Fantasy And Memory Quotes & Sayings

Being together came close to destroying both of us once already," he says. "But I don't fucking care. You are the memory that gets me through my days, and the fantasy that saves me in the night. — J. Kenner

Care of the soul asks for a cultivation of the larger world depression represents. When we speak clinically of depression, we think of an emotional or behavioral condition, but when we imagine depression as a visitation by Saturn, then many qualities of his world come into view: the need for isolation, the coagulation of fantasy, the distilling of memory, and accommodation with death, to name only a few. For — Thomas Moore

Love in the past is only a memory. Love in the future is only a fantasy. True love lives in the here and now. — Gautama Buddha

I desire you so much that I believe I might lose my reason. My body yearns for yours, and I crumble every single time you touch me. I've tried to be stronger but the memory of you inside me burns me. No man has ever made me feel the way you did. Whether you believe me or not, I will cherish that unforgettable moment for the rest of my life. — Chris Lange

Reunion with the mother is a siren call haunting our imagination. Once there was bliss, and now there is struggle. Dim memories of life before the traumatic separation of birth may be the source of Arcadian fantasies of a lost golden age. — Camille Paglia

What had survived - maybe all that had survived of Trism - was Liir's sense of him. A catalog of impressions that arose from time to time, unbidden and often upsetting. From the sandy smell of his sandy hair to the locked grip of his muscles as they had wrestled in sensuous aggression - unwelcome nostalgia. Trism lived in Liir's heart like a full suit of clothes in a wardrobe, dress habillards maybe, hollow and real at once. The involuntary memory of the best of Trism's glinting virtues sometimes kicked up unquietable spasms of longing. — Gregory Maguire

What is the difference between a dream and its memory? — Sukanya Venkatraghavan

What is on that memory stick, if you don't mind me asking?"
She was following him back into his apartment when he asked, and realized she still clutched it.
"Something I never want to see again. — Pixie Lynn Whitfield

Small children believe themselves to be gods, or some of them do, and they can only be satisfied when the rest of the world goes along with their way of seeing things. — Neil Gaiman

All events of the past withered to mere skeletons, veined and fleshed of fancy. — Ashim Shanker

But she had slept, she was positive. She knew it because of the dreams. Despite the comfort of her bed she had tossed and turned all night, her sleep punctured by images and disjointed flashes of battle. She thought she had also dreamt of a handsome stranger with dark hair and a charming smile. Upon waking, however, the unknown man's features were indistinct in her memory. — Katie Lynn Johnson

Corvid looked up at her. "Oh, hello Doris."
"Gertie, dear," she said. "They call me Gertie."
"You used to be Doris," Corvid said as a matter of fact.
"Who?" She seemed unsure of what she was being told.
"Doris, daughter of Oceanus and Tethys?" Corvid carried on when he saw her blank expression. "You must remember Nereus? Your husband?"
Nothing.
"You gave birth to fifty sea nymphs. I guess sea nymphs come out slippy and hydrodynamic, but even so, fifty of them? That must stick in the memory as the day before you felt really sore for a month or so?"
Doris thought about it for a moment. "It does ring a bell. Sorry, who are you? — Dylan Perry

Joel's face swam across my vision and I blinked, goose bumps running up my arms. I shook his memory away, determined to stay focused, although my heart caved at the thought of his last words to us, right here in this very spot: Take care of each other. I'd be damned if I was going to let him down now. — Rachael Wade

The real difference is that with fantasy - and by that I mean fantasy which can simultaneously tap into a cosmopolitan commonality at the same time as it springs from an individual and unique perspective. In this sort of fantasy, a mythic resonance lingers on - an harmonious vibration that builds in potency the longer one considers it, rather than fading away when the final page is read and the book is put away. Characters discovered in such writing are pulled from our own inner landscapes... and then set out upon the stories' various stages so that as we learn to understand them a little better, both the monsters and the angels, we come to understand ourselves a little better as well. — Charles De Lint

Before long, everyone was giving him answers, and feeling a little superior, because it was really remarkable the number of things Chrestomanci seemed not to know. He had heard of Hitler, though he asked Brian to refresh his memory about him, but he had only the haziest notion about Gandhi or Einstein, and he had never heard of Walt Disney or reggae. — Diana Wynne Jones

