Face Expression Quotes & Sayings
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Top Face Expression Quotes

I've always used masks. I think it's a lot about the fact that masks often reveal a sort of subconscious element to a character. The mask is carved and given an expression or markings to reveal something, even though it's shielding the face. Even though it's hiding the face, it seems to reveal something underneath. — Dave McKean

Fawn face, the expression a deer makes not when it's caught in headlights but when it catches a human looking at it in wonder. The deer looks back, acknowledging not only its own terror but its own grace, and it shows off for a moment in front of the human. It flirts. — Meg Wolitzer

I looked up at my father's face, trying to glimpse a smile or something like it on his stricken face. But there was nothing. Not the shadow of an expression. Defeat. — Elie Wiesel

Harry looked at him and you could see the murder come in his face ... Harry didn't say anything, but you could see the killing go out of his face and his eyes came open natural again. — Ernest Hemingway,

I picture my mother's face when she must go out in public with Owen, the cold arrogant look she wears, as if the whole world is filth before her. It is an expression I've learned to copy well, and like all roles, if you can believe it, you can be it. I press my hands to my face and push, smoothing the worry and fear away. I'm better than them. Better than Owen, than Canroth Piers. They can never really control me because they cannot bridle my thoughts. — Cat Hellisen

I was astonished to see Adrian watching me, a look of contentment on his face. His eyes seemed to study my every feature. Seeing me notice him, he immediately looked away. His usual smirky expression replaced by a dreamy one.
"The mechanic will wait," he said.
"Yeah, but I'm supposed to meet Brayden soon, I'll be-" That's when I got a good look at Adrian. "What have you done? Look at you! You shouldn't be out here."
"It's not that bad."
He was lying, and we both knew it.
"Come on, we have to get you out of here before you get worse. What were you thinking?"
His expression was astonishingly nonchalant for someone who looked like he would pass out. "It was worth it. You looked ... happy — Richelle Mead

Should i even bother scanning the crowd for my parents? I could turn around and go back to the dormitory. Then I see her. My mother stands alone near the railing with her hands clasped in front of her. she has never looked more out of place, with her gray slacks and gray jacket buttoned at the throat, her hair in its simple twist and her face placid. I start toward her, tears jumping into my eyes. She came. She came for me. I walk faster. She sees me, and for a second her expression is blank, like she doesn't know who I am. Then her eyes light up, and she opens her arms. She smells like soap and laundry detergent. — Veronica Roth

I did not get Botox because you wouldn't see any expression in my face. Hopefully it has paid off. — Penelope Ann Miller

My music is very personal. I've created it in solitude. I face a white wall and beller. I like that sound - the expression of loneliness. That's what it's all about. — Dwight Yoakam

Never say never - and I certainly don't judge anyone who does it. But most of the characters I play are going through some kind of emotional turmoil, so my job requires me to have expression. If my face was froze, what right do I have to play that part? All the women who haven't done anything to their faces are still able to play great roles. And some of the ones who have done something have messed it up- they look freakish. Anyway, for me it's about playing women with rich lives - and the longer the life, the deeper the wrinkles. — Naomi Watts

Supplementing the far, remote Glory-of-God expression in his face, the glory-of-doughnuts shone suddenly very warmly. — Eleanor Hallowell Abbott

She dreamed she was back in that cell, fighting off the guard - Halmond - pulling back the knife to stab him. Only in the dream, he wrested it from her fingers and slammed it into her gut, and she gasped, her eyes closing and then opening to see, not Halmond holding the blade, but Gavril.
Moria shot upright, screaming, still feeling the agony of the blade buried in her gut, and then she saw Gavril, right there, his hands on her shoulders, saying her name. She fought wildly, half asleep, seeing Gavril's face in both dream and reality, his cold and empty expression as he plunged the blade in deeper, and then the other Gavril, his eyes wide with alarm, her name on his lips, his hand over her mouth to stifle her cries.
"It's all right," he said. "It's me. I'm here."
She kicked and clawed, biting his hand and struggling with everything she had while he fought to restrain her, muttering, "Not the right thing to say, apparently. — Kelley Armstrong

Their eyes met at the same instant moment, Therese glancing up from a box she was opening, and the woman just turning her head so she looked directly at Therese. She was tall and fair, her long figure graceful in the loose fur coat that she held open with a hand on her waist, her eyes were grey, colorless, yet dominant as light or fire, and, caught by them, Therese could not look away. She heard the customer in front of her repeat a question, and Therese stood there, mute. The woman was looking at Therese, too, with a preoccupied expression, as if half her mind were on whatever is was she meant to buy here, and though there were a number of salesgirls between them, There felt sure the woman would come to her, Then, Then Therese saw her walk slowly towards the counter, heard her heart stumble to catch up with the moment it had let pass, and felt her face grow hot as the woman came nearer and nearer. — Patricia Highsmith

