Fact Or Fiction Quotes & Sayings

It is not cynical to admit the past has been turned into a fiction. It is a story, not a fact. The real has been erased. Whole eras have been added or removed. Wars have been aggrandized, and human struggle relegated to the margins. Villains are redressed as heroes. Generous, striving, imperfect men and women have been stripped of their flaws or plucked of their virtues and turned into figurines of morality or depravity. Whole societies have been fixed with motive and visions and equanimity where there was none. Suffering has been recast as noble sacrifice! Do you know why the history of the Tower is in such turmoil? Because too many powerful men are fighting for the pen, fighting to write their story over our dead bodies. They know what is at stake: immortality, the character of civilization, and influence beyond the ages. They are fighting to see who gets to mislead our grandchildren. — Josiah Bancroft

If one loves stories, then one would naturally love the story of the story. Or the story behind the story, pick your preposition. It does seem to me to be a kind of animal impulse almost, a mammalian curiosity. For a reader to wonder about the autobiography in a fiction may be completely unavoidable and in fact may speak to the success of a particular narrative, though it may also speak to its failure. — Lorrie Moore

In our family histories, the frontier between fact and fiction is vague, especially in the record of events that took place before we were born, or when we were too young to record them accurately; there are few maps to these remote regions, and only the occasional sign to guide the explorer. — Adam Sisman

The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated communist, but people for whom the distinction between fact and fiction, true and false, no longer exists. — Hannah Arendt

My title "The Fabrication of Facts," has the virtue not only of indicating pretty clearly what I am going to discuss but also of irritating those fundamentalists who know very well that facts are found not madder, that facts constitute the one and only real world, and that knowledge consists of believing the facts. These articles of faith so firmly possess most of us, they so bind and blind us, that "fabrication of fact" has a paradoxical sound. "Fabrication" has become a synonym for "falsehood" or "fiction" as contrasted with "truth" or "fact." Of course, we must distinguish falsehood and fiction from truth and fact; but we cannot, I am sure, do it on ground that fiction is fabricated and fact found. - 91 — Nelson Goodman

My thoughts about pornography tend to revolve around the fact that while very few of us are zombies, detectives, cowboys, or spacemen, there are an infinite number of books that are recounting the stories of those lifestyles. However, all of us have some sort of feelings or opinions about sex. And yet the only art form which in any way is able to discuss sex, or depict sex, is this grubby despised under the counter art form, which has absolutely no standards. This was what Lost Girls was intended as a remedy for, that there is no reason why a horny piece of literature, that is purely about sex, could not be as beautiful, as meaningful, and have as absorbing characters as any other piece of fiction. — Alan Moore

Literature is a source of pleasure, he said, it is one of the rare inexhaustible joys in life, but it's not only that. It must not be disassociated from reality. Everything is there. That is why I never use the word fiction. Every subtlety in life is material for a book. He insisted on the fact. Have you noticed, he'd say, that I'm talking about novels? Novels don't contain only exceptional situations, life or death choices, or major ordeals; there are also everyday difficulties, temptations, ordinary disappointments; and, in response, every human attitude, every type of behavior, from the finest to the most wretched. There are books where, as you read, you wonder: What would I have done? It's a question you have to ask yourself. Listen carefully: it is a way to learn to live. There are grown-ups who would say no, that literature is not life, that novels teach you nothing. They are wrong. Literature performs, instructs, it prepares you for life. — Laurence Cosse

The person - especially a woman - may be disillusioned by the fact that over time a man's affection turns out to be only, so to speak, a cover for desire or even for an explicit will to use. Both a woman and a man may be disillusioned by the fact that the values attributed to the beloved person turn out to be fiction. Because of the dissonance between the ideal and the reality, affective love is sometimes not only extinguished but even transformed into affective hatred. — Pope John Paul II

Two avenues of approach to these rewards lie open to the ambitious fictioneer. On the one hand, he may throw all intelligible standards of merit to the winds, and devote himself to manufacturing new stories that are frankly bad, trusting to the fact that nine persons out of ten are utterly devoid of esthetic sense and hence unable to tell the bad from the good. And on the other hand, he may take stories, or parts of stories that have been told before, or that, in themselves, are scarcely worth the telling, and so encrust them with the ornaments of wit, of shrewd observation, of human sympathy and of style
in brief, so develop them
that readers of good taste will forget the unsoundness of the material in admiration of the ingenious and workmanlike way in which it is handled. — H.L. Mencken

I think people like to have their categories clear. They want to know if it's fiction or fact, biopic or not. — Lenny Abrahamson

