Face When On Top Quotes & Sayings

Sam came around the side of the car and stopped dead when he saw me. "Oh my God, what is THAT?" I used my thumb and middle finger to flick the multicolored pom-pom on top of my head. "In my language, we call it a HAT. It keeps my ears warm." "Oh my God," Sam said again, and closed the distance between us. He cupped my face in his hands and studied me. "It's horribly cute." He kissed me, looked at the hat, and then he kissed me again. I vowed never to lose the pom-pom hat. — Maggie Stiefvater

Crutches may be a pain in the (pinched nerve back) ass to use, but damn, they are handy when your dog pushes open the bathroom door while you are contemplating life. They're also handy to turn on lights just out of your reach, and to threat your husband with if he doesn't fetch you a Fresca because you are a poor, pathetic little thing huddled under a Snuggy, unable to walk without bellowing profanities at the top of your lungs, thereby scaring your dogs, the fat squirrel stuffing his face on the deck, and the manic depressive goats that live three houses down. — Katie MacAlister

When she brought her lips back closer to his face, his eyelids flickered and shut for a moment. In a swift motion he rolled on top of her, and his mouth was on hers before she could make a sound. His hand pressed on her lower back, tracing the curve of her waist. She felt the heat building inside her and the goosebumps rising on her arm. His other hand slowly moved upward, until his fingers flexed back and forth in her hair. — A.O. Peart

nerves


twitching in the sheets --
to face the sunlight again,
that's clearly
trouble.
I like the city better when the
neon lights are going and
the nudies dance on top of the
bar
to the mauling music.

I'm under this sheet
thinking.
me nerves are hampered by
history --
the most memorable concern of mankind
is the guys it takes to
face the sunlight again.

love begins at the meeting of two
strangers. love for the world is
impossible. I'd rather stay in bed
and sleep.

dizzied by the days and the streets and the years
I pull the sheets to my neck.
I turn my ass to the wall.
I hate the mornings more than
any man. — Charles Bukowski

But what sent his face clear down off his skull and broke him in two, though, was he said when he saw the Pam-shiny empty biscuit pan on top of the stove and the plastic rind of the peanut butter's safety-seal wrap on top of the wastebasket's tall pile. The little locket-picture in the back of his head swelled and became a sharp-focused scene of his wife and little girl and little unborn child eating what he now could see they must have eaten, last night and this morning, while he was out ingesting their groceries and rent. This was his cliff-edge, his personal intersection of choice, standing there loose-faced in the kitchen, running his finger around a shiny pan with not one little crumb of biscuit left in it. He sat down on the kitchen tile with his scary eyes shut tight but still seeing his little girl's face. They'd ate some charity peanut butter on biscuits washed down with tapwater and a grimace. — David Foster Wallace

Stronger than rage, astonishment, contempt, the pleasurable sense that at last she had slapped Frederick's face, the less pleasurable surmise that his slap back would be longer-lasting; stronger even than the desire to see Minna was her feeling that of all things, all people, she most at this moment wished to see Ingelbrecht, and the sturdy assurance that she would find in him everything that she expected. If she had gone up the stairs in the rue de la Carabine on her knees, she could not have ascended with a more zealotical faith that there would be healing at the top; and when he opened the door to her, enquiring politely if her errands had gone well she replied with enthusiasm, "Perfectly. My husband
it was he I went to see
has just threatened to cut me off with a penny."
"A lock-out," said Ingelbrecht. "Very natural. It is a symptom of capitalistic anxiety. I suppose he has always been afraid of you."
She nodded, and her lips curved in a grin of satisfaction. — Sylvia Townsend Warner

You are gonna shoot me," he says. "One day." He's still holding Lindsay's hand, he's looking down at where their fingers are wound together and not at Lindsay's face, but his voice is clear. "I ain't thick. I know you'll get sick of me. You can't just let me go, I know too much, you'd be freaked out forever in case I snitched. You'll get proper sick of me one day, not just annoyed, and then you'll shoot me. It's okay."
"I won't get sick of you," Lindsay says. He feels numb and far away, as if its somebody else talking, and almost like he's going to throw up, a sort of lurch in his stomach like when you're at the top of the the Angel tube station escalator and somebody a bit too eager to get on the train shoves you from behind.
"Yeah you will. I'm gonna be with you til I die, though. Least I can say that and know its true, how many people can do that? Bit romantic, really. If you squint, and look at it sideways. — Richard Rider

