Fact And Fiction Quotes & Sayings

It is not cynical to admit the past has been turned into a fiction. It is a story, not a fact. The real has been erased. Whole eras have been added or removed. Wars have been aggrandized, and human struggle relegated to the margins. Villains are redressed as heroes. Generous, striving, imperfect men and women have been stripped of their flaws or plucked of their virtues and turned into figurines of morality or depravity. Whole societies have been fixed with motive and visions and equanimity where there was none. Suffering has been recast as noble sacrifice! Do you know why the history of the Tower is in such turmoil? Because too many powerful men are fighting for the pen, fighting to write their story over our dead bodies. They know what is at stake: immortality, the character of civilization, and influence beyond the ages. They are fighting to see who gets to mislead our grandchildren. — Josiah Bancroft

My title "The Fabrication of Facts," has the virtue not only of indicating pretty clearly what I am going to discuss but also of irritating those fundamentalists who know very well that facts are found not madder, that facts constitute the one and only real world, and that knowledge consists of believing the facts. These articles of faith so firmly possess most of us, they so bind and blind us, that "fabrication of fact" has a paradoxical sound. "Fabrication" has become a synonym for "falsehood" or "fiction" as contrasted with "truth" or "fact." Of course, we must distinguish falsehood and fiction from truth and fact; but we cannot, I am sure, do it on ground that fiction is fabricated and fact found. - 91 — Nelson Goodman

Rules such as "Write what you know," and "Show, don't tell," while doubtlessly grounded in good sense, can be ignored with impunity by any novelist nimble enough to get away with it. There is, in fact, only one rule in writing fiction: Whatever works, works. — Tom Robbins

Literature is a source of pleasure, he said, it is one of the rare inexhaustible joys in life, but it's not only that. It must not be disassociated from reality. Everything is there. That is why I never use the word fiction. Every subtlety in life is material for a book. He insisted on the fact. Have you noticed, he'd say, that I'm talking about novels? Novels don't contain only exceptional situations, life or death choices, or major ordeals; there are also everyday difficulties, temptations, ordinary disappointments; and, in response, every human attitude, every type of behavior, from the finest to the most wretched. There are books where, as you read, you wonder: What would I have done? It's a question you have to ask yourself. Listen carefully: it is a way to learn to live. There are grown-ups who would say no, that literature is not life, that novels teach you nothing. They are wrong. Literature performs, instructs, it prepares you for life. — Laurence Cosse

The person - especially a woman - may be disillusioned by the fact that over time a man's affection turns out to be only, so to speak, a cover for desire or even for an explicit will to use. Both a woman and a man may be disillusioned by the fact that the values attributed to the beloved person turn out to be fiction. Because of the dissonance between the ideal and the reality, affective love is sometimes not only extinguished but even transformed into affective hatred. — Pope John Paul II

A novel, or so-called "fiction," if deeply researched and conscientiously written, might well contain as much truth as a high-school history textbook approved by a state board of education. But having been designated "historical fiction" by its publisher, it is presumed to be less reliably true than that textbook. If fiction were defined as "the opposite of truth," then much of the content of many approved historical textbooks could be called "historical fiction."
But fiction is not the opposite of truth. Fiction means "created by imagination." And there is plenty of evidence everywhere in literature and art that imagination can get as close to truth as studious fact-finding can. — James Alexander Thom

I love research, and in fact it's liberating because you have to create your own world. No one can say "I've just got back from the 1860s, and you got it wrong." Anyway, it's fiction. — Stef Penney

And the stories she'd been told, were they confessions of uncommitted crimes, accounts of the worst imaginable, imagined to keep fiction from becoming fact? The thought chased its own tail: these terrible stories still needed a first cause, a well-spring from which they leaped... Were these inventions common currency, as Purcell had claimed? Was there a place, however small, reserved in every heart for the monstrous? — Clive Barker

Some would say the Creator is a lamb. Some would say he's a lion. Some would say both. The fact is, he is neither a lamb nor a lion. These are fiction. Metaphors. Yet the Creator is both a lamb and a lion. These are both truths. — Ted Dekker

