Quotes & Sayings About Faces In The Crowd

That's the way literary recognition works, at least to a certain degree. It's all a matter of rumor, a rumor that multiplies like a virus until it becomes a collective affinity. — Valeria Luiselli

Nico jumped into the crowd, kicking groins, smacking faces with the flat of his blade, bashing helmets with his pommel. In ten seconds, the Romans all lay groaning and dazed on the ground. — Rick Riordan

My uncle, gentlemen, could say nothing; he was so very much astonished The queerest thing of all, was, that although there was such a crowd of persons, and although fresh faces were pouring in, every moment, there was no telling where they came from. They seemed to start up, in some strange manner, from the ground, or the air, and disappear in the same way. — Charles Dickens

One encounters in the streets, late at night on the evenings of fetes, the most strange and bizarre passers-by. Do these nights of popular celebration cause ancient and forgotten avatars to stir in the depths of the human soul? This evening, in the movement of the sweaty and excited crowd, I am certain that I passed between the masks of the liberated Bythinians and encountered the courtesans of the Roman decadence.
There emerged, this evening, from that swarming esplanade of Des Invalides - amid the crackle of fireworks, the shooting stars, the stink of frying, the hiccuping of drunkards and the reeking atmosphere of menageries - the wild effusions of one of Nero's festivals.
It was like the odour of a May evening on the Basso-Porto of Naples. It was easy to believe that the faces in that crowd were Sicilian. — Jean Lorrain

Live your life like this. Constantly searching faces in the crowd, wondering which of them you can trust , which of them you can't. — Stephen Lloyd Jones

Amory wandered slowly up the avenue and thought of the night as inevitably his
the pageantry and carnival of rich dusk and dim streets ... it seemed that he had closed the book of fading harmonies at last and stepped into the sensuous vibrant walks of life. Everywhere these countless lights, this promise of a night of streets and singing
he moved in a half-dream through the crowd as if expecting to meet Rosalind hurrying toward him with eager feet from every corner ... How the unforgettable faces of dusk would blend to her, the myriad footsteps, a thousand overtures, would blend to her footsteps; and there would be more drunkenness than wine in the softness of her eyes on his. Even his dreams now were faint violins drifting like summer sounds upon the summer air. — F Scott Fitzgerald

We lived only to dance. What was the true characteristic of a queen, I wondered later on; and you could argue that forever. "What do we all have in common in this group?" I once asked a friend seriously, when it occurred to me how slender, how immaterial, how ephemeral the bond was that joined us; and he responded, "We all have lips." Perhaps that is what we all had in common: no one was allowed to be serious, except about the importance of music, the glory of faces seen in the crowd. We had our songs, we had our faces! We had our web belts and painter's jeans, our dyed tank tops and haircuts, the plaid shirts, bomber jackets, jungle fatigues, the all-important shoes. — Andrew Holleran

She scanned the captives, looking for Shay and David. The familiar faces in the crowd were haggard, dirty, crumpled by shock and defeat, but Tally realized that she no longer thought of them as ugly. It was the cold expressions of the Specials, beautiful though they were, that seemed horrific to her now. A — Scott Westerfeld

What I've learned by going out and playing smaller venues and being more in touch with people is getting feedback, just by virtue of being able to watch the crowd react and watch their faces instead of being blinded by 3,000 spotlights. I've realized that you can quickly get out of touch with your audience if you're not careful. — Ronnie Dunn

Like actors taking a role in a play. We wear our human faces and harbor our dramas and fantasies, but it's the same individuals playing the parts, as the play starts anew on a different stage, with different faces and forms. If it all goes well, a figure from the crowd joins the stage for the plays that follow, and the roles are refined. — Wildbow

We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously; that only we fashion supplication into courtesy; that only we hear the whiny pathos in a dog's yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuum's scream; that only we feel the panic at sunset the rookie kindergartner feels at his mother's retreat. That only we love the only-we. That only we need the only-we. Solipsism binds us together, J.D. knows. That we feel lonely in a crowd; stop not to dwell on what's brought the crowd into being. That we are, always, faces in a crowd. — David Foster Wallace

