Face Paint Quotes & Sayings

Joseph grinned, his teeth bright white in contrast to the dark paint on his face. "Somewhere inside Wentworth's body is a man fighting to come out."
"So it seems, brother."
-Joseph and Morgan — Pamela Clare

The irony is that the more we fight age, the more it shows. Paint on a 50-year-old face brings to mind a Gilbert and Sullivan comic figure. Smooth the cheeks, and suddenly the ear lobes and hands look out of place. Do we run around in October, painting the gold leaves green? — Karen DeCrow

You should go then. Don't go. Don't bloody leave me. Throw your arms around me. I don't care if you smear my face with paint, Anna. Tell me you love me. Show me you still want me. Torture me at bit more.Oh, God ... she was walking away from me. — Wendy Higgins

You forget, Moonlight, that there are different kinds of beauty. Your imagination is obsessed by the very obvious type of your cousin Olive. Oh, I've seen her - she's a stunner - but you'd never catch Allan Tierney wanting to paint her. In the horrible but expressive slang phrase, she keeps all her goods in the shop-window. But in your subconscious mind you have a conviction that nobody can be beautiful who doesn't look like Olive. Also, you remember your face as it was in the days when your soul was not allowed to shine through it. — L.M. Montgomery

We stand on the edge of the abyss, across whose unknowable face we paint meaning so as not to see into it. It is always there. But we're here too, and we are no less real than the abyss. We are no less meaningful for being transient creatures caught up in something too big for us. There is still value to our lives. I've learned that those things that are most fragile are also the most precious. — Ovadya Ben Malka

In the picture, Ava Gardner's tousled black hair obscured her right eye, and her full, closed lips were pulled slightly to the right, resulting in something less than a smile. They looked as if they'd been smeared shut with red paint, though the photo was in black and white. It wasn't so much a fuck-me face as a I've-been-there-and-back look, the kind of expression you see only on the most expensive whores. — Barry Gifford

Are we to paint what's on the face, what's inside the face, or what's behind it? — Pablo Picasso

I walked back to the window to look down at the people who shared this city with me. The people who made every day a series of mediocrities.

The unreformed murderers masquerading as businessmen in borrowed suits and debt-laden cars. The voluptuous bimbos floating around in an inexplicable mix of vacuity and despair.

The crumbling face of my building looked pretty enough from across the street, but from here I could see how worn it was. I peeled off a satisfying chunk of paint, cement and matter. And I let it fall to the street below. — Nasri Atallah

A brush of kindness can paint a smile on a face. — Robert M. Hensel

And then there are the cravings.. Oh, la! A woman may crave to be near water, or be belly down, her face in the earth, smelling the wild smell. She might have to drive into the wind. She may have to plant something, pull things out of the ground or put them into the ground. She may have to knead and bake, rapt in dough up to her elbows.
She may have to trek into the hills, leaping from rock to rock trying out her voice against the mountain. She may need hours of starry nights where the stars are like face powder spilt on a black marble floor. She may feel she will die if she doesn't dance naked in a thunderstorm, sit in perfect silence, return home ink-stained, paint-stained, tear-stained, moon-stained. — Clarissa Pinkola Estes

In Allston, as generous as he was with his praise and encouragement, Sophia had come face-to-face with the male art establishment and its aesthetic. She had encountered it before when she was hustled out of Thomas Doughty's studio while a men's painting class was in session. More recently, at a gathering in the Reverend Channing's parlor, she had been stunned when the minister had quoted the influential British artist Henry Fuseli's sneering observation that there was "no fist" in women's painting - and then demanded Sophia's response. Flustered, Sophia had "sunk away into my shell," unable to speak, she confided in her journal. She had enough trouble summoning the confidence to paint each day, let alone defend women artists as a class. Channing's question struck to the heart of Sophia's ambivalence about taking the initiative to create original works of art. Virtually — Megan Marshall