Your men?" His face took on an expression of deep confusion. "But you came alone. He said you would come alone." His sword fell to his side as he stumbled back a few steps, his gaze distant, unfocused. "He said you would come alone — Anthony Ryan

[A]bove all, it has been the Qur'anic notion of the universe, as an expression of Allah's will and creation, that has inspired in diverse Muslim communities, generations of artists, scientists and philosophers? Scientific pursuits, philosophic inquiry and artistic endeavour are all seen as the response of the faithful to the recurring call of the Qur'an to ponder the creation as a way to understand Allah's benevolent majesty. As Sura al-Baqara proclaims: 'Wherever you turn, there is the face of Allah.'"
His Highness the Aga Khan's 2003 Address to the International Colloquium 'Word of God, Art of Man: The Qur'an and its Creative Expressions' organised by The Institute of Ismaili Studies (London, United Kingdom) — Aga Khan

His face was the sort of British face from which emotion has been so carefully banished that a foreigner is apt to think the wearer of the face incapable of any sort of feeling; the kind of face which, if it has any expression at all, expresses principally the resolution to go through the world decorously, without intruding upon or annoying anyone. — Edward Lucas White

After a moment, his father looked up from the list and surveyed her. "Well done, Champion. Well done indeed."
Then Celaena and the King of Adarlan smiled at each other, and it was the most terrifying thing Dorian had ever seen.
"Tell my exchequer to give you double last month's payment," the king said. Dorian felt his gorge rise- not just for the severed head and her blood- stiffened clothing, but also for the fact that he could not, for the life of him, find the girl had loved anywhere in her face. And from Chaol's expression, he knew his friend felt the same.
Celaena bowed dramatically to the king, flourishing a hand before her. Then, with a smile devoid of any warmth, she stared down Chaol before stalking from the room, her dark cape sweeping behind her.
Silence. — Sarah J. Maas

When you look at women who have had plastic surgery, they have lost something - usually an expression, something unique to their face. — Bo Derek

The way everyone looked at me made me uncomfortable. Even Edward. It was like I had grown a hundred feet during the course of the morning. I tried to ignore the impressed looks, mostly keeping my eyes on Nessie's sleeping face and Jacob's unchanged expression. I would always be just Bella to him, and that was a relief. Bella Cullen, Breaking Dawn, Chapter 39, p.747 — Stephenie Meyer

The rather blurred background to the face that formed over the vid plate seemed faintly familiar - ah yes, the Security Ops room at Ryoval Biologicals. Baron Ryoval had arrived personally on that scene as promised. It took only one glance at the dusky, contorted expression on Ryoval's youthful face to fill in the rest of the scenario. Miles folded his hands and smiled innocently. "Good morning, Baron. What can I do for you?" "Die, you little mutant!" Ryoval spat. "You! There isn't going to be a bunker deep enough for you to burrow in. I'll put a price on your head that will have every bounty hunter in the galaxy all over you like a second skin - you'll not eat or sleep - I'll have you - " Yes, — Lois McMaster Bujold

If the dog could hum, he'd be singing "La-la-la!" in tune with his footsteps. Cough sauntered over to him. William pressed against the wall. No bullets. So far, so good. Cough clenched, and vomited something chunky onto the grass. Terrific. The big dog sat on his haunches and looked at William with a perplexed expression on his face. "Well, eat it back up," William hissed. "Don't waste it." Cough gave a tiny whine. "I'm not eating your puke." Cough panted at him. "No. — Ilona Andrews

Petulia's expression didn't change for a while. Then she said: 'So it WAS a fairy, then?'
'Well, yes. Technically.'
The round pink face smiled.
'Good, I did wonder, because it was, um, you know ... having a wee up against one of Miss Level's garden gnomes?'
'DEFINITELY a Feegle,' said Tiffany. — Terry Pratchett

Nina was about to snap that she didn't appreciate the sarcasm when she saw the expression on his face. He looked like someone had just given him a tuba full of puppies. — Leigh Bardugo

Art has a double face, of expression and illusion, just like science has a double face: the reality of error and the phantom of truth. — Publilius Syrus

Dear Charls. Whatever will you do with your own Kemptian silk? It will spoil on the road.' 'We aren't carrying any Kemptian silk,' said the Prince. It took a moment for those words to be understood, and then Makon's expression changed. 'Oh, did you think we were? I'm afraid you undercut yourself for no reason.' A look of fury had appeared on Makon's face. The Prince said, 'A little healthy competition.' Dinner — C.S. Pacat