I couldn't tell fact from fiction,
Or if the dream was true
My only sure prediction
In this world was you.
I'd touch your features inchly. Beard love and dared the cost, The sented spiel reeled me unreal And I found my senses lost. — Maya Angelou

Nearly everywhere I've been, popular wisdom has it that the location of humanity's original planet is unknown, mysterious. In fact it isn't, as anyone who troubles to read on the subject will discover, but it is very, very, very far away from nearly anywhere, and not a tremendously interesting place. Or at the very least, not nearly as interesting as the enchanting idea that your people are not newcomers to their homes but in fact only recolonized the place they had belonged from the beginning of time. One meets this claim anywhere one finds a remotely human-habitable planet. — Ann Leckie

While what I write is always largely consistent with the records that remain I freely admit that where historical fact proves a barrier to invention, I simply move a detail a little one way or another. — Sara Sheridan

If you record the world honestly, there's no way people can stop being funny. A lot of fiction writing doesn't get that idea, as if to acknowledge it would trivialize the story or trivialize human nature, when in fact human nature is reduced and falsified if the comic aspects are not included. — Lorrie Moore

A novel, or so-called "fiction," if deeply researched and conscientiously written, might well contain as much truth as a high-school history textbook approved by a state board of education. But having been designated "historical fiction" by its publisher, it is presumed to be less reliably true than that textbook. If fiction were defined as "the opposite of truth," then much of the content of many approved historical textbooks could be called "historical fiction."
But fiction is not the opposite of truth. Fiction means "created by imagination." And there is plenty of evidence everywhere in literature and art that imagination can get as close to truth as studious fact-finding can. — James Alexander Thom

It was the pivotal teaching of Pluthero Quexos, the most celebrated dramatist of the Second Dominion, that in any fiction, no matter how ambitious its scope or profound its theme, there was only ever room for three players. Between warring kings, a peacemaker; between adoring spouses, a seducer or a child. Between twins, the spirit of the womb. Between lovers, Death. Greater numbers might drift through the drama, of course
thousands in fact
but they could only ever be phantoms, agents, or, on rare occasions, reflections of the three real and self-willed beings who stood at the center. And even this essential trio would not remain intact; or so he taught. It would steadily diminish as the story unfolded, three becoming two, two becoming one, until the stage was left deserted. — Clive Barker

The novels I love, the ones I remember, the ones I re-read, have an empathetic human quality, or 'emotional truth'. This quality is difficult to fully define, but I always recognise it when I see it: it is different from honesty and more resilient than fact, something that exists not in the kind of fiction that explains but in the kind that shows. — Chimamanda Ngozi Adichie

As every reader knows in his or her heart, there is much more to truth than mere fact. — Alison Croggon

The Line makes itself felt,
thro' some Energy unknown, ever are we haunted by that Edge so precise, so near. In the Dark, one never knows. Of course I am seeking the Warrior Path, imagining myself as heroick Scout. We all feel it Looming, even when we're awake, out there ahead someplace, the way you come to feel a River or Creek ahead, before anything else,
sound, sky, vegetation,
may have announced it. Perhaps 'tis the very deep sub-audible Hum of its Traffic that we feel with an equally undiscover'd part of the Sensorium,
does it lie but over the next Ridge? the one after that? We have mileage Estimates from Rangers and Runners, yet for as long as its Distance from the Post Mark'd West remains unmeasur'd, nor is yet recorded as Fact, may it remain, a-shimmer, among the few final Pages of its Life as Fiction. — Thomas Pynchon

They recite their sacred books, although the fact informs me
that these are a fiction from first to last.
O Reason, thou (alone) speakest the truth.
Then perish the fools who forged the religious traditions or interpreted them! — Al-Ma'arri

In fact, one of the things that I really love about literary fiction is that it's one of the few kinds of writing that doesn't tell us what to think or what to buy or what to wear. We're surrounded by advertising. — Barbara Kingsolver

But there's also the fact that in my experience most of my readers are first and foremost plain old-fashioned readers. Good readers. They're not looking for cozy brand-name output and that means I don't have to give it to 'em. They're not lazy and have little patience with pre-fab beach-bag books or Oprah's opine du jour. They're questers.
They know that every now and then you're gonna get lucky and pure gold like King and Straub's Black House will simply drop into your lap at the local supermarket but after that, if your bent is horror and suspense fiction, you're gonna have to get your hands dirty and root around for more. Find a Ramsey Campbell or an Edward Lee. They expect diversity and search it out. They want what all good readers want - to be taken somewhere in a book or a story that's really worth visiting for a while. Maybe even worth thinking about after.
If that place happens to scare the hell out of you all the better. — Jack Ketchum

