Face The Movie Quotes & Sayings

[on Martin Freeman playing Bilbo Baggins] It was great. I got to hang out with him, and I kept a straight face for a bit and then I started giggling because I know Martin, I don't know Bilbo. For Martin to be sitting there playing Bilbo is amazing. He's going to be amazing, he's going to be fantastic in this film. — Benedict Cumberbatch

There is a difference between movie actors and TV acting, especially with movie stars, which is they know their face is 20 feet high on the screen. They know they don't have to do much. — Noah Hawley

I peeked at him out of the corner of my eye. He had a slight smirk on his face. I imagined he was mentally checking off a task in his planner.
Seduce date by talking about other girls
Impress date with number of awards you have received
Do not spend money on date
Make date watch corny movie in media center
Sneak in comments about your frugality
Put arm around date at exactly the halfway mark of the movie — Colleen Houck

As he reached for his Visa card, the security monitor next to the register caught Billy in all his glory: football burly but slump-shouldered, his pale face with its exhaustion-starred eyes topped with half a pitchfork's worth of prematurely graying hair. He was only forty-two, but that crushed-cellophane gaze of his combined with a world-class insomniac's posture had once gotten him into a movie at a senior citizen's discount. — Richard Price

Not five minutes after Alona had vanished through the far wall of my bedroom, my mom had poked her head in my room to say good night, and let's face it, probably check up on me. Her face was glowing with happiness. She must have had a good time Sam at the movies. Where I was absolutely sure they did nothing but actually watch the movie, and refused to believe any evidence to the contrary. It was too ... weird. — Stacey Kade

If the movie is good then great, but if it's not then God, I feel so bad for that person with their face fifty feet tall, all blown up. Some people would be happy with that, that as long as their face was out there they're stoked about it. I'm not like that. — Kristen Stewart

It's simple. If you go to see 'Saturday Night Fever' expecting it to be good, it's a corker. However, if you go expecting it to be a crock of shit, it's that, too. Thus 'Saturday Night Fever' can exist in two mutually opposing states at the very same time, yet only by the weight of our expectations. From this principle we can deduce that any opposing states can be governed by human expectation - even, as in the case of retro-deficit-engineering, the present use of a future technology."
"I think I understand that. Does it work with any John Travolta movie?"
"Only the artistically ambiguous ones such as 'Pulp Fiction' or 'Face/Off.' 'Battlefield Earth' doesn't work, because it's a stinker no matter how much you think you're going to like it, and 'Get Shorty' doesn't work either, because you'd be hard-pressed not to enjoy it, irrespective of any preconceived notions. — Jasper Fforde

I turned on the television and watched a movie about a girl who'd fallen in love with both a vampire and a werewolf. I'd already seen it a million times, so my eyelids grew heavy, fairly quickly. Ten minutes later I was out cold in my bed and dreaming of Duncan, who turned into a werewolf and was trying to kill my own vampire boyfriend. Every time I tried to see the vampire's face, however, it was a blur. — Kristen Middleton

Everybody can take a good picture. Everybody is interesting. Everyone has an interesting face. Some people are more difficult or more nervous or more tired. When you do a movie, you have action, you're talking, you're moving. You don't see the camera. Taking a picture with a photographer, you don't talk, it's more difficult than in a movie for your body to relax, to be yourself. — Keira Knightley

'A Face in the Crowd' is Elia Kazan's forgotten movie. — Peyton Reed

We had no idea what waited ahead of us, other than the big, fat unknown, and most likely a big, fat kick in the face. The gravity of that was killing me-killing us

I squared my shoulders. "Release the Kraken!"

Several sets of eyes settled on me.

"What?" I gave a lopsided shrug. "I've always wanted to yell that since I saw that movie. Seemed like the perfect moment. — Jennifer L. Armentrout

When they ask why we stayed together for so long I say, I don't know. I just know that we cried at the exact same time in every movie. I know we blushed everyday for the first two years. I know I always stole the covers and she never woke me up. I know the exact look on her face, the first night she used my toothbrush. The next day, I brushed my teeth like thirtysome times, 'cause I didn't want to let her go. You have to understand when it hurt to love her, it hurt the way the light hurts your eyes in the middle of the night, but I had to see, even through the ruin, if what we were burying were seeds. There were so many plants in our house, you could rake the leaves even through that winter when I was trying to make angels in the snow of her cold shoulder. She was still leaving love notes in my suitcase; I'd always find them. — Andrea Gibson

Robin was a great kid. Smarter than her father at eight years old. She liked the oddest things. Like the instructions for a toy more than the toy itself. The credits of a movie instead of the movie. The way something was written. An expression on my face. Once she told me I looked like the sun to her, because of my hair. I asked her if I shined like the sun, and she told me, 'No, Daddy, you shine more like the moon, when it's dark outside. — Josh Malerman

