Eyes Says Quotes & Sayings

Or you can stay frigid," says WIll, his green eyes glinting with mischief. "You know. If you want." Christina throws a roll at him. He catches it and bites it. "Don't be mean to her," she says. "Frigidity is in her nature. Sort of like being a know-it-all is in yours." "I am not frigid!" I exclaim. "Don't worry about it," says Will. It's endearing. Look you're all red. — Veronica Roth

Among the people, it is the custom for a new wife to make moccasins for the husband's mother. When the mother accepts the gift, she welcomes the new wife into the family."
Jesse blushed at the message her innocent gift had sent to the old woman. Rides the Wind watched Jesse carefully as he concluded, "My mother accepts the gift you have given. She says that she welcomes you as my wife."
His dark eyes met hers briefly, but then he picked up Two Mothers and said, "My son and I will say good night to Sun, now. — Stephanie Grace Whitson

Stupid bitch," he spits, and that's when I mentally punch him in the face.
Except it isn't just mentally - it's for real, my closed fist is actually moving. It hits him square in the nose with a sickening crunch.
"Oh my God," Laney breathes from behind me.
"Oh my God," Jake says from the floor.
My eyes widen. "Oh my God. — Hannah Harrington

What's your name?" I ask again.
"Chris," he says. "Chris Young."
I exhale dramatically, blowing my bangs out of my eyes.
"I can take you," I reply. "But if you try anything, I'll shoot you right between the eyes. Seriously."
He almost smiles.
"Yes, ma'am. — Summer Lane

Riiiight," Braden said, jogging to Michelle's side. "Nothing says How have you been? like a punch in the face." He pushed a stray lock of auburn hair beneath a bandana.
"Which reminds me." I held my hands up in a fight stance and motioned him closer with my fingers. "I haven't had a chance to say hello to you yet, Braden."
"Funny." He rolled his eyes but didn't move. — Cole Gibsen

."I'm so in love with you, Summer. I don't think that will ever change," he says into my hair.
My eyes close as I fall into deep sleep. — Chantal Fernando

Do you ever think about him?" Elise asks. "The baby?"
I nod slowly. "I wonder how much would have been different, if he'd-"
"Don't say it." There are tears in her eyes. "Let's do it this way, Charlie, all right? Let's just pick one sentence out of all of the ones we should have said
the best, most important sentence
and let's say just that."
This is my old Elise
whimsical, loopy
the one I couldn't help but fall for. And because I know she is sinking in the quicksand of regret just like me, I nod. "Okay. But I go first." I try to remember what it was like to be loved by someone who did not know limits, and had not yet been ruined by that. "I forgive you," I whisper; a gift.
"Oh, Charlie," Elise says, and she gives me one right back. "She turned out absolutely perfect. — Jodi Picoult

Too bad you didn't just take Max up on his offer, Four. Well, too bad for you, anyway," says Eric quietly as he clicks the bullet into its chamber. My lungs burn; I haven't breathed in almost a minute. I see Tobias's hand twitch in the corner of my eye, but my hand is already on my gun. I press the barrel to Eric's forehead. His eyes widen, and his face goes slack, and for a second he looks like another sleeping Dauntless soldier. My index finger hovers over the trigger. "Get your gun away from his head," I say. "You won't shoot me," Eric replies. "Interesting theory. " I say. — Veronica Roth

My eyes travel up red slacks, a white marching band shirt with a red sash that says ORCHARD HIGH, and finally reach the top of Levi's head fashioning a red and white hat that straps under his chin. He gives me a half smile, and taps his leg with his piccolo.
He is without a doubt, the sexiest human being alive. — Cassie Mae

I watch as his hazel-gold eyes take me in from head to toe, and it's so different from the way anyone has ever looked at me. I feel beautiful. I never feel beautiful, but I feel beautiful right now.
When his eyes make their way up to mine again, I see desire in them.
I also see there's a battle going on in his brain.
"Jamie, I'll be 17 tomorrow. Stop thinking of me as that scared freshman."
"I'm definitely not thinking of you that way right now," he says with a smile. — Louise Rozett