You had your heart broken much?"
He paused. "Of course. Everyone does. Part of life."
"Tell me her name. I'll kick her ass. I don't want anyone hurting you."
He rested his face against my hair, his tone even and gentle when he spoke. "You're wondrous and powerful and gifted, but even you can't save me from hurting. No one can do that for anyone. I can make things perfect in the fictions I create, but the real world isn't so kind. That's just how it is. And anyway, for every bad thing in life, there are more good things to tip the balance."
"Like what?"
"Like little blonde nieces. And royalty checks. And you. — Richelle Mead

Fane and Jacque looked up from the table when they heard Sally's singing all through the cafeteria. She was belting out at the top of her lungs Train's "Meet Virginia". A very pissed off looking Jen was dragging her IV pole as quickly as she could without falling, trying to catch up to her quarry. By the time Sally had reached the table, she had tears "streaming down her face from laughing so hard. She leaned over the table, panting, finishing her serenade. "Her confidence is tragic, but her intuition magic, and the shape of her body, unusual, meet Virginia!" Sally ended dramatically, arms in the air like Vanna White indicating where Jen now stood. Much to Jen's chagrin the entire cafeteria broke into applause.
Jen pasted on her most dazzling smile and waved at everyone adoringly, but to Sally she muttered under her breath, "This is war. — Quinn Loftis

The girl's face looks greedy, haughty and very lazy. The cream-at-the-top-of-the-milkpail face of someone who will never work for anything; someone who picks up things lying on other people's dressers and is not embarrassed when found out. It is the face of a sneak who glides over to your sink to rinse the fork you have laid by her plate. An inward face
whatever it sees is its own self. You are there, it says, because I am looking at you. — Toni Morrison

People make the mistake of assuming far too many things about armies,' Lefevre told me one evening. 'They assume, for a start, that generals know what they are doing and know what is going on. They assume that orders pass down from top to bottom in a smooth and regulated fashion. And above all they assume that wars start only when people decide to start them.' 'You are going to tell me that is not the case?' 'Wars begin when they are ready, when humanity needs a bloodletting. Kings and politicians and generals have little say in it. You can feel it in the air when one is brewing. There is a tension and nervousness on the face of the least soldier. They can smell it coming in a way politicians cannot. The desire to hurt and destroy spreads over a region and over the troops. And then the generals can only hope to have the vaguest notion of what they are doing. — Iain Pears

And yes - he will come to puking himself and feeling like stabbed through the head, but better there than in ambulance, BOOM, shirt cut open, mask jammed down on him, peoples slapping his face to wake him, laws involved, everyone very harsh and judgmental - believe me, Narcan, very very violent experience, you feel bad enough when you come round without being in hospital, bright lights and everyone very disapproving and hostile, treating you like shit, 'drug addict,' 'overdose,' all these nasty looks, maybe not letting you go home when you want, psych ward maybe, social worker marching in to give you the big 'So Much to Live For' talk and maybe on top of it all, nice visit from the cops - Hang — Donna Tartt

All of a sudden, life became too much to bear. Just like that, for no particular reason. Because there was a child's corpse in the fridge on rue Parthenais. Because I had to start all over again from scratch, one more time. Because I had rolled my rock to the top of the hill and now it was rolling back down again. The times before, I'd always managed to put on a brave face. But there comes a time when you just don't feel strong enough to look for another place to live and go shopping again for clothes and dishes and cutlery and scouring pads and toilet paper. This was one of those times. When I got back to the hotel, I asked the Barbie at reception for the key to the minibar. It burned in the palm of my hand. I slapped it back down on the counter and ran out. I had to find a meeting. — Bernard Emond

At one stopover on the train journey home, Hans told his sister Inge later, he saw a young girl with the Star of David on her breast; she was repairing tracks on the line, along with other people with yellow badges on their clothes. Her face was pallid, sunken in; her eyes, beyond grief and terror. Impulsively, Hans thrust his rations in her hand. She looked up at him, then at his uniform. She threw the packet of food to the ground.
He scooped it up, wiped off the dust, and picked a daisy growing by the side of the tracks. He placed the package, with the daisy on top, at her feet. He said, "I would have liked to give you a little pleasure." He boarded the train.
When he looked back, the girl was standing there, watching the train disappear, the flower in her hair. — Jud Newborn

