Failure In Art Quotes & Sayings

God manifests himself to us in the first degree through the life of the universe, and in the second degree through the thought of man. The second manifestation is not less holy than the first. The first is named Nature, the second is named Art. — Victor Hugo

To interest is the first duty of art; no other excellences will ever begin to compensate for failure in this. — C.S. Lewis

Beware the average man the average woman
beware their love, their love is average
seeks average
but there is genius in their hatred
there is enough genius in their hatred to kill you
to kill anybody
not wanting solitude
not understanding solitude
they will attempt to destroy anything
that differs from their own
not being able to create art
they will not understand art
they will consider their failure as creators
only as a failure of the world — Charles Bukowski

He possessed the logic of all good intentions and a knowledge of all the tricks of his trade, and yet he never succeeded at anything, because he believed too much in the impossible. Surprising? Why so? He was forever in the act of conceiving it! — Charles Baudelaire

There is indeed one element in human destiny that not blindness itself can controvert: whatever else we are intended to do, we are not intended to succeed; failure is the fate allotted. It is so in every art and study; it is so above all in the continent art of living well. — Robert Louis Stevenson

I believe only in art and failure. — Jane Rule

Yet again, the more you strive for some kind of perfection or mastery - in
morals, in art or in spirituality - the more you see that you are playing a
rarified and lofty form of the old ego-game, and that your attainment of
any height is apparent to yourself and to others only by contrast with
someone else's depth or failure. — Alan W. Watts

I asked Geertrui the other day what she thought love is-real love, true love. She said that for her real love is observing another person and being observed by another person with complete attention. If she's right, you only have to look at the pictures Rembrandt painted of Titus, and there are quite a lot, to see that they loved each other. Because that is what you're seeing. Complete attention, one of the other ... "but in that case," he said, speaking the words as the thought came to him, "all art is love, because all art is about looking closely, isn't it? Looking closely at what's being painted."
"The artist looking closely while he paints, the viewer looking closely at what has been painted. I agree. All true art, yes. Painting, Writing-literature-also. I think it is. And bad art is a failure to observe with complete attention. So, you see why I like the history of art. It's the study of how to observe life with complete attention. It's the history of love. — Aidan Chambers

To find beauty in the sad, hope in the midst of loss, and dignity in failure is great poetic art. — David Mamet

A world where a majority had imbibed the lessons implicit within tragic art would be one in which the consequences of our failures would necessarily cease to weigh upon us so heavily. — Alain De Botton

The most fulfilling human projects appeared inseparable from a degree of torment, the sources of our greatest joys lying awkwardly close to those of our greatest pains ...
Why? Because no one is able to produce a great work of art without experience, nor achieve a worldly position immediately, nor be a great lover at the first attempt; and in the interval between initial failure and subsequent success, in the gap between who we wish one day to be and who we are at present, must come pain, anxiety, envy and humiliation. We suffer because we cannot spontaneously master the ingredients of fulfillment.
Nietzsche was striving to correct the belief that fulfillment must come easily or not at all, a belief ruinous in its effects, for it leads us to withdraw prematurely from challenges that might have been overcome if only we had been prepared for the savagery legitimately demanded by almost everything valuable. — Alain De Botton

Intelligent media companies strive to provide both intellectual and comedy programs, groundbreaking and reflective articles, art house and popular movies. Not to be open minded in providing a full range of quality media would be a failure to serve the breadth and depth of the communities we live in. — Lachlan Murdoch

My failure, during the first five or six years of my art training, to get set in the right direction, and the disappointment which it caused me, drove me the more persistently into writing as an alternative. — Laurence Housman

Perhaps it would have been possible to see in him a new Prometheus ... the hero who for the good of mankind exposes himself to the agonies of the damned ... undaunted by failure, by an unceasing effort of courage holding despair at bay, doggedly persistent in the face of self-doubt, which is the artist's bitterest enemy ... — W. Somerset Maugham

What an artist does, is fail. Any reading of the literature ... (I mean the literature of artistic creation), however summary, will persuade you instantly that the paradigmatic artistic experience is that of failure. The actualization fails to meet, equal, the intuition. There is something "out there" which cannot be brought "here". This is standard. I don't mean bad artists, I mean good artists. There is no such thing as a "successful artist" (except, of course, in worldly terms). — Donald Barthelme

I liked drawing and painting, because the only failure would be to listen to the doubters who wanted me to stop drawing and painting because 'you aren't going to make a living doing that.' I liked looking in art books at the work of painters. — Billy Childish

The art has to make it on its own, without explanations, and it's the same for poetry. If the poem or the painting has to be explained, then it's a failure in communication. — Lawrence Ferlinghetti