Where is your false, your treacherous, and cursed wife?"
"She's gone forrard to the Police Office," returns Mr Bucket. "You'll see her there, my dear."
"I would like to kiss her!" exclaims Mademoiselle Hortense, panting tigress-like. "You'd bite her, I suspect," says Mr Bucket.
"I would!" making her eyes very large. "I would love to tear her, limb from limb."
"Bless you, darling," says Mr Bucket, with the greatest composure; "I'm fully prepared to hear that. Your sex have such a surprising animosity against one another, when you do differ. — Charles Dickens

She's contemplative; I can feel the air around her thick with her thoughts. "No," she says at last, "I want to believe you're being sincere but I know you're not. So I say no, because even if I allow myself to fantasize a little about our lives in a cabin on the beach, I still find myself being left by you. There's almost no scenario I can think of where we live happily ever after."
"There could be," I tell her and mean it at the moment. Maybe mean it for longer. Her fingers stop moving and she sighs. I open my eyes and she's staring down at me. The lights have come on around the parking lot and one of them shines directly into her face. She angelic, a neon seraphim under the brilliant skies of the spring. I can see us on our boat, eating our hand picked clams on the fire behind our place. I can see it so vividly I'm almost sure it's happened. — Jaden Wilkes

I just hate to see you like this," he says. "Isn't there anything I can do?"

You could murder Vaughn. You could free Gabriel. You could help repair the damage that's been done to our home. By you.

This room is surely being recorded, though, and all I say is, "No."

He tilts my chin, and then he cups his hands around my ear and whispers, "I don't believe that."

I look at him, and I see the same look in his eyes as on the morning when I told him I was going to bring Linden home. Vaughn may be Rowan's benefactor, but I'm his twin sister. Even after this time spent apart, he can read me. — Lauren DeStefano

Um ... how's your nose?"
"It's fine," he says. "I think the bruise really brings out my eyes, don't you? — Veronica Roth

I close my eyes and lean into him. I think my body makes the choice for me, because my mind has certainly lost all control. I press my face against his neck and listen quietly as our breaths fail to slow. The longer we stand here and the more he says, the heavier our need grows. I can feel it in the way he holds me. I can hear it in the desperate plea of his voice. I can feel it with every rise and fall of his chest. — Colleen Hoover

Are the hormones as bad as everyone says they are?" I asked him to change the subject.
He looked at up to me his brown eyes widened as he understood what I meant. Finally he grinned.
"That explains it."
"So, is that yes?
"That is ... good luck. — J.J. McAvoy

The really destructive feature of their relationship is its inherent quality of boredom. It is quite natural for Peter often to feel bored with Otto - they have scarecely a single interest in common - but Peter, for sentimental reasons, will never admit that this is so. When Otto, who has no such motives for pretending, says, "It's so dull here!" I invariably see Peter wince and looked pained. Yet Otto is actually far less often bored than Peter himself; he finds Peter's company genuinely amusing, and is quite glad to be with him most of the day. Often, when Otto has been chattering rubbish for an hour without stopping, I can see that Peter really longs for him to be quiet and go away. But to admit this would be, in Peter's eyes, a total defeat, so he only laughs and rubs his hands, tacitly appealing to me to support him in his pretense of finding Otto inexhaustibly delightful and funny. — Christopher Isherwood

I don't want the whole world knowing just how extraordinary you are.' I straighten his tie 'Are my eyes what make me special to you?' 'No,' he says. His voice has become soft and dreamy. He pushes the curls from my face. 'They are only a ripple on the surface. — Lauren DeStefano

I became an ifrit to save the lives of my fellow jinn. What kind of life saver would I be if I let you sit here and wither away in paradise?"
Just an obstacle. Just an obstacle.
I meet the ifrit's eyes. "What happened to all your talk about birds and fish having nowhere to live?"
The ifrit shrugs. "I suggest you start holding your breath, my friend," he says, then pushes through the hearing room doors. — Jackson Pearce

Nietzsche says very clearly all the way through his career that if you want to define human nature the first thing you must say is that human beings insist on value
we see the world through value colored eyes. We do not know how to look at things neutrally, value-free. So, it's not a question of giving up all values, it's simply a question of which values. — Robert C. Solomon