But, if we want our churches to thrive and our devotional lives to flourish, we absolutely must let God be God. We cannot settle for warm, fuzzy, "feel good movie of the year" versions of God. We cannot settle for a God who exists only to meet our needs and make us happy. We cannot settle for a God who is boring and irrelevant. We cannot settle for a God of our own imagination. We must know the ferocious, untamable God. We must let God out of the boxes we have created. We must come face to face with God as he really is, with all his sharp edges and blazing glory and heart-rending beauty. We must encounter the God who makes mountains melt like wax and the angels cover their eyes and the rivers leap for joy. If we are going to love God with all of our heart, soul, mind, and strength, we must truly know God. We must know him as he truly is, not as we imagine him to be. We must come to grips with the God who has revealed himself in scripture. — Stephen Altrogge

When you make a movie, you know you're making a long-form thing, so the visuals are different than for a video where it has to be more obvious or in your face, I think, a little bit. — Anton Corbijn

I'm not a big fan of guitar face. You know, when someone's playing guitar, and they make this really embarrassing face, like they smush their lips together and ... they look you in the eye and it's really humiliating. You know some people have that really embarrassing guitar face? I remember thinking about this when I was doing the DJing, because ... you do have to focus, and that's what happens, it's your focus face. But you're in a movie, so you should probably lock it up. — Lucas Till

Johnny sort of popped into my head midway through the first draft, and he wouldn't leave. But the more I thought about it, the more it made sense. In the first half of the movie, this guy is in the house not doing anything. I really needed an actor who's inventive and who will make enough idiosyncratic choices to make it entertaining to watch. And let's face it, Johnny Depp could make a nap interesting to watch. — David Koepp

Another time, I was at the bar getting a drink and this geezer is stood at the bar with a ciggie in his mouth, trying his best to look rock hard. He takes a drag and points his finger in my face and drawls, 'Don't I know you?'
He was looking snake-eyed at me like a typical big screen gangster.
I stood in front of him and drawled back, 'I don't know, but they call me Richy Horsley,' and then bang, I batter him with a left hook that landed with a strange dull thud. Mr Movie Gangster was stood there leaning against the bar and staring out in to space, knocked out standing up. — Stephen Richards

Can we walk for a bit?" he says.

"Yes, that would be lovely." But as I start getting up I lose my footing and slip and fall - right over the shingle. If I'd been doing a stunt in an action-adventure movie it would have probably looked spectacular but in the context of a romantic makeup it looks totally ridiculous.

"Are you OK?" Noah calls over to me.

I scramble up, my face red with embarrassment.

"That was an awesome body roll. I wanna try." Noah takes a step back before hurling himself over the shingle. He crashes into me and we land on the beach in a tangled heap. And as we laugh our heads off, the very last traces of tension between us disappear.

"I've missed you so much, Inciting Incident," he whispers.
- Zoe Sugg (Girl Online (Girl Online, #1)) — Zoe Sugg

MIU was still stuffed into their overheated office space. Luckily somebody had sprung for an industrial-sized cooling fan with a face the same diameter as a dustbin lid and an unfortunate tendency to blow any unsecured paperwork out the nearest window. If we'd had a green screen we could have shot the live elements to a low budget disaster movie. — Ben Aaronovitch

Even though he was inside the house, I could still hear Vlad's sardonic mutter of "Where's a tissue when I need one?"
I turned my face away from Bones after a long moment, ending our kiss, and called out,
"If you're not too busy watching Hitman, I hear Dracula 2000 is a good movie."
"Vicious," came Vlad's reply, amusement clear in his tone. — Jeaniene Frost

I'm not forcing you to do anything. You need to make your own damn decisions . And I'm not playing this game where we ignore reality and pretend to have a normal conversation for a few hours. You need to face reality and stop turning life into a movie. I'm not a puppet in your show. This is real life and you're always trying to ignore it for some cheap fantasy version where no problems exist. That's not noble of you, okay? You're not strong. You're a weak person like the rest of us. You've just learned to excel at avoiding issues. But there are issues . Life has so many freaking issues and if you can't force your own self to face life and make decisions without someone telling you what the hell to do, you're just going to end up another chess piece moved around by others. — Marilyn Grey

I love these movies where it's just about the film. You don't have my face on the poster. It's all about the movie. I like that. — John Cusack

After that, a strange thing happened: Amy couldn't stop her expectations from rising. She imagined herself transformed and beautiful, like Molly Ringwald in Pretty in Pink, with her homemade dress and mysterious lace boots. She pictured her hair in an upsweep of loose curls. In the fantasy, her prom face looked like the one she only wore asleep, loose and relaxed. She imagined a photographer asking her to smile and, for the first time in her life, being able to do it. — Cammie McGovern

