter for the giveaway of ten autographed copies of The Drawing Lesson, the first in The Trilogy of Remembrance starting on July 31st until August 31st, 2014. — Mary E. Martin

We must live with our hearts
in our hands - like Mary.
We must hold the blood-
red heart and no be disappointed
when others look away. — Kelli Russell Agodon

We are sorry about the way things turned out. We gave, in the phrasing of our words if not literally in the words themselves, the false impression that these pages might hold some small fragment, some slight fragrance of a greater truth. That there might be something here to be learned. Before we go any further the author of this cartoon wishes to make an apology. Such an impression was deliberately cultivated. It is a ruse. It is a lie. We are every bit as lost and afraid as children abandoned in a wood: every bit as lost as you. — Anders Nilsen

When you react, you don't give your mind the time to get filled with emotions. You are devoid of anger, fear, and frustration; you are simply moving. — Saulo Ribeiro

Many people have the desire to let go, but they're not able to do so because they don't yet have enough insight; they haven't seen other alternatives, other doorways to peace and happiness. Fear is an element that prevents us from letting go. We're fearful that if we let go we'll have nothing else to cling to. Letting go is a practice; it's an art. One day, when you're strong enough and determined enough, you'll let go of the afflictions that make you suffer. — Thich Nhat Hanh

The stories teach them valuable life lessons. That good things happen to bad people. That it's possible to make a bad situation even worse if you don't think it through. That parents are clueless except when they're not. That it's good to try new things even when a new thing is kind of disgusting, because new experiences make you a well-rounded person. That art can be transcendent. That lust is all-powerful, that drugs are fun, and that not everyone who does them is a loser. That losing people is part of life. That where comedy goes, tragedy isn't far behind. That everyone has issues with their bodies, but some take it too far, almost to death. That fear can be exhilarating. That boys are assholes. That it's important to look forward and never look back ... — Megan McCafferty

Every man, however hopeless his pretensions may appear, has some project by which he hopes to rise to reputation; some art by which he imagines that the attention of the world will be attracted; some quality, good or bad, which discriminates him from the common herd of mortals, and by which others may be persuaded to love, or compelled to fear him. — Samuel Johnson

The more you love your art/ calling/ enterprise, the more important its accomplishment to the evolution of your soul, the more you will fear it and the more Resistance you will experience facing it. — Steven Pressfield

Goya's savage verve, his harsh, brutal genius, captivated Des Esseintes. On the other hand, the universal admiration his works had won rather put him off, and for years he had refrained from framing them, for fear that if he hung them up, the first idiot who saw them would might feel obliged to dishonour them with a few inanities and go into stereotyped ecstasies over them. — Joris-Karl Huysmans

The fear thou art in, Sancho," said Don Quixote, "prevents thee from seeing or hearing correctly, for one of the effects of fear is to derange the senses and make things appear different from what they are; if thou art in such fear, withdraw to one side and leave me to myself, for alone I suffice to bring victory to that side to which I shall give my aid;" and so saying he gave Rocinante the spur, and putting the lance in rest, shot down the slope like a thunderbolt. — Miguel De Cervantes Saavedra

Rainer Maria Rilke sacrificed everything
For his art he dedicated himself
To the Great Work
I admired his single-mindedness
All through my twenties
I argued his case
Now I think he was a jerk
For skipping his daughter's wedding
For fear of losing his focus
He believed in the ancient enmity
Between daily life and the highest work
Or Ruth and the Duino Elegies
It is probably a middle-class prejudice
Of mine to think that Anna Akhmatova
Should have raised her son Lev
Instead of dumping him on her husband's mom
Motherhood is a bright torture she confessed
I was not worthy of it
Lev never considered it sufficient
For her to stand outside his prison
Month after month clutching packages
And composing Requiem for the masses — Edward Hirsch

Put thy whole trust in God and let Him be thy fear and thy love, He will answer for thee Himself, and will do for thee what is best. Here hast thou no continuing city,(3) and wheresoever thou art, thou art a stranger and a pilgrim, and thou shalt never have rest unless thou art closely united to Christ within thee. — Thomas A Kempis

But, oh, when gloomy doubts prevail,
I fear to call thee mine;
The springs of comfort seem to fail,
And all my hopes decline.
Yet, gracious God, where shall I flee?
Thou art my only trust;
And still my soul would cleave to thee,
Though prostrate in the dust. — Anne Steele