Why would you believe such things?" he asks. "What good does it do you?" "The world we see with our eyes is not the whole truth. Dreams and visions are just as real as matter. What we can imagine or think exists as truly as anything we can touch or smell. Where do our thoughts come from, if not from God?" "They come from our experience," Sumner says, "from what we've heard and seen and read, and what's been told to us." Otto shakes his head. "If that were true, then no growth or advancement would be possible. The world would be stagnant and unmoving. We would be doomed — Ian McGuire

I can't believe you're still mad at me," Ed says.
"You grabbed my arse."
"You broke my nose."
"You broke his nose?" Jazz asks. "You grabbed her arse?"
"It was two years ago-"
"Two years, four months, and eight days," I tell him.
"-and I was fifteen, and I slipped and she broke my nose."
"Wait a minute. How do you slip onto someone's arse?"
Jazz asks.
"I meant slipped up. I slipped up and she broke my nose."
"You're lucky that's all I broke," I say.
"You're lucky I didn't call the police."
Leo, Dylan, and Daisy slid into the booth. "Did you guys know that Lucy broke Ed's nose? Jazz asks.
Ed closes his eyes silently and bangs his head on the wall. — Cath Crowley

He shifts on his knees and leans into me until I am lying on my back. He's supporting himself above me on his one elbow and wraps his other hand around my head, pulling me in for a slow kiss. I hold his face in my hands as his lips dance across mine. When he pulls back, he takes his time staring at me, and I get lost in his clear-blue eyes for a moment before he says, "You're not gonna lose me, babe. I love you too much to let you go." - Ryan Campbell — E.K. Blair

Now...get naked." Quinn grinned and pulled Mhisery to her feet.

Mhisery rolled her eyes as he pulled her to her feet.

"Who says romance is dead. Not even married yet, and all I get is, get naked. — Alex Morgan

She raises her hands and places them on either side of my face. My skin burns beneath her touch. 'I think you're beautiful.'
I smile, thinking she's done. But she releases my face and places her palms on my chest, directly over my heart.
'You're beautiful right here,' she says.
I close my eyes, and the breath rushes from my lungs.
'I see the good in you, Dante,' Charlie continues, her words rolling together off her tongue. 'Even if you don't, I do. You have a good heart. You know how I know?'
I open my eyes. She's looking at me like nothing else in the world exists. Like the entire planet and all of mankind just vanished. She slowly wraps my hands inside her own as best she can and places them on her chest. 'Because I feel it here.' She taps our hands against her chest. 'I know you're good, Dante. Because I feel it inside of me. — Victoria Scott

I stop and look up at him. "Brad?" I whisper.
"What, baby?" he says as he continues nibbling on my neck.
"It's yours ... " I say breathlessly.
He pauses and looks up. "What is?"
I gaze into his brown hazy eyes. "My heart. — Beth Michele

We underestimate the power of science, and overestimate the power of personal observation. A peer-reviewed, journal-published, replicated report is worth far more than what you see with your own eyes. Our own eyes can deceive us. People can fool themselves, hallucinate, and even go insane. The controls on publication in major journals are more trustworthy than the very fabric of your brain. If you see with your own eyes that the sky is blue, and Science says it is green, then sir, I advise that you trust in Science.
This is not what most scientists will tell you, of course; but I think it is pragmatically true. Because in real life, what happens is that your eyes have a little malfunction and decide that the sky is green, and science will tell you that the sky is blue. — Eliezer Yudkowsky

It is magnificent. At the moment of impact, the king's eyes are open, his body braced for the atteint; he takes the blow perfectly, its force absorbed by a body securely armoured, moving in the right direction, moving at the right speed. His colour does not alter. His voice does not shake.
"Healthy?" he says. "Then I thank God for his favour to us. As I thank you, my lords, for this comfortable intelligence."
He thinks, Henry has been rehearsing. I suppose we all have.
The king walks away towards his own rooms. Says over his shoulder, "Call her Elizabeth. Cancel the jousts. — Hilary Mantel

She blames herself. I hurt from knowing that I hurt her. Even when we know all of these other people are to blame. My friends. The media. Not her. Not me.

I can't help myself. I continue the cycle and I say, "I don't want to hurt you."

Lily is quiet for a moment before she says, "I'm tougher than you think. You just need to believe in me. You know, like a fairy."

