Eyes Says It All Quotes & Sayings

Or you can stay frigid," says WIll, his green eyes glinting with mischief. "You know. If you want." Christina throws a roll at him. He catches it and bites it. "Don't be mean to her," she says. "Frigidity is in her nature. Sort of like being a know-it-all is in yours." "I am not frigid!" I exclaim. "Don't worry about it," says Will. It's endearing. Look you're all red. — Veronica Roth

Do they have to be so public?" I say.
"She just kissed him." Al frowns at me. When he frowns, his thick eyebrows touch his eyelashes. "It's not like they're stripping naked."
"A kiss is not something you do in public."
Al, Will, and Christina all give me the same knowing smile.
"What?" I say.
"Your Abnegation is showing," says Christina. "The rest of us are all right with a little affection in public."
"Oh." I shrug. "Well ... I guess I'll have to get over it, then."
"Or you can stay frigid," says Will, his green eyes glinting with mischief. "You know. If you want. — Veronica Roth

The conversation between Fletcher and Jonathan Livingston Seagull is centered on why some have achieved more than others ... are they divine ... ahead of their times ... Fletcher says, Well, this kind of flying has always been here to be learned by anybody who wanted to discover it; that's got nothing to do with time. We're ahead of the fashion, maybe. Ahead of the way most gulls fly. Poor Fletch. Don't you believe what your eyes are telling you? All they show is limitations. Look with your understanding, find out what you already know, and you'll see the way to fly. — Richard Bach

How was Ambrose?"
"Starving, as usual. I swear he wants to nurse every two hours."
Zoe grinned. "It's because he's a boy." She pulled out some sheet music and began hunting through it for another selection. "Lisette says that Eugene nearly drove her mad. Even the wet nurse she used when she and Max came up to Winborough complained that she'd never seen a babe so lusty. But Claudine didn't give Lisette a bit of trouble. My little Drina was never a problem, either."
"Just as I always suspected," Jane said. "Men are insatiable from birth."
Dom's eyes twinkled at her. "In some things, anyway."
Her stomach flipped over. Dr. Worth had only yesterday told her that they could resume marital relations, but in all the chaos of the coronation preparations she hadn't had a chance to tell Dom. — Sabrina Jeffries

A book, he thinks at one point, rubbing his eyes, tired from so much focused reading. It's a world all on its own, too. He looks at the cover again. A satyr playing pan pipes, far more innocent-looking than when it got up to in the story. A world made of words, Seth thinks, where you live for a while.
"And then it's over," he says. — Patrick Ness

I'm just saying, when a woman in a maiden, she's in the spotlight. Everybody cares what a pretty, young girl does and says. And she's got some pretty strict archetypes to adhere to: Sleeping Beauty or Cinderella or Britney Spears. Pick your poison. But when you become a young mother? People don't give a fuck what you're doing. Their eyes glaze over before they even finish asking you. Once a woman starts doing the most important work of her life, all of a sudden, nobody wants to know a thing about it. — Rufi Thorpe

Do you ever think about him?" Elise asks. "The baby?"
I nod slowly. "I wonder how much would have been different, if he'd-"
"Don't say it." There are tears in her eyes. "Let's do it this way, Charlie, all right? Let's just pick one sentence out of all of the ones we should have said
the best, most important sentence
and let's say just that."
This is my old Elise
whimsical, loopy
the one I couldn't help but fall for. And because I know she is sinking in the quicksand of regret just like me, I nod. "Okay. But I go first." I try to remember what it was like to be loved by someone who did not know limits, and had not yet been ruined by that. "I forgive you," I whisper; a gift.
"Oh, Charlie," Elise says, and she gives me one right back. "She turned out absolutely perfect. — Jodi Picoult

Oh, he's joining the team," Dean declares. "I don't care if I have to suck his dick to get him to agree to it."

Laughter breaks out all around him.

"Sucking dick now, are we?" I ask pleasantly.

An evil gleam lights his eyes. "You know what? I won't just suck it," he says slowly. "I'll suck him off. You know, give him an orgasm."

The other guys exchange mystified looks, but Dean's mocking look tells me exactly where he's going with this. Jackass.

"I'm not sure if you all know this, but an orgasm is the point of completion in the pleasure process." Dean gives me an innocent smile. "Men and women achieve it in different ways. For example, when a woman reaches completion, she might moan or gasp or - — Elle Kennedy

I close my eyes and lean into him. I think my body makes the choice for me, because my mind has certainly lost all control. I press my face against his neck and listen quietly as our breaths fail to slow. The longer we stand here and the more he says, the heavier our need grows. I can feel it in the way he holds me. I can hear it in the desperate plea of his voice. I can feel it with every rise and fall of his chest. — Colleen Hoover

How can she stand up there so tall as she's telling us how her mother beat her and her father molested her when she was a little girl? How is it possible for her to look so proud? How is she not being consumed by shame? She should be disintegrating before our eyes. She should be struck by lightning, and God's big, angry, booming voice should be shaking the room with "How dare you? I told you never to tell." But that's not her God, she says. Her God is loving and kind and wants what's best for her. Her God loves peace and serenity and forgiveness. Her God doesn't make her keep secrets. I thought I knew God all my life, but maybe it was some other guy the whole time. I want this God. I want Val's God. I want a God who doesn't make me jump through hoops and hate myself to earn his love. — Amy Reed

We could call you an ambisexual. A duosexual. A - "
"Do I really have to find a word for it?" Kyle interrupts. "Can't it just be what it is?"
"Of course," I say, even though in the bigger world I'm not so sure. The world loves stupid labels. I wish we got to choose our own.
We pause for a moment. I wonder if that's all - if he just needed to say the truth and have it heard. But then Kyle looks at me with unsure eyes and says, "You see, I don't know who I'm supposed to be."
"Nobody does," I assure him. — David Levithan

Dorothy's coming up. I think she's tight."
"That's great." I picked up my bathrobe. "I was afraid I was going to have to get some sleep."
She was bending over looking for her slippers. "Don't be such an old fluff. You can sleep all day." She found her slippers and stood up in them. "Is she really as afraid of her mother as she says?"
"If she's got any sense. Mimi's poison."
Nora screwed up her dark eyes at me and asked slowly: "What are you holding out on me?"
"Oh, dear," I said, " I was hoping I wouldn't have to tell you. Dorothy is really my daughter. I didn't know what I was doing, Nora. It was spring in Venice and I was so young and there was a moon over the ... "
"Be funny. Don't you want something to eat? — Dashiell Hammett