There was no expression to his face. He looked like he'd seen it all and didn't think much of it. — Janet Evanovich

Where's Kiernan?" I asked.
"He's with Brother Cyrus. Your turn."
The blood drained from my face and I stepped back, toward the wall. One of the older women, Glory, had died from a heart attack the year before. At the burial, all of the adults patted each other on the back and said she was with Brother Cyrus now.
The key suddenly felt like a lit coal in my hand, and I dropped it to the floor.
Patrick must have realized what I was thinking from my expression. "No, stupid," he said, as he bent down to pick up the key. "He's not dead. He's with Cyrus. In the future. He's fine. You'll be fine. — Rysa Walker

I'll park somewhere dark." She fisted his T-shirt, not even ashamed of her desperation. "Out of the way - "
"Tempting ... so ... fucking ... tempting."
He gently peeled her hand away, slammed the door, and got in the driver's side. Then he turned to her, the harsh planes of his face in the shadows creating a savage expression the stuck her tongue to the roof of her mouth.
"I need you in a bed tonight, Jillian. I need more than a fuck. I need to make love to you until neither one of us can move, because after tonight, I don't want there to be even the slightest doubt that you're mine. — Larissa Ione

[He] saw that a peculiar expression had come into his nephew's face; an expression a little like that of a young hindu fakir who having settled himself on his first bed of spikes is beginning to wish that he had chosen one of the easier religions. — P.G. Wodehouse

I sighed. "Show me the damn ring, Edward."
He shook his head. "No."
I studied his expression for a long minute.
"Please?" I asked quietly, experimenting with my newly discovered weapon. I touched his face lightly with the tips of my fingers. "Please can I see it?"
His eyes narrowed. "You are the most dangerous creature I have ever met," he muttered. But he got up and moved with unconscious grace to kneel next to the small bedside table. — Stephenie Meyer

But then she remembered something else, just a flash: looking up at Damon's face in the woods and feeling such - such excitement, such affinity with him. As if he understood the flame that burned inside her as nobody else ever could. As if together they could do anything they liked, conquer the world or destroy it; as if they were better than anyone else who had ever lived.
I was out of my mind, irrational, she told herself, but that little flash of memory wouldn't go away.
And then she remembered something else: how Damon had acted later that night, how he'd kept her safe, even been gentle with her.
Stefan was looking at her, and his expression had changed from belligerence to bitter anger and fear. Part of her wanted to reassure him completely, to throw her arms around him and tell him that she was his and always would be and that nothing else mattered. Not the town, not Damon, not anything.
But she wasn't doing it. — L.J.Smith

The executioner's face is always well hidden. — Bob Dylan

In high school, I could recognize extremes of emotion. I knew enough to run if a guy came yelling and screaming at me with a baseball bat. But a girl with a subtle expression on her face ... was she smiling at me? Laughing? Quizzical and curious? I had no idea. That led to a lot of awkward interactions and years of loneliness. — John Elder Robison

They starred into each others eyes even as the guards took hold of Antoinette. She did not utter a word, but a gleam in her and the peaceful expression on her face spoke volumes to Aidan. The cell door slammed shut, and Aidan stood alone in the center of the room — Wayne Thomas Batson

I try to stay in a constant state of confusion just because of the expression it leaves on my face. — Johnny Depp

I looked at Cole, who had an utterly blank expression on his face, one that I was learning accompanied anything that mattered. — Maggie Stiefvater

MY MOM SAYS IT'S TIME for me to give up now, and that what I'm doing is futile. She's upset, so her accent is thicker than usual, and every statement is a question. "You no think is time for you to give up now, Tasha? You no think that what you doing is futile?" She draws out the first syllable of futile for a second too long. My dad doesn't say anything. He's mute with anger or impotence. I'm never sure which. His frown is so deep and so complete that it's hard to imagine his face with another expression. If this were even just a few months ago, I'd be sad to see him like this, but now I don't really care. He's the reason we're all in this mess. — Nicola Yoon

Thomas rolled over, glad it was dark so no one could see the look that had settled across his face.
It wasn't a smile, exactly. Not quite a happy expression. But almost.
And for now, almost was good enough. — James Dashner

We will be one step down from the Creator," she said, her olive-hued face tightening into an expression that she considered dramatic. "Imagining a world and then making it. — Walter Mosley

Now, in Mr. Thornton's face the straight brows fell over the clear deep-set earnest eyes, which, without being unpleasantly sharp, seemed intent enough to penetrate into the very heart and core of what he was looking at. The lines in the face were few but firm, as if they were carved in marble, and lay principally about the lips, which were slightly compressed over a set of teeth so faultless and beautiful as to give the effect of sudden sunlight when the rare bright smile, coming in an instant and shining out of the eyes, changed the whole look from the severe and resolved expression of a man ready to do and dare everything, to the keen honest enjoyment of the moment, which is seldom shown so fearlessly and instantaneously except by children — Elizabeth Gaskell

