Familiar Movie Quotes & Sayings

I grew up on movie sets, so it was something I just found familiar. When I was growing up also, in high school, I would audition for things and my parents let me audition for things - with the thought that I wouldn't get them. And then I would get them ... sometimes, and it would surprise them. — Jake Gyllenhaal

From the very first movie I ever made to the current time, there have been times between action and cut when I've sensed some kind of new dimension that I haven't been familiar with before. — Terence Stamp

These days I'm mostly familiar with two parts of L.A.: one is movie culture, and the other is Asian culture. The Westside is work, and the Eastside is Chinese - which means my friends. — Ang Lee

With the rise of classical Greece, the soul debate evolved into the more familiar heart-versus-brain, the liver having been demoted to an accessory role. We are fortunate that this is so, for we would otherwise have been faced with Celine Dion singing "My Liver Belongs to You" and movie houses playing The Liver Is a Lonely Hunter. Every Spanish love song that contains the word corazon, which is all of them, would contain the somewhat less lilting higado, and bumper stickers would proclaim, "I [liver symbol] my Pekingese. — Mary Roach

A great movie, in my opinion, is one that tells a familiar story in an unfamiliar way. — Christian Keiber

The "problem" is that Comic-Con is so damned successful. People who are there seem to have a wonderful time. The very size of it makes it exciting. Wherever you look, there's something exciting. The attendees are always looking around for a familiar face. It's either 'There's a movie star!' Or, 'There's a TV star!' Or, 'There's the guy who drew the Green Lantern!' It means so much to the fans. It makes them feel like they're where it's happening. It's like Woodstock. — Stan Lee

For me, I think 'Jem' fans were expecting a remake of the cartoon, and the movie really is inspired by the cartoon based in a 2015, modern-day setting. It is going to be very different, but it's also going to be very familiar as well. — Hayley Kiyoko

You have two kinds of shows on Broadway - revivals and the same kind of musicals over and over again, all spectacles. You get your tickets for 'The Lion King' a year in advance, and essentially a family comes as if to a picnic, and they pass on to their children the idea that that's what the theater is - a spectacular musical you see once a year, a stage version of a movie. It has nothing to do with theater at all. It has to do with seeing what is familiar. We live in a recycled culture. — Stephen Sondheim

I got to do the movie, and people who enjoyed 'The Birdcage' came out to see me on stage when I did 'Forum.' It introduced me to a whole new audience that wasn't familiar with my stage work. — Nathan Lane

Oddly enough, I've always - I've never actually seen "The Alamo" itself, actually. So I don't really have the association of "Green Leaves of Summer" as being "The Alamo" theme. Oddly enough, I grew up watching kung fu movies. They would use the theme "Green Leaves of Summer" in a lot of needle drops in kung fu movies a lot. So I was actually more familiar with it in a Bruce Li movie than I was actually from the John Wayne film. — Quentin Tarantino

Inside every TV star is a movie star screaming to get out, and Donna Frenzel, with whom I'm guessing you're not instantly familiar, made George Clooney a movie star once and for all in the first ten minutes of his fifth feature, 1998's 'Out of Sight.' — Steve Erickson

The truth of the matter is that for all the drive-in movie references, what Weston Ochse has really created in Multiplex Fandango is a travelogue. Acting as narrator and guide, Weston takes you on a trip to places familiar and obscure-New Orleans, the Sonoran desert, Mexico's Pacific coast, and the dark, impenetrable reaches of the soul. He shows off sights that chill the blood, and as with any good trip, the things seen and experienced along the way will stay with you for a lifetime. — Jeff Mariotte

In truth, "Extremely Loud & Incredibly Close" isn't about Sept. 11. It's about the impulse to drain that day of its specificity and turn it into yet another wellspring of generic emotions: sadness, loneliness, happiness. This is how kitsch works. It exploits familiar images, be they puppies or babies - or, as in the case of this movie, the twin towers - and tries to make us feel good, even virtuous, simply about feeling. And, yes, you may cry, but when tears are milked as they are here, the truer response should be rage. — Manohla Dargis

It's funny how reassuring that was, to see him doing something so simple and familiar. I mean, I knew this man. I knew him inside and out. I knew his every facial expression, knew what his heartbeat sounded like under my ear. I knew how he played, and I knew how he lounged. Recalling the small pieces of the Trip that I knew brought me a bit of nostalgic comfort while dealing with the body of this famous movie star lying next to me. — T. Torrest

Another random thing I do is the search for extraterrestrial intelligence, or SETI. And you may be familiar with the movie 'Contact,' which sort of popularized that. It turns out there are real people who go out and search for extraterrestrials in a very scientific way. — Nathan Myhrvold

What an amazing opportunity to do something like direct a movie and step out of your creative comfort zone and yet do something that is also so familiar at the same time. I was also just excited to have the chance to direct, which I may never get to do again. — Georgina Chapman

Because the next moment, when I was hauled out from under the bed and up to a pair of so-familiar green eyes, I just hung there limply. And stared. At a face that was hard to look at. Not that it was unattractive. There had been a time when I'd thought so-the overlarge nose, the hard-as-glass eyes, the I-couldn't-be-bothered-to-shave-today-and-possibly-not-yesterday-either stubble didn't exactly spell out movie-star good looks. But there was a lot more to John Pritkin than looks, although even there I'd started to come around recently. The strong, stubborn jawline, the rock-hard body, and the flashes of humor behind the taciturn expression-hell, even the rigid blond spikes he called hair might not add up to handsome, but they added up to something. Something that might have been disturbing if I hadn't had plenty of other things to disturb me right now. — Karen Chance

