Faulkner The Past Quotes & Sayings

Let the past abolish the past when
and if
it can substitute something better. — William Faulkner

The woman is now climbing slowly down, with that inwardlistening deliberation. — William Faulkner

When I look back at my mule it was like he was one of these here spy-glasses and I could look at him standing there and see all the broad land and my house sweated outen it like it was the more the sweat, the broader the land; the more the sweat, the tighter the house because it would take a tight house for Cora, to hold Cora like a jar of milk in the spring: you've got to have a tight jar or you'll need a powerful spring, so if you have a big spring, why then you have the incentive to have tight, wellmade jars, because it is your milk, sour or not, because you would rather have milk that will sour than to have milk that wont, because you are a man. — William Faulkner

My father was among the first of his generation to look into writers who've become part of the American lit. canon. When he wrote his master's thesis on William Faulkner in the Forties, he couldn't find anybody on the faculty at Columbia University to oversee it because they didn't read Faulkner. — Antonya Nelson

I think the writer is initially set going by literature more than by life. When there are many writers all employing the same idiom, all looking out on more or less the same social scene, the individual writer will have to be more than ever careful that he isn't just doing badly what has already been done to completion. The presence alone of Faulkner in our midst makes a great difference in what the writer can and cannot permit himself to do. Nobody wants his mule and wagon stalled on the same track the Dixie Limited is roaring down. — Flannery O'Connor

Stories are there to be told, and each story changes with the telling. Time changes them. Logic changes them. Grammar changes them. History changes them. Each story is shifted side-ways by each day that unfolds. Nothing ends. The only thing that matters, as Faulkner once put it, is the human heart in conflict with itself. At the heart of all this is the possibility, or desire, to create a piece of art that talks to the human instinct for recovery and joy. — Colum McCann

John McEnroe ... was arguably the best serve-and-volley man of all time, but then McEnroe was an exception to pretty much every predictive norm there was. At his peak (say 1980 to 1984), he was the greatest tennis player who ever lived-the most talented, the most beautiful, the most tormented: a genius. For me, watching McEnroe don a blue polyester blazer and do stiff lame truistic color commentary for TV is like watching Faulkner do a Gap ad. — David Foster Wallace

He was looking forward to his visit not only for the pleasure of the shrewd dealing which far transcended mere gross profit, but with the sheer happiness of being out of bed and moving once more at free will, even though a little weakly, in the sun and air which men drank and moved in and talked and dealt with one another - a pleasure no small part of which lay in the fact that he had not started yet and was absolutely nothing under heaven to make him start until he wanted to. He did not still feel weak, he was merely luxuriating in that supremely gutful lassitude of convalescence in which time, hurry, doing, did not exist, the accumulating seconds and minutes and hours to which in its well state the body's slave both waking and sleeping, now reversed and time now the lip-server and mendicant to the body's pleasure instead of the body thrall to time's headlong course. — William Faulkner

I have consumed more drink than the first
one hundred men you will pass
on the street
or meet in the madhouse.
I scratch my belly and dream of the
albatross.
I have joined the great drunks of
the centuries:
Li Po, Toulouse-Lautrec, Crane, Faulkner.
I have been selected
but by whom? — Charles Bukowski

He's crossed all the oceans all around the world. — William Faulkner

They held the funeral on the second day, with the town coming to look at Miss Emily beneath a mass of bought flowers with the crayon face of her father musing profoundly above the bier and the ladies sibilant and macabre; and the very old men - some in their brushed Confederate uniforms - on the porch and the lawn, talking of Miss Emily as if she had been a contemporary of theirs, believing that they had danced with her and courted her perhaps, confusing time with its mathematical progression, as the old do, to whom all the past is not a diminishing road but, instead, a huge meadow which no winter ever quite touches, divided from them now by the narrow bottle-neck of the most recent decade of years. — William Faulkner

The past isn't dead. It isn't even past. - William Faulkner — Tim Powers

The significant difference between Proust and Faulkner, for Sartre, is that where Proust discovers salvation in time, in the recovery of time past, for Faulkner time is never lost, however much he may want, like a mystic, to forget time. Both writers emphasize the transitoriness of emotion, of the condition of love or misery, or whatever passes because it is transitory in time. "Proust really should have employed a technique like Faulkner's," Sartre legislates, "that was the logical outcome of his metaphysic. Faulkner, however, is a lost man, and because he knows that he is lost he risks pushing his thoughts to its conclusion. Proust is a classicist and a Frenchman; and the French lose themselves with caution and always end by finding themselves. — John McCormick