I Remember Me
There are not enough faces. Your own gapes back
at you on someone else, but paler, then the moment
when you see the next one and forget yourself.
It must be dreams that makes us different, must be
private cells inside a common skull.
One has the other's look and has another memory.
Despair stares out from tube-trains at itself
running on the platform for the closing door.
Everyone you meet is telling wordless barefaced truths.
Sometimes the crowd yields one you put a name to,
snapping fiction into fact. Mostly your lover passes in the rain and does not know you when you speak. — Carol Ann Duffy

Sam stood on the second floor veranda of the hotel, across from the pool, and looked out spotting Claire. His heart took a tiny leap in his chest when he first caught sight of her in the crowd around the pool, he zeroed in on her face instantly, like a computer program scanning faces. Her almond-shaped brown eyes captivated him, even at the great distance. When she stood up from the lounger, he instinctively reached down for the railing to grab on to something. It was the first time he'd seen her in a bathing suit. Wow. She looked lovely. Her exposed cafe latte colored skin glowed. Purple was her color, and it showcased her small, but curvy body the one he'd held tightly just a few short hours ago. — Carolyn Gibbs

Here's another analogy. Human beings bring only a handful of facial features to the blueprint of how we look - two eyes, two eyebrows, a nose, a mouth, a pair of cheekbones, and two ears, all pasted onto a somewhat ovular-to-round face. That particular blueprint doesn't often vary much, either. Interestingly enough, this is about the same number of essential storytelling parts and milestones that each and every story needs to showcase in order to be successful. Now, consider this: With only these eleven variables to work with, ask yourself how often you see two people who look exactly alike. In a crowd of ten thousand faces, you would be able to differentiate each and every one of them, other than a set of twins or two in attendance. Where we humans are concerned, the miracle of originality resides in the Creator, who applies an engineering-driven process - eleven variables - to an artistic outcome. Where art is concerned, there is something to be learned from that. — Larry Brooks

It is true that in this time people set their faces hard for photographs, partly from custom, partly because of deficits in photographic technology, but this crowd might not have smiled for the better part of a century. The women seem suspended in a state somewhere between melancholy and fury and are surrounded by old men in strange beards that look as if someone had dabbed glue at random points on their faces, then hurled buckets of white hair in their direction. — Erik Larson

All of us had problems, it seemed, whose sources were untraceable, crossing over one another like the trajectories of countless raindrops in a storm, blending to create a fog of delusion and counter-delusion. Powerful forces and connections were undoubtedly at play, yet they seemed to have no faces and no names, and it was anybody's guess what we - a crowd of deluded no-talents - could have possibly done to offend them. We had been caught up in a season of hideous magic from which nothing could offer us deliverance.
("Gas Station Carnivals") — Thomas Ligotti

Fallen. Who tracks our footsteps, I wonder? We who are the forgotten, the discounted and the ignored. When the path is failure, it is never willingly taken. The fallen. Why does my heart weep for them? Not them but us, for most assuredly I am counted among them. Slaves, serfs, nameless peasants and labourers, the blurred faces in the crowd - just a smear on memory, a scuffing of feet down the side passages of history.
Can one stop, can one turn and force one's eyes to pierce the gloom? And see the fallen? Can one ever see the fallen? And if so, what emotion is born in that moment?
There were tears on his cheeks, dripping down onto his chafed hands. He knew the answer to that question, knife-sharp and driven deep, and the answer was ... recognition. — Steven Erikson

Stephen Blackpool fall into the loneliest of lives, the life of solitude among a familiar crowd. The stranger in the land who looks into ten thousand faces for some answering look and never finds it, is in cheering society as compared with him who passes ten averted faces daily, that were once the countenances of friends — Charles Dickens