I think the movie business is in trouble. It's all movies that you've seen before. Everything's a remake; they want things that are familiar rather than things that surprise you. — Graydon Carter

I was familiar with 'Addicted' for a long time, even prior to the movie, way before it got the greenlight. And when it finally got the greenlight, I was very happy to be a part of it. — Tasha Smith

Every now and then we find ourselves living through moments that make no sense at all. It's almost as if some omnipotent film editor has snipped us out of our familiar everyday movie and spliced us into something completely random, from a different time and genre and even from a foreign country and partially animated, because suddenly you look around you and the language is unknown and nothing that happens has any relationship to what you think of as reality. This — Jeff Lindsay

The challenges should be familiar. They should have some relationship to the feelings - like, if a movie's about being demoralized at work, it should feel familiar to people, whether you're a roofer or a lifeguard. But there's a million different ways to be demoralized, especially at work. — Steven Conrad

Feature-length film comedy is harder to pull off than the episodic sitcom - it doesn't have the same factory machinery up and running, teams of writers putting familiar characters through permutations - but that doesn't explain the widening quality gap that makes movie humor look like a genetic defective. — James Wolcott

I got the regular call, that they were doing a Broadway musical of Hairspray, and would I come and audition. I was familiar with the movie, because at the time it came out my lover wrote for Premiere magazine, and we had to see everything. — Harvey Fierstein

There are moments in 'Body Snatchers' that touch the sort of thing that I find scary ... like isolation and the inability to trust even familiar things. But - is that a horror movie - or a thriller? I don't really know the difference. — Christine Elise

Throughout the movie, we moved to eat popcorn, shifted to get comfortable, only to end up uncomfortable; an awkward dance of keeping my hands and parts from familiar and unfamiliar areas of Echo's divine body. I was capable of being a gentleman for the length of one movie, at least. The credits roled and my left hand, which I'd placed behind my head to avoid her tempting tummy, tingled with numbness.
My patience finaly snapped. "This is ridiculous." I swept her up and swung her over my shoulder, her bare feet dangling in front of me.
Tinkling laughter filed the room. "What are you doing?" I tossed her onto the bed. Her fire-red hair sprawled over the pilow. My siren smiled up at me.
"Getting comfortable," I said. " -Noah's POV — Katie McGarry

In rereading one of the best essays I know on Dante's Paradiso, Giovanni Getto's "Aspetti della poesia di Dante" (Aspects of Dante's Poetry, 1947), one can see that there is not one single image of Paradise that does not stem from a tradition that was part of the medieval reader's heritage, I won't say of ideas, but of daily fantasies and feelings. It is from the biblical tradition and the church fathers that these radiances come from, these vortices of flame, these lamps, these suns, these brilliances and brightnesses emerging "like a horizon clearing" (Par. 14.69) ... For medieval man, reading about this light and luminosity was equivalent to when we dream about the sinuous gracefulness of a movie star, the elegant lines of a car ... It is this appeal to a poetry of understanding that can make the Paradiso fascinating even for the modern reader who has lost the reference points familiar to his medieval counterpart. — Umberto Eco

Do you fancy catching a movie at the Sturbridge Theater tonight? That new Robert Pattinson movie is showing," I ask her, the phone cradled against my chest.
"Definitely sign me up for that!" Ari replies, chuckling as I mock scowl. Her easy laugh warms my soul.
"We're in," I tell Gil, arranging to meet him and his date in the diner later.
"So, who is it this time?" Ari asks, resting her chin in her hands. "Anyone we know?"
Considering I can count the girls on one hand who have enjoyed more than one date with Gil, I doubt it'll be someone familiar. "I didn't ask; guess we'll find out soon enough."
"Five bucks says it's a blonde," Ari quips.
"That's one bet I'm not taking," I admit, twirling a lock of her hair around my finger. "Gil's penchant for blondes is world-renowned. — Siobhan Davis

I had a question. 'Why does the name Pearl Harbor sound so familiar?'
The lieutenant colonel's eyes narrowed. 'Pearl Harbor is the most famous U.S. military base in the world,' he said crisply. 'It's the only place on U.S. soil that has been attacked in a wars, since the Revolutionary War.'
None of this was ringing a bell, but you already know I'm totally uneducated.
Gazzy leaned over to whisper, 'It was a movie with Ben Affleck.'
Ah. Now I remembered. — James Patterson

The idea of watching an entire film basically from one person's perspective - and not even really from their perspective, but [it's] probably the most intimately shot film that's in any of these categories. If you're not familiar with Son of Saul, basically it's a film about a Jewish guy who's in concentration camp, but he helps dispose of the bodies after they leave the gas chamber. So, you watch the entire movie looking at Saul's face and looking at his interactions with people. — Bun B.

Lacking a clear formula for making decisions, we get reactive and fall back on familiar, comfortable ways to decide what to do. Pinballing through our day like a confused character in a B-horror movie, we end up running up the stairs instead of out the front door. The best decision gets traded for any decision. — Gary Keller