I do believe in fairies. I do. I do. The jubilant chorus from Peter Pan fills my ears.

I look up at her, tears in both our eyes. Is that how we end this? I trust that I can share my grief with her and that she won't crumble beneath the pain?

She nods to me like go on. I can handle it. — Becca Ritchie & Kristia Ritchie

Welcome to the Amity compound,' says Johanna. Her eyes fix on my face, and she smiles crookedly. 'Let us take care of you. — Veronica Roth

All through the Torah, God is pictured as having hands, a face. The rabbis say, Of course God doesn't really have hands, but the Torah uses the language of faces and hands and eyes so that we will have an easier time wrapping our minds around this infinite, handless God. That is what you say if you are a rabbi. But if you are a good novelist, you actually give Him hands and eyes by the end of the book, and that is what the Bible does. It says, in Deuteronomy, that God brought us out of Egypt with a mighty hand and an outstretched arm; and then it gives Him an arm in the Gospel of Matthew. — Lauren F. Winner

I pulled the dress out of the bag and held it in front of me. Ella sat up straighter and squinted her eyes, while Michael and Paco made the noises men make when a woman says, "What do you think?" Fathers probably teach those noises to their sons when they're young - "Stand up when you're introduced to a lady, use your napkin instead of your sleeve, and make admiring noises when a woman shows you anything, no matter what it is, and asks you what you think about it. Never, never, never say you have no opinion. — Blaize Clement

You're Subject A-two," Newt answered. Then he lowered his eyes
"And?" Thomas pushed.
Newt hesitated, then answered without looking at him. "It doesn't call you anything. It just says ... 'To be killed by Group B. — James Dashner

I just found this world a hard place to be good in,' says Bunny, then he closes his eyes and, with an expiration of breath, goes still. — Nick Cave

Al walks toward the railing. "No," Eric says. "She has to do it on her own." "No, she doesn't," Al growls. "She did what you said. She's not a coward. She did what you said." Eric doesn't respond. Al reaches over the railing, and he's so tall that he can reach Christina's wrist. She grabs his forearm. Al pulls her up, his face red with frustration, and I run forward to help. I'm too short to do much good as I suspected, but I grip Christina under the shoulder once she's high enough, and Al and I haul her over the barrier. She drops to the ground her face still blood smeared from the fight, her back soaking wet, her body quivering. I kneel next to her. Her eyes lift to mine, then shift to Al, and we all catch our breath together. — Veronica Roth

the car into gear and drives through the gate. Dede closes the gate behind them, taking another look across the street and seeing nothing. "That's the thing, though," she says when she reenters the car. "He wasn't walking. He was just watching us. I mean, I think. With the headlights, I couldn't really see. It could just be my eyes playing tricks." Annie pulls the Beetle onto the grass next to the massive detached garage, hidden from sight. She lets out a sigh. "Good to be home," she says. "There's no place like home. There's no place like - " "Would you shut up?" As they walk toward the back entrance, they see the ladder the hot tool-belt guy used yesterday, broken down and lying in the grass. "Noah was cute," Annie says. "Was he? Was he cute?" Dede throws another elbow. "Now, now, dearest, I only have eyes for you. — James Patterson

I need to tell you a story.'

What about?

Zachariah, Zachariah, my foundling boy. 'A boy. A boxer, a fighting man. A brother. No. About brothers, sisters. Foundlings, laid-in-the-streets. Fights, fighting. A boy, it all begins with the boy. My love. A wolf. Peter and the Wolf! Oh dear! I am very crazy! Let me - I must tell you this story.'

Why?

'I'm frightened.'

Of?

'Fractals. Patterns.'

Ah, says the fish, looking at Rachel with his wise eyes. Chaos!

'Yes,' thinks Rachel. 'Chaos. Fearful symmetry.'