The "problem" is that Comic-Con is so damned successful. People who are there seem to have a wonderful time. The very size of it makes it exciting. Wherever you look, there's something exciting. The attendees are always looking around for a familiar face. It's either 'There's a movie star!' Or, 'There's a TV star!' Or, 'There's the guy who drew the Green Lantern!' It means so much to the fans. It makes them feel like they're where it's happening. It's like Woodstock. — Stan Lee

At this point, [Tuco and Pablo] start scrapping like children, while Blondie looks secretly on. 'Please forgive me, brother', says the thoroughly ashamed Padre Ramirez. Tuco walks out, without turning back, then boastfully tells Blondie: 'My brother, he's crazy about me... even a tramp like me. No matter what happens, there'll always be a bowl of soup'. Blondie replies: 'Well, after a meal, there's nothing like a good cigar'. Tuco wipes away his tears and proceeds to eat the cigar, a broad grin returning to his face. — Christopher Frayling

Any chance you might sit on my face?'
'Carnal Knowledge'
'That's the stuff.'
'No, I mean 'Carnal Knowledge, the movie. Jack Nicholson says that to Ann Margret when they first meet. She's a skater.'
'Well, is there?'
'Are you always this direct? — Linda Banana

After we hung up, I took the joint. If I was going to die here, in the creepy basement out of a horror movie, in an epic snowstorm that was like an icy prison, with a wife unwilling to pretend-like Bananarama to maybe save her husband's life, I should at least go out with a smile on my face. — Eric Spitznagel

I remember exactly how it felt to see that first message from him in my inbox. It was a little bit surreal. He wanted to know about me. For the next few days at school after that, it felt like I was a character in a movie. I could almost imagine a close-up of my face, projected wide-screen. It's strange, because in reality, I'm not the leading guy. Maybe I'm the best friend. — Becky Albertalli

I've asked myself that a thousand times over and I'm no closer to an answer now than I was when it began. I think that's why I always loved movies so much. In a movie, everything has to make sense. The characters always have to have motivation. Good, solid motivation for everything they do. They can't be a dickhead without reason. If someone turns on a character, they have to have a hardcore, believable reason for it. Unfortunately, in real life you don't. People turn on each other for anything from catching a constipated look on your face when you had gas and thinking it was directed at them, to not liking the brand of shoes you're wearing. People are sick. (Aiden) — Sherrilyn Kenyon

A tall, fragile woman with pale blond hair and a face of such beauty that it seemed veiled by distance, as if the artist had been merely able to suggest it, not to make it quite real ... she was Kay Ludlow, the movie star who, once seen, could never be forgotten; the star who had retired and vanished five years ago, to be replaced by girls of indistinguishable names and interchangeable faces ... she felt that the glass cafeteria was a cleaner use for Kay Ludlow's beauty than a role in a picture glorifying the commonplace for possessing no glory. — Ayn Rand

I was an executive at Columbia Pictures for ten years. I was doing great. My career was on the upswing. But, right then, was when I said I gotta quit. I gotta start my own company. I gotta be on the other side of it because I felt the strong call on my life - to tell stories that, on the face of it, might not look like a commercial movie. — DeVon Franklin

Karou was, simply, lovely. Creamy and leggy, with long azure hair and the eyes of a silent-movie star, she moved like a poem and smiled like a sphinx. Beyond merely pretty, her face was vibrantly alive, her gaze always sparking and luminous, and she had a birdlike way of cocking her head, her lips pressed together while her dark eyes danced, that hinted at secrets and mysteries. — Laini Taylor

We write for actors and even down to the smallest character in the film, they all have their moment. You take that and you put it in a story that's in your face and there's tons of hardcore R action, nudity and you name it, but at the same time there really is a story there. It's got heart and at the end of the movie people will feel it. So I hope they'll their friends and want to see more. — Todd Farmer

Do you at least like The Force Awakens?"
He stares at me. "I haven't seen it."
"Wait, what? How can you call yourself a fan if you haven't even seen the new movie?"
"I've been a bit busy lately," he says. "Dealing with you has taken up a lot of my free time."
"Oh, whatever. That's bullshit. You had enough free time to put together a gazillion piece puzzle. You've got time to watch a movie, and you know it. I'm just... I'm ashamed of you. Legitimately ashamed."
"I'm guessing it's good, then?"
"Oh, I don't know." I shrug. "I haven't watched it. Been too busy."
Lorenzo pulls my hand away from his face and laughs.
Genuinely laughs. — J.M. Darhower

It wasn't Dean's fault," Allie insists. "Seriously, it's all on me. I freaked out for no reason." She finally looks over at me. "See? This is why I don't like horror movies! You watch one scary movie when you're a kid and suddenly everyone who comes to your door is a serial killer."

