Eyes You Can Draw Quotes & Sayings

Why don't you snap your oars, you rascals? Bite something, you dogs! So, so, so, then: - softly, softly! That's it - that's it! long and strong. Give way there, give way! The devil fetch ye, ye ragamuffin rapscallions; ye are all asleep. Stop snoring, ye sleepers, and pull. Pull, will ye? pull, can't ye? pull, won't ye? Why in the name of gudgeons and ginger-cakes don't ye pull? - pull and break something! pull, and start your eyes out! Here," whipping out the sharp knife from his girdle; "every mother's son of ye draw his knife, and pull with the blade between his teeth. That's it - that's it. Now ye do something; that looks like it, my steel-bits. Start her - start her, my silverspoons! Start her, marling-spikes!" Stubb's exordium to his crew is given here at large, because he had rather a peculiar way of talking to them in general, and especially in inculcating the religion of rowing. — Herman Melville

Here I discovered water - a very different element from the green crawling scum that stank in the garden tub. You could pump it in pure blue gulps out of the ground, you could swing on the pump handle and it came out sparkling like liquid sky. And it broke and ran and shone on the tiled floor, or quivered in a jug, or weighted your clothes with cold. You could drink it, draw with it, froth it with soap, swim beetles across it, or fly it in bubbles in the air. You could put your head in it, and open your eyes, and see the sides of the bucket buckle, and hear your caught breath roar, and work your mouth like a fish, and smell the lime from the ground. — Laurie Lee

Come on-I'll see you back to your room and the estimable Martha."
She put her hand in his and let him draw her to her feet.
"Tomorrow ... don't worry," he murmured, as he ushered her back through the darker side of the snug. "I'll be waiting in Carlisle to fall in behind the coach when you go past." Through the dimness he met her eyes. "I won't lose you."
Her lips softly curved. "I didn't imagine you would. — Stephanie Laurens

Following their line of vision, he found the distraction. The damn tennis team, running the perimeter of the football field in some half-assed formation, following their fearless leader. They weren't looking at the field, weren't yelling or causing a scene. Just concentrating on keeping up with Chris.
Having been a teenage boy himself, the draw was obvious. Teenage girls. Short shorts. No brainer. At thirty-four, he was past that.
Except his eyes didn't seem to get the "I'm Too Old For This" memo. They were tracking Chris like a hawk tracks a field mouse. — Jeanette Murray

He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. "You protected me, Kaz."
"The fact that you're bleeding through your bandages tells me otherwise."
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. "I need Nina to fix this one."
He didn't mean to say it. He meant to let her go. "I can help you."
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she'd spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she'd nearly destroyed him. Maybe he should let her finish the job. — Leigh Bardugo

If you close your eyes you can imagine the hackers sitting in a room, combing through the documents to find the ones that will draw the most blood. And in a room next door are American journalists doing the same thing. As demented and criminal as it is, at least the hackers are doing it for a cause. The press is doing it for a nickel. — Aaron Sorkin

I have a pullout couch, and I could sleep in the living room. You can have the bedroom."
"I'm sorry. No." Mel put her hand on his chest, her eyes sparkling. "I have to draw the line there. I should at least get sex out of this deal or this really would be a tragedy. — Lisa Kessler

What she did was to open our eyes to details of country life such as teaching us names of wild flowers and getting us to draw and paint and learn poetry. — Laurie Lee

I wish I could draw you how I see you. I'd draw a boy with the most magnetic smile, and the kindest hands, and eyes that are gloomy, but can sometimes be bright. I'd draw a boy who deserves to see the ocean. — Jasmine Warga

Singularity will be an opt-in scenario for human beings, especially as we draw closer to it. The more that we have the opportunity to interface with and combine ourselves with machines and machinery and electronics - those will all be opt-in moments. Would you choose to have some sort of brain implant? Would you choose to have Google Glasses installed in your eyes? It's all an approach; it's all a glide path to the moment of genuine singularity; genuine artificial intelligence. — Ron Currie Jr.