Nietzsche says very clearly all the way through his career that if you want to define human nature the first thing you must say is that human beings insist on value
we see the world through value colored eyes. We do not know how to look at things neutrally, value-free. So, it's not a question of giving up all values, it's simply a question of which values. — Robert C. Solomon

She doesn't seem to notice me. She focuses on Uriah. "I'm just glad I didn't die while under the simulation," she says weakly. "You're not gonna die now," he says. "Don't be stupid," she says. "Uri, listen. I loved her too. I did." "You loved who?" he says, his voice breaking. "Marlene," says Lynn. "Yeah, we all loved Marlene," he says. "No, that's not what I mean." She shakes her head. She closes her eyes. Still, it takes a few minutes before her hand goes limp in mine. I guide it across her stomach, and then take her other hand from Uriah and do the same to it. He wipes his eyes — Veronica Roth

The wizard stirs, opens his eyes, and looks at the reluctant boy. "Oh, you'll get your heart broken," he says. "Is that what you're waiting to hear? It'll be broken, all right. But you'll never get anything done if you walk around with an unchipped heart. That's the way of it, boy. — Peter Straub

I can't believe you're still mad at me," Ed says.
"You grabbed my arse."
"You broke my nose."
"You broke his nose?" Jazz asks. "You grabbed her arse?"
"It was two years ago-"
"Two years, four months, and eight days," I tell him.
"-and I was fifteen, and I slipped and she broke my nose."
"Wait a minute. How do you slip onto someone's arse?"
Jazz asks.
"I meant slipped up. I slipped up and she broke my nose."
"You're lucky that's all I broke," I say.
"You're lucky I didn't call the police."
Leo, Dylan, and Daisy slid into the booth. "Did you guys know that Lucy broke Ed's nose? Jazz asks.
Ed closes his eyes silently and bangs his head on the wall. — Cath Crowley

She raises her hands and places them on either side of my face. My skin burns beneath her touch. 'I think you're beautiful.'
I smile, thinking she's done. But she releases my face and places her palms on my chest, directly over my heart.
'You're beautiful right here,' she says.
I close my eyes, and the breath rushes from my lungs.
'I see the good in you, Dante,' Charlie continues, her words rolling together off her tongue. 'Even if you don't, I do. You have a good heart. You know how I know?'
I open my eyes. She's looking at me like nothing else in the world exists. Like the entire planet and all of mankind just vanished. She slowly wraps my hands inside her own as best she can and places them on her chest. 'Because I feel it here.' She taps our hands against her chest. 'I know you're good, Dante. Because I feel it inside of me. — Victoria Scott

There are
people everywhere. Lindsay wants to be sick, it's like he can
feel
all their
eyes on him, but he does it anyway and when he finally moves away a
good minute later Valentine seems to have turned from himself into a silly
bashful schoolgirl, blushing and smiling and not quite looking up.
"Oh," he says, like that explains everything.
"Yeah."
"Thank you."
"That's a shit thing to say when somebody's just ripped all his
principles in half to make you feel better."
"Thank you very much?"
"You're welcome. — Richard Rider

It is magnificent. At the moment of impact, the king's eyes are open, his body braced for the atteint; he takes the blow perfectly, its force absorbed by a body securely armoured, moving in the right direction, moving at the right speed. His colour does not alter. His voice does not shake.
"Healthy?" he says. "Then I thank God for his favour to us. As I thank you, my lords, for this comfortable intelligence."
He thinks, Henry has been rehearsing. I suppose we all have.
The king walks away towards his own rooms. Says over his shoulder, "Call her Elizabeth. Cancel the jousts. — Hilary Mantel

Goed morgen, fentomen!" a deckhand shouts to them as he passes by, his arms full of rope. All the ship's crew call them fentomen. It is the Kerch word for ghosts. When the girl asks the quartermaster why, he laughs and says it's because they are so pale and because of the way they stand silent at the ship's railing, staring at the sea for hours, as if they've never seen water before. She smiles and does not tell him the truth: that they must keep their eyes on the horizon. They are watching for a ship with black sails. Baghra's — Leigh Bardugo

She blames herself. I hurt from knowing that I hurt her. Even when we know all of these other people are to blame. My friends. The media. Not her. Not me.

I can't help myself. I continue the cycle and I say, "I don't want to hurt you."

Lily is quiet for a moment before she says, "I'm tougher than you think. You just need to believe in me. You know, like a fairy."

I do believe in fairies. I do. I do. The jubilant chorus from Peter Pan fills my ears.

I look up at her, tears in both our eyes. Is that how we end this? I trust that I can share my grief with her and that she won't crumble beneath the pain?

She nods to me like go on. I can handle it. — Becca Ritchie & Kristia Ritchie

You don't fool me, he says in a low voice.
Is that right?
Yea, he says. I see it in yer eyes. All you care about's yer precious brother.
That aint true, I says.
If it'd been Emmi they took, he says, Emmi an not Lugh ... would you of gone after her?
I take in a breath to say of course I would but the look on his face stops me. there ain't no point in lyin when he already knows the truth.
He leaves go of me an steps back.
I thought so, he says. Yer sister'll be safer with me than she could ever be with you. You jest ride along on yer high horse an leave her to me. — Moira Young

I push open the door just as Tobias, who is sitting on the floor with one leg stretched out, hurls a butter knife at the opposite wall. It sticks, handle out, from a large hunk of cheese they positioned on top of the dresser. Caleb, standing beside him, stares in disbelief, first at the cheese and then at me.
"Tell me he's some kind of Dauntless prodigy," says Caleb. "Can you do this too?"
"With my right hand, maybe," I say. "But yes, Four is some kind of Dauntless prodigy.
Tobias's eyes catch mine on the word "Four." Caleb doesn't know that Tobias wears his excellence all the time in his own nickname. — Veronica Roth

Let me get someone to drive you home," I say before my fucked-up mind thinks of a million ways I could violate her tonight. I'm buzzed from alcohol and high, too. When I have sex with this girl, I want all my faculties.
She purses her lips and pouts like a kid. "No. I don't want to go home. Anywhere but home."
Oh, man.
I'm in trouble. Tengo un problema grande.
She looks up at me, her eyes in the moonlight sparking like rare, expensive jewels. "Colin thinks I want you, you know. He says our bickering is foreplay."
"Is it?" I ask, holding my breath to hear her response. Please, please let me remember the answer in the morning. — Simone Elkeles

...As if it's all so easy. If it's so easy, why don't we talk about it more?"

"It hurts too much," Mather says. Just that simple.

That makes me stop. I meet his eyes, a long, careful gaze. "Someday it won't hurt."