Outside, on the other side of a black iron grill, was another crowd, just as anxious, just as sweaty and frightened. These were the parents and friends of those departing. They all waited for deliverance. When all the customs procedures had been completed, when the crowd of travelers had passed through the last security booths and were walking toward the tarmac, you could see, on the faces of those left behind, the relief, the joy, the pride of vicarious success. The vision of a happier future elsewhere, anywhere but here. Smiles of contentment, faces radiant with happiness. Nowhere else in the world does separation bear the hideous face of joy. This was a grotesque face, a deviation from all rules of human nature. — Duong Thu Huong

The exposition of Atrocious Torture Instruments could not fail to appeal to a connoisseur of the worst in mankind. But the essence of the worst, the true asafoetida of the human spirit, is not found in the Iron Maiden or the whetted edge; Elemental Ugliness is found in the faces of the crowd. — Thomas Harris

The apparition of these faces in the crowd;
Petals on a wet black bough. — Ezra Pound

Greta's car was three blocks away, and up ahead there looked to be a crowd of people gathering. They had probably come outside to see what the commotion was. Rapp stopped running. There was no quicker way to attract attention than running in street clothes at night when gunshots had been fired. The sirens were much closer now. At the next intersection a police car came skidding around the corner. Rapp's training kicked in. He stopped and stared directly at the two policemen in the front seat. That's what innocent people did. Guilty people looked away, hid their faces, and even ran. — Vince Flynn

You must not count much upon what I can do or learn in New York ... Everything there disappoints me but the crowd; rather, I was disappointed with the rest before I came. I have no eyes for their churches, and what else they find to brag of. Though I know but little about Boston, yet what attracts me, in a quiet way, seems much meaner and more pretending than there,
libraries, pictures, and faces in the street. You don't know where any respectability inhabits. — Henry David Thoreau

Sara and the man were swallowed up into the evening crowd. Tsukuru kept looking in the direction they had disappeared in, clinging to the faint hope that Sara would return. That she might notice he was there and come back to explain. But she never came. Other people, with different faces and different looks, passed by, one after another. — Haruki Murakami

Some experimenters have reported that an angry face "pops out" of a crowd of happy faces, but a single happy face does not stand out in an angry crowd. The brains of humans and other animals contain a mechanism that is designed to give priority to bad news. — Daniel Kahneman

There are not enough faces. Your own gapes back
at you on someone else, but paler, then the moment
when you see the next one and forget yourself.

It must be dreams that makes us different, must be
private cells inside a common skull.
One has the other's look and has another memory.

Despair stares out from tube-trains at itself
running on the platform for the closing door.
Everyone you meet is telling wordless barefaced truths.

Sometimes the crowd yields one you put a name to,
snapping fiction into fact. Mostly your lover passes in the rain and does not know you when you speak.

- I Remember Me — Carol Ann Duffy

I have always had a weakness for footnotes. For me a clever or a wicked footnote has redeemed many a text. And I see that I am now using a long footnote to open a serious subject - shifting in a quick move to Paris, to a penthouse in the Hotel Crillon. Early June. Breakfast time. The host is my good friend Professor Ravelstein, Abe Ravelstein. My wife and I, also staying at the Crillon, have a room below, on the sixth floor. She is still asleep. The entire floor below ours (this is not absolutely relevant but somehow I can't avoid mentioning it) is occupied just now by Michael Jackson and his entourage. He performs nightly in some vast Parisian auditorium. Very soon his French fans will arrive and a crowd of faces will be turned upward, shouting in unison, 'Miekell Jack-sown'. A police barrier holds the fans back. Inside, from the sixth floor, when you look down the marble stairwell you see Michael's bodyguards. One of them is doing the crossword puzzle in the 'Paris Herald'. — Saul Bellow