"Are you kidding me right now? You'll watch a horror movie with my sister but not me? We have to watch the cancer movie?"

"Dicky," Summer chides. "You're being grumpy."

I glare at my sister with enough force to make her wince. "Not one word out of you," I snap. "And don't think I didn't feel you kick me right before I passed out. Who does that, Summer? Who kicks a man when he's down?"

From the corner of my eye, I see Tucker sink to the floor. He buries his face in his hands, shaking with laughter.

The EMT blocks my line of sight by squatting in front of me. "I need to examine you for a concussion."

Oh for fuck's sake. — Elle Kennedy

At the movies, we are gradually being conditioned to accept violence as a sensual pleasure. The directors used to say they were showing us its real face and how ugly it was in order to sensitize us to its horrors. You don't have to be very keen to see that they are now in fact desensitizing us. — Pauline Kael

THE NECESSITY OF APPEARING IN YOUR OWN FACE
There are days when that is the last place
in the world that you want to be but you
have to be there, like a movie, because it
features you. — Richard Brautigan

Sitting in the movie theater watching "Star Wars," I've never had an experience with any form of entertainment that was like that. It was almost spiritual. I couldn't believe that someone's mind created that. And, right, it felt like George Lucas had a piano that was playing my emotions, and he could go ahead and do whatever he wanted and make me lean forward if he wanted, or he could make me go oh, or he could make me hide my face. — Will Smith

Among them the nameless girl, with her guillotine mouth, strolling through the past and the future like a movie face. — Roberto Bolano

Half an hour into the movie, Margot started giggling, but it wasn't a funny part or anything. When Quinn looked over at her, she was covering her mouth and nose with one hand while waving the other in front of her. He couldn't hide his shock. No fucking way!
"Margot! You did not just fart!" Quinn exclaimed. He was absolutely dumbfounded. No woman has ever farted in front of him, not even his mom.
"I am sorry!" She laughed. "You would have never known if it did not smell!"
Quinn burst out laughing. He caught a whiff and laughed harder as he clapped a hand over his nose. It wasn't that bad, but he decided to play along. He was laughing so hard that he had tears running down his face. He couldn't remember the last time he laughed until he cried. Margot too was laughing so hard that she had tears running down her face. She gave him a playful shove, which only made it harder for him to breathe. — Andria Large

It was a fine fall morning in Paris, crisp and clear, and Benji was quite full of himself, cavorting near the fountain, playing with the children who had inexplicably materialized out of nowhere at the first whiff of a movie star. Their faces radiated and they took turns gently stroking his head. Those Benji chose to favor with a big sloppy lick exploded with laughter, and one young girl ran to her mother, screeching in French that she would never wash her face again. — Joe Camp

We live in a much more complicated time than when Superman was created 75 years ago. Or even when Superman The Movie was created in the 70s. There are great advances but with those come a great many complications.We felt that the character needed to grow up in that kind of environment and had to face those kinds of colossal choices that were not going to be easy. It's difficult to figure out the right path. And even if you do good there are causalities to your choices. We thought it would be compelling. — Charles Roven

What's this?" Dan said, pointing to a funny squiggly formation.
Uh, an M," said Nellie. "Or if you look at it the other way, a W. Or sideways, kind of S-ish..."
Maybe it's palm trees," Dan said. "Like in the movie It's a Mad, Mad, Mad, Mad World. You know? No? These guys need to find hidden money, and the only clue they have is it's under a big W? And no one sees what it means-but then, near the end of the movie, there's this grove of four palm trees rising up in the shape of... you-know-what! Classic!"
Amy, Alistair, Natalie, Ian and Nellie all looked at him blankly.
There is no W in the Korean language," Alistair replied. "Or palm trees in Korea. I might be maple trees..."
Mrrp," said Saladin, rubbing his face against Dan's knee.
I'll tell you the rest of the plot later," Dan whispered to the Mau. — Peter Lerangis

According to the conventions of the genre, Augustus Waters kept his sense of humor till the end, did not for a moment waiver in his courage, and his spirit soared like an indomitable eagle until the world itself could not contain his joyous soul.
But this is the truth, a pitiful boy who desperately wanted not to be pitiful, screaming and crying, poisoned by an infected G-tube that kept him alive, but not alive enough.
I wiped his chin and grabbed his face in my hands and knelt down close to him so that I could see his eyes, which still lived. 'I'm sorry. I wish it was like that movie, with the Persians and the Spartans.'
'Me too,' he said.
'But it isn't,' I said.
'I know,' he said.
'There are no bad guys.'
'Yeah.'
'Even cancer isn't a bad guy really: Cancer just wants to be alive. — John Green