I would say, for the moment, that community, at least community larger than the immediate family, consists very largely of imaginative love for people we do not know or whom we know very slightly. This thesis may be influenced by the fact that I have spent literal years of my life lovingly absorbed in the thoughts and perceptions of - who knows it better than I? - people who do not exist. And, just as writers are engrossed in the making of them, readers are profoundly moved and also influenced by the nonexistent, that great clan whose numbers increase prodigiously with every publishing season. I think fiction may be, whatever else, an exercise in the capacity for imaginative love, or sympathy, or identification. — Marilynne Robinson

The fact, and the intuition or logic about the fact, are severe coordinates in fiction. In the short story they must cross with hair-line precision. — Louise Bogan

The claim at the heart of this book has been carefully researched by several generations of scholars and is orthodox in academic circles, if not beyond. Christians under the Roman Empire were neither constantly persecuted nor martyred in huge numbers for their faith. They were prosecuted from time to time for alleged sedition, holding illegal meetings or refusing to sacrifice to the emperor. They were, like other convicts, sometimes tortured and executed in horrible ways. They seem to have been regarded by many Romans with distaste as a particularly silly superstition. But Christian stories of thousands of individual and mass martyrdoms over centuries have at best a limited basis in historical fact, and in many cases are sheer fiction. — Teresa Morgan

I never, as a reader, have been particularly interested in dystopian literature or science fiction or, in fact, fantasy. — Lois Lowry

I don't recall that when I was in high school or college, any novel was ever presented to me to study as a novel. In fact, I was well on the way to getting a Master's degree in English before I really knew what fiction was, and I doubt if I would ever have learned then, had I not been trying to write it. I believe that it's perfectly possible to run a course of academic degrees in English and to emerge a seemingly respectable Ph.D. and still not know how to read fiction. — Flannery O'Connor

He was not a likeable figure but then when you are a part of a family, you cannot wish to see someone wither away even when you dislike him. He is a part of your blood, he and all his idiosyncrasies. There is always a tinge of warmth in the corner of your heart, reminiscent of the good times spent together. Then there are always those moments, when you wonder why everything turned out so different. When you wonder what possibly could hold people together, if not the fact that they come from the same blood? Or are we just not born to be that way? Craving to be something that we cannot be, each with our own false ceilings to hide our true selves? — Amit Sharma

President Ronald Reagan, who spent World War II in Hollywood, vividly described his own role in liberating Nazi concentration camp victims. Living in the film world, he apparently confused a movie he had seen with a reality he had not. On many occasions in his Presidential campaigns, Mr. Reagan told an epic story of World War II courage and sacrifice, an inspiration for all of us. Only it never happened; it was the plot of the movie A Wing and a Prayer - that made quite an impression on me, too, when I saw it at age 9. Many other instances of this sort can be found in Reagan's public statements. It is not hard to imagine serious public dangers emerging out of instances in which political, military, scientific or religious leaders are unable to distinguish fact from vivid fiction. — Carl Sagan

I do not believe in the court system, at least I do not think it is especially good at finding the truth. No lawyer does. We have all seen too many mistakes, too many bad results. A jury verdict is just a guess - a well-intentioned guess, generally, but you simply cannot tell fact from fiction by taking a vote. And yet, despite all that, I do believe in the power of the ritual. I believe in the religious symbolism, the black robes, the marble-columned courthouses like Greek temples. When we hold a trial, we are saying a mass. We are praying together to do what is right and to be protected from danger, and that is worth doing whether or not our prayers are actually heard. — William Landay

The twenty-first chapter gives the novel the quality of genuine fiction, an art founded on the principle that human beings change. There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters. Even trashy bestsellers show people changing. When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of the field of the novel and into that of the fable or the allegory. — Anthony Burgess

People want movies to be one thing or another; they want it be fact or fiction. — Laurel Nakadate

Work - especially the sort of work that gets your hands dirty and that brands you as a member of the working class - no longer seems germane to our novelists' apprenticeships and, not coincidentally, is no longer easy to find in the fiction they produce. Whether one finds this scarcity something to worry about or simply a fact to be noted probably says a lot about one's class origins and prejudices. — Gerald Howard

He didn't remember ever being less weird than he was right now. In fact, as far as he could tell he had always been more or less exactly as weird as this. if not more so. — Meg Rosoff