Study your subject through half-closed eyes before starting to draw - you'll find that the lights and darks are exaggerated and easier to identify. — Stan Smith

What's your deal?" I asked in the hallway after class. "I know you did that."
He shrugged. "So?"
... "That was rude, Daemon. You embarrassed him." ... "And I thought using your ... stuff would draw them here?"
... "That was barley a blip on the map. That didn't even leave a trace on anyone."
He lowered his head until the edges of his dark curled brushed my cheek. I was caught between wanting to crawl into my locker or crawl into him. "Besides, I was doing you a favor."
I laughed. "And how was that doing me a favor?"
... "Studying math wasn't what he had in mind."
That was debatable, but I decided to play along ... "And what if that's the case?"
"You like Simon?" His chin jerked up, anger flashing in his emerald eyes. "You can't possibly like him."
... "Are you jealous? ... Your jealous of Simon?" I lowered my voice. "Of a human? For shame, Daemon. — Jennifer L. Armentrout

On every Bright Eyes record, there's some kind of sound collage that begins it. Some of them have dialogue, some don't. I like it because it can kind of slow down the attention span a bit. It's a way to draw you in to the rest of the record. — Conor Oberst

I love to see your eyes sparkle like they do when you get all feisty. The flush in your cheeks." His voice lowered. "The way you draw in a deep breath and it pushes your tits out so beautifully. You're incredibly sexy when you're mad. — Sibylla Matilde

She was sensitive enough and intelligent enough to understand, and her literary education could not but have sharpened her perception of the evidence before her eyes: that in the absurd raffle-draw that apportioned the destinies of post-colonial African societies two people starting off even as identical twins in the morning might quiet easily find themselves in the evening one as President shitting on the heads of the people and the other a nightman carrying the people's shit in buckets on his head. — Chinua Achebe

There are people whose eyes you must avoid, whose attention you must not draw to yourself. They are strange, parasitic creatures, lost souls seeking to stretch across the abyss and make fatal contact with the warm, constant flow of humanity. They live in pain and exist only to visit that pain on others. — John Connolly

Though we have two eyes, we are supplied with but one tongue. Draw your own moral. — Alphonse Karr

I turn to Libby. "You're kind. Probably the kindest person I know. You're also forgiving, at least a little, but I'm hoping a lot, and in my book that's a superpower." Her eyes are on mine, and there's a lot going on there. "You're smart as hell, and you don't take people's crap, least of all mine. You are who you are. You know who that is, and you aren't afraid of it, and how many of us can say that." She's not smiling, but it's not about what her mouth is doing. It's about her eyes. "You're strong too. It's not just a matter of being able to knock down a guy with a single shot to the jaw." (Everyone laughs, except her.) "I'm talking about inner strength. Like, if I would draw that inner strength it might look a lot like a triangle made of carbyne. That's the world's strongest material. You also make things better for people around you... — Jennifer Niven

Bleak, dark, and piercing cold, it was a night for the well-housed and fed to draw round the bright fire, and thank God they were at home; and for the homeless starving wretch to lay him down and die. Many hunger-worn outcasts close their eyes in our bare streets at such times, who, let their crimes have been what they may, can hardly open them in a more bitter world. — Charles Dickens

The troubles of the 20th century are not unlike those of adolescence
rapid growth beyond the ability of organizations to manage, uncontrollable emotion, and a desperate search for identity. Out of adolescence, however, comes maturity in which physical growth with all its attendant difficulties comes to an end, but in which growth continues in knowledge, in spirit, in community, and in love; it is to this that we look forward as a human race. This goal, once seen with our eyes, will draw our faltering feet toward it. — Kenneth E. Boulding

I followed the sensation,thinking of Lend. What it felt like to hold his hand. Watching him draw.Those precious times when he got to be nothing but himself around me. The way he laughed. The look he got in his eyes when he was about to say something he knew was clever. The way he looked at while I talked, like I was all he had ever wanted in the entire world. — Kiersten White

Lovers' language, give me an exact and poetic comparison to say what those eyes of Capitu were like. No image comes to mind that doesn't offend against the rules of good style, to say what they were and what they did to me. Undertow eyes? Why not? Undertow. That's the notion that the new expression put in my head. They held some kind of mysterious, active fluid, a force that dragged one in, like the undertow of a wave retreating from the shore on stormy days. So as not to be dragged in, I held onto anything around them, her ears, her arms, her hair spread about her shoulders; but as soon as I returned to the pupils of her eyes again, the wave emerging from them grew towards me, deep and dark, threatening to envelop me, draw me in and swallow me up. — Machado De Assis