The promise we refugees always make one another - We'll be better . . . someday. — Sara Raasch

You must pray with all your might. That does not mean saying your prayers, or sitting gazing about in church or chapel with eyes wide open while someone else says them for you. It means fervent, effectual, untiring wrestling with God. This kind of prayer be sure the devil and the world and your own indolent, unbelieving nature will oppose. They will pour water on this flame. — William Booth

But remember in tenth grade, when I wanted to go out with that junior and you said, 'Eh. I don't think she's the right girl for you'?"

"She wasn't."

"Because she was setting things on fire!" Ric announced loudly, making Gwen burst out laughing and Lock roll his eyes. "I'm serious, Gwen." Ric went on. "And when I say setting things on fire, I mean entire buildings. Mostly schools. She'd been setting them on fire or trying to, for weeks. I didn't find out until the cops came and arrested her during gym class. But does he say to me, 'She's setting things on fire! She's crazy! Stay away from her!' No. He says, 'Eh. I don't think she's the right girl for you.' And he's all calm about it over our chocolate pudding in the cafeteria."

"I don't see the point of getting hysterical. — Shelly Laurenston

Diana go slowly out with the others, to walk home alone through the Birch Path and Violet Vale, it was all the former could do to keep her seat and refrain from rushing impulsively after her chum. A lump came into her throat, and she hastily retired behind the pages of her uplifted Latin grammar to hide the tears in her eyes. Not for worlds would Anne have had Gilbert Blythe or Josie Pye see those tears. "But, oh, Marilla, I really felt that I had tasted the bitterness of death, as Mr. Allan said in his sermon last Sunday, when I saw Diana go out alone," she said mournfully that night. "I thought how splendid it would have been if Diana had only been going to study for the Entrance, too. But we can't have things perfect in this imperfect world, as Mrs. Lynde says. Mrs. — L.M. Montgomery

Let's do it,Gregori." Her long eyelashes swept down to cover her expression, and that little infuriating smile brought his attention to her soft mouth. "You might pick up some pointers. After all,these guys are probably professionals."
Gregori felt the laughter welling up from somewhere in hi soul. The silver eyes warmed to molten mercury, quicksilver. "You think they might be able to help me out?"
Savannah nodded solemnly. "It says right on the brochure, no drunks. That has to mean they know what they're doing, don't you think? — Christine Feehan

Scarlett doesn't want to go to the hospital. Not surprising, really, since we have to come up with an elaborate story about how we all got so severely wounded.
"Dogfight. We broke one up," my sister answers for us as a horrified emergency room receptionist looks at Scarlett's raw, bleeding shoulders.
"Dogs dislike us." Silas shrugs, clutching the wound on his chest. He glances down at the burn wounds on my legs. I think they might scar, but it's hard to say. The receptionist speaks into a walkie-talkie, then lets her eyes travel from the fresh wounds to the ancient scars on Scarlett's body.
"Dogs pretty much hate me," Scarlett says testily. The poor receptionist looks relieved when the ER doctors appear and usher us down the hall. — Jackson Pearce

The economic boom that followed World War II had made them richer than their parents. Instead of a comfortable life with a husband they'd known since high school, they craved glamour and romance. "We all learned from the movie stars," says Loretta, who married three times and now lives in Lake Worth, Florida. "New York then was like long black gloves and little hats, and you met your sweetheart in New York for a drink, kind of thing. It was like Sinatra and stuff like that. The songs had words, and you closed your eyes. — Pamela Druckerman

Justineau puts a hand on Melanie's arm, and Melanie jumps almost a foot into the air. The extreme reaction makes Justineau start back in her turn. "Sorry," she says. "It's all right," Melanie mutters, looking up at her. The girl's blue eyes are wide and fathomless. Normally her emotions are all on the surface, but now, underneath the nerves and the general unhappiness, there are depths that Justineau doesn't know how to interpret. "We — M.R. Carey

So in the middle of all the noise, I point to the sky. I hope he understands what I mean, because I mean so many things: My heart will always fly his name. I won't go gentle. I'll find a way to soar like the angels in the stories and I will find him. And I know he understands as he looks straight at me, deep into my eyes. His lips move silently, and I know what he says: the words of a poem that only two people in the world know. Tears well up but I blink them away. Because if there is one moment in my life that I want to see clearly, this is it. — Ally Condie

Thank you," I tell Xander. "I didn't get anything for you -"
"It's all right," he says, "but maybe - you could -"
He looks into my eyes and I know what he wants. A kiss. Even thought he knows about Ky. Xander and I are still connected; this is still good-bye. I know already that that kiss would be sweet. It would be what he would hold on to, as I hold on to Ky's.
But that's something I don't think I can give. "Xander -"
"It's all right," he was, and then he stands up. I do too, and he reaches for me, pulls me close. — Ally Condie

He was dead before. He knew it, didn't you see it in his eyes? My jacket."
"Your jacket?" I say, with enough force that my shaky voice makes Corr start. "How about 'my jacket, please.' "
Sean Kendrick looks at me, perplexed, and I can see he hasn't a clue of why I'm upset with him. Why I'm upset at all. I can't stop shaking, as if I've taken all of Corr's trembling and made it my own.
"That's what I said," he says after a pause.
"No, it's not."
"What did I say?"
"You said my jacket."
Sean looks a little bewildered now. "That's what I said I said. — Maggie Stiefvater

I think about death all the time, but only in a romantic, self-serving way, beginning, most often, with my tragic illness and ending with my funeral. I see my brother squatting beside my grave, so racked by guilt that he's unable to stand. "If only I'd paid him back that twenty-five thousand dollars I borrowed," he says. I see Hugh, drying his eyes on the sleeve of his suit jacket, then crying even harder when he remembers I bought it for him. — David Sedaris

She's a-going," he says. "Her mind is set on it." It's a hard life on women, for a fact. Some women. I mind my mammy lived to be seventy or more. Worked every day, rain or shine; never a sick day since her last chap was born until one day she kind of looked around her and then she went and taken that lace-trimmed night-gown she had had forty-five years and never wore out of the chest and put it on and laid down on the bed and pulled the covers up and shut her eyes. "You all will have to look out for pa the best you can," she said. "I'm tired. — William Faulkner

As you make more and more powerful microscopic instruments, the universe has to get smaller and smaller in order to escape the investigation. Just as when the telescopes become more and more powerful, the galaxies have to recede in order to get away from the telescopes. Because what is happening in all these investigations is this: Through us and through our eyes and senses, the universe is looking at itself. And when you try to turn around to see your own head, what happens? It runs away. You can't get at it. This is the principle. Shankara explains it beautifully in his commentary on the Kenopanishad where he says 'That which is the Knower, the ground of all knowledge, is never itself an object of knowledge.'
[In this quote from 1973 Watts, remarkably, essentially anticipates the discovery (in the late 1990's) of the acceleration of the expansion of the universe.] — Alan W. Watts

