Faces Of Death Quotes & Sayings
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She'd seen them them all before, those faces. She knew them all, knew the sound of their voices, sounds mired in human emotions, sounds clear and pure with thought, and sounds wavering in that chasm between the two. Is this, she wondered, my legacy? And one day I'll be just one more of those faces, frozen in death and wonder. — Steven Erikson

We are slaves, deprived of every right, exposed to every insult, condemned to certain death, but we still possess one power, and we must defend it with all our strength for it is the last - the power to refuse our consent. So we must certainly wash our faces without soap in dirty water and dry ourselves on our jackets. We must polish our shoes, not because the regulation states it, but for dignity and propriety. We must walk erect, without dragging our feet, not in homage to Prussian discipline but to remain alive, not to begin to die. — Primo Levi

Finally he said that in his first years of darkness his dreams had been vivid beyond all expectation and that he had come to thirst for them but that dreams and memories alike had faded one by one until there were no more. Of all that once had been no trace remained. The look of the world. The faces of loved ones. Finally even his own person was lost to him. Whatever he had been he was no more. He said that like every man who comes to the end of something there was nothing to be done but to begin again. I can't remember the world of light, he said. It has been so long. The world is a fragile world. Ultimately, what can be seen is what endures. What is true ...
In my first years of blindness, I thought it was a form of death. I was wrong. Losing one's sight is like falling in a dream. You think there's no bottom to this abyss. You fall and fall. Light recedes. Memory of light. Memory of the world. Of your own face. Of the grim-faced mask. — Cormac McCarthy

I had hated these ponies for the part they played in my father's death but now I realized the notion was fanciful, that it was wrong to charge blame to these pretty beasts who knew neither good nor evil but only innocence. I say that of these ponies. I have known some horses and a good many more pigs who I believe harbored evil intent in their hearts. I will go further and say all cats are wicked, though often useful. Who has not seen Satan in their sly faces? Some preachers will say, well, that is superstitious "claptrap." My answer is this: Preacher, go to your Bible and read Luke 8: 26-33 — Charles Portis

Sitting for a picture is morbid business. A portrait doesn't begin to mean anything until the subject is dead. This is the whole point. We're doing this to create a kind of sentimental past for people in decades to come. It's their past, their history we're inventing here. And it's not how I look now that matters. It's how I'll look in twenty-five years as clothing and faces change, as photographs change. The deeper I pass into death, the more powerful my picture becomes. Isn't this why picture-taking is so ceremonial? It's like a wake. And I'm the actor made up for the laying-out. — Don DeLillo

Out of Dindymus heavily laden Her lions draw bound and unfed A mother, a mortal, a maiden, A queen over death and the dead. She is cold, and her habit is lowly, Her temple of branches and sods; Most fruitful and virginal, holy, A mother of gods. She hath wasted with fire thine high places, She hath hidden and marred and made sad The fair limbs of the Loves, the fair faces Of gods that were goodly and glad. She slays, and her hands are not bloody; She moves as a moon in the wane, White-robed, and thy raiment is ruddy, Our Lady of Pain. — Algernon Charles Swinburne

The seventh reader interrupts you: "Do you believe that every story must have a beginning and an end? In ancient times a story could only end in two ways: having passed all the tests, the hero and heroine married, or else they died. The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death."
You stop for a moment to reflect on these words. Then, in a flash, you decide you want to marry Ludmilla. — Italo Calvino

What makes my life my own is ultimately the sheer fact that it is mine to live, mine to make something of, in the face of my possible non-existence. Every other possibility is something that I may be free not to do, and that someone else may be able to do just as well as I can. But my death is a possibility that necessarily faces me alone: no one can face it for me. — Richard Polt

It is from the bystanders (who are in the vast majority) that we receive the propaganda that life is not worth living, that life is drudgery, that the ambitions of youth must he laid aside for a life which is but a painful wait for death. These are the ones who squeeze what excitement they can from life out of the imaginations and experiences of others through books and movies. These are the insignificant and forgotten men who preach conformity because it is all they know. These are the men who dream at night of what could have been, but who wake at dawn to take their places at the now-familiar rut and to merely exist through another day. For them, the romance of life is long dead and they are forced to go through the years on a treadmill, cursing their existence, yet afraid to die because of the unknown which faces them after death. They lacked the only true courage: the kind which enables men to face the unknown regardless of the consequences. — Hunter S. Thompson

But then, she wonders,just what kind of man would ever give her the courage to marry at all- to overcome that dreadful fear of death that seemed always to accompany the very thought of love? It was illogical, idiotic and childish. And yet the child was with her always; and always she would be afraid unless someone could place a light down there inside that dark and chilly heart of hers and chase all the ghosts away - the ghosts of Katherine Howard, of Jane Seymour and, not least, that of her own poor mother. They accompanied her always, those spirits - especially at this kind of time, a time of being alone, of being feminine and reflective. They would all gather round to whisper in her ear and warn her - so that even as she looks up once more into her mirror she almost expects to see them there, ranged behind her shoulders, their faces full of concern and anxiety. Never trust them - never trust the men, for they will betray you always the moment you surrender to them! — Robert Stephen Parry

