Fanghorn Quotes & Sayings

We understand God best, Dorothy Sayers suggests, by thinking of God as a creative artist. Imagine God as an engineer or watchmaker or immovable force, and you will go astray. God's image shines through us most clearly in the act of creation-comprising the three stages of Idea, Expression, and Recognition-and by reproducing this act we may begin to grasp, by analogy, the Trinity. — Philip Yancey

It was almost Christmas, and a Santa Claus in a vacant lot was offering to appear in pictures for five dollars. The trim on his suit was mangy, as if it had been dug out of a dumpster, yet young mothers queued ten deep on the sidewalk, holding the hands of kids waiting to get in. — Garth Risk Hallberg

The mention of one apartment in a building naturally introduces an enquiry or discourse concerning the others: and if we think ofa wound, we can scarcely forbear reflecting on the pain which follows it. — David Hume

A great photograph needs no explanation; it functions by suggestion. There is no need to be explicit. — Mary Ellen Mark

I met a lot of things on the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner at the inn was a shock, and I had no more idea who he was than had Frodo. The Mines of Moria had been a mere name; and of Lothloriene no word had reached my mortal ears till I came there. Far away I knew there were the Horselords on the confines of an ancient Kingdom of Men, but Fanghorn Forest was an unforeseen adventure. I had never heard of the House of Eorl nor of the Stewards of Gondor. Most disquieting of all, Saruman had never been revealed to me, and I was as mystefied as Frodo at Gandalf's failure to appear on September 22.
J.R.R. Tolkien, in a letter to W.H. Auden, June 7, 1955 — J.R.R. Tolkien

We keep coming back to the question of representation because identity is always about representation. People forget that when they wanted white women to get into the workforce because of the world war, what did they start doing? They started having a lot of commercials, a lot of movies, a lot of things that were redoing the female image, saying, "Hey, you can work for the war, but you can still be feminine." So what we see is that the mass media, film, TV, all of these things, are powerful vehicles for maintaining the kinds of systems of domination we live under, imperialism, racism, sexism etc. Often there's a denial of this and art is presented as politically neutral, as though it is not shaped by a reality of domination.
— Bell Hooks