The 'fact' of my actions frequently collide with the 'fiction' of my words. And at what point will I live what I say, so I will avoid what I do? — Craig D. Lounsbrough

A blend of fact and fiction has been used in various forms since the dawn of creative writing, starting with sagas and epic poems. — Antony Beevor

And now, we have no option. We can't say 'maybe' 'it's possible' 'it looks very probable ... ' No way! We have to say this is what the Bible teaches! This is fact! May 21, 2011 is the day of the Rapture, it is the day that Judgment Day begins ... — Harold Camping

The blurring of fact and fiction has great commercial potential, which is bound to be corrupting in historical terms. — Antony Beevor

Travel books are, by and large, boring. They lodge uncomfortably between fact, fiction and autobiography. — Arthur Smith

Even thought you can't see it, my son, things are changing. Things ALWAYS change, given enough time and pressure. The very thought of that is scary to some, but change is absolutely nothing to be afraid of. It is a simple fact of life. — EXO Books

That was par for the course but I also found that commissions were being canceled and in fact I considered this directly libelous - I write biographies for a living as well as being a journalist - for a non fiction book to be called fiction from beginning to end. — Anthony Holden

Until recently we've only been able to speculate about story's persuasive effects. But over the last several decades psychology has begun a serious study of how story affects the human mind. Results repeatedly show that our attitudes, fears, hopes, and values are strongly influenced by story. In fact, fiction seems to be more effective at changing beliefs than writing that is specifically designed to persuade through argument and evidence. — Jonathan Gottschall

Michael Winter's fiction is a lot like hearing him talk about his life ... harrowing in an after-the-fact hilarious way. Full of wonder and mystery. A hangover you wouldn't miss for the world. — Michael Crummey

[Referring to passage by Alice Munro] Finally, the passage contradicts a form of bad advice often given young writers
namely, that the job of the author is to show, not tell. Needless to say, many great novelists combine "dramatic" showing with long sections of the flat-out authorial narration that is, I guess, what is meant by telling. And the warning against telling leads to a confusion that causes novice writers to think that everything should be acted out
don't tell us a character is happy, show us how she screams "yay" and jumps up and down for joy
when in fact the responsibility of showing should be assumed by the energetic and specific use of language. — Francine Prose

Well then, take this thought with you for the dark hours to come: It is a ludicrous fiction that love conquers all, but it can, in fact, conquer quite a lot. I am Iason of the Blood, Knight of Arthur, King of the Britons, reborn into dark service in the year of Our Lord five hundred and sixty. My power is vast, and for none to arrogate but by my will and decree. My services are engaged, Selina. Tell me what you need to ease your pain in this, and it is yours. — Chris Dee

Just as terror, even in its pre-total, merely tyrannical form ruins all relationships between men, so the self-compulsion of ideological thinking ruins all relationships with reality. The preparation has succeeded when people have lost contact with their fellow men as well as the reality around them; for together with these contacts, men lose the capacity of both experience and thought. The ideal subject of totalitarian rule is not the convinced Nazi or the convinced Communist, but people for whom the distinction between fact and fiction (i.e., the reality of experience) and the distinction between true and false (i.e., the standards of thought) no longer exist. — Hannah Arendt

I think writing in general can help us deal with anything we fear, anything which troubles us, anything that makes us angry or moves us. In fact, in most cases, writing has to engage with these feelings - the lack of engagement you find in parts of American writing is a form of imperialism turned inward. We don't see the poor, the abject, the destitute in fiction and literature nearly as much as we should. — John Freeman

Any book, any story, is a piece of history. Be it fiction and fable or historical fact, history is a very important part of our lives. And one thing I have learned is that history is important to us as a people, we can learn from it and we can find hope within it. We can live and laugh in ways that may not be found in our current lives and we can find solace in those times of heartache and pain. There is so much that a book can do for an individual person. That is why if there is but a single person willing to lose themselves to that history that we hold in our own hearts, than it is up to us as authors to make it available to them. — A.W.Chrystalis