We do not charge an author with unpardonable ignorance because his twelfth-century characters never stop arguing about The Smiths. It is possible that the writer, having only a feeble grasp of history, really does believe that The Smiths were around in the twelfth century, or that Morrissey is such a superlative genius as to be timeless. But the fact that this occurs in a work of fiction inclines us to the charitable view that the distortion is deliberate. This is highly convenient for poets and novelists. Literature, like an absolute monarch among his fawning courtiers, is where you can never be wrong. — Terry Eagleton

Within the sphere of English fiction Heathcliff stands alone. Therefore, if we do not understand him, then it is highly probable we were never intended to do so, so that we should try to realize and accept the fact that there may be just one or two things yet left in heaven and earth not dreamt of by our philosophy. — Eleanor Mcnees

It is not cynical to admit that the past has been turned into a fiction. It is a story, not a fact. The real has been erased. Whole eras have been added and removed. Wars have been aggrandized, and human struggle relegated to the margins. Villains are redressed as heroes. Generous, striving, imperfect men and women have been stripped of their flaws or plucked of their virtues and turned into figurines of morality or depravity. Whole societies have been fixed with motive and vision and equanimity where there was none. Suffering has been recast as noble sacrifice! — Josiah Bancroft

He liked fiction better than fact, because fact often wasn't. Like most people he knew a couple of things for sure, up close and eyeballed, and when he saw them in books they were wrong. So he liked made-up stories better, because everyone knew where they were from the get-go. He wasn't strict about genre. Either shit happened, or it didn't. — Lee Child

Some call us unnatural or demons, but that doesn't change the fact that we too were human once. We have feelings; we feel pain and there is no shame in wanting to live. — Karmen Lee

Books can be viewed as food for the mind

Stop reading and your brain can become anemic

Read junk and your thinking can become malnourished

But handle your diet with books well and your life long learning never stops — Jonathan Frakes

Human beings across every culture I know about require such stories, stories with cool winds and wood smoke. They speak to something deep within us, the capacity to conceptualize, objectify and find patterns, thereby to create the flow of events and perceptions that find perfect expression in fiction. We are built this way, we create stories by reflex, unstoppably. But this elegant system really works best when the elements of the emerging story, whether is is being written or being read, are taken as literal fact. Almost always, to respond to the particulars of the fantastic as if they were metaphorical or allegorical is to drain them of vitality. — Peter Straub

Curiously, Laura Warholic is one of those novels in which the characters actually read books.You don't often see this in contemporary fiction. People resent polysyllabic words, find it showing off, never look them up, refuse to play. Words are to a writer what paint is to an artist. I am amazed at how readers refuse to enjoy the out-of-the-way fact, the astonishing detail, the original thought. Style is taken as an affront by stupid and lazy people. Just say it, they say. Sure! Should I die or should I live basically sums up Hamlet's "To Be or Not to Be" soliloquy. Why didn't he just say so!? — Alexander Theroux

Under fun's new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don't want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel. Fiction becomes a weird way to countenance yourself and to tell the truth instead of being a way to escape yourself or to present yourself in a way you figure you will be maximally likable. This process is complicated and confusing and scary, and also hard work, but it turns out to be the best fun there is.
The fact that you can now sustain the fun of writing only by confronting the very same unfun parts of yourself you'd first used writing to avoid or disguise is another paradox, but this one isn't any kind of bind at all. What it is is a gift, a kind of miracle, and compared to it the reward of strangers' affection is as dust, lint. — David Foster Wallace

I'm not sure what's more worrying. The list of demands or the fact he seems unaware the French stopped using francs in the last century and that Africa is a continent?" - Jerome — Jamie Scallion

[For] decades, researchers have told us that the link between cataclysm and social disintegration is a myth perpetuated by movies, fiction, and misguided journalism. In fact, in case after case, the opposite occurs: In the earthquake and fire of 1906, Jack London observed: "never, in all San Francisco's history, were her people so kind and courteous as on this night of terror." "We did not panic. We coped," a British psychiatrist recalled after the July 7, 2005, London subway bombings. We often assume that such humanity among survivors, what author Rebecca Solnit has called "a paradise built in hell," is an exception after catastrophes, specific to a particular culture or place. In fact, it is the rule. — Jonathan M. Katz

