Famous Poem Quotes & Sayings

Poetry, like jazz, is one of those dazzling diamonds of creative industry that help human beings make sense out of the comedies and tragedies that contextualize our lives. — Aberjhani

There's a famous line from a poem about the ocean," Mother had finally said to end the discussion. "'Water water every where, but not a drop to drink. — Mindy McGinnis

My anthology continues to sell & the critics get more & more angry. When I excluded Wilfred Owen, whom I consider unworthy of the poets' corner of a country newspaper, I did not know I was excluding a revered sandwich-board Man of the revolution & that some body has put his worst & most famous poem in a glass-case in the British Museum
however if I had known it I would have excluded him just the same. He is all blood, dirt & sucked sugar stick (look at the selection in Faber's Anthology
he calls poets 'bards,' a girl a 'maid,' & talks about 'Titanic wars'). There is every excuse for him but none for those who like him ... (from a letter of December 26, 1936, in Letters on Poetry from W. B. Yeats to Dorothy Wellesley, p. 124). — W.B.Yeats

Rudyard Kipling, in his famous poetic description of what makes for mature and effective adulthood, wrote in part: If you can keep your head When all about you Are losing theirs And blaming it on you... If you can trust yourself When all men doubt you... This famous 1909 poem "If" was inspired in Kipling after observing one military leader's actions during the Boer Wars (Lt. Colonel Eduardo Jany, personal communication, October, 2007). — Michael J. Asken

And he wrote the single most famous poem about the death camps, "Todesfuge" (Death Fugue). — Clive James

Patrick had left behind some writings, and one of his most famous works was something many of us learned in school called "Saint Patrick's Breastplate," a kind of a cross between a hymn and a poem. — Frank Delaney

In 'Colonization in Reverse'41 (a famous poem much anthologized) the speaker is presented as a more or less reliable commentator who implies that Jamaicans who come to 'settle in de motherlan' are like English people who settled in the colonies. West Indian entrepreneurs, shipping off their countrymen 'like fire', turn history upside down. Fire can destroy, but may also be a source of warmth to be welcomed in temperate England. Those people who 'immigrate an populate' the seat of the Empire seem, like many a colonizer, ready to displace previous inhabitants. 'Jamaica live fi box bread/Out a English people mout' plays on a fear that newcomers might exploit the natives; and some of the immigrants are - like some of the colonizers from 'the motherland' - lazy and inclined to put on airs. Can England, who faced war and braved the worst, cope with people from the colonies turning history upside down? Can she cope with 'Colonizin in reverse'? — Mervyn Morris

Mr. Morris's poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous Poems and Ballads, - a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne's enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman's own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris's poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne. — Henry James

Written in support of abolishing the Corn Laws, it became Elliott's most famous poem. The Peoples Anthem When wilt thou save the people Oh, God of mercy! When? Not kings and lords, but nations! Not thrones and crowns, but men! Flowers of thy heart, of God they are. Let them not pass like weeds, away Their heritage a sunless day! God save the people! When wilt thou save the people? Oh, God of mercy! When? The people Lord the people! Not thrones and crowns, but men! God save the people! Thine they are, Thy children, as thy angels fair, Save them from bondage and despair. God save the people! — Ebenezer Elliott

Byron published the first two cantos of his epic poem Childe Harold's Pilgrimage, a romanticized account of his wanderings through Portugal, Malta, and Greece, and, as he later remarked, "awoke one morning and found myself famous." Beautiful, seductive, troubled, brooding, and sexually adventurous, he was living the life of a Byronic hero while creating the archetype in his poetry. He became the toast of literary London and was feted at three parties each day, most memorably a lavish morning dance hosted by Lady Caroline Lamb. Lady Caroline, though married to a politically powerful aristocrat who was later prime minister, fell madly in love with Byron. He thought she was "too thin," yet she had an unconventional sexual ambiguity (she liked to dress as a page boy) that he found enticing. They had a turbulent affair, and after it ended she stalked him obsessively. She famously declared him to be "mad, bad, and dangerous to know," which he was. So was she. — Walter Isaacson

I see cities as organisms, as living creatures. To me Madrid is a man and Barcelona is a woman. And it's a woman who's extremely vain. One of the great Catalan poets, Joan Maragall, wrote this famous poem in which he called Barcelona the great enchantress, or some kind of sorceress, and in which the city has this dark enticing presence that seduces and lures people. I think Barcelona has a lot of that. — Carlos Ruiz Zafon

Madame V begins the lesson by reading aloud the first stanza of a famous French poem: Il pleure dans mon coeur Comme il pleut sur la ville; Quelle est cette langueur Qui penetre mon coeur? Then she looks up and without any warning she calls on me to translate it. I swallow hard, and try: "It's raining in my heart like it's raining in the city. What is this sadness that pierces my heart?" Saying these words out loud, right in front of the whole class, makes me feel like I'm not wearing any clothes. — Sonya Sones