This is the swamp as I see it, but what I can't capture on canvas is you as I see you. No brush or paint will ever show the hero that you are. It will never be able to portray the sound of your voice when you whisper my name. The way my skin tingles when you touch me. The passion of you inside me. I love you, Talon. I know that I can't keep you. No one can ever tame a wild beast. You have a job to do and so do I. I only hope that when you think of me, it'll bring a smile to your face. Love always, Sunshine. (Sunshine's note) — Sherrilyn Kenyon

I often find that people want to paint themselves one colour - like, 'I'm the baddie' - and they've always got this snarl on their face. — Toby Kebbell

I've had a lifelong love affair with makeup. When I was a little girl, I used to take my mother's makeup and paint all of my dolls' faces, and I even painted the dog's face! — Bobbi Brown

The beauty of this idea is that my decision to keep Peeta alive at the expense of my own life is itself an act of defiance. A refusal to play the Hunger Games by the Capitol's rules. My private agenda dovetails completely with my public one. And if I really could save Peeta ... in terms of a revolution, this would be ideal. Because I will be more valuable dead. They can turn me into some kind of martyr for the cause and paint my face on banners, and it will do more to rally people than anything I could do if I was living. But Peeta would be more valuable alive, and tragic, because he will be able to turn his pain into words that will transform people. — Suzanne Collins

Cold air clawed at my face, ripping tears from my eyes. I buried my face deep into Daniel's back and breathed in a mixture of familiar scents - almonds, oil paint, earth, and a hint of varnish. I didn't even question why I was on that bike. I just knew I was suppose to be. — Bree Despain

Hey," Natalie said. "You're here early."
"It's almost seven. Why are you covered in chocolate? Your clothes and your ... your face. Both your faces."
Luke looked at Natalie, really looked at her. Yep, she was smeared with chocolate like it was camo paint, transferred from his mouth to hers and back again too many times to count.
"We were ... " Natalie began. "We were just
"
"Sampling," Luke cut in. If Natalie had wanted Ivy to know, she would've come straight out with it.
Ivy crossed her arms. "Sampling?"
"Yeah, I'm interested in her ... product. So she let me, uh, try some." Wow, he couldn't have sounded kinkier if he'd tried.
"But it's all over the floor on that side of the lab. Like, all over the place. It's even on the wall. How did it get on the ceiling? You must be one sloppy eater. — Ophelia London

Expression is not a matter of passion mirrored on the human face or revealed by a violent gesture. When I paint a picture, its every detail is expressive. — Henri Matisse

A kiss, then Brady said, "Hey, sweetheart."

As he pulled away, I turned, grinning ear to ear. "Hey, Brady - "

I halted when I saw his shirt, mostly because I was laughing too hard to continue. My face went hot, from 98.6 to 200 degrees in a second flat. It wasn't the only part of my anatomy to react, either.

The shirt was white and clinging, hot as hell on him, of course. But stenciled in spray paint across the chest in the usual blocky lettering were the words FUCK ME, ETIENNE.

"Tried to convince the band to change our name, but they didn't go for it. I settled for the shirt. — Katey Hawthorne

She told him ... how her heart had fairly skipped a beat when she'd seen him standing in the middle of the road dressed as a true Highland warrior.
"If I hadna been in love wi' you already, I'd have fallen in love wi' you then."
He grinned, his whiskery face unbearably bonnie even with its cuts and bruises. "So you like the sight of me in a pladdie, aye?"
"Aye
and wi' braids in your hair." She leaned down and kissed him. "But I think red paint looks silly. — Pamela Clare

Although 'to paint' means something like "to cause to be covered with paint," one does not 'paint a brush' when one dips it in the can, and it is hard to say with a straight face that "Michelangelo painted the ceiling" when he caused the ceiling of the Sistine Chapel to be covered with paint. — Steven Pinker

I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now.
I couldn't do it.
But she held my gaze-held my gaze and nodded.
As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face. — Sarah J. Maas

We all paint on a face to show the world," Nicholas replies philosophically. "For some of us, that's quite literal. — L. H. Cosway

I tried to be a goth for a while. I'd pour baby powder on my face and paint my lips black, but that didn't last long. I thought I looked cool at the time. But then you look back and wonder, 'Why did anyone let me out of the house looking like that?' — Imelda May