Memory is like a box of chocolates. They disappear quickly. — Leah Broadby

In a feverish fantasy, I imagined that there had been a time, when the world was young, that stars filled the sky - made a solid sheet of light arching over the earth. But one by one, the stars began to die - and Man, having a poor memory, began to believe that the sky had always been black.
I am a widower. I am the black spot left in the sky when a star has guttered out. — Megan Arkenberg

Memory, prophecy, and fantasy - The past, the future, and The dreaming moment between - Are all in one country, Living one immortal day. To know that is Wisdom. To use it is the Art. — Clive Barker

He was dead; I needed to let his memory go, too. That was the first step for me, before discrimination.
Yet my love was the ghost of a young girl's dream. It walked alone in the abyss, stubbornly, where only illusions prospered on tears and regrets. My love had a life of its own; it was perverted but nevertheless still vital. For that reason, I wanted to return to deep space. Honestly, I would have preferred it if we had traveled forever and never stopped at another star system. To fall into endless blackness, that was my new fantasy.
The young girl with the ancient dream wept. I could hear her; I even saw her tears on the glass of the observation deck. It made me feel old. I didn't want to know her name. I couldn't forget Tem but I needed to forget her. — Christopher Pike

Winter Liar by Liam Doyle the Incubus
What come once here will never come again,
no matter monument nor memory;
all sunwarmed green succumbs to winter's wind.
And you, my love, were also my best friend,
and had your life to live. The tragedy
was not just my youth's recklessness, although
I trusted much to impulse, whim, freedom,
a destiny excluding doom. Frankly,
youth can be our insanity. But now I'm cured
of that fever, although the price was high;
and chilly April wind can only sigh
at my regrets, yet sun will brighten wind so,
one knows that soon green stirs, and wild bees hum.
And summer once more will make winter liar,
but I won't warm. You're all I'll ever desire. — Juliet Dark

Ultimately, eventually, we let go. We do this not because we're ready. We do this not because we've mended. We do this not because we've mourned and come to terms and gotten over it and moved on. We never move on. We don't let go so much as lose our grip and fall because remembering is not enough..memory is imperfect. It is full of holes. It is more space than matter, like lace. It is at once sodden with sorrow and desiccated from lack of blood flow, the obvious result of a broken heart. It makes things up in hopeless attempts to comfort itself. It fills fissure with fantasy. It screws shut its eyes and balls up its fists and flings itself to the ground in a kicking, screaming, blind-rage temper tantrum against reality. But mostly,..memory keeps taking on more. — Laurie Frankel

In Irena's head the alcohol plays a double role: it frees her fantasy, encourages her boldness, makes her sensual, and at the same time it dims her memory. She makes love wildly, lasciviously, and at the same time the curtain of oblivion wraps her lewdness in an all-concealing darkness. As if a poet were writing his greatest poem with ink that instantly disappears. — Milan Kundera

It was her favorite story, that she remembers, but she would be hard-pressed to retell it now, faithfully, as it had been told to her. All she could recall were frayed, sleep-watered images of a forgotten castle in the middle of a wild forest, stone statues, crimson roses, and a dark, animal presence never seen, but which stained her memory of the tale, even past its edges to the daylight after. — Ava Zavora

There was carpet under Blanchefleur's feet and the scent of clean and delicate things in her nostrils - perfume, babies, soap, and tea. Homesickness hit her like a clenched fist; this was worse than memory. — Suzannah Rowntree

Most of our difficulties, our hopes, and our worries are empty fantasies. Nothing has ever existed except this moment. That's all there is. That's all we are. Yet most human beings spend 50 to 90 percent or more of their time in their imagination, living in fantasy. We think about what has happened to us, what might have happened, how we feel about it, how we should be different, how others should be different, how it's all a shame, and on and on; it's all fantasy, all imagination. Memory is imagination. Every memory that we stick to devastates our life. — Charlotte Joko Beck

[ ... ]and yet wasn't there something about [vampires] that struck a deep chord of recognition, even of memory? The teeth, the blood, the hunger, the immortal union with darkness
what if these things weren't fantasy but recollection or even instinct, a feeling etched over eons into human DNA, of some dark power that lay within the human animal? — Justin Cronin