Everyone, this is the new girl. Elder knows her. New girl, this is everyone." A few people look up politely; some actually smile. Most, however, look wary at best, disgusted at worse. The nurse closest to me jabs her finger behind her ear and starts whispering to nobody.
"What's wrong with her?" I ask Harley as he leads me to the table he was sitting at.
"Oh, don't worry, we're all mad here."
I giggle, mostly from nerves. "It's a good thing I read Alice in Wonder-land . I definitely think I've fallen into the rabbit hole."
"Read what?" Harley asks.
"Never mind." All around me, eyes follow my every move.
"Look," I say loudly. "I know I look different. But I'm just a person, like you." I hold my head up high, looking them all in the eyes, trying to hold their stares for as long as possible.
"You tell 'em," says Harley with another Cheshire grin. — Beth Revis

Why would he go to that?" Reagan asks Pete, and she looks at him like he's grown two horns. "To prove that he's ov - " Pete grunts and shuts up when Reagan elbows him in the stomach. I would have gone for his nuts, honestly. "The invitation was for all of us," Pete grumbles. "We should at least go and eat all their food and drink all their drinks. Just saying." "Did you want to go?" Sky asks me. I shake my head. "Not really." "You said it's an old friend, right?" she asks. I nod my head. "Sort of." "I think you should go." "You could take Sky with you," Pete says. "Rub that shit - " He grunts again when Reagan hits him on the back of the head. "Go for his nuts next time," I tell Reagan. "Good idea," she says as she shoots daggers at him with her eyes. "Your nuts are mine the next time you open your mouth," she warns, pointing a finger toward his crotch. "My nuts have been yours since the day I met you, princess," he says. — Tammy Falkner

All things are transient. Buddha says it is so, and Hock Seng, who didn't believe in or care about karma or the truths of the dharma when he was young, has come in his old age to understand his grandmother's religion and its painful truths. Suffering is his lot. Attachment is the source of his suffering. And yet he cannot stop himself from saving and preparing and striving to preserve himself in this life which has turned out so poorly.
How is it that I sinned to earn this bitter fate? Saw my clan whittled by red machetes? Saw my businesses burned and my clipper ships sunk? He closes his eyes, forcing memories away. Regret is suffering. — Paolo Bacigalupi

Bastien rolled his eyes, "Calm down, Hauk. All you're going to do is hurt yourself."
He glared at Bastien. "If you want to see exactly how angry someone can get, tell them to calm down when they're already pissed off!" Bellowing, he tried his best to break free.
"Is that helping? I just gotta know."
"When I get loose, Cabarro, your ass is the first one I'm kicking."
"Oh good. Hope you get out soon. Been awhile since I had a good ass-kicking." Bastien made a kissy face at him.
"Says the man who's so bruised, he looks like a two-year old banana."
"Now that's just mean and hurtful."
"Telise! He's awake again."
She moved forward and kicked Hauk in the face. "I wouldn't do that," Bastien warned. "Don't motivate the Andarion for murder. It ain't going to work out well for any of us. 'Specially me, since mine's the first ass he's planning to come after. — Sherrilyn Kenyon

No, Marla says. No, she wants it all. The cancers, the parasites. Marla's eyes narrow. She never dreamed she could feel so marvelous. She actually felt alive. Her skin was clearing up. All her life, she never saw a dead person. There was no real sense of life because she had nothing to contrast it with. Oh, but now there was dying and death and loss and grief. Weeping and shuddering, terror and remorse. Now that she knows where we're all going, Marla feels every moment of her life. — Chuck Palahniuk

When he settles back onto his knee, he wipes a tear away from his own eyes. "Sherry, until I met you I didn't know what life was. I had no clue that I wasn't even alive. It's like you came along and woke up my soul." He's looking straight at her as he talks. He doesn't sound nervous at all, like he's determined to prove to her how serious he is. He takes a deep breath and then continues. "I'll never be able to give you everything you deserve, but I'll definitely spend the rest of my life trying."
He pulls the ring out of the box and slides it on her finger. "I'm not asking you to marry me, Sherry. I'm telling you to marry me, because I can't live without you."
Sherry wraps her arms around his neck and they hold onto one another and cry. "Okay," she finally says. When they begin to kiss, his hand reaches over and turns off the camera. — Colleen Hoover

He says he knows someone isn't from the same race as he when that person looks at his library and asks, 'Have you read all of these?' A true book lover knows that, no, he hasn't read them all. It's about the process, it's about when the right reference comes up, you have the right book to go to; it's about never being without something to occupy your eyes and mind. — Jamie S. Rich

Your voice, your eyes, your hands, your lips
Our silence, our words
Light that goes, light that returns
A single smile between us
In quest of knowledge I watched night create day
O beloved of all, beloved of one alone
your mouth silently promised to be happy
Away, away, says hate
Closer, closer, says love
A caress leads us from our infancy
Increasingly I see the human form as a lovers' dialogue
The heart has but one mouth
Everything by chance
All words without thought
Sentiments adrift
A glance, a word, because I love you
Everything moves
We must advance to live
Aim straight ahead toward those you love
I went toward you, endlessly toward the light
If you smile, it enfolds me all the better
The rays of your arms pierce the mist. — Paul Eluard

Promise me," he whispers, "that you won't go. For me. Do this one thing for me." Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias's dark eyes plead with me. But if I don't go to Erudite, who will? Tobias? It's the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. "Okay." "Promise," he says, frowning. The pain becomes an ache, spreads everywhere - all mixed together, guilt and terror and longing. "I promise. — Veronica Roth

He moves suddenly so that his hand is cupping my sex, and one of his fingers sinks slowly into me. His other arm holds me firmly in place around my waist.
"This is mine," he whispers aggressively. "All mine. Do you understand?" He eases his finger in and out as he gazes down at me, gauging my reaction, his eyes burning.
"Yes, yours ... "
Abruptly, he moves, doing several things at once: Withdrawing his fingers, leaving me wanting, unzipping his fly, and pushing me down onto the couch so he's lying on top of me.
"Hands on your head," he commands through gritted teeth as he kneels up, forcing my legs wider ...
"We don't have long. This will be quick, and it's for me, not you. Do you understand?
Don't come, or I will spank you," he says through clenched teeth. — E.L. James