Fiction is more dangerous than nonfiction because it can seduce better. I think we all know this, know that deeper truths can be approached in fiction than in fact. There are risks for the reader, because after reading certain books you find you have changed irreversibly. There are risks for writers: in China, now, and Ethiopia and other countries right now, writers face real persecution. — Chris Abani

I have confused ideas of deity, heavily influenced by mind-altering years of reading science fiction, that do not often trouble me, but one thing I know for certain, and have known since the age of five or six, is that I really can't stand the God of Abraham. In fact, I consider him to constitute the pattern to which every true asshole I have ever known in my life has pretty well conformed. — Michael Chabon

To those who think that all this sounds like science fiction, we point out that yesterday's science fiction is today's fact. The Industrial Revolution has radically altered man's environment and way of life, and it is only to be expected that as technology is increasingly applied to the human body and mind, man himself will be altered as radically as his environment and way of life have been. — Theodore Kaczynski

The couch and I were what I would describe as frenemies. I loved to hate it. It was too small for my frame. I had tried to tell my wife that fact when we bought it off of Craigslist, but she assured me that it went perfectly with our room decor and it was a good deal. — Anna M. Aquino

In fact, there are many unique satisfactions here. One is that Americans seem to outstrip every nation for hope. Perhaps because so many of us came in flight from something worse, or rose from poverty here, or absorbed the fact and fiction of the "land of opportunity," or just because optimism itself is contagious - whatever the reason, hopefulness is what I miss the most when I'm not here. It's the thing that makes me glad to come home. After all, hope is a form of planning. — Gloria Steinem

Christian [historical] revisionism is integral to the Christian Right's approach to politics and public policy. If one's political righteousness and sense of historical continuity are matters of faith, what appears as fact to everyone else becomes fiction before the compelling evidence of faith. Whatever does not fall neatly into a 'Biblical worldview' becomes problematic, perhaps a delusion sent by Satan. — Frederick Clarkson

Have you noticed,' she asked, straightening the counting frames to her liking before closing the cupboard doors and turning toward him, 'that at church when the clergyman is giving his sermon everyone's eyes glaze over and many people even nod off to sleep? But if he suddenly decides to illustrate a point with a little story, everyone perks up and listens. WE were made to tell and listen to stories, Joel, It is how knowledge was passed from person to person and generation to generation before there was the written word, and even afterward, when most people had no access to manuscripts or books and could not read them even if they did. Why do we now feel that storytelling should be confined to fiction and fantasy? Can we enjoy only what has no basis in fact? — Mary Balogh

Write what you know," my ass. Now, I'm not suggesting that you write about my ass. But although you do not, in fact, know my ass, I give you permission to write about it. And if you think you need my permission to write about my ass ("What right do I have, as a male, twenty-something, single, childfree, immigrant Indonesian Buddhist, to pretend to understand the ass of an Anglo American middle-aged married female Freethinker?") or about anything, then you lack the courage, curiosity and imagination to write good fiction, so please find something else to do. — Robyn Parnell

The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole. — Flannery O'Connor

For if there were a list of cosmic things that unite us, reader and writer, visible as it scrolled up into the distance, like the introduction to some epic science-fiction film, then shining brightly on that list would be the fact that we exist in a financial universe that is subject to massive gravitational pulls from states. States tug at us. States bend us. And, tirelessly, states seek to determine our orbits. — Mohsin Hamid

Fact and fiction carry the same intrinsic weight in the marketplace of ideas. Unfortunately reality has no advertising budget. — Daniel Suarez

My mother, whom I love dearly, has continually revised my life story within the context of a complicated family history that includes more than the usual share of divorce, step-children, dysfunction, and obfuscation. I've spent most of my adult life attempting to deconstruct that history and separate fact from fiction. — Melissa Gilbert