She lifted the hat one more time and set it down slowly on top of her head. Two wings of gray hair protruded on either side of her florid face, but her eyes, sky-blue, were as innocent and untouched by experience as they must have been when she was ten. Were it not that she was a widow who had struggled fiercely to feed and clothe and put him through school and who was supporting him still, "until he got on his feet," she might have been a little girl that he had to take to town. — Flannery O'Connor

Boys are found everywhere- on top of, underneath, inside of, climbing on, swinging from, running around or jumping to. Mothers love them, little girls hate them, older sisters and brothers tolerated them, adults ignore them and Heaven protects them. A boy is Truth with dirt on its face, Beauty with a cut on its finger, Wisdom with bubble gum in its hair and the Hope of the future with a frog in its pocket. A boy is a magical creature- you can lock out of your workshop, but you can't lock him out of your heart. You can get him out of your study, but you can't get him out of your mind. Might as well give up- he is your captor, your jailor, your boss and your master- a freckled-faced, pint-sized, cat-chasing bundle of noise. But when you come home at night with only the shattered pieces of your hopes and dreams, he can mend them like new with two magic words- 'Hi, Dad! — Alan Beck

I slept and I woke. She gave me a ring made from a leaf, a cluster of golden berries, a flower that opened and closed at the stroking of a finger ...
And once, when I startled awake with my face wet and my chest aching, she reached out to lay her hand on top of mine. The gesture was so tentative, her expression so anxious, you would think she had never touched a man before. As if she was worried I might break or burn or bite. Her cool hand lay on mine for a moment, gentle as a moth. She squeezed my hand softly, waited, then pulled away.
It struck me as odd at the time. But I was too clouded with confusion and grief to think clearly. Only now, looking back, do I realize the truth of things. With all the awkwardness of a young lover, she was trying to comfort me, and she didn't have the slightest idea how. — Patrick Rothfuss

Well, golly gee, I'm so sorry that you had to answer an awkward question at lunch. That must have been so inconvenient. Much more inconvenient than getting hit in the face with a tampon flying out of your locker." When he grins, I totally lose it. All the frustration and hurt comes rolling out of me. I'm tired of playing the good, calm girl. I rise up on my knees, reach over and hit him across the top of his head. "Fuck," he curses. "What the hell was that for?" "That's for being an asshole!" I hit him again, — Erin Watt

Ah," Gary said dreamily. " 'Free time.' I've heard about that. Don't fool yourself, Fire-Top. What with extra hours of lessons for punishments, and the extra work you get every day, free time is an illusion. It's what you get when you die and the gods reward you for a life spent working from dawn until midnight. We all face up to it sooner or later
the only real free time you get here is what my honored sire chooses to give you, when he thinks you have earned it."
"And he doesn't give it to you at night," Alex put in. "He gives it to you when you've been here awhile, on Market Day and sometimes a morning or afternoon all to yourself. But never at night. At night you study. During the day you study. In your sleep
— Tamora Pierce

You ask me how I became a madman. It happened thus: One day, long before many gods were born, I woke from a deep sleep and found all my masks were stolen, the seven masks I have fashioned an worn in seven lives, I ran maskless through the crowded streets shouting, "Thieves, thieves, the cursed thieves."
Men and women laughed at me and some ran to their houses in fear of me.
And when I reached the market place, a youth standing on a house-top cried, "He is a madman." I looked up to behold him; the sun kissed my own naked face for the first time. For the first time the sun kissed my own naked face and my soul was inflamed with love for the sun, and I wanted my masks no more. And as if in a trance I cried, "Blessed, blessed are the thieves who stole my masks."
Thus I became a madman. — Kahlil Gibran

Sam came around the back of the car and stopped dead when he saw me. "Oh my God, what is that?"
I used my thumb and middle finger to flick the multicoloured pom-pom on top of my head. "In my language, we call it a hat. It keeps my ears warm."
"Oh my God," Sam said again, and closed the distance between us. He cupped my face in his hands and studied me. "It's horribly cute." He kissed me, looked at the hat, and then he kissed me again. — Maggie Stiefvater