Galen places a hand on my thigh under the table and gives it a gentle squeeze. It's not meant to be sensual at all, but I've been going through Galen-withdrawals and I can't help but acknowledge the sensation of lava flowing through my veins. I try, try, try to respect that it's meant to comfort me. Galen must see it on my face because his eyes widen before he moves his hand away from me. "There's nothing for us to go back to, Emma," Galen says, clearing his throat. "That tribunal should have never happened. The Syrena world we once knew doesn't exist anymore."
So I was right. The only thing stopping him in the bedroom earlier was my wound. Not Syrena law. Not Syrena tradition. — Anna Banks

deep inside the smoldering stump of Israel, a remnant of life was rising to push back the darkness and break through the crust of the desolation of the people of God to find the light of day. Though they struggled to see it, God loved them. He loved them with an everlasting, unfailing love. Salvation was coming, and when all was said and done, "He will dwell with them and they will be his people and God himself will be with them as their God. He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore. " (Rev 21:3-4) "Behold," he says, "I am making all things new. — Russ Ramsey

No one is going to hear what she says whether she speaks or not. Simply she could close her eyes and never speak again. She could suck all of the air in this room-every dust mote, every atom-into her body and hide it inside her ... — Laura Kasischke

So there's magic? Real magic? It's not just all scientific like David says?"
Tamani rolled his eyes. "David again?"
Laurel bristled. "He's my friend. My best friend."
"Not your boyfriend?"
"No. I mean ... no."
Tamani stared at her for several seconds. "So the position's still open?"
Laurel rolled her eyes. "We are so not having this conversation. — Aprilynne Pike

You remember that Christmas when they got ill?" Mum says presently. "The year they were about two and three? Remember? And got poo all over their Christmas stockings, and it was everywhere, and we said, "It has to get easier than this"?"
"I remember."
"We were cleaning it all up and we kept saying to each other, "When they get older, it'll get easier." Remember?"
"I do." Dad looks fondly at her.
" Well bring back the poo." Mum begins to laugh, a bit hysterically. "I would do anything for a bit of poo right now."
"I dream of poo," says Dad firmly, and Mum laughs even more, till she's wiping tears from her eyes. — Sophie Kinsella

I want someone to love me for me, faults and all.
Someone who cant fall asleep without being her last call.
Someone who wants to be my last goodnight and my first hello.
Someone who will hold my hand and not let it go.
Someone who means it when she says, 'I will leave you never.'
Someone who looks into my eyes and sees her ... Forever. — Jose N. Harris

One of the pluses of chemotherapy, she tells the volunteers, is that all her facial and body hair has gone. It's like a permanent Brazilian for free, she says. One of the minuses of chemotherapy is that all the stuff on top of her head has gone too. ("What is a Brazilian?" Sister Lucy asked the other day. Finty gulped and looked for help, but the Pearly King was studying a parcel and Barbara had lost one of her glass eyes again in her lap. "It's a sort of haircut," said Finty. "Quite short.") — Rachel Joyce

We're here,' the Clock says.
The Perfectionist opens her eyes. She sees nothing. It's white. All white. There's no up. There's no down. No horizon. Nothing. It's just white.
'Clock, what is this?' asks the Perfectionist. Her voice is shaky.
'This is the future.'
'This is the future?' the Perfectionist asks. Her mouth is dry. She forces herself to swallow.
'Why is the future like this?'
'Because it hasn't happened yet,' says the Clock — Andrew Kaufman

Some of us are born more than once. Some of us recreate ourselves many times. Ryodan says adaptability is survivability. Ryodan says a lot of stuff. Sometimes I listen, All I know is, every time I open my eyes, my brian kicks on. Something wakes up deep in my belly, and I know I'll do anything it takes ... To. Just. Keep. Breathing. — Karen Marie Moning

In one of the extras that come with the DVD version of the movie (Groundhog Day), Danny Rubin, who came up with the original idea and then wrote the script, says that the movie is about "doing what you can do in the moment to make things better instead of making them worse." Which might not sound like very much, but it's just about all you can do in life.

Which only proves that the world itself runs on Yiddish-speaking principles: the best way to get what you want and make all those bastards out there so jealous that they'll want to poke their own eyes out is to go out of your way to be nice to those bastards. That's the way to show them. That's how a mentsh gets revenge. — Michael Wex

Lebedeva's eyes shone. Masha, listen to me. Cosmetics are an extension of the will. Why do you think all men paint themselves when they go to fight? When I paint my eyes to match my soup, it is not because I have nothing better to do than worry over trifles. It says, I belong here, and you will not deny me. When I streak my lips red as foxgloves, I say, Come here, male. I am your mate, and you will not deny me. When I pinch my cheeks and dust them with mother-of-pearl, I say, Death, keep off, I am your enemy, and you will not deny me. I say these things, and the world listens, Masha. Because my magic is as strong as an arm. I am never denied. — Catherynne M Valente

Don't do that," he says. "Don't ask me questions you already know the answers to. Twice I've laid myself bare to you and all it's gotten me was a bullet wound and a broken heart. Don't torture me," he says, meeting my eyes again.
"It's a cruel thing to do, even to someone like me. — Tahereh Mafi

She eyes me. 'What is this all about?'
It's my turn to shrug, upsetting the rocks on my back. 'I don't know. Girl talk. I mean, you can have any guy you want, so why don't you just pick one?'
Priscilla doesn't answer at first. I'm glad I chose this moment: she's actually pinned down and cannot run away. Finally, she says, 'If I can have any guy I want, I'd like to have every guy I want.'
'What do you mean?
She gives me an exasperated look. 'I'm only seventeen, Skye. I'm not looking to settle down just yet.' She probably misunderstands my shocked expression, because she adds, 'I mean, I'm not saying you're wrong or anything, but it's just not me, you know? — Fabio Bueno

This looks like the red room of pain," she says. My mouth drops open. My little prude has been expanding her reading horizons. I choke on my laugh, and a couple of people turn to look at us. I narrow my eyes. "You read Fifty?" I ask quietly. She blushes. Amazing! - the woman is capable of blushing. "Everyone was reading it," she says, defensively. Then she looks up at me with big eyes.
"You?" "I wanted to see what all the hype was about." She does that blink, blink, blink thing with her eyelashes. "Did you pick up any new techniques?" she says, without looking at me. I squeeze her hand. "Would you like to try me out and see?" She turns her face away, pressing her lips together - horribly embarrassed. — Tarryn Fisher

Steady there," he says. His brow is furrowed. His eyes are deep-set and sad. "You can ride with me. All you have to do is sit and hold on. Okay?"
Hallelujah nods. And then what he's saying actually sinks in. They'll be riding away from Jonah and Rachel. She can't do that. She can't. Her breath starts coming faster. "We have to go back," she says, her voice cracking. "I can't leave. I have to go get them. I promised." Breath in, out, in, out, in, out. "I promised!"
Charlie has her by both shoulders. "Hallelujah. Calm down. It's gonna be all right."
"We have to go back!" Hallelujah repeats, almost sobbing now. "Please! — Kathryn Holmes

Are you kidding?" I stop in the middle of the kitchen. Spin around. My face is pulled together in disbelief. "You've spoken to me maybe once in the two weeks I've been here. I hardly even notice you anymore."