We make her paint her face and dance
If she won't be a slave, we say that she don't love us
If she's real, we say she's trying to be a man
While putting her down we pretend that she is above us — John Lennon

Perfect isn't normal, nor is it interesting. I have no features without makeup. I am pale. I have blond lashes. You could just paint my face - it's like a blank canvas. It can be great for what I do. — Amy Adams

I get inspiration from things that have nothing to do with painting: caricature, items from newspapers, sights in the street, proverbs, nursery-rhymes, children's games and songs, nightmares, desires, terrors ... That question [why do you paint?] has been put to me before and my answer was, 'To give terror a face.' But it's more than that. I paint because I can't help it. — Paula Rego

In the entr'acte Levin and Pestsov fell into an argument upon the merits and defects of music of the Wagner school. Levin maintained that the mistake of Wagner and all his followers lay in their trying to take music into the sphere of another art, just as poetry goes wrong when it tries to paint a face as the art of painting ought to do, and as an instance of this mistake he cited the sculptor who carved in marble certain poetic phantasms flitting round the figure of the poet on the pedestal. "These phantoms were so far from being phantoms that they were positively clinging on the ladder," said Levin. [ ... ] Pestsov maintained that art is one, and that it can attain its highest manifestations only by conjunction with all kinds of art. — Leo Tolstoy

Beauty does not lie in the face. It lies in the harmony between a person and his or her industry. Beauty is expression. When I paint a mother I try to render her beautiful by the mere look she gives her child. — Jean-Francois Millet

I felt tired, but I pitched the ball back at her. You want me to talk about myself, right? Let me tell you what 'self' means to me. The self, myself, the self as I see it, is composed mainly of selected memories from my history. I am not what I am doing now. I am what I have done, and the edited version of my past seems more real to me than what I am at this moment. I don't know who or what I really am. The present is fleeting and intangible. No one in China wants to talk about his past, because nobody wants to paint his face black. Our past is not a flattering picture, and no one wants to look at it for long. Yet what we were in fixed and final. It is the basis for predictions of what we will be in the future. To tell you truth, I identify with what no longer exists more than what actually is. We have lied about what we actually are, and that, unfortunately, will be your book. So would you still like me to talk about myself? — Anchee Min

I paint all the time. Each night I wrestle, I paint my face because I am an artist. It's kind of all coming together where I am able to do everything I really love to do and need in my life. — Jeff Hardy

I liked my face. Ethan liked my face. A lot of people liked my face. Besides, makeup was really just glorified face paint. — D.A. Paul

I notice you didn't include a blade with your new attire," Royce said. "Not even a little jeweled dagger."
"Lords no." Albert looked appalled. "I don't fight."
"I thought all nobles learned sword fighting." Royce looked to Hadrian.
"I thought so too."
"Nobles with competent fathers perhaps. I spent my formative years at my aunt's at Huffington Manor. She held a daily salon, where a dozen noble ladies came to discuss all manner of philosophical topics, like how much they hated their husbands. I've never actually held a sword, but I can tie a mean corset and apply face paint like a gold-coin whore. — Michael J. Sullivan

Their poses are all different but the face is the same. Painted from memory in scene after scene is the fresh-faced beauty. Kate.
It's the bargain I've made with myself. If I can't caress her body with my hands, I paint it with my brushes. Use my fingers to trace her lines. — Amy Plum

I have seen, and heard, much of Cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face. — John Ruskin

She's gazing down at me, Stone-faced Chase, absolutely unforgiving, soot and ashes streaking her face like war paint. — Amie Kaufman

I think I was driven to paint portraits to commit images of friends and family to memory. I have face blindness, and once a face is flattened out, I can remember it better. — Chuck Close

The body directly before him, however, was that of a child. The blue of the eyes was now covered in a milky film, giving it its only depth, since all that was behind that veil was flat, like iron shields or silver coins, sealed and deprived of all promise. They were, he told himself yet again, eyes that no longer worked, and the loss of that was beyond comprehension. He would paint this child's face. He would paint it a thousand times. Ten thousand. He would offer the paintings as gifts to every man and every woman of the realm. And each time any one man or woman stirred awake the hearth gods of anger and hate, feeding the gaping mouth of violence and uttering pathetic lies about making things better, or right, or pure, or safe, he would give them yet another copy of this child's face. — Steven Erikson