A: Absorbed in our discussion of immortality, we had let night fall without lighting the lamp, and we couldn't see each other's faces. With an offhandedness or gentleness more convincing than passion would have been, Macedonio Fernandez' voice said once more that the soul is immortal. He assured me that the death of the body is altogether insignificant, and that dying has to be the most unimportant thing that can happen to a man. I was playing with Macedonio's pocketknife, opening and closing it. A nearby accordion was infinitely dispatching La Comparsita, that dismaying trifle that so many people like because it's been misrepresented to them as being old ... I suggested to Macedonio that we kill ourselves, so we might have our discussion without all that racket.
Z: (mockingly) But I suspect that at the last moment you reconsidered.
A: (now deep in mysticism) Quite frankly, I don't remember whether we committed suicide that night or not. — Jorge Luis Borges

The road was wet with rain, black and shiny like oilskin. The reflection of the street lamps wallowed like yellow jelly-fish. A bus was approaching - a bus to Piccadilly, a bus to the never-never land - a bus to death or glory.
I found neither. I found something which haunts me still.
The great bus swayed as it sped. The black street gleamed. Through the window a hundred faces fluttered by as though the leaves of a dark book were being flicked over. And I sat there, with a sixpenny ticket in my hand. What was I doing! Where was I going?
("Same Time, Same Place") — Mervyn Peake

The desire to know the future gnaws at our bones. That is where it started, and might have ended, years ago.
I had cast the stones, seeing their faces flicker and fall: Death, Love, Murder, Treachery, Hope. We are a treacherous people - half of our stones show betrayal and violence and death from those close, death from those far away. It is not so with other peoples. I have seen other sets that show only natural disasters: death from sickness, from age, the pain of a broken heart, loss in childbirth. And those stones are more than half full with pleasure and joy and plain, solid warnings like "You reap what you sow" and "Victory is not the same as satisfaction."
Of course, we live in a land taken by force, by battle and murder and invasion. It is not so surprising that our stones reflect our history. — Pamela Freeman

As anyone who has the slightest knowledge of my work knows, I have little in common with Larkin, who was tall, taciturn and thin-on-top, and unlike him I laugh, nay, sneer, in the face of death. I will concede one point: we are both lesbian poets. — Carol Ann Duffy

We cannot give up in the face of evil. God is Love and he has defeated evil through Christ's death and resurrection. — Pope Francis

These solitary ones who are free in spirit know thatin one thing or another they must constantly put on an appearance that is different from the way they think; although they want nothing but truth and honesty, they are entangled in a web of misunderstandings. And despite their keen desire, they cannot prevent a fog of false opinions, of accommodation, of halfway concessions, of indulgent silence, of erroneous interpretation from settling on everything they do. And so a cloud of melancholy gathers around their brow, for such natures hate the necessity of appearances more than death, and their persistent bitterness about this makes them volatile and menacing. From time to time they take revenge for their violent selfconcealment, for their coerced constraint. They emerge from their caves with horrible expressions on their faces; at such times their words and deeds are explosions, and it is even possible for them to destroy themselves. — Friedrich Nietzsche

When a group of people are forced to navigate a minefield together, everyone feels a grudging sense of comfort when someone else gets blown up. Though there may be other unseen landmines left in the ground, each death creates a safe spot. A landmine cannot explode twice in the same place. Sure, the explosion robs the survivors of a comrade. Still, each death makes everyone's next step marginally safer. So everyone keeps walking with grief on their faces, and relief in their hearts. Their own deaths are further postponed by the end of another life. — Taona Dumisani Chiveneko

A straight fight in an equal battle takes some bravery, but braver is he who, knowing that he would have to sacrifice ninety-five as against five of the enemy, faces death. — Mahatma Gandhi

I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away."
"What is the other, Henrik?" Though he knew the answer.
"Anger . . . I am still angry, Detective Bosch."
Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for.
"So am I, Henrik," he said. "So am I."
- "The Burning Room" by Michael Connelly — Michael Connelly

Life is but a mask worn on the face of death. And is death, then, but another mask? 'How many can say,' asks the Aztec poet, 'that there is, or is not, a truth beyond?' — Joseph Campbell

All I'm saying is, technology can potentially do better than nature because of the very fact that it's not always a matter of life or death. If an organism has been fine-tuned to maximize its overall reproductive success, that's not the same thing as embodying the ideal solution to every individual problem it faces. Evolution appears inventive to us because it's had time to try so many possibilities, but it has no margin at all for real risks, let alone anything truly whimsical. We can celebrate our own beautiful mistakes. All evolution can do is murder them. — Greg Egan

In the end we are the sum total of our doings and we will be faced by those doings at the moment of our death. Or is it our death in every moment that we live that faces us with what we do? — Lujan Matus