"Okay, hold up," he says, turning to block my path. "We both know there's no way you haven't noticed all of this" - he gestures to himself - "so if you're trying to play games with me, I should let you know up front that it's not going to work."

"What?" I frown. "What are you talking abou - "

"You can't play hard to get, kid." He raises an eyebrow. "I can't even touch you. Takes 'hard to get' to a whole new level, if you know what I mean."

"Oh my God," I mouth, eyes closed, shaking my head. "You are insane."

He falls to his knees. "Insane for your sweet, sweet love! — Tahereh Mafi

If you two are starting a detective agency, I want in," said Selene, adjusting her ball cap.

"Well, duh," said Eli, beaming at her.

"And we're going to need a name," Selene said. "Something good and catchy."

"You're right." Eli scratched his chin. "How about the Arkwell Detective Agency. The A.D.A."

Selene wrinkled her nose. "Sounds too much like a chemical or something."

"What about Booker and Associates?"

I rolled my eyes. "It's not all about you, you know?"

Eli grinned. "Says who?"

"I think we should call it Selene Investigations."

"No, Nightmare Investigations."

"Dreamer Investigations."

"The Dream Team."

"How about Magic Eyes? You know, like private eyes, only for magic."

"Corny much? — Mindee Arnett

Miss Murray is leaning on the door. "Ash, come on. It's time to go." Her hand is so tight on the handle, her knuckles are pale. She's looking at the floor. "Miss Murray?"
"What?" She doesn't move.
I stare at her face but she doesn't return the look. "I love you."
The air in the room has frozen, every atom suspended. Then her tense body slackens. Her hand loosens its grip on the door and she turns her head slowly towards me. She meets my gaze for a moment. Her eyes have dark rings under them. Her forehead is creased with worry. Her cheeks are pale. I want to make it all OK. I want to make her happy. I desperately want to touch her face.
"I know," she says quietly. — Liz Kessler

Large eyes were admired in Greece, where they still prevail. They are the finest of all when they have the internal look, which is not common. The stag or antelope eye of the Orientals is beautiful and lamping, but is accused of looking skittish and indifferent. "The epithet of 'stag-eyed,'" says Lady Wortley Montgu, speaking of a Turkish love-song, "pleases me extremely; and I think it a very lively image of the fire and indifference in his mistress' eye. — Leigh Hunt

She's the kind of person you want to like you. You know she can be cruel; you've seen her be cruel. But when her eyes are on you, and she's paying attention to you, you want it to last. Her beauty is part of it, but there's something more
something that draws you in. I think it's her transparency
everything she thinks or feels is written all over her face, and even if it wasn't, she'd say it anyway, because she says what she thinks, without thinking first. — Jenny Han

And then suddenly I hear his footsteps approaching. He's behind me, thirty feet away, at a guess.
No wonder I couldn't see him.
I should turn. Right now I should turn. This is the moment that it would be natural to swivel round
and greet him. Call out a hello; wave my phone in the air.
But my feet are rooted to the spot. I can't bring myself to move. Because as soon as I do, it will be
time to be polite and matter-of-fact and back to normal. And I can't bear that. I want to stay here. In
the place where we can say anything to each other. In the magic spell.
Sam pauses, right behind me. There's an unbearable fragile beat as I wait for him to shatter the quiet. But it's as though he feels the same way. He says nothing. All I can hear is the gentle sound
of his breathing. Slowly, his arms wrap round me from behind. I close my eyes and lean back
against his chest, feeling unreal. — Sophie Kinsella

Look," Six snaps, "we can't just stand around gabbing. They could be co - "
Six is cut off by the sudden roar of a noise overhead. It's a sound made by no earthly machinery. We all look up just as the silver Mogadorian ship throws on its floodlights, momentarily blinding us. Five, shielding his eyes, turns to look at me.
"Is that your ship?" he asks.
"Mogadorians!" I shout at him. Already, dark shapes are descending from the ship, the first wave of Mogadorian warriors on their way to attack.
"Oh," says Five, blinking confusedly at the ship. "So that's what they look like. — Pittacus Lore

Travel is useful, it exercises the imagination. All the rest is disappointment and fatigue. Our journey is entirely imaginary. That is its strength.
It goes from life to death. People, animals, cities, things, all are imagined. It's a novel, just a fictitious narrative. Littre says so and he's never wrong.
And besides, in the first place, anyone can do as much. You just have to close your eyes.
It's on the other side of life. — Louis-Ferdinand Celine

Al walks toward the railing. "No," Eric says. "She has to do it on her own." "No, she doesn't," Al growls. "She did what you said. She's not a coward. She did what you said." Eric doesn't respond. Al reaches over the railing, and he's so tall that he can reach Christina's wrist. She grabs his forearm. Al pulls her up, his face red with frustration, and I run forward to help. I'm too short to do much good as I suspected, but I grip Christina under the shoulder once she's high enough, and Al and I haul her over the barrier. She drops to the ground her face still blood smeared from the fight, her back soaking wet, her body quivering. I kneel next to her. Her eyes lift to mine, then shift to Al, and we all catch our breath together. — Veronica Roth

All through the Torah, God is pictured as having hands, a face. The rabbis say, Of course God doesn't really have hands, but the Torah uses the language of faces and hands and eyes so that we will have an easier time wrapping our minds around this infinite, handless God. That is what you say if you are a rabbi. But if you are a good novelist, you actually give Him hands and eyes by the end of the book, and that is what the Bible does. It says, in Deuteronomy, that God brought us out of Egypt with a mighty hand and an outstretched arm; and then it gives Him an arm in the Gospel of Matthew. — Lauren F. Winner

I need to tell you a story.'

What about?

Zachariah, Zachariah, my foundling boy. 'A boy. A boxer, a fighting man. A brother. No. About brothers, sisters. Foundlings, laid-in-the-streets. Fights, fighting. A boy, it all begins with the boy. My love. A wolf. Peter and the Wolf! Oh dear! I am very crazy! Let me - I must tell you this story.'

Why?

'I'm frightened.'

Of?

'Fractals. Patterns.'

Ah, says the fish, looking at Rachel with his wise eyes. Chaos!