The bells were ringing again, high in the scudding sunlight in bright disorderly tatters of sound. — William Faulkner

Making or getting money is a kind of game where there are not any rules at all. — William Faulkner

And when Hightower approaches, the smell of plump unwashed flesh and unfresh clothing
that odor of unfastidious sedentation, of static overflesh not often enough bathed
is well nigh overpowering. [ ... ] It is the odor of goodness. Of course it would smell bad to us that are bad and sinful. — William Faulkner

A man or a race either if he's any good can survive his past without even needing to escape from it and not because of the high quite often only too rhetorical rhetoric of humanity but for the simple indubitable practical reason of his future: that capacity to survive and absorb and endure and still be steadfast. — William Faulkner

It's like there was a fellow in every man that's done a-past the sanity or the insanity, that watches the sane and the insane doings of that man with the same horror and the same astonishment. — William Faulkner

I say money has no value; it's just the way you spend it. — William Faulkner

[...] confusing time with its mathematical progression, as the old do, to whom all the past is not a diminishing road but, instead, a huge meadow which no winter ever touches. — William Faulkner

The past isn't over. It isn't even past. — William Faulkner

The train could be stopped with a red flag, but by ordinary it appeared out of the devastated hills with apparitionlike suddenness and wailing like a banshee, athward and past that little less-than-village like a forgotten bead from a broken string. — William Faulkner

Listen to the voices. — William Faulkner

Beneath all the chatter and the liturgy runs a fierce nostalgia for the literary myths of the past, for the gigantic figures of Dickens and Joyce, Hemingway and Faulkner. A writer can't even aim at that kind of aura today. But it's that yearning for imagined greatness that drives the whole literary enterprise. Plus the publishers' desperation to manufacture a bestseller to pay the bills. The idea of greatness is a marketing tool. See Franzen. — Tim Parks

In the South you are ashamed of being a virgin. Boys. Men. They lie about it. Because it means less to women, Father said. He said it was men invented virginity not women. Father said it's like death: only a state in which the others are left and I said, But to believe it doesn't matter and he said, That's what's so sad about anything: not only virginity and I said, Why couldn't it have been me and not her who is unvirgin and he said, That's why that's sad too; nothing is even worth the changing of it ... — William Faulkner

In my opinion it's a shame that there is so much work in the world. — William Faulkner

He just stood and looked at his dying mother, his heart too full for words. — William Faulkner

Women will show pride and honor about almost anything except love ... — William Faulkner

Thinking remembering how his uncle had said that all man had was time, all that stood between him and the death he feared and abhorred was time yet he spent half of it inventing ways of getting the other half past: — William Faulkner

But was it Faulkner who said that the past was not even past? — Garth Risk Hallberg

It surged up out of the water and stood for an instant upright upon that surging and heaving desolation like Christ. — William Faulkner

That's what they mean by the love that passeth understanding: that pride, that furious desire to hide that abject nakedness which we bring here with us, carry with us into operating rooms, carry stubbornly and furiously with us into the earth again. — William Faulkner

When he saw the River again he knew it at once. He should have; it was now ineradicably a part of his past, his life; it would be a part of what he would bequeath, if that were in store for him. — William Faulkner

because what is commonly assumed to be past history is actually as much a part of the living present as William Faulkner insisted. — Ralph Ellison

Like a long sighing of wind in trees it begins, then they sweep into sight, borne now upon a cloud of phantom dust. They rush past, forwardleaning in the saddles, with brandished arms, beneath whipping ribbons from slanted and eager lances; with tumult and soundless yelling they sweep past like a tide whose crest is jagged with the wild heads of horses and the brandished arms of men like the crater of the world in explosion. — William Faulkner

You must always know the past, for there is no real Was, there is only Is. — William Faulkner

The South is full of memories and ghosts of the past. For me, it is the most inspiring place to write, from William Faulkner's haunted antebellum home to the banks of the Mississippi to the wind that whispers through the cotton fields. — Alexandra Adornetto

The past is never dead. It's not even past. — William Faulkner

Our most treasured family heirloom are our sweet family memories. The past is never dead, it is not even past. — William Faulkner

I decline to accept the end of man ... I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among the creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail. — William Faulkner

We will have to choose not between color nor race nor religion nor between East and West either, but simply between being slaves and being free. And we will have to choose completely and for good; the time is already past now when we can choose a little of each, a little of both. We can choose a state of slavedom, and if we are powerful enough to be among the top two or three or ten, we can have a certain amount of license - until someone more powerful rises and has us machine-gunned against a cellar wall. — William Faulkner