I believe that Gaston Cleric narrowly missed being a great poet, and I have sometimes thought that his outbursts of imaginative talk were fatal to his poetic gift. He squandered too much in the heat of personal communication. How often have I seen him draw his dark brows together, fix his eyes upon some object on the wall or a figure in the carpet, and then flash into the lamplight the very image that was in his brain. — Willa Cather

A person's face goes in your eyes and down you arms and into your fingers, and that's how you draw. — Amy Gordon

Wherever you go, you are with me still, you who are my eyes and my brightness; if you will, draw me to drunkenness, if you will, transport me to annihilation. — Jalaluddin Rumi

I understood it now, understood a lot of things I had never understood before. And mostly I understood what a woman could mean to a man. Before, she had been a pair of eyes, and a shape, something to get excited about. Now she seemed something to lean on, and draw something from, that nothing else could give me. I thought of books I had read, about worship of the Earth, and how she was always called Mother, and none of it made much sense, but those big round breasts did, when I put my head on them, and they began to tremble, and I began to tremble. — James M. Cain

The Ethiops say that their gods are flat-nosed and black,
While the Thracians say that theirs have blue eyes and red hair.
Yet if cattle or horses or lions had hands and could draw,
And could sculpt like men, then the horses would draw their gods
Like horses, and cattle like cattle; and each they would shape
Bodies of gods in the likeness, each kind, of their own. — Xenophanes

But we still find the world astounding, we can't get enough of it; even as it shrivels, even as its many lights flicker and are extinguished (the tigers, the leopard frogs, the plunging dolphin flukes), flicker and are extinguished, by us, by us, we gaze and gaze. Where do you draw the line, between love and greed? We never did know, we always wanted more. We want to take it all in, for one last time, we want to eat the world with our eyes. — Margaret Atwood

I'm still trying to find the words to heal you,
To take your pain and make it all my own
So your beautiful eyes can smile,
So you can be at peace.
And now that Fate has intervened,
Conspired to draw us together,
I can't resist the lure of your eyes,
The temptation of you beauty,
The siren song of you voice
Whispering my name
In the dark comfort between my sheets.
I can't resist you, baby,
Because I'm falling still,
I'm falling into you. — Jasinda Wilder

Working with the kind of talent that I've gotten to work with, like the cast of Sin City, it makes me think probably more fully dimensionally about what is going on behind their eyes. But I draw the way I draw, and ain't nothing gonna change that. Although, I draw Marv and I think, "Boy, I could throw a little Mickey [Rourke] in there." — Frank Miller

Remain Healthy All Day: Drink a spoonful of oil every morning. Reach up with your arms and extend your body to its full height. Use a warm towel to dry the cat. Consider a philosophical idea larger than your area of expertise. Avoid getting cancer. Chalk up bad decisions to outside influences. Don't take your father too seriously. Play a game where you close your eyes very tightly, and when you open your eyes, you have amnesia and you must draw the details of your life from your surroundings. Give up smoking, drinking, and poetic verse. Remind yourself how important you are to your friends or at least your animals. Wax the floor in socks. Enter into a healthy, monogamous relationship. Consider briefly the idea of a soulmate. Light an entire box of matches and throw it into the sink. Hold a metal rod to the heavens and beg for whatever comes next. — Amelia Gray

My first morning back, and I'm in such a terrific mood that I start the day off right by blasting Nappy Roots in the kitchen while I scarf down some cereal. The loud strains of "Good Day" draw the others from their bedrooms, and Garrett is the first to appear, clad in boxers and rubbing his eyes.

"Morning, Sunshine," he mumbles. "Please tell me you made some coffee."

I point to the counter. "Go nuts."

He pours himself a cup and plops down on one of the stools. "Did cartoon chipmunks dress you this morning?" he grumbles. "You're scarily chipper."

"And you're scarily grumpy. Smile, dude. It's our favorite day of the year, remember? — Elle Kennedy

In the weakness of one kind of authority, and in the fluctuation of all, the officers of an army will remain for some time mutinous and full of faction, until some popular general, who understands the art of conciliating the soldiery, and who possesses the true spirit of command, shall draw the eyes of all men upon himself. Armies will obey him on his personal account. There is no other way of securing military obedience in this state of things. — Edmund Burke

You may feel the human realm is a difficult place, but there is surely no better world to live in. You will find another only by going to the nonhuman; and the nonhuman realm would surely be a far more difficult place to inhabit than the human.