His own men, those who would attack in the morning, knelt on the earth, faces hidden behind one hand, in an agonizing tunnel of their own, a darkness where there was no time but where they tried to look on death. — Sebastian Faulks

Impending war was evidenced by the faraway expression in the older villagers' eyes, the shadows on their faces, not of fear but of sorrow. Because they knew; they had lived through the last war and they remembered the generation of young men who had marched off so willingly and never come back. Those too, like Daddy, who had made it home, but left in France a part of themselves that they could never recover. Who surrendered to moments, periodically, in which their eyes filmed and their lips whitened, and their minds gave over to sights and sounds they wouldn't share but couldn't shake. — Kate Morton

Mortality is inscribed in your cellular structure, and you say you're not ill? Look at the painting. Look at it." She nods towards The Adoration of the Magi. I obey. I always will. "Thirteen subjects, if you count them, like the Last Supper. Shepherds, the Magi, the relatives. Study their faces, one by one. Who believes this newborn manikin can one day conquer death? Who wants proof? Who suspects the Messiah is a false prophet? Who knows that he is in a painting, being watched? Who is watching you back? — David Mitchell

We are eternal beings. We lived as intelligent spirits before this mortal life. We are now living part of eternity. Our mortal birth was not the beginning; death, which faces all of us, is not the end. — Ezra Taft Benson

It comes with faith, for with complete faith there is no fear of what faces you in life or death. — Jacqueline Cochran

Any company run by unknowing and mechanistic minds is in jeopardy and faces a limited life. Specifically, the pursuance of policies that focus on cost reduction and a continued optimisation of the bottom line just accelerate progress towards sudden death — Peter Cochrane

Open it up!" the officers ordered the men.
Two of them used their shovels to pry open the casket. When they flipped open the lid, they all cringed and backed away, holding their hands over their faces and groaning, but Kyle and Caleb were not close enough to see what the problem was.
As the wind shifted, the stench of death consumed them.
All eyes peered in to see the deceased, fully clad in an Amish dress and kapp. — Samantha Bayarr

IT IS WITH OUR FACES that we face the world, from the moment of birth to the moment of death. Our age and our sex are printed on our faces. Our emotions, the open and instinctive emotions which Darwin wrote about, as well as the hidden or repressed ones which Freud wrote about, are displayed on our faces, along with our thoughts and intentions. Though we may admire arms and legs, breasts and buttocks, it is the face, first and last, which is judged "beautiful" in an aesthetic sense, "fine" or "distinguished" in a moral or intellectual sense. And, crucially, it is by our faces that we can be recognized as individuals. Our faces bear the stamp of our experiences and character; at forty, it is said, a man has the face he deserves. At — Oliver Sacks

But now? Now? Children in the twentieth and this early twenty-first century hated the Alice books, couldn't read them, and why should they? Their world had strayed into madness long ago. Look at the planet. Rain is acid, poisonous. Sun causes cancer. Sex=death. Children murder other children. Parents lie, leaders lie, the churches have less moral credibility than Benetton ads.
And the faces of missing children staring out from milk cartons-imagine all those poor Lost Boys, and Lost Girls, not in Neverland but lost here, lost now. No wonder Wonderland isn't funny anymore: We live there full-time. We need a break from it. — Gregory Maguire

The trickster, the riddler, the keeper of balance, he of the many faces who finds life in death and who fears no evil; he who walks through doors. — Christopher Paolini

This is the city of uncertainty, where routes and faces look alike and are not. Death will be like that. We will forever be recognizing people we have never met. But darkness and death are not the same. One is temporary, the other is not. — Jeanette Winterson

What does interest me is how difficult my culture seems to find it to look the dark side of life directly in the eye. It seems to me that if we look back at mediaeval culture, for example, we see a society which faces the reality of death and pain and limitation, because it has to. Our society, which is progressive and technological and seems to have a slightly fanatical utopian edge to it, gets very uncomfortable when anybody highlights the dark side of humanity, or the world we have built, or what we are doing to the rest of life on Earth. — Paul Kingsnorth

Religion is a wizard, a sibyl ... She faces the wreck of worlds, and prophesies restoration. She faces a sky blood-red with sunset colours that deepen into darkness, and prophesies dawn. She faces death, and prophesies life. — Felix Adler

He faces the burdens of belittlement a third time as he grows older, and settles into an existence that he has embraced, or that has been forced upon him. A carapace of routine, of compromise, of silent surrenders, of half-term solutions, and of diminished consciousness begins to form around him. He turns himself over to the rigidified version of the self: the character. He begins to die small deaths, many times over. He fails to die only once, which is what he would desire if he were able fully to recognize the value of life. This third encounter with belittlement reveals belittlement for what it in fact is: death by installments. — Roberto Mangabeira Unger

Rent is about a community celebrating life, in the face of death and AIDS, at the turn of the century. — Jonathan Larson