I smoked my first pipe with Seth. I knew the stuff was bad, but I was so tired of being the cop, begging and ragging at him, throwing Pampers in his face when he walked in the door. I wanted to be on the same side again. So I smoked with Seth one afternoon when the girls were napping, and oh my God, I can only think about this for a minute or every part of me will turn into a mouth wanting more: the sexiness of it, fucking Seth like wild for the first time in months, going on even when the girls started to whimper and bang on the door. Then looking out the window and seeing the world shake itself to life: the heavy trees, the sky. And I was back on top. We were going to make it, Seth and I. The voice in my head was back again, telling me stories, too many to write down or even tell one from another. — Jennifer Egan

His eyes spark as his gaze dips to my cleavage, and this gives me courage. I shift forward and slip my hands under his shirt, brushing my fingers against the muscles of his abdomen. Noah sharply inhales and, in seconds, his shirt is off and thrown into the corner of the tent.
I love his naked chest, and I decide to play. Biting my bottom lip, hoping to contain the smile, I nudge Noah's shoulder, indicating for him to lie down. He flashes his wicked grin and reclines back, except he snags his hand around my wrist and tugs me with him.
I laugh as I come face-to-face with him. My body on top of his and when I wiggle, I close my eyes, liking the pleasure of intimate parts touching. My hips squirm and with the movement, Noah immediately kisses my lips while knotting his fingers in my hair.
There's no subtlety in our kiss. All of the passion, all of the longing, all of the emotion rush out of us like water hurtling toward a cliff. It's fast and raw and out of control. — Katie McGarry

On top of the good was a hideously ugly bronze statue in the modern style. The statue was of a couple, dressed in togas, wrapped in an embrace. Cupped in their hands was a piece of fruit. I couldn't be sure, because realism did not appear to be the artist's specialty, but it looked to me like a pomegranate.
"Good God," Frank, who'd trailed after us, said when he saw the statue. "Rector's even sicker than any of us thought. I've never wished I was blind before, like Graves, but I do now, because then I'd never have to look at that again."
"Frank," John said, his gaze on my face. "Be quiet."
"But what do they do in here?" Frank wanted to know. "Have picnics with their dead relatives and admire their ugly art? — Meg Cabot

'What about stress? Are you using your stress-management techniques when things seem to be getting on top of you?' 'Nothing is getting on top of me.' As I said it, a totally inappropriate picture popped into my mind. 'What are you feeling?' Jake's breath warm against my face, my bruised lips tingling from his kisses. 'Tell me what it feels like with me inside you.' — Josh Lanyon

On the first day of fifth grade, Liz was sitting on the swing beside Liam's at recess. Falling and flying, her hair fanned out behind her and her eyes were closed, and that was what had caught his attention, her closed eyes. She looked a little bit silly and very much alive, and Liam couldn't stop watching.

Liz, on her part, was aware that the boy beside her was watching, but she loved swinging too much to care what he thought. She loved the wind hitting her face and the brief moment of suspension at the top of the arc and the falling sensation that was magnified by the darkness of her eyelids. She imagined that she was a bird, an angel, a wayward star.

At the height of the arc, she let go. And she flew.

Liam watched with his mouth hanging wide open, expecting her to crumple on the asphalt and die tragically before his eyes.

She didn't, and when she walked away, Liam's heart followed. — Amy Zhang

She stands on top of the hill again. A small round piece of gold in her hands: the compass. A disk of brighter gold on the horizon: the sun rising. She opens the compass and looks at the arrow. Tears on her face, wind in her hair. She wears a green dress. Her skirt brushes the grass when she bends down to put the compass on the ground. When she stands up again her hands are empty. Xander waits behind her. He holds out his hand. "He's gone," he tells her. "I'm here." His voice sounds sad. Hopeful. No, I start to say, but Xander tells the truth. I'm not there, not really. I'm only a shadow watching in the sky. They're real. I'm not anymore. — Ally Condie

The man who said 'I'd rather be lucky than good' saw deeply into life. People are afraid to face how great a part of life is dependent on luck. It's scary to think so much is out of one's control. There are moments in a match when the ball hits the top of the net and for a split second it can either go forward or fall back. With a little luck it goes forward and you win. Or maybe it doesn't and you lose. — Woody Allen