So if this best of worlds proves a hard one for you, you must simply do your best to settle in and relax as you can, and make this short life of ours, if only briefly, an easier place in which to make your home. Herein lies the poet's true calling, the artist's vocation. We owe our humble gratitude to all practitioners of the arts, for they mellow the harshness of our human world and enrich the human heart.

Yes, a poem, a painting, can draw the sting of troubles from a troubled world and lay in its place a blessed realm before our grateful eyes. — Soseki Natsume

What plan of action? What can be done? We can't fight the whole society."
"I was thinking we could use you as bait and draw them into a trap," Gregori said, straight-faced.
Gary's eyes widened in alarm. "I'm not sure I like that plan. Sounds a little risky to me." He looked at Savannah for support.
Gregori shrugged his broad shoulders in a casual shrug. "I do not see a risk."
Savannah's small clenched fist thumped his stomach in retaliation. Gregori glanced down at her with surprise. "Is this when I am supposed to say ouch?"
Savannah and Gary exchanged a long, mournful groan. "Why did I want him to have a sense of humor?" she wondered.
Gary shook his head. "Don't be asking me. You created the monster. — Christine Feehan

To the eyes of the American soldiers who drove past, I looked no different from the women around me; and as I thought of it, who could say I was any different? If you no longer have leaves, or bark, or roots, can you go on calling yourself a tree? "I am a peasant," I said to myself, "and not a geisha at all any longer." It was a frightening feeling to look at my hands and see their roughness. To draw my mind away from my fears, I turned my attention again to the truckloads of soldiers driving past. Weren't these the very American soldiers we'd been taught to hate, who had bombed our cities with such horrifying weapons? Now they rode through our neighborhood, throwing pieces of candy to the children. — Arthur Golden

What do you do when strength is called for and you have no strength? You evoke a power beyond your own and use stamina you did not know you had. You open your eyes in the morning grateful that you can see the sunlight of yet another day. You draw yourself to the edge of the bed and then put one foot in front of the other and keep going. You weep with those who gently close the eyes of the dead, and somehow, from the salt of your tears, comes endurance for them and for you. You pour out that resurgence to minister to the living. — Catherine Marshall

Hey, Megan?"
She peeked one lid open. "Hmm?"
"Can we have ice cream for breakfast?"
Her mouth curved into a grin. She couldn't think of anyone, save maybe Kate, who could draw a smile from her so quickly. But he was just unexpectedly adorable. "Maybe. If you're a good boy." She cringed. Why the hell did she say that? Was she ... flirting with him? Restraining a grimace, she chanced a look at him.
His dark gaze shifted from playful to scorching. "And what would that entail?"
Heat shot through her body, and unfamiliar desire pooled in her belly. Flustered, she kicked off the top cover. "Not asking questions like that, to start. Now go back to sleep. It's too damn early to be awake."
She heaved a deep breath to calm her racing heart .
"if you say so." Even with his eyes closed, a smile continued to play around his lips. — Laura Kaye

The heron must be used to people, and yet it never lets you get too close. Draw parallel to it with the width of one of the marsh's holding ponds between you, and it will duck its head, eyeing you with suspicion, then fly. I cannot approach the heron, certainly could never touch it; I can only look for it, entranced.
This is how I understand the divine, and why I continue to seek it in the resolutely non-human world, with which we nonetheless recognize a numinous kinship. Sometimes, it will turn and lock eyes with you, lifting you out of yourself, changing everything. Other times, it will give you the side-eye and swoop away, leaving you longing for retreating beauty. You might not see it every single time you go looking, or where you expect to find it. No matter how common the experience, every time you stumble across mystery, or independent wild being, it is a surprise and a miracle. And every day, you can look." - Sara Amis, "A Daily Heron — John Halstead

