Fairy Folk Quotes & Sayings

Like a magpie, I am a scavenger of shiny things: fairy tales, dead languages, weird folk beliefs, fascinating religions, and more. — Laini Taylor

I published my first book in 1982 - a collection of Irish folklore called Irish Folk & Fairy Tales. It is still in print today. My first young adult book was published a couple of years later, and I've been writing in both genres ever since. — Michael Scott

Children delight in folk-tale and fairy lore, but the very little child loves best the story which mirrors the familiar. And it is for him, and for the mother who is striving in this age of profusion to guard the innate simplicity of her child's nature, that I have written my little stories. — Maud Lindsay

I dozed, jolting occasionally at the driver's loud pronouncement of upcoming stops. At this early hour the bus hummed along quietly with few passengers, so the stops were infrequent. In the hazy surrealism of predawn, there really was not much to see
what I could make out was mainly countryside, though not what I would call quaint, and certainly no Shakespearean cottages or fairy folk peeping from the trees. — Carolyn Weber

Why are so many of us enspelled by myths and folk stories in this modern age? Why do we continue to tell the same old tales, over and over again? I think it's because these stories are not just fantasy. They're about real life. We've all encountered wicked wolves, found fairy godmothers, and faced trial by fire. We've all set off into unknown woods at one point in life or another. We've all had to learn to tell friend from foe and to be kind to crones by the side of the road ... — Terri Windling

Often I felt that these men were play-acting: the unreality of their role was their security, even their own destinies were to them saga and folk-tale rather than a private matter; these were men under a spell, men who had been turned into birds or even more likely into some strange beast, and who bore their magic shapes with the same unflurried equanimity, magnanimity, and dignity that we children had marvelled at the beasts of fairy tale. Did they not suspect, moreover, with the wordless apprehension of animals, that if their magic shapes were to be stripped from them the fairy tale would be at an end and their security gone, too, while real life would begin with all it's problems, perhaps in some town where there was neither nature or mirage, no link with the folk-tale and the past, no ancient path to the far side of the mountains and down to the river gullies and out beyond the grass plains, no landmarks from the Sagas? - Only a restless search for sterile, deadening enjoyment. — Halldor Laxness

Over the last three centuries our historical reception of folk and fairy tales has been so negatively twisted by aesthetic norms, educational standards and market conditions that we can no longer distinguish folk tales from fairy tales nor recognize that the impact of these narratives stems from their imaginative grasp and symbolic depiction of social realities. Folk and fairy tales are generally confused with one another and taken as make-believe stories with no direct reference to a particular community or historical tradition. Their own specific ideology and aesthetics are rarely seen in the light of a diachronic historical development which has great bearing on our cultural self-understanding. — Jack D. Zipes

It was essential that someone, somewhere, even if it was only the fairy folk, should know that the human race had produced more than wars, catastrophes, and ultimately its own slow and painful self-destruction. It had produced things of exquisite and lasting beauty as well. — Kate Thompson

What do you tell someone who hasn't live through it all?

Try to explain what it's like, living under a pressure-front of madness crawling up out of the sea - the fairy folk nearly done with their centuries-long crossing of the Atlantic. Tell him about the watchtowers of the air, brought to earth by fire in New York. Tell him about New Orleans, all its magic and voudoun drawing the Fey like a magnet, the ocean rising up to meet it. By the time they burn like wildfire all across the country to Hollywood, the whole world will be dreaming their dreams. — Michael Montoure

And even these ((the common hill fairy, the standard elf of folk-lore) are in danger of being banished into the limbo of forgetfulness by the quite artificial fairy of juvenile literary commerce, with gauzy wing and skirts reminiscent of the ballet. It has always seemed to me extraordinary that literature has been able to create wings where none were before, for our native fairies are as wingless as ourselves. But for such an innovation the Elizabethan poets and playwrights were probably responsible - a topic which we must consider in another chapter. — Lewis Spence