I never understood why anyone would do magazines. Like, why would someone put their face out there so much? It's because those people reading magazines will go see the movie, so you do it. — Elizabeth Olsen

Every movie goes through that U-shape where you start with 'Oh that's a great idea. I love it.' Everything's possible and then you face 'Oh, we can't do that, and that's impossible, and that's a bad choice.' You go the practicality of it. And then you come up to 'Great.' But that middle part is when you don't have results yet. — Jennifer Yuh Nelson

You should know I'm not going to save this as a memento," she said, waving the handkerchief defiantly in his face.
. "What?"
"You know, like in the movies when the gentleman hands the distraught lady a handkerchief and he finds out at the end of the movie that she's saved it for like decades as a keepsake?"
"What movie is that? It sounds awful. — Lauren Layne

Actors will change their face, will change their hair, will change their voice, will disappear into the role. A movie star doesn't disappear. — Nicholas Meyer

A lot of people in the movie industry tend to run and hide from it like ostriches. Movie industry people are definitely in denial right now, but you do become desensitized to violence when you see it on the screen so often. Let's face it, violence exists for one reason in movies, and that's to get an effect, create an emotion, sell tickets. - on the link between movies and school violence. — Madeleine Stowe

One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular. — Ralph Bakshi

I want you to do me a favor. I want you to hit me as hard as you can."
I looked around and said, okay. Okay, I say, but outside in the parking lot.
So we went outside, and I asked if Tyler wanted it in the face or in the stomach.
Tyler said, "Surprise me."
I said I had never hit anybody.
Tyle said, "So go crazy, man."
I said, close your eye.
Tyler said, "No."
Like every guy on his first night at fight club, I breathed in and swung my fist in a roundhouse at Tyler's jaw like in every cowboy movie we'd ever seen, and me, my fist connected with the side of Tyler's neck. — Chuck Palahniuk

As if from the back row of a smoky movie theater, she watched as they entered the kitchen and took their places on her mother's polished black and white linoleum. The Wing Commander, his face kind. His wife, sunglasses in the morning. People really do wring their hands when they are anxious. The Chaplain, specks of dried blood on his chin - a quick shave before the breaking of the hearts. — Penny McCann Pennington

Let's face it: Sadness and evil are always more believable than happiness and love. When a movie reviewer calls a film "realistic," everyone knows what that means
it means the movie has an unhappy ending. — Chuck Klosterman

I feel a shaking in me, and it's the ground. It's like the ground is shaking and I will slip through.
Then, in a flash, his hands reach out and, like in a movie, really, the coffee cup falls to the cement steps with a sharp crack, and he grabs my arms and his face is filled with everything that is urgent and loving and meaningful in the world.
I feel so powerful, like a god, thunderbolt in hand.
And my thunderbolt hit. — Megan Abbott

I think of you, Melanie. I see your face in every woman. I flew here just to see you. Communication. Relationships. Those aren't things I'm good at. There are other attributes I have that are far better. Like I see I'm good at making you pant. I see your pupils are dilated, you keep looking at my mouth instead of your favorite movie, and it's taking all of my self-control not to give us exactly what it is we both need right now. It's been a week, but as far as I'm concerned" - he cups the back of my head and nibbles on my lower lip - "I've been waiting a lifetime to sink myself in you. — Katy Evans

Every movie I do, or when I'm on the sketch comedy show, I don't really get into it until I have an outfit or something funny with my head or face or something. — Kel Mitchell

My Heart
I'm not going to cry all the time
nor shall I laugh all the time,
I don't prefer one "strain" to another.
I'd have the immediacy of a bad movie,
not just a sleeper, but also the big,
overproduced first-run kind.
I want to be at least as alive as the vulgar. And if some aficionado of my mess says "That's not like Frank!," all to the good! I don't wear brown and grey suits all the time, do I? No. I wear workshirts to the opera,
often. I want my feet to be bare,
I want my face to be shaven, and my heart
you can't plan on the heart, but
the better part of it, my poetry, is open. — Frank O'Hara

The camera can film my face but until it captures my soul, you don't have a movie, — Al Pacino

I've always wanted to be a journalist, but what am I going to do? Write articles about which movie star had the fat sucked from her ass and injected into her face? Which professional athlete just confessed to shooting steroids? The last celebrity baby names?" Cara lowered both brows in frustration. "Who cares? — Melissa Landers

There are forces in the world today, Mr. Winsocki, that are invisibly working to make us all carbon copies of one another. Forces that crush us into molds of each other. You walk down the street and never see anyone's face, really. You sit faceless in a movie, or hidden from sight in a dreary living room watching television. When you pay bills, or car fares or talk to people, they see the job they're doing, but never you. — Harlan Ellison