( ... )"He said we all have this different idea of what love is and that's what makes our circle. The more ideas and misconceptions you throw in, the larger the diameter and the harder it is to connect with someone. We," he said, squeezing Hunter's hand and signaling Margie and everyone around them, "all sit around the edge looking at everyone else around the circle. Sometimes we just settle for the person next to us because it's easy or convenient and we skip our way around its circumference, never really knowing what love is all about."
He took a sip of his Coke and kept his eyes on Margie. "But other times, you see that person across from you, staring back at you, and you fight like hell trying to get across while he does the same. If you're lucky, there's a rope you can toss over and help draw each other in, never looking away, never worrying about those still on the circumference; just you and him, pulling each other in, deeper and deeper." — Brandon Shire

Have you ever watched the flame of a candle burn? The flicker twirling fluidly as it dances in the air without restraint, its beauty hypnotizing. You can't look away. You don't want to. That's how I feel at this moment as Lawrence and I stare at each other. His eyes draw me in, searing through me and leaving a trail of heat behind. — Mia Asher

Father, thank you for giving us a new birth in spite of our sin and rebellion. Lord, part of us longs to be holy and sinless, but there is much in us that still cherishes our sin and clings to it. Please help us to hate our sin and run from it. As you draw us toward heaven, open our eyes and help us to see how offensive our sin is to you, and how damaging it is to us. When we are dazzled by the alluring temptations of sexual and nonsexual sins, teach us that you are the only feast that satisfies our souls deeply and permanently. Fill us with awe and wonder that you give us the radiant robes of your Son's perfection to wear, and carry us to a place of high honor for his glory. Thank you that you have begun a good work in us that nothing can stop, and that one day we will stand before you in the bliss of sinless perfection as Christ's beautiful bride. We give thanks for this in Jesus' name, amen. — Barbara R. Duguid

No more chances, Golden Eyes. You're mine and I'll draw blood to enforce my claim. — Nalini Singh

You're poisonous, toxic, bad for my health. You're greedy, sly, way too stealth. You hurt me, use me, mistreat and abuse me. But your apologetic eyes, As you tell your lies, Draw me back in, And I forgive every sin. I take you back, Your love is my crack. I'm clearly a masochist, You're my personal terrorist. My tormentor, My lover, My bully, My friend. — Penelope Douglas

Jason and his parents lived directly across the street. He was outside that day trying to get some mail-order rocket to soar into the heavens. What a rip-off! The whole time I was watching him, the stupid thing never made it a yard off the ground. It was after about the hundredth try, when the movers had half the truck unloaded, that I noticed his ass rolling his beady eyes at me. I was using a piece of pink chalk to draw a makeshift hopscotch diagram on the street in front of my house when he approached me. His Kangol hat and leather bomber jacket made him look like a pint-size pimp. All he needed was a couple of gold teeth. — Zane

The half-brained creature to whom books are other than living things may see with the eyes of a bat and draw with the fingers of a mole his dullard's distinction between books and life: those who live the fuller life of a higher animal than he know that books are to poets as much part of that life as pictures are to painters or as music is to musicians, dead matter though they may be to the spiritually still-born children of dirt and dullness who find it possible and natural to live while dead in heart and brain. — Algernon Charles Swinburne

When she reached the other two overseers, she let them see her, let them try to draw their blades. She knew it wasn't the weapon in her hands that made them stupid with panic, but rather her eyes - eyes that told them they had been tricked these past few months, that cutting her hair and whipping her hadn't been enough, that she had been baiting them into forgetting that Adarlan's Assassin was in their midst. But — Sarah J. Maas

Holy Sonnets: Thou hast made me, and shall thy work decay?"

Thou hast made me, and shall thy work decay?
Repair me now, for now mine end doth haste,
I run to death, and death meets me as fast,
And all my pleasures are like yesterday;
I dare not move my dim eyes any way,
Despair behind, and death before doth cast
Such terror, and my feebled flesh doth waste
By sin in it, which it towards hell doth weigh.
Only thou art above, and when towards thee
By thy leave I can look, I rise again;
But our old subtle foe so tempteth me,
That not one hour I can myself sustain;
Thy grace may wing me to prevent his art,
And thou like adamant draw mine iron heart. — John Donne

Mine is the sultry sunset when the skies
Tremble with strange, intolerable thunder:
And at the dead of an hushed night, these eyes
Draw down the soaring oracles winged with wonder — Lionel Pigot Johnson