Her lack of maidenly scruple would have amused me at another moment, but just now her face was so grimly determined that I could only wonder what she had in mind. Nothing could have been less seductive, anyway, than her expression at that moment. — Elizabeth Kostova

In case I'm not around to save your luscious ass, I wanted to know about the garage."
She tipped her head, then said with a straight face devoid of humor, "You think my ass is luscious?"
He fought off another grin and shrugged. "Even for a man with hands my size, it's big enough for a handful. But it's not out of proportion with your equally notable rack."
That must not have been the sweet talk Priss wanted, given her darkening expression.
Both hands fisted. "Pig."
"You asked. — Lori Foster

I tried to give her my best "I Am A Demon Princess" look, which was quite the challenge, seeing as how my hair was hanging in my face and my nose was running. "What's your name?" I asked.
The girl kept her eyes on me, but her hands were moving restlessly over the ground around her, no doubt searching for the knife. "Izzy," she said.
I raised both my eyebrows. Not exactly a name to strike fear into the heart.
Izzy must've read that in my expression, because she frowned. "I'm Isolde Brannick, daughter of Aislinn, daughter of Fiona, daughter of-"
"Right, right, daughter of a bunch of fierce ladies, got it. — Rachel Hawkins

Don't lie to your partner. Ultimately the expression on your face gives you away, and they feel betrayed by the lie. If this is the person you're going to be with-forever and ever, for better or worse-they will love you for all of your good and all of your bad. They'll love you for you. So open communication is key. I have no secrets and no skeletons in my closet with my husband, and I love that. I feel comfortable and at ease with myself when I'm around him. I love the woman that I've become with him. — Vanessa Lachey

This guy - Joe whatever - hasn't even got the right expression on his face; he should have that cold but somehow enthusiastic look, as if he believed in nothing and yet somehow had absolute faith. — Philip K. Dick

The first time I read Isaac Babel was in a college creative writing class. The instructor was a sympathetic Jewish novelist with a Jesus-like beard, an affinity for Russian literature, and a melancholy sense of humor, such that one afternoon he even "realized" the truth of human mortality, right there in the classroom. He pointed at each of us around the seminar table: "You're going to die. And you're going to die. And you're going to die." I still remember the expression on the face of one of my classmates, a genial scion of the Kennedy family who always wrote the same story, about a busy corporate lawyer who neglected his wife. The expression was confused. — Elif Batuman

With a volley of blasts it emerged from the shed, moving in a fierce and stately way. Mr. Shiftlet was in the driver's seat, sitting very erect. He had an expression of serious modesty on his face as if he had just raised the dead. — Flannery O'Connor

Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn't know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth.
It wasn't the sort of kiss I'd had with anyone before. This kiss was so soft it was like a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole's hand touched my neck, thumb pressed into the skin next to my jaw. It wasn't a touch that said I need more. It was a touch that said I want this.
It was all completely soundless. I didn't think either of us was breathing.
Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered.
He said, That's how I would kiss you, if I loved you. — Maggie Stiefvater

Every physical fact, every expression of nature, every feature of the earth, the work of any and all of those agents which make the face of the world what it is, and as we see it, is interesting and instructive. Until we get hold of a group of physical facts, we do not know what practical bearings they may have, though right-minded men know that they contain many precious jewels, which science, or the expert hand of philosophy will not fail top bring out, polished, and bright, and beautifully adapted to man's purposes. — Matthew Fontaine Maury

He was smiling. It was one of those sincere smiles grown-ups give kids when they're trying to get them in arm's reach for something bad. Doctors smile that way right before they give you a shot; teachers look the same just before they tell you they found out what you did. The Big Bad Wolf probably smiled at Red Riding Hood like that when he was pretending to be her grandma. Despite all my mother's flaws including her mean streak, I never once saw that travesty of an expression on her face. — Pat Cadigan

If her eyes had no expression, it was probably because they had nothing to express. If she had few wrinkles, it was because her mind had never traced its name or any other inscription on her face. — Charles Dickens

As soon as he was half-awake he slipped his knickers off. Holding them close to his face, he handled them loosely for a moment with an absent expression, then suddenly buried his nose in them, his dark eyes huge, his face monstrous with the wisdom of evil. As well as the blood and the seepage from last night's ejaculation he had shit himself lavishly in his sleep, a sloppy, yellow liquid. Having spent a while burying his face in them, he folded the knickers up and put them carefully to one side on top of a stack of others. He would never wash them; he would never wear them again. Every secretion that had occurred in his underclothes, before, during, or sometimes just after a moment of action was a souvenir to be preciously kept and safeguarded. — Derek Raymond