Far and away the greatest menace to the writer - any writer, beginning or otherwise - is the reader. The reader is, after all, a kind of silent partner in this whole business of writing, and a work of fiction is surely incomplete if it is never read. The reader is, in fact, the writer's only unrelenting, genuine enemy. He has everything on his side; all he has to do, after all, is shut his eyes, and any work of fiction becomes meaningless. Moreover, a reader has an advantage over a beginning writer in not being a beginning reader; before he takes up a story to read it, he can be presumed to have read everything from Shakespeare to Jack Kerouac. No matter whether he reads a story in manuscript as a great personal favor, or opens a magazine, or - kindest of all - goes into a bookstore and pays good money for a book, he is still an enemy to be defeated with any kind of dirty fighting that comes to the writer's mind. — Shirley Jackson

When you're writing a script you have the option to embellish on life or switch the order of events or make it generally more cinematic. I would stick too closely to my own experience and not necessarily think about the fact that it needs to have an event happen. Realising that I could channel my own experience into a story that was slightly more cinematic was a very important moment for me - allowing myself to accept that the kind of screenwriting I'm doing is a work of fiction. — Lena Dunham

[Vathek] has, in parts, been called, but to some judgments, never is, dull: it is certainly in parts, grotesque, extravagant and even nasty. But Beckford could plead sufficient "local colour" for it, and a contrast, again almost Shakespearean, between the flickering farce atrocities of the beginning and the sombre magnificence of the end. Beckford's claims, in fact, rest on the half-score or even half-dozen pages towards the end: but these pages are hard to parallel in the later literature of prose fiction. — William Thomas Beckford

I am merely pointing to the fact that, in England, popular imaginative literature is a field that left-wing thought has never begun to enter. All fiction from the novels in the mushroom libraries downwards is censored in the interests of the ruling class. And boys' fiction above all, the blood-and-thunder stuff which nearly every boy devours at some time or other, is sodden in the worst illusions of 1910. The fact is only unimportant if one believes that what is read in childhood leaves no impression behind. — George Orwell

I get tired of hearing some science-fiction fans saying that characterization isn't important in SF. In point of fact, I think it's probably more important in SF than in mainstream fiction. After all, if the author can't characterize humans well, he or she probably can't characterize aliens well either. — Robert J. Sawyer

A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send checks to radio stations for the relief of suffering heroines in soap operas. — Northrop Frye

I love you, Tess McGee. I don't do big funny or heartfelt speeches in front of people at birthday parties, but I'm excellent in private alcoves in beer gardens." He paused. "Okay, that sounded really bad, what I mean is ... "
I kissed him into silence. I pressed my forehead against his with a sigh. "I love you, too, Toby. In fact, that's what I was going to tell you before we walked into the beer garden. Right before the really bad singing started."
Toby chuckled. He let out a sigh of relief. "Ready to reminisce?"
I whispered my final word before he closed the distance.
"Always. — C.J. Duggan

What happens when you don't know the truth but you can't believe the lies, when you can't find a way--through fact or fiction--to give meaning to your own existence? Without a narrative for your own life, do you ever really exist at all? — Maria Goodin

I've always been a fan of books that create an interesting blend of fact and fiction - whether it's Norman Mailer, or 'The Short Timers,' or 'In Cold Blood.' I'm a fan of that genre. — Mark Boal

When I'm writing fiction, I'm sort of interested by the fact that somehow or other I can have the feeling of actually seeing things through someone else's eyes. — Marilynne Robinson

Our relationship with literary characters, at least to those that exercise a certain attraction over us, rests in fact on a denial. We know perfectly well, on a conscious level, that these characters "do not exist," or in any case do not exist in the same way as do the inhabitants of the real world. But things manifest in an entirely different way on the unconscious level, which is interested not in the ontological differences between worlds but in the effect they produce on the psyche.
Every psychoanalyst knows how deeply a subject can be influenced, and even shaped, sometimes to the point of tragedy, by a fictional character and the sense of identification it gives rise to. This remark must first of all be understood as a reminder that we ourselves are usually fictional characters for other people [ ... ] — Pierre Bayard

If any theme runs through all my work, it is what Adrienne Rich once called "re-vision", i.e., the re-perceiving of experience, not because our experience is complex or subtle or hard to understand (though it is sometimes all three) but because so much of what's presented to us as "the real world" or "the way it is" is so obviously untrue that a great deal of social energy must be mobilized to hide that gross and ghastly fact. has a theatre critic (whose name I'm afraid I've forgotten) once put it," There's less there than meets the eye". Hence, my love for science fiction, which analyses reality by changing it. — Joanna Russ

I see myself as a storyteller, I don't mind if the story is fact or fiction, if it's a good story I'd like to tell it. — Leanne Pooley