I lied," I said ...
"I know it," he said.
"Then do something about it. Do anything, just so it's something."
"I cant," he said.
"There aint anything to do? Not anything?"
"I didn't say that," Grandfather said. "I said I couldn't. You can."
"What?" I said. "How can I forget it? Tell me how to."
"You cant," he said. "Nothing is ever forgotten. Nothing is ever lost. It's too valuable."
"Then what can I do?"
"Live with it," Grandfather said.
"Live with it? You mean, forever? For the rest of my life? Not ever to get rid of it? Never? I cant. Dont you see that I cant?"
"Yes you can," he said. "You will. A gentleman always does. A gentleman can live through anything. He faces anything. A gentleman accepts the responsibility of his actions and bears the burden of their consequences, even when he did not himself instigate them but only acquiesced to them, didn't say No though he knew he should. — William Faulkner

And George Farr had the town, the earth, the world to himself and his sorrow. Music came faint as a troubling rumor beneath the spring night, sweetened by distance: a longing knowing no ease. (Oh God, oh God!)
At last George Farr gave up trying to see her. He had 'phoned vainly and time after time, at last the telephone became the end in place of the means: he had forgotten why he wanted to reach her. Finally he told himself that he hated her, that he would go away; finally he was going to as much pains to avoid her as he had been to see her. So he slunk about the streets like a criminal, avoiding her, feeling his his very heart stop when he did occasionally see her unmistakable body from a distance. And at night he lay sleepless and writhing to think of her, then to rise and don a few garments and walk past her darkened house, gazing in slow misery at the room in which he knew she lay, soft and warm, in intimate slumber, then to return to home and bed to dream of her brokenly. — William Faulkner

They travelled crosstown now; the cab could rush fast down each block of the continuous alley, pausing only at the intersections where, to the right, canyonniched, the rumor of Grandlieu Street swelled and then faded in repetitive and indistinguishable turmoil, flicking on and past as though the cab ran along the rimless periphery of a ghostly wheel spoked with light and sound. — William Faulkner

In every writer there is a certain amount of the scavenger. — William Faulkner

A period of time is as much an organising principle for a work of fiction as a sense of place. You can do geography, as Faulkner did, or you can dwell on a particular period. It provides the same framework. — E.L. Doctorow

Which was no abode of the dead because there was no death, not Lion and not Sam: not held fast in earth but free in earth and not in earth but of earth, myriad yet undiffused of every myriad part, leaf and twig and particle, air and sun and rain and dew and night, acorn oak and leaf and acorn again, dark and dawn and dark and dawn again in their immutable progression and, being myriad, one ... — William Faulkner

So the only environment the artist needs is whatever peace, whatever solitude, and whatever pleasure he can get at not too high a cost. All the wrong environment will do is run his blood pressure up; he will spend more time being frustrated or outraged. My own experience has been that the tools I need for my trade are paper, tobacco, food, and a little whiskey. — William Faulkner

Something among dusty shelves of ordered certitudes long divorced from reality, desiccating peacefully, as if a breath of that air which sees injustice done — William Faulkner

She has no mother because fatherblood hates with love and pride, but motherblood with hate loves and cohabits. — William Faulkner

The end of wisdom is to dream high enough to lose the dream in the seeking of it. — William Faulkner

I made it on the bevel. — William Faulkner

The only rule I have is to quit while it's still hot. Never write yourself out. Always quit when it's going good. Then it's easier to take it up again. If you exhaust yourself, then you'll get into a dead spell and you'll have trouble with it. — William Faulkner

Intensely moving but never sentimental, Academy Street is a profound meditation on what Faulkner called 'the human heart in conflict with itself'. In Tess Lohan, Mary Costello has created one of the most fully realized characters in contemporary fiction. What a marvel of a book. — Ron Rash

A writer is congenitally unable to tell the truth and that is why we call what he writes fiction. — William Faulkner

I believe in God, God. God, I believe in God. — William Faulkner

In the woods the tree frogs were going smelling rain in the air they sounded like toy music boxes that were hard to turn and the honeysuckle come — William Faulkner

What is it? something you live and breathe in like air? a kind of vacuum filled with wraithlike and indomitable anger and pride and glory at and in happenings that occurred and ceased fifty years ago? a kind of entailed birthright father and son and father and son of never forgiving General Sherman, so that forevermore as long as your childrens' children produce children you wont be anything but a descendant of a long line of colonels killed in Pickett's charge at Manassas? 'Gettysburg,' Quentin said. 'You cant understand it. You would have to be born there. — William Faulkner