We can't try to outguess them anymore. Sometimes they do things just to make me do the opposite of what they think I think they think I want to do."
"Huh?" the three of them asked at the same time, confusion transforming their faces. — James Dashner

It calms me to think of blue as the color of death. I have long imagined death's approch as the swell of a wave - a towering wall of blue. You will drown, the world tells me, has always told me. You will descend into a blue underworld, blue with hungry ghosts, Krishna blue, the blue faces of the ones you loved. They all drowned, too. To take a breath of water: does the thought panic or excite you? If you are in love with red then you slit or shoot. If you are in love with blue you fill your pouch with stones good for sucking and head down to the river. Any river will do. — Maggie Nelson

Matter is indestructible, it changes its forms, but it cannot cease to exist. It is only a living organism that faces a constant alternative: the issue of life or death. Life is a process of self-sustaining and self-generated action. If an organism fails in that action, it dies; its chemical elements remain, but its life goes out of existence. It is only the concept of 'Life' that makes the concept of 'Value' possible. It is only to a living entity that things can be good or evil." To — Ayn Rand

The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death. — Italo Calvino

Let us see rather that like Janus - or better, like Yama, the Brahmin god of death - religion has two faces, one very friendly, one very gloomy ... — Arthur Schopenhauer

Thanks to my mother, I was raised to have a morbid imagination. When I was a child, she often talked about death as warning, as an unavoidable matter of fact. Little Debbie's mom down the block might say, 'Honey, look both ways before crossing the street.' My mother's version: 'You don't look, you get smash flat like sand dab.' (Sand dabs were the cheap fish we bought live in the market, distinguished in my mind by their two eyes affixed on one side of their woebegone cartoon faces.)
The warnings grew worse, depending on the danger at hand. Sex education, for example, consisted of the following advice: 'Don't ever let boy kiss you. You do, you can't stop. Then you have baby. You put baby in garbage can. Police find you, put you in jail, then you life over, better just kill youself. — Amy Tan

One by one the angels had come to the top of Har Megiddo where I sat, holding her body close to mine after she'd died. I'd fought alongside them in battle, but up close, when they stood quietly watching us, they looked as beautiful as they looked unreal. the angels weren't supposed to feel emotions, but they were all weeping. All of them. Their tear stained their flawless faces like rain running in rivulets across stone. Azrael was the only one of then who came to me, knelt in front of me and took her from my arms. He was the angel of death come to carry his sister home. I din't want to give her up, knowing it would be the last time I ever saw her face. I had died on that wretched hill with her. — Courtney Allison Moulton

The magic of the revolution had joined with people's fear of death, their horror of torture, their anguish when the first breath of the camps blew on their faces. — Vasily Grossman

Speak here," Ronan said. "As Ash's guard, I ought to be privy to any plans."
"You are hardly in any shape to function as her guard, my son. Rest, and when you've recovered, you can - "
"I've recovered enough to stay by her side," Ronan said. "Which I will, particularly now, after what happened to the guard you assigned."
"It was not Tarquin's fault," Ashyn said.
"I do not mean to minimize the tragedy of his death," Ronan said. "But he wasn't up to his task. You require better. You require me."
"You have a high opinion of yourself," Edwyn said dryly.
"No, I have a high opinion of the danger Ash faces, and I don't trust anyone else to understand it. Clearly your guard did not expect fiend dogs."
"No one expects fiend dogs," Ashyn said.
"True, but at least you and I expect the unexpected. — Kelley Armstrong

I have kept thee long in waiting, dear Romuald, and thou mayst well have thought that I had forgotten thee. But I have come from a long distance and from a place from which no one has ever before returned; there is neither moon nor sun in the country from which I come; there is naught but space and shadow; neither road nor path; no ground for the foot, no air for the wing; and yet here I am, for love is stronger than death, and it will end by vanquishing it. Ah! what gloomy faces and what terrible things I have seen in my journeying! What a world of trouble my soul, returned to this earth by the power of my will, has had in finding its body and reinstating itself therein! What mighty efforts I had to put forth before I could raise the stone with which they had covered me! See! the palms of my poor hands are all blistered from it. Kiss them to make them well, dear love! — Theophile Gautier

Without warning, David was visited by an exact vision of death: a long hole in the ground, no wider than your body, down which you are drawn while the white faces above recede. You try to reach them but your arms are pinned. Shovels put dirt into your face. There you will be forever, in an upright position, blind and silent, and in time no one will remember you, and you will never be called by any angel. As strata of rock shift, your fingers elongate, and your teeth are distended sideways in a great underground grimace indistinguishable from a strip of chalk. And the earth tumbles on, and the sun expires, and unaltering darkness reigns where once there were stars. — John Updike