Ahhh, now, you see, we've been through this, and my thought is this: there's no smoke without fire," Archie would say, looking impressed by the wisdom of his own conclusion. "Know what I mean?" This was one of Archie's preferred analytic tools when confronted with news stories, historical events, and the tricky day-to-day process of separating fact from fiction. There's no smoke without fire. There was something so vulnerable in the way he relied on this conviction, that Samad never had the heart to disabuse him of it. Why tell an old man that there can be smoke without fire as surely as there are deep wounds that draw no blood? — Zadie Smith

It's what we live for, to be able to make great illusions. The thing about 'Entourage' is everything we do is realistic. We go to the real places, we shoot on location. We get the real people. It's a perfect marriage between fact and fiction. — Adrian Grenier

Reading things that are relevant to the facts of your life is of limited value. The facts are, after all, only the facts, and the yearning passionate part of you will not be met there. That is why reading ourselves as a fiction as well as fact is so liberating. The wider we read the freer we become. — Jeanette Winterson

In fiction, you have a rough idea what's coming up next - sometimes you even make a little outline - but in fact you don't know. Each day is a whole new - and for me, a very invigorating - experience. — Peter Matthiessen

There are objects made up of two sense elements, one visual, the other auditory - the colour of a sunrise and the distant call of a bird. Other objects are made up of many elements - the sun, the water against the swimmer's chest, the vague quivering pink which one sees when the eyes are closed, the feeling of being swept away by a river or by sleep. These second degree objects can be combined with others; using certain abbreviations, the process is practically an infinite one. There are famous poems made up of one enormous word, a word which in truth forms a poetic object, the creation of the writer. The fact that no one believes that nouns refer to an actual reality means, paradoxically enough, that there is no limit to the numbers of them. — Jorge Luis Borges

There are writers who draw immediate attention to the fact that it's fiction. And I like some of that, but it doesn't really have the power ... — Ethan Canin

Looking out on the second day of our mission, I became aware that in the far distance, there was a distinctive-looking star. It stood out because, while all the other stars stayed exactly the same size and shape, this one got bigger and bigger as we got closer to it. At some point it stopped being a point of light and started becoming something three-dimensional, morphing into a strange bug-like thing with all kinds of appendages. And then, isolated against this inky background, it started to look like a small town.
Which is in fact what it is: an outpost that humans have built, far from Earth. The International Space Station. It's every science fiction book come true, every little kid's dream realized: a large, capable, fully human creation orbiting up in the universe.
And it felt miraculous that soon we'd be docked there, and the next phase of our expedition would begin. — Chris Hadfield

When he [Colin] reached the center of the field, he paused to catch his breath and scan the area for telltale tufts of wool. When the lamb failed to appear, he cupped his hands around his mouth and tried again. "Dinner!"
This time, his call earned an answer. Several answers. In fact, the ground shook with the collective bestial response. He spied several large, dark forms lumbering toward him through the twilight dusk. He blinked, trying to make them out. These weren't sheep. No, they were ...
Cows. Large cows. Remarkably fast and menacing cows. A small herd of them, all thundering straight for him where he stood in the center of the field.
Colin took a few steps backward. "Wait," he said, holding up his hands. "I didn't mean you. — Tessa Dare

I'm writing books. They're still a mix of fact and fiction and will continue to be. I think it's an interesting place to work. — James Frey

Eros had slept soundly after the tryst with his lovely secretary at the Paradise Hotel.And as his wife, Helen,slept beside him snoring, he was conscious of the fact that his body was reeking with the aroma of Psyche's Nectar.In spite of his having scrubbed away all possible tell-tale signs of any indiscretion on his part.However, Helen had noticed nothing, he told himself, so it must be his own imagination, or perhaps, guilty conscience.Yet, he had not committed adultery with his secretary, he assured himself.All he had was a wonderful meal. So he had not betrayed Helen. He had not sinned.[MMT] — Nicholas Chong

The costumes help. They make it less real, disguise what it really is both for the actors and for the people who'll see it on the screen. It's like the people who read Anna Karenina, and because it's in Russia they can say, 'Oh, that's not my pain they're talking about.' And Chris is tough. She goes from one thing to the next and doesn't worry about the past. When a cat sits mere purring on your lap, you know for a fact she isn't thinking about her former owner; she's thinking about her dinner. That's Chris. — Barbara Hambly