Hopscotch is played with a pebble that you move with the tip of your toe. The things you need : a sidewalk, a pebble, a toe, and a pretty chalk drawing, preferably in colors. On top is Heaven, on the bottom is Earth, it's very hard to get the pebble up to Heaven,you almost always miscalculate and the stone goes off the drawing. But little by little you start to get the knack of how to jump over the different squares (spiral hopscotch, rectangular hopscotch, fantasy hopscotch, not played very often ) and then one day you learn how to leave Earth and make the pebble climb up into Heaven (Et tous nos amours, Emmanuele was sobbing face down), the worst part of it is that precisely at that moment,
when practically no one has learned how to make the pebble climb up into Heaven, childhood is over all of a sudden and you're into novels, into the anguish of the senseless divine trajectory, into the speculation about another Heaven that you have to learn to reach too. — Julio Cortazar

Get off me, baby, gotta shower." I rolled off but he rolled right on top of me. "I thought you had to shower," I asked when I caught his eyes. He held my gaze for a moment and I couldn't read his face before his head dipped and I felt his nose tweak my ear. "I'm sorry I was a dick," he whispered there. There it was. That was all he had to do and I knew at that moment there would be times when he'd be a jerk and that was all he'd ever have to do. My arms slid around him. "Honey," I whispered back. He gave my shoulder a bristly kiss and then he was gone. — Kristen Ashley

One by one the angels had come to the top of Har Megiddo where I sat, holding her body close to mine after she'd died. I'd fought alongside them in battle, but up close, when they stood quietly watching us, they looked as beautiful as they looked unreal. the angels weren't supposed to feel emotions, but they were all weeping. All of them. Their tear stained their flawless faces like rain running in rivulets across stone. Azrael was the only one of then who came to me, knelt in front of me and took her from my arms. He was the angel of death come to carry his sister home. I din't want to give her up, knowing it would be the last time I ever saw her face. I had died on that wretched hill with her. — Courtney Allison Moulton

When you say 'old friend,' are we talking, like...since the Ice Age?"

"No. Of course not."

"Oh."

"It's only been about four hundred years."

"Ah. Yes. Only four hundred." A wry expression spread over his face. "Being with you is a continual experiment in perspective. Among other things. — Richelle Mead

I barely registered the warmth of her arms around my shoulders the press of her kiss to my neck when I stilled on top of her, or the way she whispered, "Stay on top of me like this forever."
"Don't ever stop being so fucking open," I murmured, pulling my gaze to her face. "Don't stop asking for what you want."
"I won't," she whispered. "I got you tonight, didn't I?"
And just that simply, I was claimed. — Christina Lauren

She whirled when the monster was almost on top of her. I thought the thing in her hands was an umbrella until she cranked the pump and the shotgun blast blew the giant twenty feet backwards, right into Nico's sword.
"Nice one," Paul said.
"When did you learn to fire a shotgun?" I demanded.
My mom blew the hair out of her face. "About two seconds ago. Percy, we'll be fine. Go! — Rick Riordan

It was the eyes, the cold black eyes with layers of black wrinkles around them. Great eyes. Unforgettable eyes. His hair was white and thin on top with thickets around the ears, and the whiteness contrasted sharply with the rest of his face. When he spoke, the eyes narrowed and the black pupils glowed fiercely. Sinister eyes. Knowing eyes. — John Grisham

Every human being on the face of the earth has a steel plate in his head, but if you lie down now and then and get still as you can, it will slide open like elevator doors, letting in all the secret thoughts that have been standing around so patiently, pushing the button for a ride to the top. The real troubles in life happen when those hidden doors stay closed for too long. — Sue Monk Kidd

face lit up with a glow of gratitude that was prayer, though he did not know it. Then furtively the percussion-cap box came out. He released the tick and put him on the long flat desk. The creature probably glowed with a gratitude that amounted to prayer, too, at this moment, but it was premature: for when he started thankfully to travel off, Tom turned him aside with a pin and made him take a new direction. Tom's bosom friend sat next him, suffering just as Tom had been, and now he was deeply and gratefully interested in this entertainment in an instant. This bosom friend was Joe Harper. The two boys were sworn friends all the week, and embattled enemies on Saturdays. Joe took a pin out of his lapel and began to assist in exercising the prisoner. The sport grew in interest momently. Soon Tom said that they were interfering with each other, and neither getting the fullest benefit of the tick. So he put Joe's slate on the desk and drew a line down the middle of it from top to bottom. — Mark Twain