The black rock was sharp-edged, hot, and hard as corundum; it seemed not merely alien but impervious to life. Yet on the southern face of almost every rock the lichens grew, yellow, rusty-brown, yellow-green, like patches of dirty paint daubed on the stone. — Edward Abbey

I supposed images of an evil god who wanted to break free of his mythological prison and enslave the whole world
weren't any scarier than a guy wearing big red shoes,yellow plaid pants,and white face paint.Clowns had always creeped me out. They were so not funny. — Jennifer Estep

It is the work of the Canadian artist to paint or play or write in such a way that life will be enlarged for himself and his fellow man. The painter will look around him ... and finding everything good, will strive to communicate that feeling through a portrayal of the essentials of sunlight, or snow, or tree or tragic cloud, or human face, according to his power and individuality. — J. E. H. MacDonald

What's coming out of the stereo is like a genre unto itself, a charming, fucked-up fairy tale that immediately breaks my heart in all the best ways.
I stretch out on the floor with my ear parked next to the speaker, in a trance. I place the album cover over my face to block out any interruption as "I'll Be Your Mirror" seduces me. I immediately add the song to my mental list of top ten songs ever.
And as I'm bobbing my head with dreamy abandon, I hear a voice. "Nice choice, DJ," it says.
I slowly slide the album cover down past my eyes and look up. My eyes spy his shoes first
paint-splattered brogues. My heart stops when I look at his face. Pale skin, messy black hair, emerald eyes ... Senor Smolder! He's eighteen, maybe nineteen. And no, my imagination didn't lie, he is just as devastating now as he was the first time I saw him. Only even more, because he just complimented my taste in music. — Shauna Cross

There's a hurried intensity in the strokes
you can see where he scratched into the wet paint with the end of the brush. It's as if he knew there wasn't much time left. And yet, there's a serenity in his face, a sense of something that's survived its own ruin. — Nicole Krauss

I cannot draw a human figure if I don't know the order of his bones, muscles or tendons. Same is that I cannot draw a human face if I don't know what's going on his mind and heart. In order to paint life one must understand not only anatomy, but what people feel and think about the world they live in. The painter who knows his own craft and nothing else will turn out to be a very superficial artist. — Irving Stone

Echo continued to tap her finger to her chin and created more dots on her face while she stared at the canvas. The intensity of her stare shocked me.
The art teacher stacked the bowls and walked toward the door. "She's in the zone. Good luck getting her attention. Do me a favor. If she ends up painting her whole face, grab my camera from my desk and take a picture. I'll add it to my collection." She gazed at Echo and smiled. "I'll title that one Smurf. Nice tats, by the way." — Katie McGarry

I remember that day very clearly: I had received a phone call. A friend had been in an accident. Perhaps she would not live. She had very little face, and her spine was broken in two places. She had not yet moved; the doctor described her as "a pebble in water." I walked around Brooklyn and noticed that the faded peri-winkle of the abandoned Mobil gas station on the corner was suddenly blooming. In the baby-shit yellow showers at my gym, where snow sometimes fluttered in through the cracked gated windows, I noticed that the yellow paint was peeling in spots, and a decent, industrial blue was trying to creep in. At the bottom of the swimming pool, I watched the white winter light spangle the cloudy blue and I knew together they made God. When I walked into my friend's hospital room, her eyes were a piercing, pale blue and the only part of her body that could move. I was scared. So was she. The blue was beating. — Maggie Nelson

It is for the artist ... in portrait painting to put on canvas something more than the face the model wears for that one day; to paint the man, in short, as well as his features. — James Whistler

I paint my face and travel at night. You don't know it's over until you're in a body bag. — Ralph E. Reed Jr.