We don't like murders here, said a man's voice, low and threatening, from the back of the crowd. Megan glanced at Cassie and her friends. They looked away, as if they didn't see what was happening.
Anger boiled in her chest. Why wouldn't they leave her alone? She hadn't killed anyone. She hadn't killed Harlen Trooper, all those years ago. She knew it and the judge knew it. She hadn't even been charged.
If I wanted to, I could have you all killed, she thought, and was stunned when the thought didn't scare her the way it should. She looked at their faces, stony and stubbled, shiny with alcoholic sweat. The power in her chest hadn't worked against Ktana Leyak, but it could against them, this miserable bunch of humans with their heavy boots and beer guts.
She pictured those guts exploding. She pictured the terror in their eyes when they realized they were messing with the wrong fucking demon, they were -
Demon? — Stacia Kane

Intimacy is not trapped within words. It passes through words. It passes. The truth is that intimates leave the room. Doors close. Faces move away from the window. Time passes. Voices recede into the dark. Death finally quiets the voice. And there is no way to deny it. No way to stand in the crowd, uttering one's family language. — Richard Rodriguez

You know what is the worst thing in the world?
You are amidst this crowd, a swarm of people,
Who think they connect with you,
Every one of them, in their own way.
But in reality, you are being ripped apart,
Connecting with each one of them.
It is a constant struggle to connect with someone,
To be heard,to be understood,to be loved, to be accepted.
And it is done with a glimpse of hope,
That someone from these known and unknown faces,
Will hear you out, someone with a warm & genuine smile,
Will touch your heart.
And that's precisely when,perhaps,you would say,
Yes, THIS IS ME. — Sachin Garg

the One whom we most need to behold has made himself known. He has traced with a fine hand the lines and contours of his face. He has done so in his Word. We must search for that face, though babies continue to cry, bills continue to grow, bad news continues to arrive unannounced, though friendships wax and wane, though both ease and difficulty weaken our grip on godliness, though a thousand other faces crowd close for our affection, and a thousand other voices clamor for our attention. By fixing our gaze on that face, we trade mere human glory for holiness: — Jen Wilkin

He wandered over them again. He had called them into view, and it was not easy to replace the shroud that had so long concealed them. There were the faces of friends, and foes, and of many that had been almost strangers peering intrusively from the crowd; there were the faces of young and blooming girls that were now old women; there were faces that the grave had changed and closed upon, but which the mind, superior to its power, still dressed in their old freshness and beauty, calling back the lustre of the eyes, the brightness of the smile, the beaming of the soul through its mask of clay, and whispering of beauty beyond the tomb, changed but to be heightened, and taken from earth only to be set up as a light, to shed a soft and gentle glow upon the path to Heaven... — Charles Dickens

Melletin jumped up on a barrel beside Ramil. "Brigardians, are you with the Dark Prince?"

"Aye!" shouted his countrymen.

"What about you other men?" Ramil asked, looking across the crowd of faces drawn from all parts of the Empire.

The slave who had challenged him took one look at Yelena, then raised his hand. "I'm in. It seems you might know what you're doing after all."

Ramil grinned. "I can't promise that--but I can promise that I'll buy you a drink if we're still alive by the end of tomorrow! — Julia Golding

I remember walking out in front of that crowd, all the parents' faces and the applause, and folding my little self in half and thinking, 'I could get used to this.' And I just never stopped. — Dallas Roberts

With that they, and many others, left the hall and joined the moving crowd in the street. The night was delightfully cool. Stars shone white in a velvet sky. The dry wind from mountain and desert blew in their faces. Pan — Zane Grey

Our first kiss, the first touch of our heating lips, the yearning reciprocating from both sides, I was lost in everything. But I had a sudden feeling of eyes staring at our acts and unnecessary muttering. I could feel it even with my closed eyes. So far the sober girl in me resisted and my palms struggled to escape. David realized my condition and he left me be. I could see anger in his eyes for the crowd around but he stayed calm for my sake. My heart purred. 'I am lost now!'
He sat next to me and didn't bother to look at anyone around. Though, we knew many looked upon us and then they turned their faces away. He was horny. I could see his bulge behind his winter suit. I avoided looking and forced myself to gaze into his eyes instead. His pair was fixed on mine, reading mine. I gave a wide smile in an attempt to hide my lust although it was clearly written over my face. — Delicious David

i often sit and wonder
i often sit and dream
i often
sit and wait
for the one that's just for me
i search the many faces
in the crowds of people i see
exploring,
seeking,
looking for,
the one that it could be.

is it Mister Blue Collar?
is it Mister Too Clean?
is it Mister Holy One
which was made for me?

then i stop and think
of the biggest catastrophe -
what if this man
i'm waiting for

doesn't even recognize me?