I know about sureness,' said Didactylos. 'I remember, before I was blind, I went to Omnia once. And in your Citadel I saw a crowd stoning a man to death in a pit. Ever seen that?'
'It has to be done,' Brutha mumbled. 'So the soul can be shriven and-'
'Don't know about the soul. Never been that kind of philosopher,' said Didactylos. 'All I know is, it was a horrible sight.'
'The state of the body is not-'
'Oh, I'm not talking about the poor bugger in the pit,' said the philosopher. 'I'm talking about the people throwing the stones. They were sure all right. They were sure it wasn't them in the pit. You could see it in their faces. So glad it wan't them in the pit that they were throwing just as hard as they could. — Terry Pratchett

Your ribcage never meant to hurt you.
Your windpipe doesn't know how to be pretty,
but she knows how to howl -
and here, I'd like to take a moment
to submit a formal apology to my soft parts
because they kept me warm
when I was trying to freeze to death,
and I hated them for it. An apology
for a starvation that went deeper than my skin.
One for the strongest skeleton I will ever own
and how I kept using the word girl against it.
Or how I turned words like beautiful into shapes
I could contort myself into. I didn't mean
to compare myself to faces I can't have.
Or spend years trying to carve myself,
like Michelangelo's angels, from the marble -
forgetting what it is to be skin instead of stone.
I let myself be afraid. I was taught to be.
When you learn you are only as good
as your beauty routine, you forget
how to define yourself by anything else. — Ashe Vernon

The graves grow deeper.
The dead are more dead each night.
Under the elms and the rain of leaves,
The graves grow deeper.
The dark folds of the wind
Cover the ground. The night is cold.
The leaves are swept against the stones.
The dead are more dead each night.
A starless dark embraces them.
Their faces dim.
We cannot remember them
Clearly enough. We never will. — Mark Strand

Cassandra wondered at the mind's cruel ability to toss up flecks of the past. Why, as she neared her life's end, her grandmother's head should ring with the voices of people long since gone. Was it always this way? Did those with passage booked on death's silent ship always scan the dock for faces of the long-departed? — Kate Morton

I remember staying to look at it for a long time, as one would linger within reach of a consoling whisper. The sky was pearly grey. It was one of those overcast days so rare in the tropics, in which memories crowd upon one, memories of other shores, of other faces. — Joseph Conrad

How rare to stare into the face of death ...
Something I never intend to do again. — Ichabod

Feel"
Hello everyone, how are y'all doing Y'all seem busy
Don't mean to disturb you, is it me or y'all look dizzy
Can you hear the ocean screaming, can you see the wind in your hair
I know it all seems scattered here and there
Do I sound odd to you, Do you already have a name for me
Where do I belong to, How hard is it for everyone to agree
Can anyone hear me I see all of your vague faces
Coming from all different places
Unconsciously robbed of own your rights,
I wish I could make you all feel despite of all your races
Touch the ground, grab a stone and y'all know you're not alone
Have a mind of your own
Time ticks on
Each hour closer the death
Love, feel what are you waiting upon
Don't waste one breath. — Mauro Lannini

In the face of death, especially violent death, things don't make sense anymore. So death is the dissolution of either physical form or psychological form. And when a form dissolves, always something shines through that had been obscured by the form. This is the formless One Life, the formless One Consciousness. — Eckhart Tolle

The three men walked on and were met by ever more new saints. The saints were not exactly moving or even speaking, but the silence and immobility of the dead were not absolute. There was, under the ground, a motion that was not completely usual, and a particular sort of voices rang out without disturbing the sternness and repose. The saints spoke using words from psalms and lines from the lives of saints that Arseny remembered well from childhood. When they drew the candles closer, shadows shifted along dried faces and brown, half-bent hands. The saints seemed to raise their heads, smile, and beckon, barely perceptibly, with their hands. A city of saints, whispered Ambrogio, following the play of the shadow. They present us the illusion of life. No, objected Arseny, also in a whisper. They disprove the illusion of death. — Evgenij Vodolazkin

They say a man doesn't know himself until he faces death for the first time ... I don't know about that. It seems to me that the person you are when you're about to die isn't as important as the person you are during the rest of your life. Why should a few moments matter more than an entire lifetime? — Brandon Sanderson

Danny could see it in their faces when they shook Steve's hand - they'd have preferred him dead. Death allowed for the illusion of heroism. The maimed turned that illusion into an uncomfortable odor. — Dennis Lehane

But love ... of whom?" I say at last. "Of what? What great passion would forestall death?"
Her graceful eyebrow arches, "You do not know? You, a poet?"
I do not know. I say as much.
She leans forward so that I can hear the rustle of her starched cotton blouse and silk beneath. Our faces are so close that I can feel the warmth from her skin. "Then you need more time to learn," she whispers, her voice as filled with emotion as when she cried out last night. — Dan Simmons

The mummied dead everywhere. The flesh cloven along the bones, the ligaments dried to tug and taut as wires. Shriveled and drawn like latterday bogfolk, their faces of boiled sheeting, the yellowed palings of their teeth. They were discalced to a man like pilgrims of some common order for all their shoes were long since stolen. — Cormac McCarthy