There's no mistaking the fact that some of the best longform fiction out there now is in American television. 'The Wire' and 'Deadwood' and 'The Sopranos.' — Kevin Barry

The spirit of 1776 is not dead. It has only been slumbering. The body of the American people is substantially republican. But their virtuous feelings have been played on by some fact with more fiction; they have been the dupes of artful maneuvers, and made for a moment to be willing instruments in forging chains for themselves. But times and truth dissipated the delusion, and opened their eyes. — Thomas Jefferson

The most basic mobile phone is in fact a communications devices that shames all of science fiction, all the wrist radios and handheld communicators. Captain Kirk had to tune his fucking communicator and it couldn't text or take a photo that he could stick a nice Polaroid filter on. Science fiction didn't see the mobile phone coming. It certainly didn't see the glowing glass windows many of us carry now, where we make things amazing happen by pointing at it with our fingers like goddamn wizards. — Warren Ellis

Fiction is a kind of compassion-generating machine that saves us from sloth. Is life kind or cruel? Yes, Literature answers. Are people good or bad? You bet, says Literature. But unlike other systems of knowing, Literature declines to eradicate one truth in favor of another; rather, it teaches us to abide with the fact that, in their own way, all things are true, and helps us, in the face of this terrifying knowledge, continually push ourselves in the direction of Open the Hell Up. — George Saunders

Fiction is not fact, but fiction is fact selected and understood, fiction is fact arranged and charged with purpose. — Thomas Wolfe

I adore [photography's] uneasy mix of fact and fiction - its dubious claim to truth - its status as history. — Eleanor Antin

One of the problems with science fiction, which is probably one of the reasons why I haven't done one for many, many years, is the fact that everything is used up. Every type of spacesuit is used up, every type of spacecraft is vaguely familiar, the corridors are similar, and the planets are similar. — Ridley Scott

As technology enables us to upgrade humans, overcome old age and find the key to happiness, won't people care less about fictional gods, nations and corporations, and focus instead on deciphering the physical and biological reality? It might seem so, but in fact things are far more complicated. Modern science certainly changed the rules of the game, yet it did not simply replace myths with facts. Myths continue to dominate humankind, and science only makes these myths stronger. Instead of destroying the intersubjective reality, science will enable it to control the objective and subjective realities more completely than ever before. Thanks to computers and bioengineering, the difference between fiction and reality will blur, as people reshape reality to match their pet fictions. — Yuval Noah Harari

Long fiction is wonderful and you can lose yourself in it as a reader and as a writer, but short stories don't allow the same kind of immersion. Often the best stories hold you back and make you witness them. This may be one of the reasons some people reject the form. That and the fact that they are harder work to read. A story will not let you get comfortable and settle in. It is like a stool that is so small that you must always be aware of sitting. — Isobelle Carmody

The woman above him had tumbled out of his dreams, and now stood like a half-waking ghost, a photograph double exposed, showing him in one moment the fallacy of his past as it bled into his future. The image of Maria Sophia had grown too large for him to bear. He had made it so. In his industry and creativity he had transformed her into something so wonderful that the very fact she might now be anything less terrified him almost as much as the prospect she might exceed it. — F.D. Lee

The following is a fictionalized and utterly false account of the events that most definitely did not happen on June 9-10, 1967. And yet, while all the characters in this story are little green men and women running around inside my head, the events that served as inspiration, the historical facts, as it were, must be considered no less than a sibling of the tale contained in these pages: the story I didn't write, but could have written--the book this could have been, but isn't. — Montague Kobbe

I am a storyteller, not a historian, and it's my ambition to create something compelling - something unputdownable and riveting - that chimes with the real history but is, in fact, fiction. — Sara Sheridan

In Quiet Dell, Phillips mesmerizingly spins together fact and fiction, vividly imagining the circumstances leading to their deaths, and sets a young female reporter on the case to solve it. — Elissa Schappell