He was the fantasy of every girl in the country. He was so far out of realm, her world, that she should have stopped thinking about him the second the door had closed. Should stop thinking about him immediately. Should never think about him again, except maybe as a client
and her prince.
And yet, the memory of his fingers against her skin refused to fade. — Marissa Meyer

There are no humans left. I should not be alone. I can't help but wonder that. There were so many of us living. But time started growing young four years ago. It isn't four years anymore. It's a number I wouldn't even be able to say. It feels like four years. It's trapped in my tender memory as four years. It's been an age. Multiple ages. It's been lifetimes; every single lifetime that used to exist. I remember my mother screaming. I recall the doctors naming me as nurses wiped away her blood and covered her face with white. The end of the play. It's been so long. Why am I alone? — F.K. Preston

The daylight schooled the senses and the night-time developed the wits, stretched the imagination, sharpened fantasy, hammered home the memory and altered the whole scale of values. — Fynn

Let there be children and old people but few whose occupation is neither hope nor memory. Let there have been immigration at some point: enough to fill the convenience stores, the foreign restaurants, but let it be forgotten. Let the children be all in school, a breath held in, released at 3 o'clock across the park. Let the town's rhythm be unquestioned. Let me be single: no children, no family. Let me not fit in. — Joanna Walsh

In all memory there is a degree of fallenness; we are all exiles from our own pasts, just as, on looking up from a book, we discover anew our banishment from the bright worlds of imagination and fantasy. A cross-channel ferry, with its overfilled ashtrays and vomiting children, is as good a place as any to reflect on the angel who stands with a flaming sword in front of the gateway to all our yesterdays. — John Lanchester

Cabeza de Vaca had wrapped her in his arms and in his language, whispering about a life she did not understand although understanding seemed to form just beyond the sea and sand, waiting there for her to grow older. Even when the story confused her, she had caught words or phrases, ideas like fish, bold and surprising, tasting of her father's mind. She had learned quickly to nod and speak because he needed her to do this, because his need surrounded her like the blue sky. She was his bastard, and he had loved her. Yes, he had loved her. That was the memory she couldn't bear. — Sharman Apt Russell

You kissed me, and I opened my eyes and thought you were Death. You were the most beautiful thing I had ever seen, and I clung to the memory of you because it gave me comfort - the only bit of happiness I had ever had. You were my secret fantasy, my lover. My story ... Lord Death is you, and the woman he stalks ... is me."
"Why have you come," he asked, "when you now know the truth?"
"Because when you saved me, you forged a link between us. I don't believe it will ever break."
"Bella," he whispered, "I couldn't allow you to take your life. Couldn't bear the thought of existing in a world that you did not. — Charlotte Featherstone

I love the combination of smartness, pain, and what one might call conscious postmodern trashiness in this book: a version of the erotic full of nervous tension which animates the sensuality, and also Zimroth's feeling for words, compressed, ironic, withholding, but also 'asking for it ... the siege, the thrill, the battle fatigue.' A profoundly urban book, of harsh memory and fantasy, set in harsher reality. — Alicia Ostriker

The unreality of the past weeks lifted like a fog, but its residue remained. All of the past is like that, but most especially the parts that are out of the ordinary. — Madeline Claire Franklin

There was a single window that tapered into a funnel, with eerie moonlight passing through it, reflecting directly off the globe like a mirror. For a moment, as I rose I saw something glimmering within. Dumbly, with feverish whispers assailing me, I realized it was the center of one of the distant galaxies, flaring after some unknown cataclysm. Its radiance was such that it burst from its prison. It met the moonlight halfway. It created kaleidoscopic colours on the walls. Then, in answer, the reliefs transformed from majestic art into something approaching divine, alive, plays from Egyptian memory, given the spark of life from space. I saw animal-headed gods move. They stepped from the walls to take their place around the altar. All stared at the globe. Each raised their arms in silent supplication. And such was their toxic ecstasy that I wished to join them, to forget my dreadful experiences and revel in something truly wondrous. — Tim Reed

Kulwar Wolters, a gloved man I suspect to be a Cliothaum, can and could be anywhere.