Sure, I can talk like you, but I choose not to, It's like an art, you know? Picasso had to prove to the world he could paint the right way, before he goes putting both eyes on the side of a face ... See if you paint wrong because that's the best you can do, you just a chump. But you do it because you want to? Then you're an artist ... You can take that to the grave and dig it up when you need it. — Neal Shusterman

There's a reason why I tell this story. To me these Sunday painters represent myo - the strangeness of beauty - an idea that transcendence can be found in what's common and small. Rather than wishing for singularity and celebrity and genius (and growing all gloomy in its absence), these painters recognize the ordinariness of their talents and remain undaunted.
It's the blessings in life, not in self, that they mean to express.
And therein lies the transcendence. For as people pursue their plain, decent goals, as they whittle their crude flutes, paint their flat landscapes, make unexceptional love to their spouses - in their numbers across cultures and time, in their sheer tenacity as in the face of a random universe they perform their small acts of awareness and appreciation - there is a mysterious, strange beauty. — Lydia Minatoya

Who knows how to make love stay?
1. Tell love you are going to Junior's Deli on Flatbush Avenue in Brooklyn to pick up a cheesecake, and if loves stays, it can have half. It will stay.
2. Tell love you want a momento of it and obtain a lock of its hair. Burn the hair in a dime-store incense burner with yin/yang symbols on three sides. Face southwest. Talk fast over the burning hair in a convincingly exotic language. Remove the ashes of the burnt hair and use them to paint a moustache on your face. Find love. Tell it you are someone new. It will stay.
3. Wake love up in the middle of the night. Tell it the world is on fire. Dash to the bedroom window and pee out of it. Casually return to bed and assure love that everything is going to be all right. Fall asleep. Love will be there in the morning. — Tom Robbins

A modern-day Thisbe, Bridget pressed her face and hands against the wall, possibly hoping that the blocks and paint between them would melt away. — Emmie White

Food is exacting. The face is truly a canvas upon which our food choices paint an accurate picture. The body is truly a sculpture, chiseled and polished by our food choices. — David Wolfe

I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do. — Grace Jones

Friends are the artists who paint happy lips on your face. — Richelle E. Goodrich

As a child, I always chose a false nose and some face paint and a wig for my birthday. — Ashley Jensen

Everybody always laughs because I feel so much more comfortable with, like, a giant paper bag on my whole body and paint on my face. Sometimes I try really hard to take it all off. But inevitably what's underneath is still not a straight edge. And I don't think it ever will be. — Lady Gaga

Tink appeared in the open door again, his wings rapidly moving, and in his hands he held a ... slingshot? Oh sweet baby Jesus take the wheel. Where did he get a slingshot? Off of Amazon? That didn't matter. The brownie had taken the time to paint his face. One half was red, the other blue. He looked like he wandered off the set of Braveheart. I mouthed the word no at him. — Jennifer L. Armentrout

Remember ... we don't see objects, we see light. [ ... ] Light can do anything water can do
flow, wash, trickle. It can do anything an artist can do
paint, burnish, carve. Candlelight falls, licks a face. There is always light in a room. — Janet Fitch

Is this necessary?" I said, gesturing to the paint and clothing.
"Of course," he said coolly. "How else would I know if anyone touches you?"
He approached, and I braced myself as he ran a finger along my shoulder, smearing the paint. As soon as his finger left my skin, the paint fixed itself, returning the design to its original form. "The dress itself won't mar it, and neither will your movements," he said, his face close to mine. His teeth were far too near to my throat. "And I'll remember precisely where my hands have been. But if anyone else touches you - let's say a certain High Lord who enjoys springtime - I'll know." He flicked my nose. "And, Feyre," he added, his voice a caressing murmur, "I don't like my belongings tampered with. — Sarah J. Maas

I used to skip school and paint my face with Ace Frehley Kiss make-up. — Dimebag Darrell

That brought the smile back to the old woman's face. "This one at least is honest," she announced, "but you, ser ... I have known a dozen Westerosi knights and a thousand adventurers of the same ilk, but none so pure as you would paint yourself. Men are beasts, selfish and brutal. However gentle the words, there are always darker motives underneath. I do not trust you, ser. — George R R Martin

At 13, when I was a runaway, I was taken in by the most amazing drag queens in Portland, Ore. We didn't always know where our next meal was coming from, but there was so much camaraderie and love. Not to mention, those girls could paint a face, and I learned how because of them. — Rose McGowan

Dear Sir, I'll gie ye some advice,
You'll tak it no uncivil:
You shouldna paint at angels, man,
But try and paint the Devil.