I think writing in general can help us deal with anything we fear, anything which troubles us, anything that makes us angry or moves us. In fact, in most cases, writing has to engage with these feelings - the lack of engagement you find in parts of American writing is a form of imperialism turned inward. We don't see the poor, the abject, the destitute in fiction and literature nearly as much as we should. — John Freeman

Any book, any story, is a piece of history. Be it fiction and fable or historical fact, history is a very important part of our lives. And one thing I have learned is that history is important to us as a people, we can learn from it and we can find hope within it. We can live and laugh in ways that may not be found in our current lives and we can find solace in those times of heartache and pain. There is so much that a book can do for an individual person. That is why if there is but a single person willing to lose themselves to that history that we hold in our own hearts, than it is up to us as authors to make it available to them. — A.W.Chrystalis

I have confused ideas of deity, heavily influenced by mind-altering years of reading science fiction, that do not often trouble me, but one thing I know for certain, and have known since the age of five or six, is that I really can't stand the God of Abraham. In fact, I consider him to constitute the pattern to which every true asshole I have ever known in my life has pretty well conformed. — Michael Chabon

In fact, there are many unique satisfactions here. One is that Americans seem to outstrip every nation for hope. Perhaps because so many of us came in flight from something worse, or rose from poverty here, or absorbed the fact and fiction of the "land of opportunity," or just because optimism itself is contagious - whatever the reason, hopefulness is what I miss the most when I'm not here. It's the thing that makes me glad to come home. After all, hope is a form of planning. — Gloria Steinem

Have you noticed,' she asked, straightening the counting frames to her liking before closing the cupboard doors and turning toward him, 'that at church when the clergyman is giving his sermon everyone's eyes glaze over and many people even nod off to sleep? But if he suddenly decides to illustrate a point with a little story, everyone perks up and listens. WE were made to tell and listen to stories, Joel, It is how knowledge was passed from person to person and generation to generation before there was the written word, and even afterward, when most people had no access to manuscripts or books and could not read them even if they did. Why do we now feel that storytelling should be confined to fiction and fantasy? Can we enjoy only what has no basis in fact? — Mary Balogh

Write what you know," my ass. Now, I'm not suggesting that you write about my ass. But although you do not, in fact, know my ass, I give you permission to write about it. And if you think you need my permission to write about my ass ("What right do I have, as a male, twenty-something, single, childfree, immigrant Indonesian Buddhist, to pretend to understand the ass of an Anglo American middle-aged married female Freethinker?") or about anything, then you lack the courage, curiosity and imagination to write good fiction, so please find something else to do. — Robyn Parnell

The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole. — Flannery O'Connor

Novelists congratulate themselves on their creation of this kind of "character" or that kind of "character," and readers pretend to talk knowingly about "character," but all it amounts to is that the writers are enjoying themselves writing lies and the readers are enjoying themselves reading lies. In fact, there is no such thing as character, something fixed and final. The real thing is something that novelists don't know how to write about. Or, if they tried, the end result would never be a novel. Real people are strangely difficult to make sense out of. Even a god would have his hands full trying. — Soseki Natsume

Just as terror, even in its pre-total, merely tyrannical form ruins all relationships between men, so the self-compulsion of ideological thinking ruins all relationships with reality. The preparation has succeeded when people have lost contact with their fellow men as well as the reality around them; for together with these contacts, men lose the capacity of both experience and thought. The ideal subject of totalitarian rule is not the convinced Nazi or the convinced Communist, but people for whom the distinction between fact and fiction (i.e., the reality of experience) and the distinction between true and false (i.e., the standards of thought) no longer exist. — Hannah Arendt

If all stories are fiction, fiction can be true
not in detail or fact, but in some transformed version of feeling. If there is a memory of paradise, paradise can exist, in some other place or country dimensionally reminiscent of our own. The sad stories live there too, but in that country, we know what they mean and why they happened. We make our way back from them, finding the way through a bountiful wilderness we begin to understand. Years are nothing: Story conquers all distance. — Jayne Anne Phillips

Reacher looked at the books on the tables. He read when he could, mostly through the vast national library of lost and forgotten volumes. Battered paperbacks mostly, all curled and furry, found in waiting rooms or on buses, or on the porches of out-of-the-way motels, read and enjoyed and left somewhere else for the next guy. He liked fiction better than fact, because fact often wasn't. Like most people he knew a couple of things for sure, up close and eyeballed, and when he saw them in books they were wrong. So he liked made-up stories better, because everyone knew where they were from the get-go. He wasn't strict about genre. Either shit happened, or it didn't. Chang — Lee Child