When I found out that I made it to the Season 11 finale, I was so shocked that if you went on YouTube and re-watch the Top 3 Results Show, you will see my face looked like a bus hit it. — Jessica Sanchez

Boggs comes a-tearing along on his horse, whooping and yelling like an Injun, and singing out: "Clear the track, thar. I'm on the waw-path, and the price uv coffins is a-gwyne to raise."
He was drunk, and weaving about in his saddle; he was over fifty year old, and had a very red face. Everybody yelled at him and laughed at him and sassed him, and he sassed back, and said he'd attend to them and lay them out in their regular turns, but he couldn't wait now because he'd come to town to kill old Colonel Sherburn, and his motto was, "Meat first and spoon vittles to top off on." He see me, and rode up and says:"Whar'd you come f'm boy? You prepared to die?" Then he rode on. I was scared, but a man says: "He don't mean nothing; he's always a-carryin' on like that when he's drunk. He's the best-naturedest old fool in Arkansaw
never hurt nobody, drunk no sober. — Mark Twain

You know, you've set a really bad precedent for first dates," I said. "How is anyone ever going to top this?"
I turned to him for the first time. He was watching me, not the scenery. "I brought you here because I wanted to see the look on your face when you saw this place." He smiled, and my heart flipped over. "It was worth the trip. — Janette Rallison

Mia wants no trouble, so she stands up from off the stool. One of the guys hit her on her booty. The beer bottle still in hand, she drags it across the bar top towards her; when it reaches the edge it drops, sliding down. Mia grips a hold of the neck of the bottle and her arm swings backwards, busting it over the freckled face boy head. Taking the bar stool and smashing it over the other guy's head. She leaves out leaving those guys passed out on the floor. — Kerra Pridgen

I think I'm going to wear blue to the wedding. I saw this gorgeous dress on sale at Macy's the other day. I think I have a coupon," Mom tells Liz.

"Oh hell no! I already told you I was going to wear blue, you whore. You can't wear the same color as me, that's tacky," Liz complains.

Oh my God, this is not happening right now.

"Fuck your mother. I'm wearing blue. I already found my dress," Mom argues.

"I'm the mother of the bride. The mother of the f**king bride! That means it's up to me!" Liz fires back.

"Claire, I think you would look lovely in blue," Tyler pipes in.

Mom turns to face Tyler and folds her arms on top of the table. "When I'm finished neutering you, I'm going to take your tiny little neuticles and light them on fire. — Tara Sivec

The flat top of the hill was scattered with the bodies of dead men in the uniforms of Sounis and Eddis. The outposts of both armies had met here. As I stood staring, I thought, These are my dead. All of them. The battle hadn't been unanticipated or forced on me, as the raid in the villa had been. I had chosen it. These men, Eddisian and Sounisian alike, had died for my decisions.
When the magus stepped from the bushes toward the back part of the hill, I was more than horrified. I was perilously close to distraught.
...
When he pulled away and looked into my face, I knew that he would tell me that I was Sounis and that I needed to pull myself together.
"Your uncle," he said, "in all the years I saw him rule, never had a moment of self-doubt. Never a regret for a single life lost. Do you understand?"
I understood that I didn't want to be my uncle. — Megan Whalen Turner

Feel free to check out the hotel and talk to the staff," he said slipping out of bed. "And I'm happy to give you an up-close look at what we're doing." When she didn't answer, he glanced over his shoulder. Then cleared his throat.
Her attention jumped from his ass to his face. "Sorry, what did you say/"
"I said
"
She sat up, letting the sheet fall to her waist. And damn if she wasn't the most gorgeous thing with her creamy skin, pert breasts, and mussed hair.
He moaned like a guy totally whipped and stalked back to the bed where he climbed on top of her.
"Connor." She giggled and wiggled beneath him. Her arms went around his neck. "What are you doing?"
"Forgetting the time." He kissed her and didn't leave until they'd both had their fill. — Robin Bielman