Fear is a great motivator. Look at what 9-11 has accomplished - My god. It's slammed the economy, It's - I can't even begin to detail all it's actually done, other than bring down the buildings and hit the Pentagon. It's stunned the entire nation. — Art Bell

Lord. As Blake brought out so beautifully in his poem "Jerusalem": ". . . Babel mocks, saying there is no God or Son of God; That Thou, O Human Imagination, O Divine Body of the Lord Jesus Christ art all A delusion; but I know Thee, O Lord, when Thou arisest upon My weary eyes, even in this dungeon and this iron mill. . . For Thou also sufferest with me, although I behold Thee not. . ." . . .And the Divine Voice answers: ". . . Fear not! Lo, I am with you always. Only believe in me, that I have power to raise from death Thy Brother who sleepeth in Albion. — Neville Goddard

The willingness to be a champion for stupid ideas is the key to greater creativity, innovation, fulfillment, inspiration, motivation and success. — Richie Norton

WHO SHALL not fear thee, O Lord, and glorify thy name? for thou only art holy" (Rev 15:4). He — Arthur W. Pink

Humans had built a world inside the world, which reflected it in pretty much the same way as a drop of water reflected the landscape. And yet ... and yet ...
Inside this little world they had taken pains to put all the things you might think they would want to escape from - hatred, fear, tyranny, and so forth. Death was intrigued. They thought they wanted to be taken out of themselves, and every art humans dreamt up took them further in. He was fascinated. — Terry Pratchett

When they remain in garrison, soldiers are maintained with fear and punishment; when they are then led to war, with hope and reward. — Niccolo Machiavelli

The highly sensitive [introverted] tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive. They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions
sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments
both physical and emotional
unusually deeply. They tend to notice subtleties that others miss
another person's shift in mood, say, or a lightbulb burning a touch too brightly. — Susan Cain

Fear no more the heat o' the sun
Nor the furious winter's rages,
Thou thy worldly task hast done,
Home art gone, and ta'en thy wages;
Golden lads and girls all must
As chimney sweepers come to dust — Pierce Brown

To my mind, nothing is as important as good writing, because in literature, the walls between people and cultures are broken down, and the things that plague us most - suspicion and fear of the other, and the tendency to see whole groups of people as objects, as monoliths of one cultural stereotype or another - are defeated. This work is not done as a job, ladies and gentlemen, it is done out of love for the art and the artists who brought it forth, and who still bring it forth to us, down the years and across ignorance and chaos and borderlines. — Richard Bausch

Overcoming fear and conceiving this 'art of more' should be a fundamental practice in what it is that you do and make. — Chase Jarvis

Love, Hope, and Joy, fair pleasure's smiling train, Hate, Fear, and Grief, the family of pain, These mix'd with art, and to due bounds confin'd Make and maintain the balance of the mind. — Alexander Pope

Krav Maga heightens perception and transforms fear into something more productive. — Imi Lichtenfeld

The shelves are filled with books about improving the process of leadership; discussions of how to hone its art are few. Checklists and processes do not challenge our ability to think, they do not force us to defend our ideas or look new ones in the face. They demand no depth. Defining leadership as an art rather than as a process does not mean that leadership cannot be taught. It merely means that gaining a greater understanding of leadership requires intellectual courage. Just as we develop physical courage by experiencing and functioning under physical fear and moral courage by making the choice of right amidst the pressure to do otherwise, so we develop intellectual courage through the discomfort and ambiguity of experiencing ideas that challenge our depth and perspective. Leaders develop intellectual courage by continuously sharpening the saber through education, and in doing so they
hone within themselves the art of leadership. — Christopher D. Kolenda

We look for evidence of the divine and we find it in nature, in art, in literature, in music in film, so, rather than fear the surrounding culture, and the surrounding cities which predictably results in a bunker mentality the emerging congregation embraces the culture and expects to find God in it the emerging congregation embraces the culture recognizing that its not all pretty but it embraces the culture and even then expects to find god in it because there is nowhere god isn't. there are many places where the church isn't but I don't think that means there are places where god isn't. — John Middendorf