Time lost to pointless delay can never be regained. It is the most reprehensible kind of theft. Why was it that men did not grasp this simple fact? Money comes and goes and comes again, and knowledge can be acquired and forgotten and rediscovered, but time once lost is lost for good, each passing second irretrievable. — John Pipkin

McCandless read and reread The Call of the Wild, White Fang, "To Build a Fire," "An Odyssey of the North," "The Wit of Porportuk." He was so enthralled by these tales, however, that he seemed to forget they were works of fiction, constructions of the imagination that had more to do with London's romantic sensibilities than with the actualities of life in the subarctic wilderness. McCandless conveniently overlooked the fact that London himself had spent just a single winter in the North and that he'd died by his own hand on his California estate at the age of forty, a fatuous drunk, obese and pathetic, maintaining a sedentary existence that bore scant resemblance to the ideals he espoused in print. — Jon Krakauer

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

Max Allan Collins blends fact and fiction like no other writer. — Andrew Vachss

From Time for College - Mr. Chiardi & Other Stories

It was time for Junior to go to college. He'd sprouted pubic hair and was eyeing all the girls.
"I want to go to college," he said.
"Yes," I replied, "It's time."
His mother, my wife, was resigned to the fact that it was time for Junior to leave the nest. She sat on a stool at the granite kitchen counter, spiked coffee beside her, reading The New York Times. She looked almost real. — Rita Buckley Aka Charles Maxwell

Frown deepening, Jared bounces a hand off the chair arm. 'You know you're different, Princess. And it's not just because you're some fancy, spoiled rich girl. Hell, you don't smell like anyone else. Money can't buy that smell.' I assume he wasn't talking about my expensive perfume, which money did in fact buy. — L.E. Sterling

Psychologically speaking (I'll only wheel out the amateur psychology just this once, so bear with me), encounters that call up strong physical disgust or revulsion are often in fact projections of our own faults and weaknesses. — Haruki Murakami

Well, that's it." I said after we had waited for another five minutes and found ourselves still in a state of pleasantly welcome existence. "The ChronoGuard has shut itself down and time travel is as it should be: technically, logically, and theoretically ... impossible." "Good thing, too," reply Landon. "It always made my head ache. In fact, I was thinking of doing self help book for science-fiction novelists eager to write about time travel. It would consist of a single word: Don't. — Jasper Fforde

All self-expression is the product of the imagination, so how can we speak of an objective reflection of the real in words? Or an accurate rendering of the past - speak, memory - as if our memories are the thing in itself and can be reconstructed in words. Fiction or fact? How can you spot the difference, how can you really be sure, when the game seems to be hiding the truth by telling you 'this is the truth'? — Bruce Gatenby

But as his years advanced Lewis had seen less and less purpose in distinguishing between fact and fiction. — Clive Barker

We sometimes drive ourselves crazy with how our books will be "seen," when in fact we already know what they're about, and where our obsessions are. If we can spin those obsessions into fiction, then there's a decent chance they will be "fiction-worthy," as you call it. The idea of the "sweep of ideas" is a complicated one. — Meg Wolitzer

Once you step inside, history has to be rewritten to include you. A fiction develops a story that weaves you into the social fabric, giving you roots and a local identity. You are assimilated, and in erasing your differences and making you one of their own, the community can maintain belief in its wholeness and purity. After two or three generations, nobody remembers the story is fiction. It has become fact. And this is how history is made. — Camilla Gibb

Last, but not least
in fact, this is most important
you need a happy ending. However, if you can create tragic situations and jerk a few tears before the happy ending, it will work much better. — Satyajit Ray

Feelings, too, are facts. Emotion is a fact. Human experience is a fact. It is often possible to gain more real insight into human beings and their motivation by reading great fiction than by personal acquaintance. — Eleanor Roosevelt

Silence is banished from our screens; it has no place in communication. Media images (and media texts resemble media images in every way) never fall silent: images and messages must follow one upon the other without interruption. But silence is exactly that - a blip in the circuitry, that minor catastrophe, that slip which, on television for instance, becomes
highly meaningful - a break laden now with anxiety, now with jubilation, which confirms the fact that all this communication is basically nothing but a rigid script, an uninterrupted fiction designed to free us not only from the void of the television screen but equally from the void of our own mental screen, whose images we wait on with the same fascination. — Jean Baudrillard