'Yes,' thinks Rachel. 'Chaos. Fearful symmetry.'

Go home, says the fish, flipping over, flashing in light, and diving down into the great blue sea. — Emma Richler

I think I would really lay down and die. Music comes from a very primal, twisted place. When a person sings, their body, their mouth, their eyes, their words, their voice says all these unspeakable things that you really can't explain but that mean something anyway. People are completely transformed when they sing; people look like that when they sing or when they make love. But it's a weird thing - at the end of the night I feel strange, because I feel I've told everybody all my secrets. — Jeff Buckley

The boy gestured with his chin at Dimity. "She was shot." He sounded remarkably unconcerned for a brother with any degree of affection for his sibling."Good lord!" Sophronia climbed in to see to her new friend's health. The bullet had grazed Dimity's shoulder. It had ripped her dress and left a partly burned gash behind, but didn't look all that bad. Sophronia checked to make certain Dimity had no other injuries. Then she sat back on her heels."Is that all? I've had worse scrapes from drinking tea. Why has she come over all crumpled?"Pillover rolled his eyes. "Faints at the sight of blood, our Dimity. Always has. Weak nerves,father says. It doesn't even have to be her blood. — Gail Carriger

A sematary," I say. "A what?" Viola says, looking round at all the square stones marking out their graves. Must be a hundred, maybe two, in orderly rows and well-kept grass. Settler life is hard and it's short and lotsa New World people have lost the battle.
"It's a place for burying dead folk," I say.
Her eyes widen. "A place for doing what?"
"Don't people die in space?" I ask.
"Yeah," she says. "But we burn them. We don't put them in holes." She crosses her arms around herself, mouth and forehead frowning, peering around at the graves. "How can this be sanitary? — Patrick Ness

It's okay,' he says, eyes closed. He's not even awake. 'It's okay.'
He says these words even in his sleep, like he has said them so often that it's his mouth's default sentiment. All this pain in his life, all this care he doles out to everyone else. And yet he still cracks his broken heart open even wider - wide enough to fit me, too. I wonder how much this must hurt him, the toll it just take to give more of himself to me when he already has so little left to give.
In slumber, his arm stays wrapped around me, encasing me for safekeeping. He would protect me even in his unconscious state, as we lie beneath my ceiling's half-painted sky.
This thought is enough to swell my heart - to swell, and to break. — Emery Lord

Some people, he says, they hide themselves away from the eyes of the world. They hunker down and shiver. They find four walls high enough to put between them and everything else. Those people, to them the world is a frightful place. See, you and me, we're different. When we are called on to move, we move. It don't matter the cause or the distance. Revenge or ministration, reason or folly - it's all the same to us. — Alden Bell

I'm going too," Peter says. "Unless you want me to tell David what you're planning."
We all pause to look at him. I don't know what Peter wants with a journey into the city, but it can't be good. At the same time, we can't afford for David to find out what we're doing, not now, when there's no time.
"Fine," Tobias says. "But if you cause any trouble, I reserve the right to knock you unconscious and lock you in an abandoned building somewhere."
Peter rolls his eyes. — Veronica Roth

He gave us taste buds, then filled the world with incredible flavors like chocolate and cinnamon and all the other spices. He gave us eyes to perceive color and then filled the world with a rainbow of shades. He gave us sensitive ears and then filled the world with rhythms and music. Your capacity for enjoyment is evidence of God's love for you. He could have made the world tasteless, colorless, and silent. The Bible says that God "richly provides us with everything for our enjoyment." He didn't have to do it, but he did, because He loves us. — Rick Warren

See," she's saying. "I told you, Heather. You're too nice to win. Too weak. Not in good enough shape. Because size twelveis fat. Oh, I know what you're going to say. It's the size of the average American woman. But guess what? The average American woman is fat, Heather.'[ ... ]
It takes me a while to realize that the breathing isn't my own. When I'm finally able to see, I look up, and see Rachel laying at my feet, blood pouring out of an indentation on the side of her head and tingeing the rain puddles all around her pink.And standing before me, a bloodied bottle of Absolut in her hand, is Mrs. Allington, her pink jogging suit drenched, her chest heaving, her eyes filled with contempt as she stares down at Rachel's prone body.Mrs. Allington shakes her head.
"I'm a size twelve," she says. — Meg Cabot

I'm constantly pitching one episode where we see life through Castle's eyes. I think Castle's just a little off as far as his perception goes. A very, very clever man, but I want to see the world as Castle sees it - kind of a rose-colored glasses, all the women find him irresistible, all the guys find him super cool and do whatever he says. — Nathan Fillion

I'll teach you how to decipher all the confused faces by closing your eyes & how to cringe when someone says the words 'your generation'. I will teach you how not to demonise your enemies & how to make yourself unappetising when the hordes turn up to eat you. I'll teach you how to yell with your mouth closed & how to steal happiness & how the only real joy is singing yourself hoarse & nude girls & how never to eat in an empty restaurant & how not to leave the windows of your heart open when it looks like rain & how everyone has a stump where something necessary was amputated. I'll teach you how to know what's missing. — Steve Toltz

So Captain Jack's come a-courtin'." Her hands stilled on the basket. "Who?" "The tall Shawnee who come by your cabin." The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. "He come by, but I don't know why." "Best take a long look in the mirror, then." Lael's eyes roamed the dark walls. Ma Horn didn't own one. "Beads and a blanket, was it?" She nodded and looked back down. "I still can't figure out why some Shawnee would pay any mind to a white girl like me." Ma Horn chuckled, her face alight in the dimness. "Why, Captain Jack's as white as you are." "What?" she blurted, eyes wide as a child's. Ma Horn's smile turned sober. "He's no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name - Jack. — Laura Frantz

If this is my final moment," she says, "then I can die happy."
"Is that why you're saying all this? Because you think we're going to die?"
"I don't know," she admits.
"Dammit, Summer." He clings to her waist, grip desperate, eyes heavy with torment. "You're saying everything I want to hear, but I don't know if I can trust it. — Laura Kreitzer

She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling. — Bret Easton Ellis

I heard the Candor made ice cream," says Marlene, twisting her head around to see the lunch line. "You know, as a kind of 'it sucks we got attacked, but at least there are desserts' thing."
"I feel better already," says Lynn dryly.
"It probably won't be as good as Dauntless cake," says Marlene mournfully. She sighs, and a strand of mousy brown hair falls in her eyes.
"We had good cake," I tell Caleb.
"We had fizzy drinks," he says.
"Ah, but did you have a ledge overlooking an underground river?" says Marlene, waggling her eyebrows. "Or a room where you faced all your nightmares at once?"
"No," says Caleb, "and to be honest, I'm kind of okay with that."
"Si-ssy," sings Marlene.
"All your nightmares?" says Caleb, his eyes lighting up. "How does that work? I mean, are the nightmares produced by the computer or by your brain?"
"Oh God." Lynn drops her head into her hands. "Here we go. — Veronica Roth