Cliothaumy's an illegal skill, rare and hard to learn. It lets you burn memory to twist the world in certain ways. The more you use it, the less you know why. Magic never gives you anything back, there's always a trick. Kulwar Wolters used it rarely, if at all. But his fingertips were burnt, I think. — Patrick Stuart

Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra. — E. M. Forster

It has been fashionable in some psychiatric and lay circles to blame the mother for whatever goes wrong in development. [...]

If blame must be assessed it should be placed on the human condition which requires such prolonged dependence on one individual for development to take place. This makes the child extraordinarily vulnerable to the idiosyncrasies of that person (the mother). On the other hand, the prolonged dependence on this relationship also provides the potential for the richness of the human personality.

It is a mistake, in my judgment, in psychotherapy to encourage or side with the patient's hostility to the mother. The patient has to become aware of and express it in therapy in order to grow but whatever the source of this hostility is in the past -- be it an actual memory or a fantasy to rationalize a feeling state -- the problem is now the patient's responsibility and he must work it out. — James F. Masterson

I shook my head back and forth as though I was a human etch-a-sketch, erasing the memory. — Nicole Gulla

A face stared up at her from the mirror beside her hand. Was that really what she looked like? Was that really what she looked like, all sharp lines and huge silver-grey eyes? Certainly, no one would ever call those features beautiful, Jame thought ruefully; but were they really enough like a boy's to have fooled that old man the alley? Well, maybe with that long black hair out of sight under a cap. It was a very young face and a defiant one, she thought with a odd sense of detachment, but frightened, too. And those extraordinary eyes ... what memories lived in them that she could not share? Stranger, where have you been she asked silently. What have you seen? The thin lips locked in their secrets.
"Ahhh!" Jame said in sudden disgust, tossing away the mirror. Fool, to be obsessed with a past she couldn't even remember. But it was all behind her now. — P.C. Hodgell

I know everything, you see,' the old voice wheedled. 'The beginning, the present, the end. Everything. You now, you see the past and the present, like other low creatures: no higher faculties than memory and perception. But dragons, my boy, have a whole different kind of mind.' He stretched his mouth in a kind of smile, no trace of pleasure in it. 'We are from the mountaintop: all time, all space. We see in one instant the passionate vision and the blowout. — John Gardner

But that's what dreams are for - to weave reality and fantasy and memory and stitch together something you can't hope for in waking life. To fulfill that little part of you that wants something so bad. — Kelley Armstrong

All was shattered, and all but memory lost, and one memory above all others, of him who brought the Shadow and the Breaking of the World. And him they named Dragon. — Robert Jordan

When we let go of our battles and open our heart to things as they are, then we come to rest in the present moment. This is the beginning and the end of spiritual practice. Only in this moment can we discover that which is timeless. Only here can we find the love that we seek. Love in the past is simply memory, and love in the future is fantasy. Only in the reality of the present can we love, can we awaken, can we find peace and understanding and connection with ourselves and the world. — Jack Kornfield

It can be a way of knowledge, a path, an inspiration, a Tao, an ordering, a memory, a fantasy, a seduction, a prayer, a summoning, an incantation murmured under the breath as the torchlights sink lower and the forest looms taller and the wolves howl louder and the fire prepares for its submission to the encroaching dark. — John Lanchester

A flicker of someone else's memory came to Simon and he picked up Excalibur from where he had dropped it. Carefully, he laid Excalibur on Arthur's chest. A smile crossed the king's pasty face as he closed his grazed hands around the sword's hilt. The touch of something so familiar seemed to give Arthur cause to close his eyes and after a final, relieved breath left his lips, he died. — Sam Whitehouse

These are amongst the last memories I shall relinquish to the page, though I am hanging onto them for now and for as long as I can. When they are gone, will there be anything left of me? Am I nothing but memory? — J.S. Watts

Another revolution around the sun and I was still no closer to getting home. Laying on my lumpy mattress in my blood-stained shirt and dusty jeans with my arm over my eyes, I tried to imagine I was lying on Violet's couch. Clara paced in her cell and I let myself believe it was Violet, padding around the kitchen. My memory kicked up the image of her in tiny cotton shorts and a baggy Beatles t-shirt making coffee. My chest swelled and more than ever I wished I could see her face again, hear her voice. — Allison Sipe