What about Isabelle?" Simon asked. "Where is she?"
The humor, such as it was, left Jace's expression. "She won't come out of her room," he said. "She thinks that what happened to Max was her fault. She won't even come to the funeral."
"Have you tried talking to her?"
"No," Jace said, "we've been punching her repeatedly in the face instead. Why, do you think that won't work?"
"Just thought I'd ask." Simon's tone was mild. — Cassandra Clare

There is a characteristic INTJ expression which has become popularly termed "the death glare." This facial expression is actually not a glare, but the INTJ's neutral face. — Anna Moss

I'll stay with her," Maude interrupted, just before
Grier could say the same thing.
"You can't. Not in intensive care. You can see her three
times a day, for no more than ten minutes each time," he
added firmly. "It's too serious. She has to be kept quiet.
No upsets."
Judd looked as if he'd die trying not to snap at the surgeon. But he finally just nodded defeatedly.
Coltrain put a rough hand on his shoulder. "Don't borrow trouble. Take it one hour at a time. You'll get through this."
"Think so?" Judd asked heavily.
"I know so. I'll keep a close watch on her. Try not to
worry." He nodded to the others and went back down the
hall.
Judd looked at the other three people with him. "I'm
glad you're all here. But if anybody gets into that room,
even for a minute, it's going to be me," he said shortly.
Cash looked inclined to argue, but the expression on
Judd's face made him back down. — Diana Palmer

Every individual nature has its own beauty. One is struck in every company, at every fireside, with the riches of nature, when he hears so many new tones, all musical, sees in each person original manners, which have a proper and peculiar charm, and reads new expressions of face. He perceives that nature has laid for each the foundations of a divine building, if the soul will build thereon. — Ralph Waldo Emerson

I clicked the gate shut and slipped down the alley. Through one fence after another, I caught glimpses of people in their dining rooms and living rooms, eating and watching TV dramas. Food smells drifted into the alley through kitchen windows and exhaust fans. One teenaged boy was practicing a fast passage on his electric guitar, with the volume turned down. In a second floor window, a tiny girl was studying at her desk, an earnest expression on her face. A married couple in a heated argument sent their voices out to the alley. A baby was screaming. A telephone rang. Reality spilled out into the alley like water from an overfilled bowl - as sound, as smell, as image, as plea, as response. — Haruki Murakami

I want to spit in the face of these badlands. — Bruce Springsteen

She glanced up into his face. He was looking down at her, his mouth soft, his expression indulgent. If his expression was anything to go by, he was going to be a very generous lover.
The corners of his mouth eased into a smile. "Very generous."
She tried to put resentment into her tone, but she didn't think she was too successful. "You peeked into my mind."
His finger wove through a curl at her temple. "That seems inevitable between us. — Sarah McCarty

His hands were the first thing she saw. Callused and blunt, they grasped the sides of the ladder as he raised himself the final few rungs. He was grinning by the time he cleared the base of the roof. "Hello, Liberty Sawyer," he said casually. She nodded in his direction, mimicking his nonchalant air. "Michael." He was about to step onto the roof when he paused to sniff the air. The expression on his face was sheer masculine satisfaction. "You are wearing my perfume." "Every day." His grin deepened. "Good." For a big man, he was surprisingly graceful as he stepped onto the roof. With an agile twist he turned and sat beside her. "I have traveled nine hundred miles to see that smile again. It was worth every step. — Elizabeth Camden

I try to express with the camera what the story is, to get to the heart of the story with picture. In battle I look at things first in terms of people, second in terms of strategies or casualties ... To tell a story, you don't photograph one hundred dead civilians to prove there were one hundred dead civilians. You photograph one dead civilian with an expression on his face that says, This is what it's like if you're a dead civilian in Vietnam. — Horst Faas

There's still such chaos in me. Still so little firmly outlined. Just like my face: a formless mass that only takes on shape through the expression of the moment. The searching for our selves is the most agonizing — Karen Horney

A man finds room in the few square inches of the face for the traits of all his ancestors; for the expression of all his history, and his wants. — Ralph Waldo Emerson

And you're okay with this? ... " I studied his calm expression, my own features anything but calm.
"Noooo ... " Aeron drew the word out lazily with a slow, deliberate shake of his head. His face remained strangely composed.
"Then can I please have some of whatever sedative you took ... because this," I waved my hand, motioning from his head to his feet, "is way too cool under pressure. — M.A. George