Any fiction should be a story. In any story there are three elements: persons, a situation, and the fact that in the end something has changed. If nothing has changed, it isn't a story. — Malcolm Cowley

There's not a strong autobiographical strain in my fiction. A few bits of fact here and there. — Donald Barthelme

I'm aware of narrating certain experiences as they happen or obliterating those experiences with narrative and then those stories - not the experiences themselves - might become material for art. This kind of transformation shows up a lot in 10:04 because the book tracks the transposition of fact into fiction in the New Yorker stor — Ben Lerner

As insane as his request sounded to her, the fact that he already saw her nakedness the day before made her calm down a little. "He even covered my nakedness and gifted me with a beautiful dress," she thought to herself. He held her hand and led her to the Nile river's shore. He let go and stood back watching her. — Mirette Baghat

Reacher looked at the books on the tables. He read when he could, mostly through the vast national library of lost and forgotten volumes. Battered paperbacks mostly, all curled and furry, found in waiting rooms or on buses, or on the porches of out-of-the-way motels, read and enjoyed and left somewhere else for the next guy. He liked fiction better than fact, because fact often wasn't. Like most people he knew a couple of things for sure, up close and eyeballed, and when he saw them in books they were wrong. So he liked made-up stories better, because everyone knew where they were from the get-go. He wasn't strict about genre. Either shit happened, or it didn't. Chang — Lee Child

Novelists congratulate themselves on their creation of this kind of "character" or that kind of "character," and readers pretend to talk knowingly about "character," but all it amounts to is that the writers are enjoying themselves writing lies and the readers are enjoying themselves reading lies. In fact, there is no such thing as character, something fixed and final. The real thing is something that novelists don't know how to write about. Or, if they tried, the end result would never be a novel. Real people are strangely difficult to make sense out of. Even a god would have his hands full trying. — Soseki Natsume

If any theme runs through all my work, it is what Adrienne Rich once called "re-vision", i.e., the re-perceiving of experience, not because our experience is complex or subtle or hard to understand (though it is sometimes all three) but because so much of what's presented to us as "the real world" or "the way it is" is so obviously untrue that a great deal of social energy must be mobilized to hide that gross and ghastly fact. has a theatre critic (whose name I'm afraid I've forgotten) once put it," There's less there than meets the eye". Hence, my love for science fiction, which analyses reality by changing it. — Joanna Russ

Of course, it's always difficult to disentangle fact from fiction in relation to, e.g., the singularity project. Many scientists I know are dismissive of transhumanist claims, BUT the last 100 years has surely taught us never to underestimate the pace and scope of scientific progress. However, even if much of this turns out to be science-fiction, it also reveals a way of thinking about human life that I find deeply troubling. — George Pattison

The last ever dolphin message was misinterpreted as a surprisingly sophisticated attempt to do a double-backwards-somersault through a hoop whilst whistling the 'Star Spangled Banner', but in fact the message was this: So long and thanks for all the fish. — Douglas Adams

For example, when I was writing Leviathan, which was written both in New York and in Vermont - I think there were two summers in Vermont, in that house I wrote about in Winter Journal, that broken-down house ... I was working in an out-building, a kind of shack, a tumble-down, broken-down mess of a place, and I had a green table. I just thought, "Well, is there a way to bring my life into the fiction I'm writing, will it make a difference?" And the fact is, it doesn't make any difference. It was a kind of experiment which couldn't fail. — Paul Auster

While it is not always profitable to analogize fact to fiction, La Fontaine's fable of the crow, the cheese, and the fox demonstrates that there is a substantial difference between holding a piece of cheese in the beak and putting it in the stomach. — Felix Frankfurter