How often have we all come to that crucial point in a painting where it is practically 'begging' us to stop before we ruin it? We have all had that experience and we risk failure, or at the least mediocrity, if we ignore the voice in our art. — Richard Schmid

Why? Because no one is able to produce a great work of art without experience, nor achieve a worldly position immediately, nor be a great lover at the first attempt; and in the interval between initial failure and subsequent success, in the gap between who we wish one day to be and who we are at present, must come pain, anxiety, envy and humiliation. We suffer because we cannot spontaneously master the ingredients of fulfilment. Nietzsche — Alain De Botton

Tea is a work of art and needs a master hand to bring out its noblest qualities. We have good and bad tea, as we have good and bad paintings - generally the latter. There is no single recipe for making the perfect tea, as there are no rules for producing a Titian or a Sesson. Each preparation of the leaves has its individuality, its special affinity with water and heat, its own method of telling a story. The truly beautiful must always be in it. How much do we not suffer through the constant failure of society to recognise this simple and fundamental law of art and life; Lichilai, a Sung poet, has sadly remarked that there were three most deplorable things in the world: the spoiling of fine youths through false education, the degradation of fine art through vulgar admiration, and the utter waste of fine tea through incompetent manipulation. — Okakura Kakuzo

Feedback doesn't tell you about yourself. It tells you about the person giving the feedback. In other words, if someone says your work is gorgeous, that just tells you about *their* taste. If you put out a new product and it doesn't sell at all, that tells you something about what your audience does and doesn't want. When we look at praise and criticism as information about the people giving it, we tend to get really curious about the feedback, rather than dejected or defensive. — Tara Mohr

The costs of an ignorance of science are nor just practical ones like misbegotten policies, forgone cures, and a unilateral disarmament in national competitiveness. There is a moral cost as well. It is an astonishing fact about our species that we understand so much about the history of the universe. the forces that make it tick, the stuff it's made of; the origin of living things, and the machinery of life. A failure to nurture this knowledge shows a philistine indifference to the magnificent achievements humanity is capable of; like allowing a great work of art to molder in a warehouse. — Steven Pinker

Abstraction is an exercise in a pre-assured failure. It is a futile attempt to communicate the non-communicable — Derek R. Audette

The aesthetic construct, and nothing else, has taught us to expose ourselves to a non-enslaving experience of rank differences. The work of art is even allowed to 'tell' us, those who have run away from form, something, because it quite obviously does not embody the intention to confine us. 'La poesie ne s'impose plus, elle s'expose' Something that exposes itself and proves itself in this test gains unpresumed authority. In the space of aesthetic simulation, which is at once the emergency space for the success and failure of the artistic construct, the powerless superiority of the works can affect observers who otherwise take pains to ensure that they have no lord, old or new, above them. — Peter Sloterdijk

The hardest things to do in any art is to risk failure and put yourself out on the line. — Oscar Isaac

Building your "dream life" is filled with things that can feel like the opposite of a dream:
Mistakes
Delays
Starting over
Failure
The building part is actually more of a rebuilding that is a continual process. The building is not linear in nature but far more interesting. You might start a creative dream, take the "next step", and find yourself completely bored, dissatisfied, or just not inspired. — SARK

In a world in which stylistic innovation is no longer possible, all that is left is to imitate dead styles ... Contemporary or postmodernist art ... will involve the necessary failure of art and the aesthetic, the failure of the new, the imprisonment in the past. — Fredric Jameson

The fact that there are so many weak, poor and boring stories and novels written and published in America has been ascribed by our rebels to the horrible squareness of our institutions, the idiocy of power, the debasement of sexual instincts, and the failure of writers to be alienated enough. The poems and novels of these same rebellious spirits, and their theoretical statements, are grimy and gritty and very boring too, besides being nonsensical, and it is evident by now that polymorphous sexuality and vehement declarations of alienation are not going to produce great works of art either. — Saul Bellow

Failure with clay was more complete and more spectacular than with other forms of art. You are subject to the elements ... Any one of the old four - earth, air, fire, water - can betray you and melt, or burst, or shatter - months of work into dust and ashes and spitting steam. You need to be a precise scientist, and you need to know how to play with what chance will do to your lovingly constructed surfaces in the heat of the kiln. — A.S. Byatt

This is a story of art without markets, drama without a script, narrative without progress. The queer art of failure turns on the impossible, the improbable, the unlikely, and the unremarkable. It quietly loses, and in losing it imagines other goals for life, for love, for art, and for being. — J. Jack Halberstam