Someone has said of books that they are our 'amplest heritages' of thought, and so they are. That doesn't necessarily mean that they must be learned or profound. They are food for the mind and different minds require different foods ; everyone is better for variety. Whatever stimulates the mind feeds it, be it fact, fiction or fable. That is where our responsibility lies ; in knowing what builds good mental blood and brawn, and in dispensing that only. Don't ever let yourself think you haven't time to read. — Mary Virginia Provines

But if we are to say anything important, if fiction is to stay relevant and vibrant, then we have to ask the right questions. All art fails if it is asked to be representative - the purpose of fiction is not to replace life anymore than it is meant to support some political movement or ideology. All fiction reinscribes the problematic past in terms of the present, and, if it is significant at all, reckons with it instead of simply making it palatable or pretty. What aesthetic is adequate to the Holocaust, or to the recent tragedy in Haiti? Narrative is not exculpatory - it is in fact about culpability, about recognizing human suffering and responsibility, and so examining what is true in us and about us. If we're to say anything important, we require an art less facile, and editors willing to seek it. — Michael Copperman

What makes my jaw drop is that people today should base their lives on such an appalling role model as Yahweh - and, even worse, that they should bossily try to force the same evil monster (whether fact or fiction) on the rest of us. — Richard Dawkins

All self-expression is the product of the imagination, so how can we speak of an objective reflection of the real in words? Or an accurate rendering of the past - speak, memory - as if our memories are the thing in itself and can be reconstructed in words. Fiction or fact? How can you spot the difference, how can you really be sure, when the game seems to be hiding the truth by telling you 'this is the truth'? — Bruce Gatenby

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

Psychologically speaking (I'll only wheel out the amateur psychology just this once, so bear with me), encounters that call up strong physical disgust or revulsion are often in fact projections of our own faults and weaknesses. — Haruki Murakami

Once you step inside, history has to be rewritten to include you. A fiction develops a story that weaves you into the social fabric, giving you roots and a local identity. You are assimilated, and in erasing your differences and making you one of their own, the community can maintain belief in its wholeness and purity. After two or three generations, nobody remembers the story is fiction. It has become fact. And this is how history is made. — Camilla Gibb

The fact that he gave her the creeps just proved she was normal. He had the flat, dead face of an item turned out by machines. His eyes were cold as marbles pressed into dough. His insides went with the surface. He could beat a man insane or take it himself, and it didn't mean a thing to him. — Walter Kaylin

If I might offer any apology for so exaggerated a fiction as the Barnacles and the Circumlocution Office, I would seek it in the common experience of an Englishman, without presuming to mention the unimportant fact of my having done that violence to good manners, in the days of a Russian war, and of a Court of Inquiry at Chelsea. If I might make so bold as to defend that extravagant conception, Mr Merdle, I would hint that it originated after the Railroad-share epoch, in the times of a certain Irish bank, and of one or two other equally laudable enterprises. If I were to plead anything in mitigation of the preposterous fancy that a bad design will sometimes claim to be a good and an expressly religious design, it would be the curious coincidence that it has been brought to its climax in these pages, in the days of the public examination of late Directors of a Royal British Bank. — Charles Dickens

As it turned out, the sachem had been dead wrong.
The Europes neither fled nor died out. In fact, said the old women in charge of the children, he had apologized for this error in prophecy and admitted that however many collapsed from ignorance or disease more would always come.
They would come with languages that sounded like a dog bark; with a childish hunger for animal fur. They would forever fence land, ship whole trees to faraway countries, take any woman for quick pleasure, ruin soil, befoul sacred place and worship a dull, unimaginative god.
They let their hogs browse the ocean shore turning it into dunes of sand where nothing green can ever grow again. Cut loose from the earth's soul, they insisted on purchase of its soil, and like all orphans they were insatiable.
It was their destiny to chew up the world and spit out a horribleness that would destroy all primary peoples. — Toni Morrison

Let it be fact, one feels, or let it be fiction; the imagination will not serve under two masters simultaneously. — Virginia Woolf

I'm aware of narrating certain experiences as they happen or obliterating those experiences with narrative and then those stories - not the experiences themselves - might become material for art. This kind of transformation shows up a lot in 10:04 because the book tracks the transposition of fact into fiction in the New Yorker stor — Ben Lerner

Novels should be judged rigorously. Either a book works or it doesn't. The fact that something is true in the real world should not lend authority to it in fiction. — Akhil Sharma

Each of the sapiens brains generates its own perception of God in uniquely different ways. Ergo, it imposes different qualities of meaning and value on God. You see God the way your brain wants you to see it. There is no right and wrong, or fact and fiction on this matter. It is all personal. — Abhijit Naskar