To paint an angel's kittle wark,
Wi' Nick there's little danger;
You'll easy draw a lang-kent face,
But no sae weel a stranger. — Robert Burns

But what is Hope? Nothing but the paint on the face of Existence; the least touch of truth rubs it off, and then we see what a hollow-cheeked harlot we have got hold of. — George Gordon Byron

My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking truly through colour. Feeling that because of my illness I would not be able to paint very much longer, I worked like a man obsessed on these little 'Meditations' (a long series of small paintings he made during the last years of his life, with as main motif the schema of a face, ed.). And now I leave these small but, to me, important works to the future and to people who love art. — Alexej Von Jawlensky

Bands
enough with the crayon face-paint
you're better than that. — Ted Leo

So all I'm saying is take that tiara back out, place it on your head, and prance around like a goddess. Paint your face, paint those pictures, paint the entire world if that's what you
want. Leave your colorful mark in this school, and together, we'll wear our hearts on our sleeves and make the area explode with spouts of laughter. — Ayla Starr

Once you saw the face of a god in those jumbled blacks and whites, it was everybody out of the pool - you could never unsee it. Others might laugh and say it's nothing, just a lot of splotches with no meaning, give me a good old Craftmaster paint-by-the-numbers any day but you would always see the face of Christ-Our-Lord looking out at you. You had seen it in one gestalt leap, the conscious and unconscious melding in that one shocking moment of understanding. You would always see it. You were damned to always see it. — Stephen King

Only darkened trails of rain could paint your face upon a pane ... — John Geddes

mind Nell was writing: - ornamentation of neck, wrists, fingers - paint on face only — Lily King

Oh, my faith has flagged at times. It's easy to fall back into the same routines and paint over the sublime with coat after coat of indifference ... I promise you something: when you have touched the face of God, you can never unlearn what you have learned. You can never unsee what you have seen. — Garth Stein

You may be perfect in playing the piano, and not be creative; you may play the piano most brilliantly, and not be a musician. You may be able to handle color, to put paint on canvas most cleverly, and not be a creative painter. You may create a face, an image out of a stone, because you have learned the technique, and not be a master creator. Creation comes first, not technique ... — Jiddu Krishnamurti

Even her powders and face paint couldn't disguise the age lines and gripe lines that ran as deep as the railway tracks some said were bound to cross our mountain any day so. — Jane Yolen

To what do I owe the pleasure?' I asked. Margo and I were still friendly, I guess, but we weren't meet-in-the-dead-of-night-wearing-black-face-paint friendly. She had friends for that, I'm sure. I just wasn't among them. — John Green

... * to know a lot of people I love pieces of, and to want to synthesize those pieces in me somehow, be it by painting or writing. * to know that millions of others are unhappy and that life is a gentleman's agreement to grin and paint your face gay so others will feel they are silly to be unhappy, and try to catch the contagion of joy, while inside so many are dying of bitterness and unfulfillment ... — Sylvia Plath

He was becoming an effective human being. He had learned from his birth family how to snare rabbits, make stew, paint fingernails, glue wallpaper, conduct ceremonies, start outside fires in a driving rain, sew with a sewing machine, cut quilt squares, play Halo, gather, dry, and boil various medicine teas. He had learned from the old people how to move between worlds seen and unseen. Peter taught him how to use an ax, a chain saw, safely handle a .22, drive a riding lawn mower, drive a tractor, even a car. Nola taught him how to paint walls, keep animals, how to plant and grow things, how to fry meat, how to bake. Maggie taught him how to hide fear, fake pain, how to punch with a knuckle jutting. How to go for the eyes. How to hook your fingers in a person's nose from behind and threaten to rip the nose off your face. He hadn't done these things yet, and neither had Maggie, but she was always looking for a chance. When — Louise Erdrich