Art is made by those who consider themselves to have failed at whatever isn't art. And of course it is loved as consolation, or a call to arms, by those who feel the same. One of the reasons there seem to be fewer readers for literature today than there were yesterday is that the concept of failure has been outlawed. If we are all beautiful, all clever, all happy, all successes in our way, what do we want with the language of the dispossessed? But the nature of failure ensures that writers will go on writing no matter how many readers they have. You have to master the embarrassments and ignominies of life. — Howard Jacobson

The Philistine element in life is not the failure to understand art. Charming people, such as fishermen, shepherds, ploughboys, peasants and the like, know nothing about art, and are the very salt of the earth. He is the Philistine who upholds and aids the heavy, cumbrous, blind, mechanical forces of society, and who does not recognise dynamic force when he meets it either in a man or a movement. — Oscar Wilde

THE NAME OF THE WIND has everything fantasy readers like, magic and mysteries and ancient evil, but it's also humorous and terrifying and completely believable. As with all the very best books in our field, it's not the fantasy trappings (wonderful as they are) that make this novel so good, but what the author has to say about true, common things, about ambition and failure, art, love, and loss. — Tad Williams

You can only arrive at mastery by practicing the techniques you have learned, facing challenges and apprehending them, using to the fullest the tools you have been taught, until they shatter in your hands and you are left in the midst of wreckage absolute ... I cannot create masters. I have never known how to create masters. Go, then, and fail ... You have been shaped into something that may emerge from the wreckage, determined to remake your Art. I cannot create masters, but if you had not been taught, your chances would be less. The higher road begins after the Art seems to fail you; though the reality will be that it was you who failed your Art. — Eliezer Yudkowsky

It's [Into the Badlands] something that's very, very different and I think that's why it divided critics initially because they didn't understand it or get it. They didn't understand or have a knowledge of what we were trying to do. Bringing in the Asian martial arts aesthetic to American television. For us, these are the people who will make the show a hit or a failure in future seasons. So it's for us to respect them and interact and see what they have to say. — Miles Millar

To possess and exercise omniscience is to never have sensed temperature, experienced a single emotion, or practiced a single vice. It is to have never been amazed, concerned, analytical, or sympathetic. By exercising omniscience, an Omni-maximum being could not move, be moved, or inspired. Such a being could not interfere, empathise, interject, alter, adjust, or give advice. Ever. Such a being could not devise a plan, hear music, imagine a story, or recognise art or deviancy in any guise, for it could never differentiate creativity from cold reality. Such a being could not know doubt, desire, success, or failure. It could not, therefore, know itself, and if it is incapable of that, then it is incapable of experiencing pleasure. — John Zande

In my view, the lost art of listening and ignoring the patient as a human being is a quintessential failure of our health care. — Bernard Lown

In contrast to modern art, which causes displeasure-modern art, by definition, hurts. In this precise sense, modern art is sublime: it causes pleasure-in-pain, it produces its effect through its own failure, insofar as it refers to the impossible Things. — Slavoj Zizek

The failure of art is, as we have said, not a complete failure. Substantial truth is revealed to us, we are not cheated of that; but it is revealed only in the equivocal form of beauty, submerged, so to speak, in the flood of aesthetic emotion. It is only because truth is revealed in it that the emotion is aesthetic; but emotional truth, truth in the guise of beauty, is not truth at all in the formal sense Art asserts nothing; and truth as such is matter of assertion. To be itself, it demands logical form. Art fails us because it does not assert. It is pregnant with a message that it cannot deliver. To — R.G. Collingwood

Trying every day to tell the truth is hard. There are harder things, of course - arguably, living with lies and meaninglessness, living in despair is harder, but it's hardship disguised as luxury and easier perhaps to grow accustomed to, since truth is usually the enemy of custom. There are harder things than writing, being President Obama, for instance, and having to deal with House Republicans, or trying to fix the leak at the Fukushima reactor, these are harder, but writing is hard. — Tony Kushner

The truth is, anyone who puts so much of herself and her life into art as you do must naturally fear any failure in that art as a potential threat to your life. And so you protect your art more than you protect your health or the common forms of happiness the rest of us have. And you probably have this in common with every artist you admire. — Arthur Phillips

For the first time in his life, he stopped worrying about results, and as a consequence the terms "success" and "failure" had suddenly lost their meaning for him. The true purpose of art was not to create beautiful objects, he discovered. It was a method of understanding, a way of penetrating the world and finding one's place in it, and whatever aesthetic qualities an individual canvas might have were almost an incidental by-product of the effort to engage oneself in this struggle, to enter into the thick of things. — Paul Auster