Sometimes a face could be so simple: even a couple of dark spots on a lighter surface or a dark oval in the distance might be a face. An electrical socket could be a face, a mailbox or a couple of punctuation marks could congeal suddenly into something with an expression. Our faces, on the other hand, were made of hundreds of different parts, each part separate and tenuous and capable of being ugly, each part waiting for a product designed to isolate and act upon it. — Alexandra Kleeman

Carl had met Renee at a party given by a colleague of his. He had been taken with her face. Hers was a remarkably plain face, and it appeared quite somber most of the time, but during the party he saw her smile twice and frown once; at those moments, her entire countenance assumed the expression as if it had never known another. Carl had been caught by surprise: he could recognize a face that smiled regularly, or a face that frowned regularly, even if it were unlined. He was curious as to how her face had developed such a close familiarity with so many expressions, and yet normally revealed nothing. It took a long time for him to understand Renee, to read her expressions. But it had definitely been worthwhile. Now — Ted Chiang

I have always had a deep belief that every movie, every artistic expression, is political. Don't be fooled. Even ones that we wouldn't consider overtly political are political. When we spend time doing anything, whether it's distraction or whether it's something that we have to face, it is always political. That's my belief. — Jake Gyllenhaal

He'll be back soon," she said, her face grave.
It suddenly occurred to me that what people call "honesty" might well refer to just such an expression. I wondered if what the word originally meant was not something lovable like that expression, rather than the stern virtue smelling of textbooks of morality. — Osamu Dazai

The plane touches down on very rough ground: its wheelbarrow wheels bounce and one set of wings rises alarmingly while the other dips. Now the Masai and the plane are converging. It's a magnificent shot: the Masai run, run, run, run; because of the optics it is dreamlike. The little plane bounces, shudders, slews and finally makes lasting contact with the ground. At exactly the right moment, as the plane comes to a halt, the Masai warriors, in a highly agitated state, reach the plane, and the camera closes on the pilot, whose face as he removes his leather flying helmet and goggles, appears just above the bobbing red ochre composition of plaited hair and fat-shone bodies. It is Mel Gibson, with a grave expression, which can't quite suppress his unruly Aussieness. — Justin Cartwright

I wanted to be alone with him. Really alone. "Maybe we should take this back to my place." He lifted his head to look at me, a strange expression on his face. I let out a nervous giggle. "That sounded better in my head."
"It sounded pretty damn good out of it. — Myra McEntire

What do you think your valuation is right now? Mark asked as they both sat uncomfortably across from and below him, peering up at a boy who could, hypothetically speaking, quite happily buy them or murder them, all with the same exact expression on his face. — Nick Bilton

Cupping her face, I brushed her lips with my thumb. "You're medicine for my soul, Bailey. Never forget that."
Her naughty gaze shifted into something softer. "Thank you for being brave enough to love me."
Despite her earnest expression, I laughed. "Like I had a choice. — Bijou Hunter

The hardest lesson is Clare's solitude. Sometimes I come home and Clare seems kind of irritated; I've interrupted some train of thought, broken into the dreary silence of her day. Sometimes I see an expression on Clare's face that is like a closed door. She has gone inside the room of her mind and is sitting there knitting or something. I've discovered that Clare likes to be alone. But when I return from time traveling she is always relieved to see me. — Audrey Niffenegger

I continued to stare at the empty seat because my sensation of a vibrant presence there was unrelieved. And in my staring I perceived that the fabric of the seat, the inner webbing of swirling fibers, had composed a pattern in the image of a face - an old woman's face with an expression of avid malignance - floating amidst wild shocks of twisting hair. — Thomas Ligotti

Mr. Norrell gazed at Strange with an odd expression upon his face as though he would have been glad of a little conversation with him, but had not the least idea how to begin. — Susanna Clarke

Now, Miss Bentley," he said with mock seriousness. "I'll have you know that yes, you are correct, I will always be the master in a relationship. I will always be the master when it comes to sex. I am the man."
Harly was having a hard time trying to maintain her own contrite, meek expression; her quivering lips gave that away. "Yes, Sir."
"See, when I say strip, you strip. When I say come here, you come. When I say kiss me, you kiss me. When I say you're walking around in my presence in nothing but silk stockings and a garter belt and a red satin bra, you will do so."
"Not happening."
"Insubordination will not be tolerated."
"I'll tell my mother."
"I'm not scared of her."
"All right. I'll tell your mother."
"Okay, some insubordination will be tolerated."
"I thought so."
"And when I say get the bondage gear-"
She guffawed right in his face. — Angela Verdenius

As far as evil goes" - she shrugged one shoulder - "I've spent a dozen years studying the subject and there's one thing I know for sure." Her expression grew distant, breakable somehow. She blinked and seemed to push whatever had distracted her aside. "If you want to know what evil looks like, look in the mirror." She leaned down, flattened her hands on the table once more, and went face-to-face with Wells. "Any one of us is capable of evil, Detective. We all have a line. It's not crossing it that separates us from the Ed Geins and Charles Mansons of the world. — Debra Webb