Caine wanted to be a doctor," Serena recalled with an innocent smile. "At least,that's what he told all the little girls."
"It was a natural aspiration," Caine defended himself, lifting his hand to his mother's knee while his arm held Diana firmly against him.
"Grant used a different approach," Shelby recalled. "I think he was fourteen when he talked Dee-Dee O'Brian into modeling for him-in the nude."
"That was strictly for the purpose of art," he countered when Gennie lifted a brow at him. "And I was fifteen."
"Life studies are an essential part of any art course," Gennie said as she started to draw again. "I remember one male model in particular-" She broke off as Grant's eyes narrowed. "Ah,that scowl's very natural,Grant,try not to lose it. — Nora Roberts

I opened my eyes; how could I keep them shut when I could not sleep? The same darkness brooded over me; the same unfathomable black eternity which my thoughts strove against and could not understand. I made the most despairing efforts to find a word black enough to characterize this darkness; a word so horribly black that it would darken my lips if I named it. Lord! how dark it was! and I am carried back in thought to the sea and the dark monsters that lay in wait for me. They would draw me to them, and clutch me tightly and bear me away by land and sea, through dark realms that no soul has seen. I feel myself on board, drawn through waters, hovering in clouds, sinking
sinking. — Knut Hamsun

The portrait artist must acknowledge human complexity with each brushstroke. The eyes, nose and mouth that compose a sitter's face, just like the suffering and joy that compose his soul, are similar to those of ten million others yet still singular to him. This acknowledgment is where art begins. It may also be where mercy begins. If criminals drew the faces of their victims before perpetrating their crimes and judges drew the faces of the guilty before sentencing them, then there would be no faces for executioners to draw. — Anthony Marra

Home is where I take up such a tiny portion of the memory foam; home is a splintered word. His pillow is a sweat-stained map of an escape plot, also a map of love's dear abandon. (When did he give way, at which breath?) Forgiveness may mean retrospectively abandoning the pillow and abandoning the photograph of someone with curious eyes, kissing my toes, poolside. I paint my toes Big Apple Red. I don't know what to do about the shock of red nails on clean, white tiles except get used to it. (And when he gave way, was there room for feelings or the words for feeling?) While I brush my teeth, I can see him in my periphery at the other sink. The outline of him lulls and stings. (And when he gave way, was it the end of the beginning of suffering?) I draw his profile near, I make him brush his teeth with me, he spits and makes a mess. I could love another face, but why? — Karen Green

Look at the subject as if you have never seen it before. Examine it from every side. Draw its outline with your eyes or in the air with your hands, and saturate yourself with it. — John Baldessari

His head dropped to watch his thumb move over my fingers as he muttered, "Naked, baby."
My head twitched at his weird word.
"Pardon?"
His eyes came to mine and he repeated, "Naked."
I felt my brows draw together and I asked, "Naked?"
He held my gaze even as he moved ... — Kristen Ashley

You're going to have to take care of yourself," Karrin said quietly. "Over the next few weeks. Rest. Give yourself a chance to heal. Keep the wound on your leg clean. Get to a doctor and get that arm into a proper cast. I know you can't feel it, but it's important that
"
I stood, leaned over the bed, and kissed her on the mouth.
Her words dissolved into a soft sound that vibrated against my lips. Then her good arm slid around my neck, and there wasn't any sound at all. It was a long kiss. A slow kiss. A good one. I didn't draw away until it came to its end. I didn't open my eyes for a moment after.
" ... oh ... ," she said in a small voice. Her hand slid down my arm to lie upon mine.
"We do crazy things for love," I said quietly, and turned my hand over, fingers curling around hers. — Jim Butcher

know," Maris sighed. "I'm disgusting." "No. You're very beautiful like this." Stunned, Maris looked up, unsure of what to expect. But he saw truth in Ture's eyes, not horror. Ture cupped Maris's cheek as he stared in awe of the man's current appearance. He'd never seen anything like this. Mari's skin reminded him of a sleek, silvery fish's. Only it wasn't scaled and it was as soft was warm velvet. Even his eyes were now an eerie glowing silver color. Not their normal dark chocolate. The neatest part was the beautiful design that was now visible around his eyes. Like someone had used dark gray and black eye shadow and liner to draw an intricate flowing scroll pattern. He — Sherrilyn Kenyon