Nick leans down and kisses my eyelids. "Loving you, Zara, is a full-time job. It's a great job, don't get me wrong. It's the best job in the universe. But it is not easy, because you tend to . . ."
"Get hurt?" Betty suggests. "Find trouble? Pass out? Break arms?"
"All of the above." Nick laughs.
My hand finds Nick's wrist and I grab onto its thickness. "You know, I'm the patient here. Where's the bedside manner? Where's the sympathy?"
"Zara, sympathy is just a good excuse to buy greeting cards and make sorry eyes and secretly gloat over how glad you are that you aren't the person whose crap is hanging out there for the world to see," Betty says. — Carrie Jones

All I had to do was die a little, and you get a new planet!"
I expected her to laugh, or at least smile. I did not expect her to slap my arm. "You stupid idiot!" she says, smacking me again. "I don't want the new planet without you!"
Her eyes round as she realizes what she just said. Anytime we'd gotten this close to talking about us before, Amy has shied away from the topic. But now, instead of drawing away from me, she leans closer. Her hair spills over her shoulders, brushing my chest as she leans down. Her fiery joy at learning about the planet is replaced with something else, something warmer like a slow-burning but steady flame.
"It wouldn't be worth it without you," she says, her voice low. — Beth Revis

I swear you can see in Juliet's eyes that she knows she's going to die because of how she feels for this guy.
I think, this scene is where the true tragedy lives. It's not because they both die in the end. The tragedy is all right there ... in the very beginning. When he smiles at her. When she instantly forgets.
Forgets how dangerous he is.
You can't blame her for how it plays out. Romeo's so amazing in this movie - what he says to her - how he looks at her. She's obviously drowning in butterflies.
I know for a fact now, butterflies like that can be horrible, beautiful things. — Anne Eliot

Miss Ellis?" Mrs. Perterson says. "It's your turn. Introduce Alex to the class"
"This is Alejandro Fuentes. When he wasn't hanging out on street corners and harrassing innocent people this summer, he toured the inside of jails around the city, if you know what i mean. His secret desire is to go to college and become a chemistry teacher, like you Mrs. Peterson."
Brittney flashed me a triumpnet smile, thinking she won this round. Guess again, gringa. "This is Brittney Ellis," I say, all eyes focused on me. "This summer she went to the mall, bought new clothes to extend her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets. Her secret desire is to date a Mexicano before she graduates."
Game on ... — Simone Elkeles

It's all about one split-second. Boxing is a funny thing. You blink your eyes and somebody says good night to you. — Kostya Tszyu

They dated," Frank says, with just a little too much relish. "For two years. They were the shiniest golden couple of our class. What a match, you know? Both gorgeous. She's super smart--does student government, debate, choir, all that business. He does the sports and volunteers with his dad's church, has those puppy eyes that make you want to buy him a boat--"
"Do they?"
"Yes, gaze deeply into his eyes next time--you'll feel it." He takes a long draw from his drink and then continues. "Anyway, they were the kind of couple where it's like, separate--they're great. But together, it's . . . star magic."
"Star magic?"
"From the universe. Celestial bodies aligning and shit. That kind of magic. — Emma Mills

I continue to be immensely moved by the impermanence of hotels: not in any mundane Travel-and-Leisure way but with a fervor bordering on the transcendent. Some time in October, right around Day of the Dead actually, I stayed in a Mexican seaside hotel where the halls flowed with blown curtains and all the rooms were named after flowers. The Azalea Room, the Camellia Room, the Oleander Room. Opulence and splendor, breezy corridors that swept into something like eternity and each room with its different colored door. Peony, Wisteria, Rose, Passion Flower. And who knows
but maybe that's what's waiting for us at the end of the journey, a majesty unimaginable until the very moment we find ourselves walking through the doors of it, what we find ourselves gazing at in astonishment when God finally takes His hands off our eyes and says: Look! — Donna Tartt

Hey now, it issthhhh new technology. Dustin: "The dentissthh says all my teethtths will ssseparate if I don't keep it in."
Jenna: "But our eyes could separate if you don't take it out - — Anne Eliot

But in their turn, before the hour comes, let them listen also to what the Apostle says to them: 'You were once darkness, and now youa re light in the Lord' (Eph 5:8). Let them awaken according to the admonition of our Psalm. Already the mountains are lightened, why then sleep? 'Let them lift their eyes toward the mountains whence help will come to them' (Ps 120:1). What does it mean to say that the mountains are already lightened? Already there has arisen the Sun of Justice, already the Apostles have preached the Gospel, preached the Holy Scriptures, all the Mysteries have been laid open, the veil has been rent, the secret of the temple has been revealed; let them finally lift their eyes toward the mountain whence help will come to them. — Augustine Of Hippo

It took me many years to lose my spirit, to unlearn thinking and forget the unity. Isn't it just as if I had turned about slowly and was on a long detour from being a man to being a child, from a thinker to a childlike person? And yet, this path has been very good, and the bird in my chest has not died. But what a path this has been! I had to pass through so much stupidity, so many vices, so many errors, so much disgust, so many disappointments and woes just to begin again. But it was fitting this way; my heart says "Yes" to it and my eyes smile at it. I've had to experience despair. I've had to descend to the most foolish of all thoughts
the thought of suicide
in order to be able to experience divine grace, to hear "Om" again, to be able to sleep and awaken properly again [ ... ] Where else might my path lead me? This path is foolish; it moves in loops, and perhaps it is going around in a circle. Let it go where it likes; I want to follow it. — Hermann Hesse

Ky gives me three gifts for my birthday. A poem, a kiss and the hopeless, beautiful belief that things might work.
When I open my eyes ... I say, "I didn't give you anything for your birthday, i don't even know when it is." And he says, "Don't worry about that" and I say, "What can I do?" and he answers, "Let me believe in this, all of this, and you believe it too."
And I do. — Ally Condie

In words which can still bring tears to the eyes, St. Augustine describes the desolation into which the death of his friend Nebridius plunged him (Confessions IV, 10). Then he draws a moral. This is what comes, he says, of giving one's heart to anything but God. All human beings pass away. Do not let your happiness depend on something you may lose. If love is to be a blessing, not a misery, it must be for the only Beloved who will never pass away. — C.S. Lewis