-LostInACrowd — N'Zuri Za Austin

I want you to know that you will not be alone in your loneliness," he said.
Her tear-filled eyes welled over. "You will be surrounded by your court ... and all the beautiful ladies there."
Rodrigo shook his head. "I've never cared about any of them. I shall be lonely for you. Lonely in the midst of a crowd ... surrounded by a hundred faces, none of them yours." He held Rapunzel's tearful gaze, and tried to swallow the lump in his throat. But he couldn't. "And as everything and everyone is spinning around me, I shall be thinking of you and longing to be here ... " he brushed the backs of his fingers against her wet cheek, " ... here in the tower, with my Rapunzel. — Lisa Valdez

How happy they are, in all seeming, How gay, or how smilingly proud, How brightly their faces are beaming, These people who make up the crowd! — Ella Wheeler Wilcox

Even among familiar faces, people often feel invisible and desolate, like an island in cold waters or a shadow apart from the crowd. Be the reason another never feels alone. — Richelle E. Goodrich

Come on, Lex. How long can we all keep playing musical beds for before it blows up in our faces? Three is a crowd, and five is just getting downright nasty." He made a face of disgust. "Not to mention however many lovers Arys has on the side that neither of us know about. — Trina M. Lee

Pursuing a family history beyond a simple catalogue of names is always evidence of separation, of severing ties at least to the extent of holding one's relations at arm's length. The family member who want to make a private gift of a family tree to a close circle of relatives soon becomes the historian who estranges her antecedents by locating them "in history". I found that family history, which humanizes those who might otherwise be mere faces in a crowd, also defamiliarized those closest to me, giving their lives a larger pattern than they had when they were lived. They became both more and less themselves. I consoled myself by thinking that this is what history does to us too. As we grow older we see not how unique our lives have been, but how representative we were and are; that we are part of the figure in the carpet woven by events, by chance and accident, and by the play of forces more powerful than us. — Alison Light

I remember staying to look at it for a long time, as one would linger within reach of a consoling whisper. The sky was pearly grey. It was one of those overcast days so rare in the tropics, in which memories crowd upon one, memories of other shores, of other faces. — Joseph Conrad

We feel a special bond with Sicily and its people - in fact, our first campaigns were shot in Sicily, like the one shot in Vucciria Sicilian historical market We enjoyed showing the faces and the characters that crowd that beautiful market every day. — Stefano Gabbana

I know about sureness,' said Didactylos. 'I remember, before I was blind, I went to Omnia once. And in your Citadel I saw a crowd stoning a man to death in a pit. Ever seen that?'
'It has to be done,' Brutha mumbled. 'So the soul can be shriven and-'
'Don't know about the soul. Never been that kind of philosopher,' said Didactylos. 'All I know is, it was a horrible sight.'
'The state of the body is not-'
'Oh, I'm not talking about the poor bugger in the pit,' said the philosopher. 'I'm talking about the people throwing the stones. They were sure all right. They were sure it wasn't them in the pit. You could see it in their faces. So glad it wan't them in the pit that they were throwing just as hard as they could. — Terry Pratchett

I stood there with the rifle in my hands, that I first grasped the hallowness,
the futility of the white man with his gun, standing in front of the unarmed native crowd
seemingly the leading actor of the piece ;
but in reality I was only an absurd puppet pushed to and fro by the will of those yellow faces behind.
I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys.
He becomes a sort of hollow, posing dummy, the conventionalized figure of sahib.
For it is the condition of his rule that he shall spend his life in trying to impress the "natives", and so in every crises he has got to do what the "natives" expect of him. — George Orwell