He moved closer and cupped her face in his hands. "I love you."
Her eyes filled with tears, her expression suddenly so hopeful and vulnerable it made his heart ache. "Really?"
"Yes." He smiled softly. "Like, crazy, awful, miserable-without-you kind of love ... — Julie James

there was something intimidating about Harrison. His face in repose looked to me like it was closer to a scowl than to any other expression. It was immediately clear that he was no people pleaser; this was more of a people unsettler. — Carrie Fisher

Bramble had taken another pencil from Delphinium, and Azalea's napkin, and wrote something new.
You're afraid of the King. Admit it.
Azalea grimaced at her untouched food, burning in humiliation as Lord Bradford took the napkin and read it. This time, he looked to be discreetly writing something back beneath the table.
Fairweller blinked at the King for a moment, in which Lord Bradford handed Bramble her napkin. She opened it and turned a rosy pink.
My lady, it read,who isn't?
Bramble pursed her lips and kicked Lord Bradford beneath the table-hard. His face twitched befre regaining its solemn expression.Azalea buried her face in her hands.
"All we ask is for you to consider it. That is all," said Fairweller.
"Oh." Lord Bradford's voice was slightly strangled. "Yes. Thank you."
Bramble threw the pencil-smudged napkin onto her plate. "I'm done," she said. "May we go to our room now? — Heather Dixon

She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow, and her face was yellow because she had been born in India and had always been ill in one way or another. — Frances Hodgson Burnett

She nodded and somehow found her voice. You're going too slow," she whispered.
A wicked smile spread across his face that she felt all the way to her toes. It softened his normally harsh expression, making him look years younger. That look should be illegal. — Katie Reus

The old woman smiled sweetly at Fermin. My friend stroked her face and her forehead. She appreciated the touch of another skin like a purring cat. I felt a lump in my throat.
'A stupid question, wasn't it?' Fermin went on. 'What
you'd like is to be out there, dancing a foxtrot. You look like a dancer; everyone must tell you that.'
I had never seen him treat anyone with such delicacy, not even Bernarda. His words were pure flattery, but the tone and expression on his face were sincere.
'What pretty things you say,' she murmured in a voice that was broken from not having had anyone to speak to or anything to say. — Carlos Ruiz Zafon

You begin to notice what it is that makes this person a teacher, beyond the limits of his individuality and personality. Thus the principle of the "universality of the guru" comes into the picture as well. Every problem you face in life is a part of your marriage. Whenever you experience difficulties, you hear the words of the guru. This is the point at which one begins to gain one's independence from the guru as lover, because every situation becomes an expression of the teachings. First you surrendered to your spiritual friend. Then you communicated and played games with him. And now you have come to the state of complete openness. As a result of this openness you begin to see the guru-quality in every life-situation, that all situations in life offer you the opportunity to be as open as you are with the guru, and so all things can become the guru. — Chogyam Trungpa

Kate?" "Yes?" I managed. "It's me, Julie. Are you dying?" I could tell she desperately wanted a different answer. "I love you." The expression on her face twisted something inside me. I looked from her to Curran. "I love you so much. Both . . ." "You can't die." She grabbed my hand. Tears swelled in her eyes. "You're all I have. Kate, please. Please don't die." My — Ilona Andrews

She realized she was smiling so broadly and sincerely that it embarrassed her. But she couldn't make the smile go away. She was just glad no one could see inside her, because her heart suddenly felt so heavy,m only heavy in a good way. And then she noticed the knowing expression on Peter's face, and it seemed like maybe he WAS seeing inside her after all. She pushed his head away so that he couldn't look at her. — Tommy Wallach

The expression one wears on one's face is far more important than the clothes one wears on one's back. — Dale Carnegie

As Julia scanned the crowd, one face stood out. A young-looking, fair-haired man with strange gray eyes stared unblinkingly in her direction, his expression one of intense curiosity. — Sylvain Reynard

That's how, on the second-to-last day of the job, the convict crew that tarred the plate-factory roof in 1950 ending up sitting in a row at ten o'clock on a spring morning, drinking Black Label beer supplied by the hardest screw that ever walked a turn at Shawshank Prison. That beer was piss-warm, but it was still the best I ever had in my life. We sat and drank it and felt the sun on our shoulders, and not even the expression of half-amusement, half-contempt on Hadley's face - as if he was watching apes drink beer instead of men - could spoil it. It lasted twenty minutes, that beer-break, and for those twenty minutes we felt like free men. We could have been drinking beer and tarring the roof of one of our own houses. — Stephen King