Turning off the electric light he continued the conversation with himself. It is the light of course but it is necessary that the place be clean and pleasant. You do not want music. Certainly you do not want music. Nor can you stand before a bar with dignity although that is all that is provided for these hours. What did he fear? It was not fear or dread. It was a nothing that he knew too well. It was all a nothing and a man was nothing too. It was only that and light was all it needed and a certain cleanness and order. Some lived in it and never felt it but he knew it all was nada y pues nada y nada y pues nada. Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee. He smiled and stood before a bar with a shining steam pressure coffee machine. — Ernest Hemingway,

Maybe this is a utopian view of art but I do believe that art can function as a vehicle, that it isn't just a cultural pursuit, something that happens in art galleries. Unless art is linked to experience and the fear and joy of that, it becomes mere icing on the cake. — Antony Gormley

If there was a day of the week I could skip it would be Monday. Clients had too much time to think and worry over a long weekend and by Monday they were often riddled with fear and anxiety. — Stan Turner

When people in a democracy are not educated in the art of living
to strengthen their conscience, compassion, and ability to question and think critically
they can be easily manipulated by fear and propaganda. A democracy is only as wise as its citizens, and a democracy of ignorant citizens can be as dangerous as a dictatorship. — Paul K. Chappell

I'd gone from being this art student messing about with music to this girl with a record deal, magazine front covers and all this hype. In many ways, it was everything I ever wanted, but when it happened all I felt was total, paralysing fear. — Florence Welch

He thought, that all men, trickled away, changing constantly, until they finally dissolved, while the artist-created images remained unchangeably the same. He thought that the fear of death was perhaps the root of all art, perhaps also of all things of the mind. We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. Perhaps the woman after whom the master shaped his beautiful Madonna is already wilted or dead, and soon he, too, will be dead; others will live in his house and eat at his table- but his work will still be standing hundreds of years from now, and longer. It will go on shimmering in the quiet cloister church, unchangingly beautiful, forever smiling with the same sad, flowering mouth. — Hermann Hesse

The Australian form of self-respect, however rough-and-ready, heart-of-gold, come-and-take-pot-luck-with-us, and matily extrovert it is, essentially, genteel, ingrowing, self-pitying, vanilla-ice-cream hearted, its central fear a fear of intellect. — Hal Porter

They had heroes for companions, beautiful youths to
dream of, rose-marble-fingered
Women shed light down the great lines;
But you have invoked the slime in the skull,
The lymph in the vessels. They have shown men Gods
like racial dreams, the woman's desire,
The man's fear, the hawk-faced prophet's; but nothing
Human seems happy at the feet of yours.
Therefore though not forgotten, not loved, in the gray old
years in the evening leaning
Over the gray stones of the tower-top,
You shall be called heartless and blind. — Robinson Jeffers

Obstinate are the trammels, but my heart aches when I try to break them. Freedom is all I want, but to hope for it I feel ashamed. I am certain that priceless wealth is in thee, and that thou art my best friend, but I have not the heart to sweep away the tinsel that fills my room.
The shroud that covers me is a shroud of dust and death; I hate it, yet hug it in love. My debts are large, my failures great, my shame secret and heavy; yet when I come to ask for my good, I quake in fear lest my prayer be granted. — Rabindranath Tagore

Charm is the great English blight. It does not exist outside these damp islands. It spots and kills anything it touches. It kills love; it kills art; I greatly fear, my dear Charles, it has killed you. — Evelyn Waugh

Fear of failure and criticism can be crippling. Don't let others' negativity take away your joy. — Lee Hammond

The Battle of Waterloo is a work of art with tension and drama with its unceasing change from hope to fear and back again, changewhich suddenly dissolves into a moment of extreme catastrophe, a model tragedy because the fate of Europe was determined within this individual fate. — Stefan Zweig

The prince must consider, as has been in part said before, how to avoid those things which will make him hated or contemptible; and as often as he shall have succeeded he will have fulfilled his part, and he need not fear any danger in other reproaches. — Niccolo Machiavelli

I haven't a single friend; I must live alone. But well I know that God is nearer to me than to the others of my art; I associate with Him without fear, I have always recognized and understood Him, and I have no fear for my music,-it can meet no evil fate. Those who understand it must become free from all the miseries that the others drag with them. — Ludwig Van Beethoven