Some discussion of the nature and temperament of the fairies is necessary in view of its possible bearing on their origin. J. G. Campbell tells us that in the Highlands of Scotland they were regarded as "the counterparts of mankind, but substantial and unreal, outwardly invisible." They differ from mortals in the possession of magical power, but are strangely dependent in many ways on man. They are generally considered by the folk at large as of a nature between spirits and men. "They are," says Wentz, "a distinct race between our own and that of spirits. — Lewis Spence

Fairy tales and folk tales are for children and childlike people, not because they are little and inconsequential, but because they are as enormous as life itself. — Anthony Esolen

Is he evil?" the dog asked, an eager gleam in his wide brown eyes. "If he's evil, I'd be happy to eat him for you. — Deborah Blake

Dream tonight of peacock tails,
Diamond fields and spouter whales.
Ills are many, blessings few,
But dreams tonight will shelter you.

Let the vampire's creaking wing
Hide the stars while banshees sing;
Let the ghouls gorge all night long;
Dreams will keep you safe and strong.

Skeletons with poison teeth,
Risen from the world beneath,
Ogre, troll, and loup-garou,
Bloody wraith who looks like you,

Shadow on the window shade,
Harpies in a midnight raid,
Goblins seeking tender prey,
Dreams will chase them all away.

Dreams are like a magic cloak
Woven by the fairy folk,
Covering from top to toe,
Keeping you from winds and woe.

And should the Angel come this night
To fetch your soul away from light,
Cross yourself, and face the wall:
Dreams will help you not at all. — Thomas Pynchon

Let us proceed under the assumption that the fairy folk do exist, and that I am not a gibbering moron. — Eoin Colfer

I think the big thing is the fairy tale. It's taking old folk fairy tales and retelling them in modern day. I think it's just taking you out of everyday life, and everyone loves a good fairy tale. — Lily Collins

I wanted the chance to look again at very famous stories and see what made them work well, whether there were any ways in which they could be improved. Because the great thing about fairy tales and folk tales is that there is no authentic text. — Philip Pullman

Fairy folk a-listening Hear the seed sprout in the spring, And for music to their dance Hear the hedgerows wake from trance, Sap that trembles into buds Sending little rhythmic floods Of fairy sound in fairy ears. Thus all beauty that appears Has birth as sound to finer sense And lighter-clad intelligence. — George Eliot

Because the great thing about fairy tales and folk tales is that there is no authentic text. It's not like the text of Paradise Lost or James Joyce's Ulysses, and you have to adhere to that exact text. — Philip Pullman

I also like the whole idea of fairy tales and folk tales being a woman's domain, considered a lesser domain at the time they were told. — Alice Hoffman

Some things were only possible in fairy tales. And not the kind of fairy tales that Baba Yagas featured in; those tended not to have happy endings. — Deborah Blake

Imagine a perfect world — Bruce McQueen

And here it is worth while remembering, since we are discussing Not Writing for Children, that neither the Sleeping Beauty nor Rumpelstiltzkin was really written for children. In fact, none of the fundamental fairy stories was ever written at all. They all arose spontaneously from the folk and were transmitted orally from generation to generation to unlettered listeners of all ages. — P.L. Travers

Angela Carter ... refused to join in rejecting or denouncing fairy tales, but instead embraced the whole stigmatized genre, its stock characters and well-known plots, and with wonderful verve and invention, perverse grace and wicked fun, soaked them in a new fiery liquor that brought them leaping back to life. From her childhood, through her English degree at the University of Bristol where she specialised in Medieval Literature, and her experiences as a young woman on the folk-music circuit in the West Country, Angela Carter was steeped in English and Celtic faerie, in romances of chivalry and the grail, Chaucerian storytelling and Spenserian allegory, and she was to become fairy tale's rescuer, the form's own knight errant, who seized hold of it in its moribund state and plunged it into the fontaine de jouvence itself.
(from "Chamber of Secrets: The Sorcery of Angela Carter") — Marina Warner

In college, I became interested in folk tales and fairy tales. Gradually I became more and more interested in the underlying meaning of it all and the possibility of the reality of real fairies. — Brian Froud

Can you not see, [ ... ] that fairy tales in their essence are quite solid and straightforward; but that this everlasting fiction about modern life is in its nature essentially incredible? Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is-what will a healthy man do with a fantastic world? The problem of the modern novel is-what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos. — G.K. Chesterton