She drew her knees up and dropped her chin on the top of them, smiling at him. Watching him. Caressing him with soft eyes. "You're going to go out there and act all tough, aren't you?"
"That's my intention, yes." He slipped a knife into his boots. It took discipline to keep his face pure stone when she made him want to laugh.
-Lexi & Gavriil — Christine Feehan

He strips his shirt over his head and I catch my breath, watching those long hard muscles ripple. I know how his shoulders look, bunched, when he's on top of me, how his face gets tight with lust, as he eases inside me. "Who am I?"
"Jericho"
"Who are you?" He kicks off his boots, steps out of his pants. He's commando tonight.
My breath whooshes out of me in a run-on word: "Whogivesafuck? — Karen Marie Moning

With a scream of rage, Lada abandoned her learned moves, her careful training. She flew at him like a wild boar, all fury and animal instinct. He did not know where to block because her blows made no sense, her movements had no grace. She slashed at his face, and when he grabbed her wrists, she bit his hand, clenching her jaw, teeth clamping onto bone. She kept her teeth in him as he shook her, slamming the dagger into his side again and again, following him as he fell away from her, trying to break free. She stayed on top, stabbing, not caring where she hit, not going for a careful, efficient blow. An animal scream, muffled by his hand, continued from her throat. — Kiersten White

Besides the neutral expression that she wore when she was alone, Mrs. Freeman had two others, forward and reverse, that she used for all her human dealings. Her forward expression was steady and driving like the advance of a heavy truck. Her eyes never swerved to left or right but turned as the story turned as if they followed a yellow line down the center of it. She seldom used the other expression because it was not often necessary for her to retract a statement, but when she did, her face came to a complete stop, there was an almost imperceptible movement of her black eyes, during which they seemed to be receding, and then the observer would see that Mrs. Freeman, though she might stand there as real as several grain sacks thrown on top of each other, was no longer there in spirit. — Flannery O'Connor

he had a tattoo that I had never seen before. He showed it to me, and then he showed it to the guy who ran the ride, and that guy gave him a big grin. The tattoo was of a red bumper car with yellow lightning bolts coming off the top of the pole. Underneath the car it said "Born to Bump," and this was how much Uncle Lenny loved bumper cars, the way his face got all crinkly around the eyes when he showed me his tattoo, and him wanting to have that picture on his arm forever. — Stevan Allred

Marie came with the brandy and poured a glass for Rebekah - then one for Ian, at Rebekah's gesture, and when Jamie made a small polite noise in his throat, half-filled his cup, pouring in more tea on top of it. The taste was peculiar, but he didn't really mind. The pain had gone off to the far side of the room; he could see it sitting over there, a wee glowering sort of purple thing with a bad-tempered expression on its face. He laughed at it, and Ian frowned at him. "What are ye giggling at?" Jamie couldn't think how to describe the pain beastie, so he just shook his head, which proved a mistake - the pain looked suddenly gleeful and shot back into his head with a noise like tearing cloth. The room spun and he clutched the table with both hands. — Diana Gabaldon

What's coming out of the stereo is like a genre unto itself, a charming, fucked-up fairy tale that immediately breaks my heart in all the best ways.
I stretch out on the floor with my ear parked next to the speaker, in a trance. I place the album cover over my face to block out any interruption as "I'll Be Your Mirror" seduces me. I immediately add the song to my mental list of top ten songs ever.
And as I'm bobbing my head with dreamy abandon, I hear a voice. "Nice choice, DJ," it says.
I slowly slide the album cover down past my eyes and look up. My eyes spy his shoes first
paint-splattered brogues. My heart stops when I look at his face. Pale skin, messy black hair, emerald eyes ... Senor Smolder! He's eighteen, maybe nineteen. And no, my imagination didn't lie, he is just as devastating now as he was the first time I saw him. Only even more, because he just complimented my taste in music. — Shauna Cross

I'll leave you guys to get acquainted. Somebody show Leo to dinner when it's time?"
"I got it," one of the girls said. Nyssa, Leo remembered. She wore camo pants, a tank top that showed off her buff arms, and a red bandanna over her mop of dark hair. Except for the smiley-face Band-Aid on her chin, she looked like one of those female action heroes, like any second she was going to grab a machine gun and start mowing down evil aliens.
"Cool," Leo said. "I always wanted a sister who could beat me up. — Rick Riordan