Our Father, who has set a restlessness in our hearts and made us all seekers after that which we can never fully find, forbid us to be satisfied with what we make of life. Draw us from base content and set our eyes on far-off goals. Keep us at tasks too hard for us that we may be driven to Thee for strength. Deliver us from fretfulness and self-pitying; make us sure of the good we cannot see and of the hidden good in the world. Open our eyes to simple beauty all around us and our hearts to the loveliness men hide from us because we do not try to understand them. Save us from ourselves and show us a vision of a world made new. — Eleanor Roosevelt

My point is, or should be, simple: history happened. The object is not to undo it, distort it, or to make it fit our present political attitudes. The object of history, which each generation properly interprets anew, is to understand what happened and why. A multicultural Canada can and should look at its past with fresh eyes. It should, for example, study how the Ukrainians came to Canada, how they were treated, how they lived, sometimes suffered, ultimately prospered, and became Canadians. What historians should not do is to recreate history to make it serve present purposes. They should not obscure or reshape events to make them fit political agendas. They should not declare whole areas of the past off-limits because they can only be presented in politically unfashionable terms any more than they should fail to draw object lessons from a past that was frequently less than pleasant and less than honourable. Because the past was not perfect, it must not be made perfect today. — J.L. Granatstein

look before you draw and believe what your eyes, not the rest of your head, tell you. — Danny Gregory

To draw you must close your eyes and sing. — Jandy Nelson

Why do I not rather seek some real good - one which I could feel, not one which I could display? These things that draw the eyes of men, before which they halt, which they show to one another in wonder, outwardly glitter, but are worthless within. — Seneca.

If the best man's faults were written on his forehead, he would draw his hat over his eyes. — Thomas Gray

I should have guessed you were Jace's sister," he said. "You both have the same artistic talent."
Clary paused, her foot on the lowest stair. She was taken aback. "Jace can draw?"
Nah." When Alec smiled, his eyes lit like blue lamps and Clary could see what Magnus had found so captivating about him. "I was just kidding. He can't draw a straight line. — Cassandra Clare

They dated," Frank says, with just a little too much relish. "For two years. They were the shiniest golden couple of our class. What a match, you know? Both gorgeous. She's super smart--does student government, debate, choir, all that business. He does the sports and volunteers with his dad's church, has those puppy eyes that make you want to buy him a boat--"
"Do they?"
"Yes, gaze deeply into his eyes next time--you'll feel it." He takes a long draw from his drink and then continues. "Anyway, they were the kind of couple where it's like, separate--they're great. But together, it's . . . star magic."
"Star magic?"
"From the universe. Celestial bodies aligning and shit. That kind of magic. — Emma Mills

For, or so they whispered, she would take the camp-stool and draw it up close below the face of the man or woman that hung down over the edge of the interrogation table. Then she would squat down on the stool and and look into the face and quietly say 'No. 1' or 'No. 10' or 'No. 25' and the inquisitors would know what she meant and they would begin. And she would watch the eyes in the face a few inches away from hers and breathe in the screams as if they were perfume. — Ian Fleming

Laurel look up at him in question, but he wouldn't meet her eyes. She always wished she had more time to draw secrets from him. "I'll wear it always," she said.
"And think of me?" His eyes held her captive, and she knew there was only one answer.
"Yes."
"Good."
She started to turn, but before she could step away, Tamani grabbed her hand. Without breaking eye contact, he raised her hand to his face and brushed his lips over her knuckles. For just a second, his eyes were unguarded. A spark went through Laurel at what she saw there: raw, unbridled desire.
Before she could look any closer, he smiled, and the flash was gone. — Aprilynne Pike

Now I contradict myself. Picasso he do too. He say pull out your brain, yes, he also say, 'Painting is a blind man's profession' and 'To draw you must close your eyes and sing'. And Michelangelo, he say he sculpts with his brains, not his eyes. Yes. Everything is true at once. Life is contradiction, we take in every lesson we find what works. Okay, now pick up the charcoal and draw. — Jandy Nelson

The whole island was exactly what a kid growing up in some trailer park
say some dump like Tecumseh Lake, Georgia
would dream about. This kid would turn out all the lights in the trailer while her mom was at work. She'd lie down flat on her back, on the matted-down orange shag carpet in the living room. The carpet smelling like somebody stepped in a dog pile. The orange melted black in spots from cigarette burns. The ceiling was water-stained. she'd fold her arms across her chest, and she could picture life in this kind of place. It would be that time
late at night
when your ears reach out for any sound. When you can see more with your eyes closed than open. The fish skeleton. From the first time she held a crayon, that's what she'd draw. — Chuck Palahniuk