The poet Tao Yuan-ming (A.D. 376 - 427) used the lotus to represent a man of honor in a famous poem, saying that the lotus rose out of mud but remained unstained. [ ... ] Perhaps the poet was too idealistic, I thought as I listened to the laughter of the Red Guards overhead. They seemed to be blissfully happy in their work of destruction because they were sure they were doing something to satisfy their God, Mao Zedong. — Nien Cheng

After listing the vast array of famous composers, artists, and authors who had created works based on Dante's epic poem, Langdon scanned the crowd. "So tell me, do we have any authors here tonight?" Nearly one-third of the hands went up. Langdon stared out in shock. Wow, either this is the most accomplished audience on earth, or this e-publishing thing is really taking off. — Dan Brown

Time is a watchful adversary, who waits enduringly for that merciless hour, hurrying to work the hands of separation. — Kelly Vang

I heard it stated that, on one occasion, during one of Alastair's visits to his friend "Mr Lachlan," the famous divine requested the bard to compose a poem on the "Resurrection of Christ." To this he demurred and told Mr Lachlan in Gaelic that "he knew more about such matters himself, and should try his own hand — Various

Radu had practiced the poem so often he could recite it in his sleep. He had stolen shiny bits from famous Arabic poems, gathering them like a raven to line his own nest. The language was dense and flowery, hyperbolic in the extreme. Murad listened, enraptured, as his reign was likened to the ocean and his posterity a mighty river. — Kiersten White

Bhagat Singh revered Lajpat Rai as a leader. But he would not spare even Lajpat Rai, when, during the last years of his life, Lajpat Rai turned to communal politics. He then launched a political-ideological campaign against him. Because Lajpat Rai was a respected leader, he would not publicly use harsh words of criticism against him. And so he printed as a pamphlet Robert Browning's famous poem, 'The Lost Leader,' in which Browning criticizes Wordsworth for turning against liberty. The poem begins with the line 'Just for a handful of silver he left us.' A few more of the poem's lines were:
'We shall march prospering, not thro' his presence;
Songs may inspirit us, not from his lyre,' and
'Blot out his name, then, record one lost soul more.'

There was not one word of criticism of Lajpat Rai. Only, on the front cover, he printed Lajpat Rai's photograph! — Bipan Chandra

Not only has volume been ratcheted up but expectations have, too. Quiet success
painting a picture, writing a poem, writing an algorithm
is all well and good, but if you haven't become famous doing it, then did it really matter? — Sophia Dembling

No one embodied the spirit of the frontier more than Daniel Boone, who faced and defeated countless natural and man-made dangers to literally hand cut the trail west through the wilderness. He marched with then colonel George Washington in the French and Indian War, established one of the most important trading posts in the West, served three terms in the Virginia Assembly, and fought in the Revolution. His exploits made him world famous; he served as the model for James Fenimore Cooper's Leatherstocking Tales and numerous other pioneer stories. He was so well known and respected that even Lord Byron, in his epic poem Don Juan, wrote, "Of the great names which in our faces stare, The General Boon, back-woodsman of Kentucky, Was happiest amongst mortals anywhere ... " And yet he was accused of treason - betraying his country - the most foul of all crimes at the time. What really happened to bring him to that courtroom? And was the verdict reached there correct? — Bill O'Reilly

In 1862, the Scottish mathematician James Clerk Maxwell developed a set of fundamental equations that unified electricity and magnetism. On his deathbed, he coughed up a strange sort of confession, declaring that "something within him" discovered the famous equations, not he. He admitted he had no idea how ideas actually came to him - they simply came to him. William Blake related a similar experience, reporting of his long narrative poem Milton: "I have written this poem from immediate dictation twelve or sometimes twenty lines at a time without premeditation and even against my will." Johann Wolfgang von Goethe claimed to have written his novella The Sorrows of Young Werther with practically no conscious input, as though he were holding a pen that moved on its own. — David Eagleman

One famous Japanese haiku illustrates the state that Sid managed to discover in himself. It is one that Joseph Goldstein has long used to describe the unique attentional posture of bare attention: The old pond. A frog jumps in. Plop!2 Like so much else in Japanese art, the poem expresses the Buddhist emphasis on naked attention to the often overlooked details of everyday life. Yet, there is another level at which the poem may be read. Just as in the parable of the raft, the waters of the pond can represent the mind and the emotions. The frog jumping in becomes a thought or feeling arising in the mind or body, while "Plop!" represents the reverberations of that thought or feeling, unelaborated by the forces of reactivity. The entire poem comes to evoke the state of bare attention in its utter simplicity. — Mark Epstein