There are no two things as important to us in life and in art as being threatened and being saved. What are ideals of form for if we aren't going to be made to fear for them? All our ingenuity is lavished on getting into danger legitimately so that we may be genuinely rescued. — Robert Frost

[On the ancient Venus figurines:] If the central religious figure was a woman giving birth and not, as in our time, a man dying on a cross, it would not be unreasonable to infer that life and the love of life - rather than death and the fear of death - were dominant in society as well as art. — Riane Eisler

We live in this thought web; we identify things and put them away and distance ourselves from them. But to be completely present? That is source, that is art, that is spirituality. And meditation is a way to defy fear and experience that source. — Ben Foster

The truth is, anyone who puts so much of herself and her life into art as you do must naturally fear any failure in that art as a potential threat to your life. And so you protect your art more than you protect your health or the common forms of happiness the rest of us have. And you probably have this in common with every artist you admire. — Arthur Phillips

I sing your restless longing for the statue, your fear of the feelings that await you in the street. I sing the small sea siren who sings to you, riding her bicycle of corals and conches. But above all I sing a common thought that joins us in the dark and golden hours. The light that blinds our eyes is not art. Rather it is love, friendship, crossed swords. — Federico Garcia Lorca

And thou art terrible
the tear,
The groan, the knell, the pall, the bier;
And all we know, or dream, or fear
Of agony, are thine. — Fitz-Greene Halleck

We were thirsty for some form of beauty, even in an incomprehensible, overintellectual, abstract film with no subtitles and censored out of recognition. There was a sense of wonder at being in a public place for the first time in years without fear or anger, being in a place with a crowd of strangers that was not a demonstration, a protest rally, a breadline or a public execution...For a brief time we experienced collectively the kind of awful beauty that can only be grasped at through extreme anguish and expressed through art. — Azar Nafisi

But the more shrewdly and earnestly we study the histories of men, the less ready shall we be to make use of the word 'artificial.' Nothing in the world has ever been artificial. Many customs, many dresses, many works of art are branded with artificiality because the exhibit vanity and self-consciousness: as if vanity were not a deep and elemental thing, like love and hate and the fear of death. Vanity may be found in darkling deserts, in the hermit and in the wild beasts that crawl around him. It may be good or evil, but assuredly it is not artificial: vanity is a voice out of the abyss. — G.K. Chesterton

What would you think of an engineer who expounded the art of flying without revealing the secrets of the engine and propeller? That's what you do, you engineer of the human soul. Just that. You're a coward. You want the raisins out of my cake but you don't want the thorns of my roses. Haven't you too, little psychiatrist, been cracking silly jokes about me? Haven't you ridiculed me as "the prophet of bigger and better orgasms"? Have you never heard the whimpering of a young wife whose body has been desecrated by an impotent husband? Or the anguished cry of an adolescent bursting with unfulfilled love? Does your security still mean more to you than your patient? How long will you go on valuing your respectability above your medical mission? How long will you refuse to see that your pussyfooting procrastination is costing millions their lives? — Wilhelm Reich

Like art, political action gives shape and expression to the things we fear as well as to those we desire. It is a creative process, drawing on the power to imagine as well as to act. — Madeleine M. Kunin

My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings — Edvard Munch

Quitting my day job and starting my life as a writer was a tremendous risk. It was a fool's leap, a shot in the dark. But anything of any value in our lives, whether that be a career, a work of art, a relationship, will always start with such a leap. And in order to be able to make it you have to put aside the fear of failing and the desire of succeeding. ( ... ) Because things that we do without lust of result are the purest actions that we shall ever take. — Alan Moore

But Hannah's friend didn't understand the volatile balancing act between art and sanity, that the act of creation was like walking a tightrope during an earthquake. She didn't understand Hannah's stupid need for validation, or that the size of the audience increased the stakes and multiplied the fear. She didn't understand that creativity was dangerous, that, yes, there were some people who could stand before a canvas, paint a sunset that would bring the world to its knees, and return to their loved ones as a complete person who didn't hurt, didn't cry, didn't spill blood to appease the host of fickle muses. But Hannah did. Hannah's best ideas - sometimes her only ideas - were buried beneath the skin. — Jake Vander Ark

We need courage to take ourselves seriously, to look closely and without flinching, to regard the things that frighten us in life and art with wonder. — Elizabeth Gilbert