I can't go and shoot people in the back of the head because It's a kids' movie, which is actually quite a good test because you haven't got the overt threat of a knife in the face. — Ralph Fiennes

The movie starts and he motions for me to sit down next to him. I don't, though. I pat my lap so he'll lay his head down, and then I thread my fingers into his hair. He tenses immediately. "What's wrong?" I ask. "No one has ever done that before," he says quietly. He rolls to face the TV so I can't see his face. "I'm going to do it all the time," I promise. And I mean it. I'm going to do it every time I'm with him. He deserves to have someone show him how wonderful he is. I can tell when he goes to sleep. He gets soft in my lap and his face gets heavy against my thigh. But I don't stop rubbing. I keep touching him, because giving him comfort feels better than any kiss I have ever had. — Tammy Falkner

The movie, like the book before it, is an expertly built machine for the mass production of tears. Directed by Josh Boone ('Stuck in Love') with scrupulous respect for John Green's best-selling young-adult novel, the film sets out to make you weep
not just sniffle or choke up a little, but sob until your nose runs and your face turns blotchy. It succeeds. — A.O. Scott

He moved well. He looked good. He was tall. He worked on his body and this work was extremely successful. He had a lot of thick, messy black hair. And he had a face that was movie star handsome in a way that, without a doubt, launched a million wedding fantasies, even from women who just caught a glimpse of him walking down the street. — Kristen Ashley

I went to watch a movie in a theater, a couple weeks ago, and the trailer came on. My face is in the trailer, and then my name came up on the credits, and this is the dream you dare to dream, that came true. — Robert Kazinsky

One of the reasons I wanted to write this column, I think, is because I assumed that the cultural highlight of my month would arrive in book form, and that's true, for probably eleven months of the year. Books are, let's face it, better than everything else ... . Even if you love movies and music as much as you do books, it's still, in any given four week period, way, way more likely you'll find a great book that you haven't read than a great movie you haven't seen, or a great album you haven't heard: the assiduous consumer will eventually exhaust movies and music ... the feeling everyone has with literature: that we can't get through the good novels published in the last six months, let alone those published since publishing began. — Nick Hornby

Some lines you just don't cross. Not in my business."
"Your business?" Georgia rolled her eyes. "You mean the private detective business? I wasn't aware you guys had such ironclad rules about making out with clients." She ignored the choking sound he made. "Seriously, have you even seen The Maltese Falcon?"
Darius' face heated. "This isn't some movie, Ms. Clare. You're not Mary Astor, and I'm sure as hell no Humphrey Bogart. Here in the real world, there are rules. — Laura Oliva

It has never ever been a bad thing in Hollywood to be sleeping with a director who's just won an Oscar or the hot new movie star whose face is on the cover of 'Time' magazine. — Kelly Rutherford

Watch a good movie sometime without reference to what's happening but only with attention to how it was photographed; you'll see the change of focus - zoom in, pan out, close-up on face, fade to black, open from above - easily. You want to do that in what you write; it's one of the things that keep people's eyes on the page, though they're almost never conscious of it. — Diana Gabaldon

Leola Mae Harmon. I saw a movie about her on the Lifetime channel. Leola was an air force nurse who was in a car accident and the lower part of her face got all mangled, but then Armand Assante, who plays a plastic surgeon, said he could fix her. Leola had to endure hours of painful reconstructive surgery, during which her husband left her because she didn't have any lips (which I guess is why the movie is called Why Me?). Armand Assante said he would make her a new pair of lips, only the other air force doctors didn't like the fact that he wanted to make them out of skin from Leola's vagina. But he did it anyway, and then he and Leola got married and worked together to help give other accident victims vagina lips. And the whole thing turned out to have been based on a true story. — Meg Cabot

People go 'You look a lot like Minnie Driver.' Once I said, 'Thanks, Minnie is a great actress.' But, it blew up in my face. This person said, 'Nah, didn't like the last movie she did.' — Minnie Driver

And I squinted hard trying to see Nikki's face and even from a block away I could tell she was smiling the whole time and was so very happy , and some how that was enough for me to officially end apart time and roll the credits of my movie without even confronting Nikki . — Matthew Quick

The idea of watching an entire film basically from one person's perspective - and not even really from their perspective, but [it's] probably the most intimately shot film that's in any of these categories. If you're not familiar with Son of Saul, basically it's a film about a Jewish guy who's in concentration camp, but he helps dispose of the bodies after they leave the gas chamber. So, you watch the entire movie looking at Saul's face and looking at his interactions with people. — Bun B.