He did not really mind that none of the delegates had spoken to him before leaving. But he was crushed by his failure to get them to recognize what he had long known: that without power, a people must use cunning and guile. Or were cunning and guile, based on superior understanding of a situation, themselves power? Certainly, most black people knew and used this art to survive in their everyday contacts with white people. It was only civil rights professionals who confused integrity with foolhardiness. "Faith — Sheree Thomas

I am dead against art's being self-expression. I see an inherent failure in any story which fails to detach itself from the author-detach itself in the sense that a well-blown soap-bubble detaches itself from the bowl of the blower's pipe and spherically takes off into the air as a new, whole, pure, iridescent world. Whereas the ill-blown bubble, as children know, timidly adheres to the bowl's lip, then either bursts or sinks flatly back again. — Elizabeth Bowen

To demand the art forms of yesterday in either word systems or art is a bourgeois failure. — Francis A. Schaeffer

The industrialist (your boss, perhaps) demands that everything be proven, efficient, and risk free. The artist seeks none of these. The value of art is in your willingness to stare down the risk and to embrace the void of possible failure. — Seth Godin

In the heart of appeasement there's the fear of rejection, and in acts of fear there are mirrors of oppression. — Criss Jami

No one is able to produce a great work of art without experience, nor achieve a worldly position immediately, nor be a great lover at the first attempt; and in the interval between initial failure and subsequent success, in the gap between who we wish one day to be and who we are at present, must come pain, anxiety, envy and humiliation. We suffer because we cannot spontaneously master the ingredients of fulfilment. — Alain De Botton

Every man whose tastes have been allowed to develop in wrong directions, or in whom the best tastes have failed of higher perfection, loses thereby from the inner joy and outer value of his whole life. Every good taste is a source and guarantee of happy healthy hours and days, and thus of the enrichment and elevation of life. A reasonable capacity to appreciate music and art quite suffices to enrich life and exercise a wholesome influence upon character. The taste for good reading is inseparable from a taste for good thinking. — Edward O. Sisson

To be truthful, some writers stop you dead in your tracks by making you see your own work in the most unflattering light. Each of us will meet a different harbinger of personal failure, some innocent genius chosen by us for reasons having to do with what we see as our own inadequacies.
The only remedy to this I have found is to read a writer whose work is entirely different from another, though not necessarily more like your own - a difference that will remind you of how many rooms there are in the house of art. — Francine Prose

A basic flaw in contemporary American educational philosophy as much as it is under the influence of the late John Dewey, is it s failure to grasp the essentially artistic character of teaching. Due to an inflated opinion of "science" and all things supposedly "scientific," educators have been loathe to admit that teaching is an art, not a science. The art of teaching is a mingling of the liberal and the dramatic arts. Above and beyond the subject matter, the teacher actually needs but two assets: (a) a grasp of the liberal arts of grammar, rhetoric,and logic; (b) a mastery of the dramatic art of presentation." - pg 126 footnote 1. — Frederick D. Wilhelmsen

Both individual skill (art) and chance are important factors in determining success or failure. — Benjamin Graham

In painting I try to make some logic out of the world that has been given to me in chaos. I have a very pretentious idea that I want to make life, I want to make sense out of it. The fact that I am doomed to failure - that doesn't deter me in the least. — Grace Hartigan

But always think this: do not be afraid of failure. Do not be afraid of falling. In the art of walking, what is important is not avoiding the fall but not remaining fallen. — Pope Francis

There is something about the literary life that repels me, all this desperate building of castles on cobwebs, the long-drawn acrimonious struggle to make something important which we all know will be gone forever in a few years, the miasma of failure which is to me almost as offensive as the cheap gaudiness of popular success. — Raymond Chandler

But failure has to be an option in art and in exploration - because it's a leap of faith. And no important endeavor that required innovation was done without risk. You have to be willing to take those risks ... — James Cameron

What then is to be the lot of Rossetti's fame and influence? 'An amateur who failed in two arts', it is true; yet it hardly harms Rossetti or touches his standing. On the contrary, it defines both very brilliantly. The small word 'failed' is a small word and little more to artists who are forever going on until they give up over a game that must be lost. Every artist, when confronted by the immensities of art, which is life, must confess to failure. A failure is a thing very relative. — Ford Madox Ford

You have described only too well," replied the Master, "where the difficulty lies ... The right shot at the right moment does not come because you do not let go of yourself. You ... brace yourself for failure. So long as that is so, you have no choice but to call forth something yourself that ought to happen independently of you, and so long as you call it forth your hand will not open in the right way
like the hand of a child. — Eugen Herrigel

I was taught that to create anything you had to believe in failure, simply because you had to be prepared to go through an idea without any fear. Failure, you learned, as I did in art school, to be a wonderful thing. It allowed you to get up in the morning and take the pillow off your head. — Malcolm McLaren