F G Chord Quotes & Sayings

We borrowed it all from Coltrane. I started encouraging everybody in the band to listen to John Coltrane - 'Check it out, see what these guys do.' They take one chord, the tonic chord, and just play all over it. 'We can do that too!' I wanted to make our music something really amazing - I wanted it to be jaw-dropping and turn on a dime and do all of those things that I knew music could do, and nobody told us we couldn't do it. I shouldn't say 'I,' though - Jerry Garcia was behind it the whole way. — Phil Lesh

I don't want to be compared to Brad Pitt because I don't want to, you know, disappoint anybody. Brad Pitt is an icon. — Chord Overstreet

All of our songs take these really big creative turns and twists throughout the process, so sometimes songs will start out as a melody or some musical chord progressions. — Chester Bennington

Dreamt I stood in a china shop so crowded from floor to far-off ceiling with shelves of porcelain antiques, etc. that moving a muscle would cause several to fall and smash to bits. Exactly what happened but instead of a crashing noise, an august chord rang out, half cello, half celeste, D major (?), held for four beats. My wrist knocked a Ming vase affair off its pedestal-E flat. Whole string section, glorious, transcendant, angels wept. Deliberately now, smashed a figurine of an ox for the next note, then a milkmaid, then Saturday's Child-orgy of shrapnel filled the air, divine harmonies my head. — David Mitchell

There is something deeply awe-inspiring about the sight of any living creatures in incomputable numbers; it stirs, perhaps, some atavistic chord whose note belongs more properly to the distant days when we were a true part of the animal ecology; when the sight of another species in unthinkable hosts brought fears or hopes no longer applicable. — Gavin Maxwell

My real name is Chord Overstreet. I actually got my name because my dad is in the music business as a songwriter. I was the third one in my family born, and there are three notes in a chord, so that's how they came up with my name. — Chord Overstreet

It had better be quirky or perverse or thoughtful enough so that you hit some chord in them. I mean we've all read pieces where we thought, 'Oh, who gives a damn.' — Nora Ephron

Strumming a ukulele just right can make you sound like a pro, even if you only know one chord. — Wilson Villanueva

I'd been getting bored with the stereotyped changes (harmonies) that were being used all the time ... I found that by using the higher intervals of a chord as a melody line and backing them with appropriately related changes I could play the thing I'd been hearing. I came alive. — Charlie Parker

For me, songwriting starts with a melody. When a musician plays a chord progression, either the words and vocal melody come to me, or they don't. That's how I determine who to write with. It works, or it doesn't. — Rain Phoenix

The melodies are always the most important part to me. I am pulled more to the groove than the chord progression. After you find the groove, you find the most simple chord progressions and then sit inside that groove. — Dave Matthews

I assure you, my dear, were you to play the piano on the moon, I would hear every chord. — Amor Towles

You know how sometimes you hear a chord played on an organ and you can feel it vibrating in your bones? Sometimes when I'm writing, I can feel my bones vibrating because I'll have a thought or I'll have a character's voice in my head, and that's when I know I'm on the right track. — Laurie Halse Anderson

It's very much a piece of myself when I write a song. I don't mean to say it's very personal, like the lyrics mean something personal to me. When I write a song, that's my taste in music - my taste in chord progressions and melodies. — Zooey Deschanel

I had a love affair with books, with characters and their words. Books kept me company. When the voices of the book faded, as with the last long chord of a record, the back cover crinkling closed, I could swear I heard a door click shut. — Marya Hornbacher

When the wind is against you, like a kite, have your chord of faith rooted and you would fly highest ever. — Vikrmn

There's a richness to the old works if you look before the 1950s. The chord progressions and the language was more complicated, especially in the jazz and classical world. — Tori Amos

Presently, I sense within me the slightest touch. The harmony of one chord lingers in my mind. It fuses, divides, searches
but for what? I open my eyes, position the fingers of my right hand on the buttons, and play out a series of permutations.
After a time, I am able, as if by will, to locate the first four notes. They drift down from inward skies, softly, as early morning sunlight. They find me; these are the notes I have been seeking.
I hold down the chord key and press the individual notes over and over again. The four notes seem to desire further notes, another chord. I strain to hear the chord that follows. The first four notes lead me to the next five, then to another chord and three more notes.
It is a melody. Not a complete song, but the first phrase of one. I play the three chords and twelve notes, also, over and over again. It is a song, I realize, I know. — Haruki Murakami

A day of dappled seaborne clouds.
The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose? — James Joyce

The band and I were leading at a Youth Specialties convention. We were asked to back up Matt Maher for one of the sessions. Matt handed us the chord charts and, with less than 5 minutes of practice, we were playing it live. I fell in love with this song immediately. You can't hear the message of God's sufficient grace too many times. Matt is a great lead worshiper and is a part of Life Teen, a growing worship movement in the Catholic Church. — Chris Tomlin

I'm still disturbed if a chord isn't together, but your priorities change as you get older. — Esa-Pekka Salonen

Her fingers flew, her fiddle was an entire orchestra, and every note beautifully brought into being struck a chord of satisfaction within her. She wondered at the unfamiliar lightness in her chest and realised she was laughing.
So great was her focus, it took her a while to register the strange expression that crept to Brocker's face as he listened, finger tapping the armrest of his chair. His eyes were fixed behind Fire and to the right, in the direction of Archer's back doorway. Fire comprehended that someone must be standing in Archer's entrance, someone Brocker watched with startled eyes.
And then everything happened at once. Fire recognised the mind in the doorway; she spun around, fiddle and bow screeching apart; she stared at Prince Brigan leaning against the door frame. — Kristin Cashore

It's a double-headed coin, because technology is a convenience but it's stifled our attention spans. At one time, albums had songs that were like ten minutes long, with different variations and chord progressions and changes. — Cee Lo Green

If jazz has to be termed as a wave, then music is a sea, but if the reflectors in the water is the chord. — Pat Metheny

I probably would've kept slogging on that same chord change, because there's a tendency to have that happen. You get into the cadence in your mind, and it's hard to make the kind of left turn that you probably need to keep it really interesting. — Aimee Mann

I had once been splintered into a million beings and objects. Today I am one, tomorrow I shall splinter again. And thus everything in the world decants and modulates. That day I was on the crest of a wave. I knew that all my surroundings were notes of one and the same harmony, knew - secretly - the source and the inevitable resolution of the sounds assembled for an instant, and the new chord that would be engendered by each of the dispersing notes. My soul's musical ear knew and comprehended everything. — Vladimir Nabokov

Chord substitution isn't some mysterious religious sect. — Howard Roberts

Live blindly and upon the hour. The Lord,

Who was the Future, died full long ago.

Knowledge which is the Past is folly. Go,

Poor, child, and be not to thyself abhorred.

Around thine earth sun-winged winds do blow

And planets roll; a meteor draws his sword;

The rainbow breaks his seven-coloured chord

And the long strips of river-silver flow:

Awake! Give thyself to the lovely hours.

Drinking their lips, catch thou the dream in flight

About their fragile hairs' aerial gold.

Thou art divine, thou livest, - as of old

Apollo springing naked to the light,

And all his island shivered into flowers. — Trumbull Stickney

I always take care to have interesting chord progressions, because you can have the best sound design in the club, and you'll kill it in the club, but in five years, kids will have better sound design. But if your music is good, you'll always be able to listen to it, even in 20 or 50 years. — Zedd

My songs, they have just the one chord, there's none of that fancy stuff you hear now, with lots of chords in one song. If I find another chord I leave it for another song. — Junior Kimbrough