The real monsters are born, not made. They are the ones who watch behind friendly faces. The ones who come for the innocent trying to steal everything they have, be it their most treasured possessions, their honour or their lives. Not because they must, not because their very existence relies on it but simply because there is a thrill in it for them. To watch a man pierced by wrath and greed die a lonely death, to watch a woman pierced by lust and anger whimper away in fear. It thrills them to watch man burn and bleed. Real monsters love to turn the sound of beautiful life into many a terrified scream. — Narayan Liu

When DEATH stares in our faces..
We can just 'stare' back at it!
'All' falls flat in the deathly moments!
No explanations, no reasons, no justifications sound good enough!! Acceptance alone stands out as the truth! — Abha Maryada Banerjee

There is a skeleton (or death) that flees terrified in the face of my will to live. — Frida Kahlo

I saw our future together compressed into a moment; our faces changing, desire having to cope and reinvent itself at each new stratum of familiarity; I saw the gradual dissolution of mutual mystery and romance, its succession by friendship and a sort of tranquil and supernatural loyalty; I felt - with great lightness of being - the bearability of the idea of death, if the life preceding it was bloodily commingled (in children) with hers. A humble little truth: build a truly good life and it will reward you with mastery of the fear of death. It was simple. Having committed to the building of a marriage and family, all sorts of truths came forward and offered themselves. — Glen Duncan

I love the 3-D. I'm not one of those guys who's scared to death of it and think that it's going to take over everything. I love the fact that you have the immersive 3-D and the voyeuristic 3-D and then you have the in your face gimmicky 3-D and we're going to do both. I think there's a place for both. — Todd Farmer

Masks camouflage the faces of both good and evil.
Keeps hidden what is a truth and what is a lie. — Patti Roberts

Faster! Faster! Move, you lazy good-for-nothings! the Hungarian police were screaming.
That was when I began to hate them, and my hatred remains our only link today. They were our first oppressors. They were the first faces of hell and death. — Elie Wiesel

These are not soldiers, these are men. They are notadventurers or warriors, designed for human butchery - as butchers or cattle. They are the ploughmen or workers that one recognizes even in their uniforms. They are uprooted civilians. They are ready, waiting for the signal for death or murder, but when you examine their faces between the vertical ranks of bayonets, they are nothing but men. — Henri Barbusse

Together. Even in death. His fingers tightened their grip around her hand. A double statue of silver. Romantic. What would their faces show? Fear? Or love? — Cornelia Funke

Two years ago," she says, "I was afraid of spiders, suffocation, walls that inch slowly inward and trap you between them,getting thrown out of Dauntless, uncontrollable bleeding, getting run over by a train, my father's death,public humiliation, and kidnapping by men without faces."
Everyone stares blankly at her.
"Most of you will have anywhere from ten to fifteen years in your fear landscapes. That is the average number," she says.
"What's the lowest number someone has gotten?" asks Lynn.
"In recent years," says Lauren, "four."
I have not looked at Tobias since we were in the cafeteria,but I can't help but look at him now. He keeps his eyes trained on the floor. I knew that four was a low number, low enough to merit a nickname,but I didn't know it was less than half the average.
I glare at my feet.He's exceptional. And now he won't even look at me. — Veronica Roth

Yet Theo had become engrossed in his own tale, transporting himself back to the night of which he spoke. In the distance, he could again see the faces he had encountered on that fateful night, the twisted bodies and pained expressions of the men who no longer walked the realms of men, but those of the underworld gods. — A.H. Septimius

Ars Poetica
To gaze at the river made of time and water
And recall that time itself is another river,
To know we cease to be, just like the river,
And that our faces pass away, just like the water.
To feel that waking is another sleep
That dreams it does not sleep and that death,
Which our flesh dreads, is that very death
Of every night, which we call sleep.
To see in the day or in the year a symbol
Of mankind's days and of his years,
To transform the outrage of the years
Into a music, a rumor and a symbol,
To see in death a sleep, and in the sunset
A sad gold, of such is Poetry
Immortal and a pauper. For Poetry
Returns like the dawn and the sunset.
At times in the afternoons a face
Looks at us from the depths of a mirror;
Art must be like that mirror
That reveals to us this face of ours. — Jorge Luis Borges

I'd fought alongside them in that battle, but up close, when they stood quietly watching us, they looked as beautiful as they looked unreal. The angels weren't supposed to feel emotion, but they were weeping. All of them. Their tears stained their flawless faces like rain running in rivulets across stone. — Courtney Allison Moulton

I don't think victory over death ... is anything so superficial as a person fulfilling their normal span of life. It can be twofold; a victory over death by the man who faces it for himself without fear, and a victory by those who, loving him, know that death is but a little thing compared with the fact that he lived and was the kind of person he was. — Vera Brittain