If all stories are fiction, fiction can be true
not in detail or fact, but in some transformed version of feeling. If there is a memory of paradise, paradise can exist, in some other place or country dimensionally reminiscent of our own. The sad stories live there too, but in that country, we know what they mean and why they happened. We make our way back from them, finding the way through a bountiful wilderness we begin to understand. Years are nothing: Story conquers all distance. — Jayne Anne Phillips

This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space. — Mario Vargas-Llosa

Part fact part fiction is what life is. And it is always a cover story. I wrote my way out. — Jeanette Winterson

I asked her what a true story was because I thought that all stories were made up. She said a true story was called fact, and a made-up story was called ficton. Auntie May said a made-up story is a bit like telling lies, only the people who read them knew that already and so it didn't matter — Rebecca Lloyd

The best thing that can happen to me when I'm writing fiction is to lose sight of the fact that I'm writing at all. It's as though I enter into a kind of trance. I know I'm writing, but I don't THINK about it. I just let my fingers type
it's as though the feeling comes out directly through them, bypassing the brain altogether. When that happens, I feel completely transported. There is nothing else like this feeling, very little else is more important to me. That intimacy I feel between myself and my work is what makes me feel at home on the earth. I am basically a shy person, basically a loner and an outsider; and I have been all my life. But when I achieve the kind of connection I can through writing, I feel I'm sitting in the lap of God. — Elizabeth Berg

It's from the newspapers that people I know - relatives and co-workers - have got the idea that crosswords are a prophylactic against Alzheimer's. Newspapers are of course also the place where crosswords (and now sudokus) are most readily available, so the association is presumably good for circulation. — Alan Connor

Allow me to introduce myself,
the name is Brown, Jane Brown,
and I am the greatest detective the world
has ever seen. I'm known to solve multiple cases,
on any given day, without even breaking a sweat.
In fact, I am working on one now. — A.J. DeJong

Someone has said of books that they are our 'amplest heritages' of thought, and so they are. That doesn't necessarily mean that they must be learned or profound. They are food for the mind and different minds require different foods ; everyone is better for variety. Whatever stimulates the mind feeds it, be it fact, fiction or fable. That is where our responsibility lies ; in knowing what builds good mental blood and brawn, and in dispensing that only. Don't ever let yourself think you haven't time to read. — Mary Virginia Provines

A play is fiction - and fiction is fact distilled into truth. — Edward Albee

But if we are to say anything important, if fiction is to stay relevant and vibrant, then we have to ask the right questions. All art fails if it is asked to be representative - the purpose of fiction is not to replace life anymore than it is meant to support some political movement or ideology. All fiction reinscribes the problematic past in terms of the present, and, if it is significant at all, reckons with it instead of simply making it palatable or pretty. What aesthetic is adequate to the Holocaust, or to the recent tragedy in Haiti? Narrative is not exculpatory - it is in fact about culpability, about recognizing human suffering and responsibility, and so examining what is true in us and about us. If we're to say anything important, we require an art less facile, and editors willing to seek it. — Michael Copperman

The fact is that one of the earliest lessons I learned in business was that balance sheets and income statements are fiction, cash flow is reality. — Chris Chocola

The line between fiction and fact is at times factual and at times fictional — Pushkar Ganesh Vaidya

I am often told that the model of balance for the novelist should be Dante, who divided his territory up pretty evenly between hell, purgatory, and paradise. There can be no objection to this, but also there can be no reason to assume that the result of doing it in these times will give us the balanced picture it gave in Dante's. Dante lived in the thirteenth century, when that balance was achieved by the faith of his age. We live now in an age which doubts both fact and value, which is swept this way and that by momentary convictions. Instead of reflecting a balance from the world around him, the novelist now has to achieve one from a felt balance inside himself. — Flannery O'Connor

What makes my jaw drop is that people today should base their lives on such an appalling role model as Yahweh - and, even worse, that they should bossily try to force the same evil monster (whether fact or fiction) on the rest of us. — Richard Dawkins

Romantic poetry and fiction of the last 2000 years has blinded us to the fact that emotions are a low form of jungle consciousness. Emotional actions are the most contracted, dangerous form of fanatic stupor. — Timothy Leary