She saw both serenity and suffering in the calm of his face, an expression like a smile of pain, though he was not smiling ... He did not look like a man bearing torture now, but like a man who sees that which makes the torture worth bearing. — Ayn Rand

A tall, thin, middle-aged man with a long, gray Jovian beard stood outside the Hermitage Museum with an expression of absolute shattered regret.
Tatiana instantly reacted to his face. What could make a man look this way? He was standing next to the back of a military truck, watching young men carry wooden crates down the ramp from the Winter Palace. It was these crates the man looked at with such profound heartbreak, as if they were his vanishing first love.
"Who is that man?" she asked, tremendously affected by his expression.
"The curator of the Hermitage."
"Why is he looking at the crates that way?"
Alexander said, "They are his life's sole passion. He doesn't know if he is ever going to see them again. — Paullina Simons

That was some first kiss," she said with a tired, contented expression.
I scanned her face and smiled. "Your last first kiss."
Abby blinked, and then I fell onto the mattress beside her, reaching across her bare middle. Suddenly the morning was something to look forward to. It would be our first day together, and instead of packing in poorly concealed misery, we could sleep in, spend a ridiculous amount of the morning in bed, and then just enjoy the day as a couple. That sounded pretty damn close to heaven to me. Three months ago, no one could have convinced me that I would feel that way. Now, there was nothing else I wanted more.
A big, relaxing breath moved my chest up and down, relaxing slowly as I fell asleep next to the second woman I'd ever loved. — Jamie McGuire

Instead of broadening the choices of how to look good, we have only broadened the ways we try to look alike. Women are headed toward one face, one body and one expression. — Maureen Dowd

The expression on her face was one the trooper would never forget: it was the look of someone still alive who realizes she's already dead — Alan Dean Foster

She couldn't believe what she did then. Before she could stop herself, she leaned up on tiptoes, put her arms around his neck, and kissed him on the mouth. Her lips brushed over his for the barest of seconds, but it was still a kiss, and when she came to her senses and dared to pull away and look at him, he had the most curious expression on his face.
Brodick knew she regretted her sponatenity, but as he stared into her brilliant green eyes, he also knew, with a certainty that shook him to the core, that his life had just been irrevocably changed by this mere slip of a woman. — Julie Garwood

Demetrious was studying Law on the Open University and was, in all ways, a ray of sunshine into her life: warm and glorious, achingly temporary. He lived just off the high street with his boyfriend Rob, who worked in the City, doing something neither Demi nor Sukie pretended to understand.
"All the cute guys are gay," Sukie had laughed, that first day, holding her coffee mug high to her face to hide her genuine disappointment. Demi had just tilted his head and looked at her playfully, an expression she would get to know well.
"I'm not gay," he had clarified, matter-of-factly.
"Living with a boyfriend called Rob doesn't sound very straight!" Sukie had pointed out.
"Labels!" Demi had scorned, with one of his characteristic and very Greek hand gestures. "I fall in love with the person, not the gender. — Erin Lawless

A strong hand suddenly grasped my arm above the elbow. My eyes flew open in surprise. It was that hateful, arrogant man from earlier, standing a few steps below me. He looked at me with a strange expression on his face. It almost looked like ... concern. What did he want? I tried to ask him, but the walls were falling in on me again. I closed my eyes tightly. "I think you're about to faint," a low voice said. Whose voice was it? It was too nice to belong to that man. I shook my head and said weakly, "I don't faint." And then darkness rushed up while I swooped down. We met in the middle and it swallowed me whole. — Julianne Donaldson

Almost every cartoonist, when he's sitting down to draw a funny face, if you watch him closely, his mouth is gonna curl to the expression that he's drawing. But when I would write a story - I know it's going to sound almost ridiculous and infantile - I would, in a way, start living it. — Al Jaffee

So you're her brother?" says Lynn. "I guess we know who got the good genes."
I laugh at the expression on Caleb's face, his mouth drawn into a slight pucker and his eyes wide. — Veronica Roth

Her fingers flew, her fiddle was an entire orchestra, and every note beautifully brought into being struck a chord of satisfaction within her. She wondered at the unfamiliar lightness in her chest and realised she was laughing.
So great was her focus, it took her a while to register the strange expression that crept to Brocker's face as he listened, finger tapping the armrest of his chair. His eyes were fixed behind Fire and to the right, in the direction of Archer's back doorway. Fire comprehended that someone must be standing in Archer's entrance, someone Brocker watched with startled eyes.
And then everything happened at once. Fire recognised the mind in the doorway; she spun around, fiddle and bow screeching apart; she stared at Prince Brigan leaning against the door frame. — Kristin Cashore