The heartbreak that it might not happen wasn't something that I wanted to face with any more weight. Then, when I got the call to go ahead I never thought for a second as I was approaching it who I would get - that would come later. Again, I think the idea was that I now had the rights to make the movie and I can start writing it but if I have to wait another 10 years before I find an actor that's right for it, I'd be very happy to do that. — Sean Penn

I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face. — Colin Trevorrow

I also had the distinct impression that, when he'd leaned into my space, he'd tried to smell me, and he'd managed to do it without coming across as a creepy creeper. Admittedly, if he were less epically good-looking, he might have come across as a creepy creeper. But, as he had the body of a gladiator and the face of a movie star, I felt flustered, flattered, and turned on. The fact that I felt flattered made me feel like an idiot. I hated this about myself. I hated that, even though I knew better, good looks negated odd behavior. His odd behavior being that he was attempting to use all five of his senses to experience me while trapping us in an elevator; I didn't doubt that, if I'd given him any indication that I was in favor of his advances, he would have tried to taste me as well. I shivered at the thought, a wave of warmth spreading from my chest to the pit of my stomach, stinging and sudden, like a hot flash. — L. H. Cosway

In a way it was a modern story but it played to all those 1980 slasher movies. We did the same thing with this. Patrick wanted to do a 1970's road movie and if you'll see, this is a modern story but it's got so much 1970's in your face feel to it. So that was the point, to take that stuff that we loved growing up and sort of do it for today. I think we accomplished it. We'll see. — Todd Farmer

The script's always important, but there are some things that have come out in the past year that, when we read them, everyone was like, "Oh my god, this is going to be the next best thing!" Then the movie falls completely flat on its face. — Douglas Booth

Come on, people. Doesn't anybody remember how to take a big old knife, whack open a pumpkin, scrape out the seeds, and bake it? We can carve a face onto it, but can't draw and quarter it? Are we not a nation known worldwide for our cultural zest for blowing up flesh, on movie and video screens and/or armed conflict? Are we in actual fact too squeamish to stab a large knife into a pumpkin? Wait till our enemies find out. — Barbara Kingsolver

I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss. — Nicolas Cage

When I was young, I wanted to be the face of a makeup campaign or a hair campaign, so that's something that I've always dreamed of that hopefully comes along. And then obviously starring with Ryan Gosling in a movie wouldn't be so bad, either. — Emeraude Toubia

So.....you're the guy Maggie's got the hots for." Maggie rolled her eyes and dropped her head into her hands. Leave it to Shad to just come right out with it. From her dejected position, she couldn't see Johnny's response, but she felt his interest pique like a blow torch aimed right at her face. Her neck and cheeks flamed hot.

"Johnny Kinross - in the flesh," Shad was warming up to the subject now, his lines right out of a poorly-written made-for-TV movie. "You are Johnny Kinross, right? I mean...I never saw you. But I think we had a pretty good relationship." Maggie sputtered, a laugh erupting from her chest. Shad swiveled his head and gave her his "Shut-up-woman!" lips and his "domineering male" chin thrust. He was talking again before Maggie could give him her "you've-got-ten-seconds-to-vacate-the-premises-before-I-cut-you" glare in response. — Amy Harmon

I tend to stay in character between scenes ... to be rather serious on set, but here's why, and I think people will find it surprising. I'm one of the worst 'corpses' on a movie set, which means you can't keep a straight face. You start to get the giggles and you can't stop. — Christian Bale

At that moment, Bobbie Faye felt an unbridled hatred for every movie heroine who'd ever raced away from he villain in Jimmy Choo shoes, looking perfectly coiffed and ready for an afternoon tea. That was just wrong. When the pain finally got to her, she tossed pride way the hell away and pressed her free arm across her chest to hold her boobs a little steadier. Unfortunately, that shortened her reach and she was unable to block briars and limbs and vines at face-level. Unwilling to admit defeat, Bobbie Faye held her forearm across her breasts while twisting her wrist so that her hand flapped in front of her to help with deflecting the underbrush, all while holding her hair with the other hand. She hadn't quite perfected the coordination of running to flapping when Trevor glanced over his shoulder. As he turned away, she distinctly heard something that sounded a little too much like 'spastic, hobbled penguin. — Toni McGee Causey

After the make-up process, I was like, "I never want to do a sci-fi movie where I'm in make-up for seven months." It's interesting. It was my first time ever getting prosthetics. They put this goopy stuff all over your head and they tell you it's like a facial, but it's actually very claustrophobic. All they have are these places where your nostrils are and I kept thinking that they were closing up, but they were like, "No, we're looking at it." So, they made a mold of my face. — Tinsel Korey

I'm quite an odd little part of the Venn diagram. I'm not a movie star and beautiful in that way. I do an odd thing that's funny and sad, and my face and my old body can take that. — Tamsin Greig