The steel door of the incinerator went up and the muted hum of the eternal fire became a red roaring. The heat lunged out at them like a famished beast. Then Rahel's Ammu was fed to it. Her hair, her skin, her smile. Her voice. They way she used Kipling to love her children before putting them to bed: We be of one blood, though and I. Her goodnight kiss. The way she held their faces steady with one hand (squashed-cheeked, fish-mouthed) while she parted and combed their hair with the other. The way she held knickers out for Rahel to climb into. Left leg, right leg. All this was fed to the beast, and it was satisfied.
She was their Ammu and their Baba and she had loved them Double. — Arundhati Roy

Why do you hunger for length of days? The point of life is to follow reason and the divine spirit and to accept whatever nature sends you. To live in this way is not to fear death, but to hold it in contempt. Death is only a thing of terror for those unable to live in the present. Pass on your way, then, with a smiling face, under the smile of him who bids you go — Marcus Aurelius

Everything in the world has its two faces, however. Weeds sometimes blossom into artful flowers. Beauty walks hand in hand with ugliness, sickness with health, and life tiptoes around in the horned shadow of death. The trick is to recognize which is which and to recognize what you're dealing with at the time. — Tiffany Baker

There was a lot of pain in that kiss. There was so much hurt and so much fear in it. I felt tears rolling down the both of our faces. But, in that kiss, there was even more want. We both wanted to smother out that pain, to not have so many horrible things in the all too recent past, to just be normal, to do the types of things we were supposed to be dealing with besides death and disability. — Keary Taylor

May be the power lies in the hands of the one who holds the gun ... so he just presses the trigger whenever the slightest streak of anger passes his mind ... and after a few haunting days he roams freely in the country without fear ..
and what about the one who faces the wrath and bears the bullets?
He leaves a movement behind ... but haven't such movements always been ephemeral?
Is death the price you need to pay to open the eyes of those who care but just for a couple of days? — Sanhita Baruah

Life is fragile and temporary. The faces of today quickly become the faces of the past. Sorrow, pain, and anger ... it all fades-
except love. Love is forever and there after, even when we've fallen to our graves. — Lee Argus

watch the goshawk snip, tear and wrench flesh from the rabbit's foreleg. I feel sorry for the rabbit. Rabbit was born, grew up in the field, ate dandelions and grass, scratched his jaw with his feet, hopped about. Had baby rabbits of his own. Rabbit didn't know what lonely was; he lived in a warren. And rabbit is now just a carefully packed assemblage of different kinds of food for a hawk who spends her evenings watching television on the living-room floor. Everything is so damn mysterious. Another car passes. Faces turn to watch me crouched with rabbit and hawk. I feel like a tableau at a roadside shrine. But I'm not sure what the shrine is for. I'm a roadside phenomenon. I am death to community. I am missing the point. — Helen Macdonald

I never thought before how strange the notion of a transplant list is. The only list I've ever really given thought to were grocery lists and to-do lists, lists of homework assignments and list of clothes I wanted to buy before school started. I never thought there was such a thing as a list of names, people waiting for new faces. People waiting for someone else to die. — Alyssa B. Sheinmel

Constantly risking absurdity
and death
whenever he performs
above the heads
of his audience
the poet like an acrobat
climbs on rime
to a high wire of his own making
and balancing on eyebeams
above a sea of faces
paces his way
to the other side of day
performing entrechats
and sleight-of-foot tricks
and other high theatrics
and all without mistaking
any thing
for what it may not be
For he's the super realist
who must perforce perceive
taut truth
before the taking of each stance or step
in his supposed advance
toward that still higher perch
where Beauty stands and waits
with gravity
to start her death-defying leap
And he
a little charleychaplin man
who may or may not catch
her fair eternal form
spreadeagled in the empty air
of existence — Lawrence Ferlinghetti

Many have served Him of Many Faces through the centuries, but only a few of His servants have been women. Women bring life into the world. We bring the gift of death. No one can do both. — George R R Martin

The hand of vengeance stayed cold only so long. Any soul possessing a shred of humanity could not help but see the reality behind cruel deliverance, no matter how justified it might have at first seemed. Faces blank in death. Bodies twisted in postures no-one unbroken could achieve. Destroyed lives. Vengeance yielded a mirror to every atrocity, where notions of right and wrong blurred and lost all relevance. He — Steven Erikson

We live in a bubble of the fantasy of death, but the reality of it is something that we obviously all face and have to deal with, at some point. — Michael Sheen

10:13 Your situation is not unique! Every human life faces contradictions! Here is the good news: God believes in your freedom! He has made it possible for you to triumph in every situation that you will ever encounter! 10:14 My 1dearly loved friends! Escape into his image and likeness in you where the 2distorted image (2idolatry) loses its attraction! (Dearly loved friends, translated as 1agapetos; to know the agape love of God is to know our true identity! The word, agape, comes from agoo, meaning to lead as a shepherd guides his sheep, and pao, to rest, like in Psalm 23, "he leads me beside still waters where my soul is restored; by the waters of reflection my soul remembers who I am! Now I can face the valley of the shadow of death and fear no evil!") — Francois Du Toit