In Pliny I read about the invention of clay modeling. A Sicyonian potter came to Corinth. There his daughter fell in love with a young man who had to make frequent long journeys away from the city. When he sat with her at home, she used to trace the outline of his shadow that a candle's light cast on the wall. Then, in his absence she worked over the profile, deepening, so that she might enjoy his face, and remember. One day the father slapped some potter's clay over the gouged plaster; when the clay hardened he removed it, baked it, and "showed it abroad" (63). — Annie Dillard

I've got the perfect dress. It's going to knock your socks off."
Marcus wasn't sure if that was good or bad, but he couldn't wait to find out. — Deborah Blake

And those characters [in a fairy tale] dwell in a moral world, whose laws are as clear as the law of gravity. That too is a great advantage of the folk tale. It is not a failure of imagination to see the sky blue. It is a failure rather to be weary of its being blue- and not to notice how blue it is. And appreciation of the subtler colors of the sky will come later. In the folk tale, good is good and evil is evil, and the former will triumph and later will fail. This is not the result of the imaginative quest. It is rather its principle and foundation. It is what will enable the child later on to understand Macbeth, or Don Quixote, or David Copperfield. — Anthony Esolen

I realize that for all my penchant in believing that there's more to the world than what we can see, that folk tales and fairy tales are based on real, if forgotten events, I never accepted that part of it as being real. — Charles De Lint

I think that Shakespeare himself raided fairy tales and chronicle writers, and he always looked to people who worked in the mythic genres, whether it was folk tales or popular novels. — Kenneth Branagh

This is a work of fiction. All the characters in it, human and otherwise, are imaginary, excepting only certain of the fairy folk, whom it might be unwise to offend by casting doubts on their existence. Or lack thereof. — Neil Gaiman

For most of human history, 'literature,' both fiction and poetry, has been narrated, not written - heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world. — Angela Carter

Once upon a time, when men and women hurtled through the air on metal wings, when they wore webbed feet and walked on the bottom of the sea, learning the speech of whales and the songs of the dolphins, when pearly-fleshed and jewelled apparitions of Texan herdsmen and houris shimmered in the dusk on Nicaraguan hillsides, when folk in Norway and Tasmania in dead of winter could dream of fresh strawberries, dates, guavas and passion fruits and find them spread next morning on their tables, there was a woman who was largely irrelevant, and therefore happy. — A.S. Byatt

I've been very influenced by folklore, fairy tales, and folk ballads, so I love all the classic works based on these things
like George Macdonald's 19th century fairy stories, the fairy poetry of W.B. Yeats, and Sylvia Townsend Warner's splendid book The Kingdoms of Elfin. (I think that particular book of hers wasn't published until the 1970s, not long before her death, but she was an English writer popular in the middle decades of the 20th century.)
I'm also a big Pre-Raphaelite fan, so I love William Morris' early fantasy novels.
Oh, and "Lud-in-the-Mist" by Hope Mirrlees (Neil Gaiman is a big fan of that one too), and I could go on and on but I won't! — Terri Windling

Fairy tales and folk tales have always played a role in my writing in one way or another. — Linn Ullmann

Without books, everything would have been crooked. Without books, the wisdom in books today would have been fairy and folk tales. Without books the whole truth about life would have been imaginations and a guessing game — Ernest Agyemang Yeboah

To sum up: all nature-spirits are not the same as fairies; nor are all fairies nature-spirits. The same applies to the relationship of nature-spirits and the dead. But we may safely say that a large proportion of nature-spirits became fairies, while quite a number of the dead in some areas seem to take on the character of nature-spirits. We cannot expect any fixity of rule in dealing with barbaric thought. We must take it as it comes. It bears the same relationship to "civilized" or folk-lore theory as does the growth of the jungle to a carefully designed and meticulously labelled botanical garden. As Victor Hugo once exclaimed when writing of the barbaric confusion which underlies the creative function in poetry: 'What do you expect? You are among savages! — Lewis Spence

The world would be a brighter, happier place, if we could only remember our childhood wonder. — P.J. Roscoe