The onus is on us as a community to really put forward a different face for our religion, for our community, and for our Lord, and for our Prophet, peace be upon him, because it's really unacceptable that a religion with all of this beauty should be painted with such ugly strokes. So we're really here trying to paint a beautiful picture of our faith in action. — Hamza Yusuf

Home is where I take up such a tiny portion of the memory foam; home is a splintered word. His pillow is a sweat-stained map of an escape plot, also a map of love's dear abandon. (When did he give way, at which breath?) Forgiveness may mean retrospectively abandoning the pillow and abandoning the photograph of someone with curious eyes, kissing my toes, poolside. I paint my toes Big Apple Red. I don't know what to do about the shock of red nails on clean, white tiles except get used to it. (And when he gave way, was there room for feelings or the words for feeling?) While I brush my teeth, I can see him in my periphery at the other sink. The outline of him lulls and stings. (And when he gave way, was it the end of the beginning of suffering?) I draw his profile near, I make him brush his teeth with me, he spits and makes a mess. I could love another face, but why? — Karen Green

There's a head inside the ball?" Surefire turned a shade paler along the edges of her face paint.
"It is good," Coatl responded. "Makes the ball lighter, bounce farther."
"You always want to get a head in the game," Raven added. — J.T. Bock

Let's face it: I paint well. I know it, you know it. There's no arguing really, is there? — Ron Wood

Her mascara ran in streaks
down her face
lipstick smeared across her
alabaster cheeks like a porcelain
doll that had been flung around
before the paint had dried.

...

barely blinking
eyes like content little suns
poking through dark mascara
clouds
she is broken
yet whole at the same time
and she belongs to him

(excerpt from "Content" in Make Me Take It From You by HL37) — HL37

There are certain things - How to say this? OK. Let me give you an example. Can I give you an example? There's a self-portrait by Rembrandt. It's at Kenwood House, very close to where we live. It's one of my favorite paintings. I go to see it quite a lot. I start off on a walk on the Heath, and then I find myself there. It's one of the last self-portraits he did. He painted it sometime between 1665 and when he died four years later, bankrupt and alone. Whole stretches of the canvas are bare. There's a hurried intensity in the strokes - you can see where he scratched into the wet paint with the end of the brush. It's as if he knew there wasn't much time left. And yet, there's a serenity in his face, a sense of something that's survived its own ruin.
Fran couldn't give two shits about that painting. — Nicole Krauss

The material memories are not usually part of what is said about a picture, and that is a fault in interpretation because every painting captures a certain resistance of paint, a prodding gesture of the brush, a speed and insistence in the face of mindless matter ... — James Elkins

If you have walked into a museum recently - whether you did so to attend an art exhibition or to escape from the police - you may have noticed a type of painting known as a triptych. A triptych has three panels, with something different painted on each of the panels. For instance, my friend Professor Reed made a triptych for me, and he painted fire on one panel, a typewriter on another, and the face of a beautiful, intelligent woman on the third. The triptych is entitled What Happened to Beatrice and I cannot look upon it without weeping.
I am a writer, and not a painter, but if I were to try and paint a triptych entitled The Baudelaire Orphans' Miserable Experiences at Prufrock Prep, I would paint Mr. Remora on one panel, Mrs. Brass on another, and a box of staples on the third, and the results would make me so sad that between the Beatrice triptych and the Baudelaire triptych I would scarcely stop weeping all da — Lemony Snicket

Leo had wanted to paint a giant message on the bottom of the hull-WASSUP? with a smiley-face-but Annabeth had vetoed the idea. — Rick Riordan

O sin, how you paint your face! how you flatter us poor mortals on to death! You never appear to the sinner in your true character; you make fair promises, but you never fulfil one; your tongue is smoother than oil, but the poison of asps is under your lip! — Hosea Ballou