The highest art ... sets down its creations and trusts in their magic, without fear of not being understood. — Hermann Hesse

In this vast universe There is but one supreme truth- That God is our friend! By that truth meaning is given To the remote stars, the numberless centuries, The long and heroic struggle of mankind ... O my Soul, dare to trust this truth! Dare to rest in God's kindly arms, Dare to look confidently into His face, Then launch thyself into life unafraid! Knowing thou art within my Father's house, That thou art surrounded by His love, Thou wilt become master of fear, Lord of Life, conqueror even of death! — Joshua L. Liebman

I can't tell you what art does and how it does it, but I know that art has often judged the judges, pleaded revenge to the innocent and shown to the future what the past has suffered, so that it has never been forgotten.
I know too that the powerful fear art, whatever its form, when it does this, and that amongst the people such art sometimes runs like a rumour and a legend because it makes sense of what life's brutalities cannot, a sense that unites us, for it is inseparable from a justice at last. Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts and honour. — John Berger

Art is restoration: the idea is to repair the damages that are inflicted in life, to make something that is fragmented - which is what fear and anxiety do to a person - into something whole. — Louise Bourgeois

PSA23.1 The LORD is my shepherd; I shall not want. PSA23.2 He maketh me to lie down in green pastures: he leadeth me beside the still waters. PSA23.3 He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake. PSA23.4 Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me. PSA23.5 Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over. PSA23.6 Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the LORD for ever. — Anonymous

We are gradually losing the art of silence. Of walking down the street lost in our own thoughts. Of closing the door to our rooms and being quiet. Of sitting on a park bench and just thinking. We may fear silence because we fear what we might hear from the deepest parts of ourselves. We may be afraid to hear that "still small" voice. What might it say? Might it ask us to change? — James Martin

Teaching might even be the greatest of the arts since the medium is the human mind and spirit. My three [great teachers] did not tell - they catalyzed a burning desire to know. Under their influence, the horizons sprung wide and fear went away and the unknown became knowable. But most important of all, the truth, that dangerous stuff, became beautiful and very precious. — John Steinbeck

Thinking ahead often seems to be a lost art. Many people are so caught up in instant gratification that they never stop to think about the long-term effects of some of their actions. They also don't see the connections between today's actions and tomorrow's results - and this causes an awful lot of pain and frustration in life. Whatever I do today, I should be aware of the possible effects - negative and positive - that can show up in the future, near or far. Of course, we can't let the fear of what might happen in the future keep us from acting today. But we can make our lives much easier if we just remember the law of cause and effect, and realize that some of what we do today will be the cause of effects that won't show up until later. — Tom Walsh

Glamis thou art, and Cawdor; and shalt be What thou art promised. Yet do I fear thy nature; It is too full o' the milk of human kindness. One of the cows mooed appreciatively. — Kelley Armstrong

A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper. — Ursula K. Le Guin

Archibald MacLeish affirmed that 'A poem should be equal to / not true'. As a defiant statement of poetry's gift for telling truth but telling it slant, this is both cogent and corrective. Yet there are times when a deeper need enters, when we want the poem to be not only pleasurably right but compellingly wise, not only a surprising variation played upon the world, but a retuning of the world itself. We want the surprise to be transitive, like the impatient thump which unexpectedly restores the picture to the television set, or the electric shock which sets the fibrillating heart back to its proper rhythm. We want what the woman wanted in the prison queue in Leningrad, standing there blue with cold and whispering for fear, enduring the terror of Stalin's regime and asking the poet Anna Akhmatova if she could describe it all, if her art could be equal to it. — Seamus Heaney

Sonnet: Political Greatness
Nor happiness, nor majesty, nor fame,
Nor peace, nor strength, nor skill in arms or arts,
Shepherd those herds whom tyranny makes tame;
Verse echoes not one beating of their hearts,
History is but the shadow of their shame,
Art veils her glass, or from the pageant starts
As to oblivion their blind millions fleet,
Staining that Heaven with obscene imagery
Of their own likeness. What are numbers knit
By force or custom? Man who man would be,
Must rule the empire of himself; in it
Must be supreme, establishing his throne
On vanquished will, quelling the anarchy
Of hopes and fears, being himself alone. — Percy Bysshe Shelley

Some people say they're afraid about dying. Noooo ... it's the fear of living totally in the moment, living fully engaged, and independent at the same time. That's the real fear. — Art Hochberg