[T]he young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.
He must learn them again. He must teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed - love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, of victories without hope and, worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands. — William Faulkner

Good art can come out of thieves, bootleggers, or horse swipes. People really are afraid to find out just how much hardship and poverty they can stand. They are afraid to find out how tough they are. Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don't have time to bother with success or getting rich. Success is feminine and like a woman; if you cringe before her, she will override you. So the way to treat her is to show her the back of your hand. Then maybe she will do the crawling. — William Faulkner

When it's a matter of not-do, I reckon a man can trust himself for advice. But when it comes to a matter of doing, I reckon a fellow had better listen to all the advice he can get. — William Faulkner

It's a dreadfully long monster of a book, and I certainly won't have time to read it, but I'm giving it a thorough skimming. The authors are utterly incompetent - no sense of style or structure at all. It starts out as a detective story, switches to science-fiction, then goes off into the supernatural, and is full of the most detailed information of dozens of ghastly boring subjects. And the time sequence is all out of order in a very pretentious imitation of Faulkner and Joyce. Worst yet, it has the most raunchy sex scenes, thrown in just to make it sell, I'm sure, and the authors - whom I've never heard of - have the supreme bad taste to introduce real political figures into this mishmash and pretend to be exposing a real conspiracy. You can be sure I won't waste time reading such rubbish. — Robert Shea

Then you obviously cannot see yourself right now, you lackadaisical boggart!' Luna puffed up like a frog... — T.T. Faulkner

The artist is of no importance. Only what he creates is important, since there is nothing new to be said. Shakespeare, Balzac, Homer have all written about the same things, and if they had lived one thousand or two thousand years longer, the publishers wouldn't have needed anyone since. — William Faulkner

A hack writer who would have been considered fourth rate in Europe, who tried out a few of the old proven 'sure-fire' literary skeletons with sufficient local color to intrigue the superficial and the lazy. — William Faulkner

Well, Kernel, they kilt us but they ain't whupped us yit, air they? — William Faulkner

She wanted to know what American writers I liked. "Hawthorne, Henry James, Emily Dickinson ... " "No, living." Ah, well, hmm, let's see: how difficult, the rival factor being what it is, for a contemporary author, or would-be author, to confess admiration for another. At last I said, "Not Hemingway - a really dishonest man, the closet-everything. Not Thomas Wolfe - all that purple upchuck; of course, he isn't living. Faulkner, sometimes: Light in August. Fitzgerald, sometimes: Diamond as Big as the Ritz, Tender Is the Night. I really like Willa Cather. Have you read My Mortal Enemy?" With no particular expression, she said, "Actually, I wrote it. — Truman Capote

When you opened the door a bell tinkled, but just once, high and clear and small in the neat obscurity above the door, as though it were gauged and tempered to make that single clear small sound so as not to wear the bell out nor to require the expenditure of too much silence in restoring it when the door opened upon the recent warm scent of baking; a little dirty child with eyes like a toy bear's and two patent-leather pigtails. — William Faulkner

Battles lost not alone because of superior numbers and failing ammunition and stores, but because of generals who should not have been generals, who were generals not through training in contemporary methods or aptitude for learning them, but by the divine right to say 'Go there' conferred upon them by an absolute caste system — William Faulkner

The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies. — William Faulkner

Only fools imply compliments. The wise man comes right out with it, point-blank. Imply criticism
unless the criticized isn't within earshot. — William Faulkner

I never promise a woman anything nor let her know what I'm going to give her. That's the only way to manage them. Always keep them guessing. If you cant think of any other way to surprise them, give them a bust in the jaw. — William Faulkner

And I will look down and see my murmuring bones and the deep water like wind, like a roof of wind, and after a long time they cannot distinguish even bones upon the lonely and inviolate sand. — William Faulkner

True poetry is not of earth, 'T is more of Heaven by its birth. — William Faulkner

Interviewer: Some people say they can't understand your writing, even after they read it two or three times. What approach would you suggest for them?
Faulkner: Read it four times. — William Faulkner

Did you ever have a sister? did you? — William Faulkner

She wasn't too big, heroic, what they call Junoesque. It was that there was just too much of what she was for any one human female package to contain, and hold: too much of white, too much of female, too much of maybe just glory, I don't know: so that at first sight of her you felt a kind of shock of gratitude just for being alive and being male at the same instance with her in space and time, and then in the next second and forever after a kind of despair because you knew there would never be enough of any one male to match and hold and deserve her; grief forever after because forever after nothing less would ever do. — William Faulkner

And I reckon them that are good must suffer for it the same as them that are bad. — William Faulkner