The streets were very clean, very sunny, very empty, and very dull. A few idle men lounged about the two inns, and the empty market-place, and the tradesmen's doors, and some old people were dozing in chairs outside an alms-house wall; but scarcely any passengers who seemed bent on going anywhere, or to have any object in view, went by; and if perchance some straggler did, his footsteps echoed on the hot bright pavement for minutes afterwards. Nothing seemed to be going on but the clocks, and they had such drowzy faces, such heavy lazy hands, and such cracked voices that they surely must have been too slow. The very dogs were all asleep, and the flies, drunk with moist sugar in the grocer's shop, forgot their wings and briskness, and baked to death in dusty corners of the window. — Charles Dickens

Case by case, we find that conformity is the easy way, and the path to privilege and prestige; dissidence carries personal costs that may be severe, even in a society that lacks such means of control as death
squads, psychiatric prisons, or extermination camps. The very structure of the media is designed to induce conformity to established doctrine. In a three-minute stretch between commercials, or in seven hundred words, it is impossible to present unfamiliar thoughts or surprising conclusions with the argument and evidence required to afford them some credibility. Regurgitation of welcome pieties faces no such problem. — Noam Chomsky

The difference between a man who faces death for the sake of an idea and an imitator who goes in search of martyrdom is that whilst the former expresses his idea most fully in death it is the strange feeling of bitterness which comes from failure that the latter really enjoys; the former rejoices in his victory, the latter in his suffering. — Soren Kierkegaard

Death isn't something anyone likes to think about, but the fact is that you can't get out of it. No matter what you do, how much you exercise, how religiously you diet, or meditate, or pray, or how much money you donate to your church, there is a single hard, cold fact that faces everyone on earth: One day it's going to be over. One day the sun will rise, the world will turn, people will go about their daily routines - only you won't be in it. You'll be still. And cold. — Jim Butcher

Have you ever climbed a mountain in full armour? That's what we did, him going first the whole way up a tiny path into the clouds, with drops sheer on both sides into nothing. For hours we crept forward like blind men, the sweat freezing on our faces, lugging skittery leaking horses, and pricked all the time for the ambush that would tip us into death. Each turn of the path it grew colder. The friendly trees of the forest dropped away, and there were only pines. Then they went too, and there just scrubby little bushes standing up in ice. All round us the rocks began to whine the cold. And always above us, or below us, those filthy condor birds, hanging on the air with great tasselled wings ... Four days like that; groaning, not speaking; the breath a blade in our lungs. Four days, slowly, like flies on a wall; limping flies, dying flies, up an endless wall of rock. A tiny army lost in the creases of the moon. — Peter Shaffer

When the fight ends you can afford to relax. That's the worst part. Winner or loser you have again eyes to see around you. Blood, butchered bodies, bodies pierced by arrows. You stir inside, your heart tightens, the feeling of loss wells up. The sense of smell is the next thing to revive, adding a new dimension of pain. I closed the eyes of the last cadet, blue eyes, unseeing, his body, so small, almost a child, the youngest cadets were all gone, their faces surprised in death. Cold lips never able again to kiss a girl. It's then that the emptiness swallows you and you mourn inside. Damn you, Scharon. No! Damn you, Travellers. — Florian Armas

To those you care for, a nurse is a person of many faces: You are a warrior against death and suffering, a technician of the highest degree; you are a mother, a sister, a best friend, a psychiatrist; you are a teacher, a magician, a sounding board, a secretary, a fortuneteller, a politician, but most of all, you are a loving human being who has chosen to give that love in one of the best ways you can. — Echo Heron

I was forced to enter the basement of my soul and look directly at what was hidden there, and to choose, in the face of it all, not death but life. — Henri Nouwen

Kneel down, kneel down- kneel round her every one of you, and mark my words. I say she starved to death. I never knew how bad she was, till the fever came upon her, and then her bones were starting through the skin. There was neither fire nor candle; she died in the dark- in the dark. She couldn't even see her children's faces, though we heard her gasping out their names. I begged for her in the streets, and they sent me to prison. When I came back, she was dying; and all the blood in my heart has dried up, for they starved her to death. I swear it before the God that saw it,- they starved her! — Charles Dickens

Accepting Uncle Tom's Cabin as revelation second only to the Bible, the Yankee women all wanted to know about the bloodhounds which every Southerner kept to track down runaway slaves. And they never believed her when she told them she had only seen one bloodhound in all her life and it was a small mild dog and not a huge ferocious mastiff. They wanted to know about the dreadful branding irons which planters used to mark the faces of their slaves and the cat-o'-nine-tails with which they beat them to death, and they evidenced what Scarlett felt was a very nasty and ill-bred interest in slave concubinage.
Especially did she resent this in view of the enormous increase in mulatto babies in Atlanta since the Yankee soldiers had settled in the town. — Margaret Mitchell