Human perfection and technical perfection are incompatible. If we strive for one, we must sacrifice the other: there is, in any case, a parting of the ways. Whoever realises this will do cleaner work one way or the other.
Technical perfection strives towards the calculable, human perfection towards the incalculable. Perfect mechanisms - around which, therefore, stands an uncanny but fascinating halo of brilliance - evoke both fear and Titanic pride which will be humbled not by insight but only by catastrophe.
The fear and enthusiasm we experience at the sight of perfect mechanisms are in exact contrast to the happiness we feel at the sight of a perfect work of art. We sense an attack on our integrity, on our wholeness. That arms and legs are lost or harmed is not yet the greatest danger. — Ernst Junger

How easy we kill," she murmurs. She sets the gun on the table in the center of the room. "It never solves our problems."
Something about her words and her voice has my hackles rising. Only recently Serenity discovered the art of scheming. It's a talent of mine, one I fear she's taken a liking to as well. — Laura Thalassa

Let those flatter, who fear; it is not an American art.61 To give praise which is not due might be well from the venal, but would ill beseem those who are asserting the rights of human nature. ... Open your breast, sire, to liberal and expanded thought. Let not the name of George the third be a blot in the page of history. ... The whole art of government consists in the art of being honest. Only aim to do your duty, and mankind will give you credit where you fail. No longer persevere in sacrificing the rights of one part of the empire to the inordinate desires of another; but deal out to all equal and impartial right. ... This is the important post in which fortune has placed you, holding the balance of a great, if a well poised empire. — Jon Meacham

The greatest artists express their inner self; an artist paints her rage; a writer pens his fear; a dancer expresses her sadness through movement; and a musician's loneliness echoes in his performance. — Gerard De Marigny

Not in the least," I said. "I understand everything you've said. But - oh, Simon, I feel so resentful! Why should father make things so difficult? Why can't he say what he means plainly?" "Because there's so much that just can't be said plainly. Try describing what beauty is - plainly - and you'll see what I mean." Then he said that art could state very little - that its whole business was to evoke responses. And that without innovations and experiments - such as father's - all art would stagnate. "That's why one ought not to let oneself resent them - though I believe it's a normal instinct, probably due to subconscious fear of what we don't understand. — Dodie Smith

I'm scared and overwhelmed and my mind is racing. But," she paused and looked at him. "You're here. You just gave me hope. You also just scared the blazes out of me. I'm no longer sure that I'm the most difficult person in this relationship."
"I remain sure of it," Alain said.
"Did you just make a joke?" She pulled away a little and stared at him, smiling more like she usually did. "Are you making fun of me, Mage?"
Alain couldn't remember how long it had been since he had laughed. The act was completely alien to Mages, to the training he had endured since he was a small child. But now he laughed, the sound rusty and halting, yet he knew it was a laugh, and it felt so good to be laughing and holding Mari that Alain wondered what Mage art or other promised reward could possibly be worth giving up such things. — Jack Campbell

I fight pain, anxiety, and fear every day, and the only method I have found that relieves my illness is to keep creating art. I followed the thread of art and somehow discovered a path that would allow me to live. — Yayoi Kusama

Wishing to open my mouth, O brethren, and speak on the exalted theme of humility, I am filled with fear, even as a man who understands that he is about to discourse concerning God with the art of his own words. For humility is the raiment of the Godhead. — Isaac Of Nineveh

I write for the child in everybody,that part of us that is aware and open and courageous. It's also that part of us that isn't afraid to explore the mythical depths, that vast part of ourselves we know little about and which we often fear because we can't manipulate or control it. That's where art is born. — Madeleine L'Engle

But the artist appeals to that part of our being which is not dependent on wisdom; to that in us which is a gift and not an acquisition - and, therefore, more permanently enduring. He speaks to our capacity for delight and wonder, to the sense of mystery surrounding our lives; to our sense of pity, and beauty, and pain; to the latent feeling of fellowship with all creation - and to the subtle but invincible conviction of solidarity that knits together the loneliness of innumerable hearts, to the solidarity in dreams, in joy, in sorrow, in aspirations, in illusions, in hope, in fear, which binds men to each other, which binds together all humanity - the dead to the living and the living to the unborn. — Joseph Conrad