She looks sort of like a nurse, Ruby thought. Or a nun, but a movie star nun, not a real one, and an old-fashioned rescuing-the-orphans sort of movie star nun, not the comedy sort. It was her face. It was open and fresh and happy and she had shiny dark hair pulled back in a ponytail. — Sarah-Kate Lynch

You could BE somebody," he said, focusing a tight shot on her face.
"Honey," she said, mugging for the camera like an old time movie queen, "I already am somebody. — Danielle Ganek

I change the channel to another movie. An old one, but new to me. And, ironically, a thin, gorgeous blonde - Meg Ryan, maybe - rides her bike on a country road. She smiles like she has no cares in the world. Like no one ever judges her. Like her life is perfect. Wind through her hair and sunshine on her face. The only thing missing are the rainbows and butterflies and cartoon birds singing on her shoulder.

Maybe I should grab my bike and try to catch up with Mom, Mike, and the kids. They can't be going very fast. I would love to feel like that, even if it's just for a second - free and peaceful and normal.
Suddenly, there's a truck. It can't be headed toward Meg Ryan. Could it? Yes. Oh my God. No! Meg Ryan just got hit by that truck.

Figures. See what happens when you exercise? — K.A. Barson

The mask-face was very close to the face of Pennywise, the clown in the movie. The — Stephen King

TV monsters and movie monsters and comic-book monsters were not real. Not until you went to bed and couldn't sleep; Not until the last four pieces of candy, wrapped in tissues and kept under your pillow against the evils of the night, were gobbled up; not until the bed itself turned into a lake of rancid dreams and the wind screamed outside and you were afraid to look out the window because there might be a face there... — Stephen King

I came across Nell like you would a Robert Mapplethorpe at a street art fair, gobsmacked that something so valuable would be lumped in with a bunch of other crap like that. She'd been slumped against the bathroom wall in Butterfields, a dorm we later took to calling Butterfingers, for the lacrosse team residents who manhandled girls made Gumby-legged by Popov vodka. Even with her mouth hanging open, her tongue dry and pebbled white from all the medically sanctioned stimulants, there was no question that she had a movie star face. "Hey," I said, my — Jessica Knoll

Some movies bring out the creativity in you. Every single audience member can become creative in the face of a particular movie. If you happen to like my films, it's because my films provide a bed for you on which you can find your creativity. The Hollywood movies do not provide that for you. — Abbas Kiarostami

Do you want to know why I don't like the so-called connoisseurs of arts? I hate hypocrisy. I'll give you an example: if the movie is colored and tells us about two friends who sit in the pool, fart into the water, get out of the pool and fart into each other's face it will be thrash, a lack of a culture and a third-rate comedy. But if the movie is black-and-white and tells us about two friends who cross the desert and peeing on each other, shit on the sand, and then they eat each other's shit, and on top of that they fucking each other's ass it will be a brilliant art house movie. — Ilze Falb

Oh God, is this like Silence of the Lambs?" Tears flowed down her face. "I don't want to go down the hole! I won't put lotion on the skin! Look at me, you won't be able to wear my skin, I won't cover your huge ass!" She wailed. — Alanea Alder

I scurry out to the three-way mirror. With an extra-large sweatshirt over the top, you can hardly tell that they are Effert's jeans. Still no Mom. I adjust the mirror so I can see reflections of reflections, miles and miles of me and my new jeans. I hook my hair behind my ears. I should have washed it. My face is dirty. I lean into the mirror. Eyes after eyes after eyes stare back at me. Am I in there somewhere? A thousand eyes blink. No makeup. Dark circles. I pull the side flaps of the mirror in closer, folding myself into the looking glass and blocking out the rest of the store. My face becomes a Picasso sketch, my body slicing into dissecting cubes. I saw a movie once where a woman was burned over eighty percent of her body and they had to wash all the dead skin off. They wrapped her in bandages, kept her drugged, and waited for skin grafts. They actually sewed her into a new skin. — Laurie Halse Anderson

Why would I want to go out to dinner and a movie with someone I'm not completely crazy about ... getting someone else involved means I have to put on a nicer outfit and stress out about the way I look chewing my food. If I'm going to have to consider my chewing face, I only want to do it for someone I think I might be able to really like. — Katie Heaney

The movie I've watched a million times is 'A Face in the Crowd,' directed by Elia Kazan, starring Andy Griffith and Patricia Neal. I first saw this movie, I guess I was in my early 20s. I'd never heard of it, and somebody told me about it, and I watched it and was just completely jaw-droppingly shocked at how current it was. — Callie Khouri

The Manchurian Candidate was the most important movie I was in, let's face it. — Angela Lansbury