Fucking cracker," Alvarado hissed as he was shoved into the patrol car.
"Aw, that's discrimination, right there." I feigned hurt. "See, I see you as scumbag first, Alvarado. Or dick-cheese. Scumsucking pedophile. Asshole. The fact that you're Hispanic doesn't even factor into it. — Dani Alexander

There is no fact or fiction, only imagined truths. — Mark Piper

There is truth in stories," said Arthur. "There is truth in one of your paintings, boy or in a sunset or a couplet from Homer. Fiction is truth, even if it is not a fact. If you believe only in facts and forget stories, your brain will live, but your heart will die. — Cassandra Clare

There can't be much development of action or theme in such stories, but at least there is some. By contrast, in the short short the very idea of character seems to lose its significance, seems in fact to drop out of sight. We see human figures in a momentary flash. We see them in fleeting profile. We see them in archetypal climaxes which define their mode of existence. Situation tends to replace character, representative condition to replace individuality.
("Introduction") — Irving Howe

There is no fact or fiction, reality or illusion, there is only the trick of perception. — Debasish Mridha

It is the case that, albeit to a lesser extent, all fictions make their readers live "the impossible", taking them out of themselves, breaking down barriers, and making them share, by identifying with the characters of the illusion, a life that is richer, more intense, or more abject and violent, or simply different from the one that they are confined to by the high-security prison that is real life. Fictions exist because of this fact. Because we have only one life, and our desires and fantasies demand a thousand lives. Because the abyss between what we are and what we would like to be has to be bridged somehow. That was why fictions were born: so that, through living this vicarious, transient, precarious, but also passionate and fascinating life that fiction transports us to, we can incorporate the impossible into the possible and our existence can be both reality and unreality, history and fable, concrete life and marvellous adventure. — Mario Vargas-Llosa

There is a further trouble; no matter how meticulous the scientist, he or she cannot be separated from the experiment itself. Impossible to detach the observer from the observed. A great deal of scientific truth has later turned out to be its observer's fiction. It is irrational to assume that this is no longer the case. — Jeanette Winterson

[A] science fiction story is one which presupposes a technology, or an effect of technology, or a disturbance in the natural order, such as humanity, up to the time of writing, has not in actual fact, experienced. — Edmund Crispin

This is important. Money on its most basic level is a hard fact - you either have it or you don't. But on it's emotional level it is purely a fiction. It becomes what you let it become. — Kent Nerburn

There are objects made up of two sense elements, one visual, the other auditory - the colour of a sunrise and the distant call of a bird. Other objects are made up of many elements - the sun, the water against the swimmer's chest, the vague quivering pink which one sees when the eyes are closed, the feeling of being swept away by a river or by sleep. These second degree objects can be combined with others; using certain abbreviations, the process is practically an infinite one. There are famous poems made up of one enormous word, a word which in truth forms a poetic object, the creation of the writer. The fact that no one believes that nouns refer to an actual reality means, paradoxically enough, that there is no limit to the numbers of them. — Jorge Luis Borges

The most basic mobile phone is in fact a communications devices that shames all of science fiction, all the wrist radios and handheld communicators. Captain Kirk had to tune his fucking communicator and it couldn't text or take a photo that he could stick a nice Polaroid filter on. Science fiction didn't see the mobile phone coming. It certainly didn't see the glowing glass windows many of us carry now, where we make things amazing happen by pointing at it with our fingers like goddamn wizards. — Warren Ellis

Fiction is a kind of compassion-generating machine that saves us from sloth. Is life kind or cruel? Yes, Literature answers. Are people good or bad? You bet, says Literature. But unlike other systems of knowing, Literature declines to eradicate one truth in favor of another; rather, it teaches us to abide with the fact that, in their own way, all things are true, and helps us, in the face of this terrifying knowledge, continually push ourselves in the direction of Open the Hell Up. — George Saunders

Eros had slept soundly after the tryst with his lovely secretary at the Paradise Hotel.And as his wife, Helen,slept beside him snoring, he was conscious of the fact that his body was reeking with the aroma of Psyche's Nectar.In spite of his having scrubbed away all possible tell-tale signs of any indiscretion on his part.However, Helen had noticed nothing, he told himself, so it must be his own imagination, or perhaps, guilty conscience.Yet, he had not committed adultery with his secretary, he assured himself.All he had was a wonderful meal. So he had not betrayed Helen. He had not sinned.[MMT] — Nicholas Chong