She opened her eyes slowly and saw that a pale lavender moth had come to a rest on the back of her hand. She watched it from her pillow, wondering if it was real. It reminded her of her husband Matt's favorite T-shirt, which she'd hidden in a bag of sewing, unable to throw it away. It had a large faded moth on the front, the logo of a cover band out of Athens called the Mothballs.
That T-shirt, that moth, always brought back a strange memory of when she was a child. She used to draw tattoos of butterflies on her arms with Magic Markers. She would give them names, talk to them, carefully fill in their colors when they started to fade. When the time came that they wanted to be set free, she would blow on them and they would come to life, peeling away from her skin and flying away. — Sarah Addison Allen

There are two ways to go about it. You can take a compass and draw a perfect circle and make two perfect eyes as neat as can be. Or you can do it freehand and have some fun with it. Like I did. Give it character. — Harvey Ball

In the clearness of this Himalayan air, mountains draw near, and in such splendor, tears come quietly to my eyes and cool on my sunburned cheeks. this is not mere soft-mindedness, nor am I all that silly with the altitude. My head has cleared in these weeks free of intrusions- mail, telephones, people and their needs- and I respond to things spontaneously, without defensive or self-conscious screens. Still, all this feeling is astonishing: not so long ago I could say truthfully that I had not shed a tear in twenty years. — Peter Matthiessen

What is that?"

Something bobbed on the surface, a piece of driftwood. And then another. And another. The boards floated past in broken shards, the edges burned. An unpleasant chill went through Alucard.

The Ghost was sailing through the remains of a ship.

"That," said Alucard, "is the work of Sea Serpents."

Lila's eyes widened. "Please tell me you're talking about mercenaries and not giant ship-eating snakes."

Alucard raised a brow. "Giant ship-eating snakes? Really?"

"What?" she challenged. "How am I supposed to know where to draw the line in this world?"

"You can draw it well before giant ship-eating snakes... — V.E Schwab

Marya Morevna! Don't you know anything? Girls must be very, very careful to care only for ribbons and magazines and wedding rings. They must sweep their hearts clean of anything but kisses and theater and dancing. They must never read Pushkin; they must never say clever things; they must never have sly eyes or wear their hair loose and wander around barefoot, or they will draw his attention! — Catherynne M Valente

Animals are nothing else than the figures of our virtues and
our vices, straying before our eyes, the visible phantoms of our
souls. God shows them to us in order to induce us to reflect.
Only since animals are mere shadows, God has not made them
capable of education in the full sense of the word; what is the
use? On the contrary, our souls being realities and having a
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goal which is appropriate to them, God has bestowed on them
intelligence; that is to say, the possibility of education. Social
education, when well done, can always draw from a soul, of
whatever sort it may be, the utility which it contains. — Victor Hugo

She had large, questioning eyes that seemed to draw me in and a sense of quiet outrage that simmered just beneath the surface. More than anything, within her features, there was a streak of wild quirkiness that made her dazzlingly attractive. — Jasper Fforde

I'd like to sit there, I said softly to the girl sitting in front of the other mirror. She scampered.
I took over her abandoned make-up and painted my face. Red cheeks, to attract hungry vampyre glances. Black liquid eyeliner and mascara, to draw attention away from my bitter eyes. My silky-thin, raven hair, undone in waves over my bare shoulders. The magenta shade of apple gloss on my lips, to make them plump and inviting. Finally, a strapless golden dress that hugged my hips and not much lower. I stood up, feeling the cold air slide down the bare skin of my back like fingers, and panicked. I couldn't wear something like this! Not without a cardigan! A light dress jacket, at least!
I took a gulp of Amrit's wine and detached myself from the fretting child in my head. Then I strode from the sleeping chambers. — Heather Heffner

Then he was gone, and Prentice was alone in a silence that rang with all his shrill, unspoken words. He was so alone that the only thing to do was lie back on the bed and roll over and draw up his knees like an unborn baby, staring with dry eyes at a cluster of pink flowers on the wallpaper, knowing he had never been so alone in his life. — Richard Yates