On the pavement by the side of the road was planted a banner two storeys high. Even in the blow-up the celebrity appeared stunted. He stood in a safari suit, his palms joined in greeting. His face was a light pink because poster artists did not have the freedom to paint his face black. His little mop of hair was spread thinly over an almost flat scalp. And his thick moustache had sharp edges. Just above his head was an English introduction in large font - DYNAMIC PERSONALITY. A thinner line that followed said he was the honourable Minister S Waman. It seemed appropriate that it was at Waman's black shoes the author took credit, in Marathi and in diplomatically-chosen small font - 'Hoarding Presented by P.Bikaji. — Manu Joseph

While the darkness of the interior concealed her body, the streetlight behind them illuminated the pale oval of her face, gilding her cheeks in shades of amber and ghostly blue. The effect was . . . arresting. Vermeer had used natural light to paint women in this way, faces emerging from the shadows, forcing the viewer's eye to focus on what was most important: the look of grace. The mouth firmed in determination. The eyes poised to behold a revelation. — Meredith Duran

And the poser has a girlfriend. Ten years younger. The Blond Weed, Ove calls her. Tottering around the streets like an inebriated panda on heels as long as box wrenches, with clown paint all over her face and sunglasses so big that one can't tell whether they're a pair of glasses or some kind of helmet. She also has one of those handbag animals, running about off the leash and pissing on the paving stones outside Ove's house. She thinks Ove doesn't notice, but Ove always notices. — Fredrik Backman

Peter had two short swords strapped on his back, the belts crisscrossing his chest bandito style. A black splash of war paint covered his face, and his golden eyes gleamed out from the paint. He pulled his swords free, clanged them together, and all the Devils lined up on either side of him. (the Child Thief) — Brom

Visualize the conversations your friends have about how they all knew you'd never be able to make it. Imagine having to explain quitting to every single person who knew you were going to BUD/S. You have to face them. You have to live with many of them. Imagine trying to find a way to overcome the shame of failing. How long is it going to take for them to stop thinking of you as a failure, a quitter, a pussy? How long until anyone takes anything you say seriously again? Visualize being sent to a crappy ship, an undesignated Seaman. Imagine, if you will, a life below deck where you spend 18 hours chipping paint and repainting the spot you chipped. Imagine not seeing the sun for days or weeks at a time. This picture is worse than anything in BUD/S. Experience the shame and humiliation of quitting once in your head. Feel how much you hate yourself for giving up on your dream. Then never, ever, ever experience it in real life. — Mark Owens

Death metal uses a lot of white face paint and black hair dye to make its point. I quite enjoy this genre for its intensity, extremism and underlying irony: You have to be alive to play it and listen to it. — Henry Rollins

I'd see him do things that didn't fit with his face or hands, things like painting a picture at OT with real paints on a blank paper with no lines or numbers anywhere on it to tell him where to paint, or like writing letters to somebody in a beautiful flowing hand. How could a man who looked like him paint pictures or write letters to people, or be upset and worried like I saw him once when he got a letter back? — Ken Kesey

Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong. — Jeanette Winterson

You curl your hair and paint your face. Not I: I am curled by the wind, painted by the sun. — Julia De Burgos

I didn't wait for him to stretch out his hand before I went to him. And looking up into his face I said, "I want to paint you." He gently lifted me into his arms. "Nude would be best," he said in my ear. — Sarah J. Maas

One time I was painting a sign / graphics on a temporary wall over a store front being remodeled in a mall. This was in the old days, before digital graphics, when everything was hand painted. A guy watched me for a while and then asked : "Isn't that just a temporary wall?" "Yes", I replied. And he said: "They're paying you, probably a lot of money, to paint that on a temporary wall?" I said: " You know, this whole mall is temporary ... some day this will all be gone." He got sort of a frightened look on his face and walked awa — Jeff Young

The Sun by Czeslaw Milosz

All colors come from the sun. And it does not have
Any particular color, for it contains them all.
And the whole Earth is like a poem
While the sun above represents the artist.

Whoever wants to paint the variegated world
Let him never look straight up at the sun
Or he will lose the memory of things he has seen.
Only burning tears will stay in his eyes.

Let him kneel down, lower his face to the grass,
And look at the light reflected by the ground.
There he will find everything we have lost:
The stars and the roses, the dusks and the dawns.

Warsaw, 1943 — Czeslaw Milosz