Go home, says the fish, flipping over, flashing in light, and diving down into the great blue sea. — Emma Richler

You look very handsome, Papa," I say.
The twinkle is back in his eyes. "Smoke and mirrors," he says with a wink. "Smoke and mirrors. — Libba Bray

Here's some advice. Stay alive, says Haymitch, and then bursts out laughing. I exchange a look with Peeta before I remember that I'm having nothing more to do with him. I'm surprised to see the hardness in his eyes. He generally seems so mild.
'That's very funny,' says Peeta. Suddenly, he lashes out at the glass in Haymitch's hand. It shatters on the floor, sending the bloodred liquid running toward the back of the train. 'Only not to us.'
Haymitch considers this a moment, then punches Peeta in the jaw, knocking him from his chair. When he turns back to reach for the spirits, I drive my knife into the table between his hand and the bottle, barely missing his fingers. I brace myself to deflect his hit, but it doesn't come. Instead, he sits back and squints at us.
'Well, what's this?' says Haymitch. 'Did I actually get a pair of fighters this year? — Suzanne Collins

I slowly lean in toward her when her lips part into a smile.
"Are you planning on using tongue this time?" she whispers.
I squeeze my eyes shut and take a step back, completely thrown off by her comment. I rub my palms down my face and groan.
"Dammit, Six. I was already feeling inadequate. Now you've just put expectations on it."
She's smiling when I look at her again. "Oh, there are definitely expectations," she says teasingly. "I expect this to be the most mind-blowing thing I've ever experienced, so you better deliver. — Colleen Hoover

Hard-bitten had a double meaning: bitten hard by life, like her, or clamping meanly down on other people. But, as though belying his thoughts, she said, "I hope your days are good."
"If only. My eyes, you know, are like Swiss cheese, the doctor says. I see through the holes. — Edward Hoagland

Miss Murray is leaning on the door. "Ash, come on. It's time to go." Her hand is so tight on the handle, her knuckles are pale. She's looking at the floor. "Miss Murray?"
"What?" She doesn't move.
I stare at her face but she doesn't return the look. "I love you."
The air in the room has frozen, every atom suspended. Then her tense body slackens. Her hand loosens its grip on the door and she turns her head slowly towards me. She meets my gaze for a moment. Her eyes have dark rings under them. Her forehead is creased with worry. Her cheeks are pale. I want to make it all OK. I want to make her happy. I desperately want to touch her face.
"I know," she says quietly. — Liz Kessler

Two years ago," she says, "I was afraid of spiders, suffocation, walls that inch slowly inward and trap you between them,getting thrown out of Dauntless, uncontrollable bleeding, getting run over by a train, my father's death,public humiliation, and kidnapping by men without faces."
Everyone stares blankly at her.
"Most of you will have anywhere from ten to fifteen years in your fear landscapes. That is the average number," she says.
"What's the lowest number someone has gotten?" asks Lynn.
"In recent years," says Lauren, "four."
I have not looked at Tobias since we were in the cafeteria,but I can't help but look at him now. He keeps his eyes trained on the floor. I knew that four was a low number, low enough to merit a nickname,but I didn't know it was less than half the average.
I glare at my feet.He's exceptional. And now he won't even look at me. — Veronica Roth

Large eyes were admired in Greece, where they still prevail. They are the finest of all when they have the internal look, which is not common. The stag or antelope eye of the Orientals is beautiful and lamping, but is accused of looking skittish and indifferent. "The epithet of 'stag-eyed,'" says Lady Wortley Montgu, speaking of a Turkish love-song, "pleases me extremely; and I think it a very lively image of the fire and indifference in his mistress' eye. — Leigh Hunt

She's the kind of person you want to like you. You know she can be cruel; you've seen her be cruel. But when her eyes are on you, and she's paying attention to you, you want it to last. Her beauty is part of it, but there's something more
something that draws you in. I think it's her transparency
everything she thinks or feels is written all over her face, and even if it wasn't, she'd say it anyway, because she says what she thinks, without thinking first. — Jenny Han

I don't care what anyone says, every girl needs to have a good long cry once in a while. The kind that weakens you, swells your eyes shut, and strips away every shred of emotion from your body until the pain subsides. The pain of ... whatever. Death, heartbreak, solitude, desire, jealousy. All the crap that becomes a badge of honor among women - like those little merit badges Girl Scouts have sewn on their uniforms, only these badges are stitched across our hearts. — Dannika Dark

You're so beautiful to me," he says against my mouth.
I pull back to look him in the eyes. "To you?"
He often says that, and part of me wonders if others have said something contrary to him.
"To me." His fingers trace the curve of my shoulder, brushing a lock of hair over it. "When we're together, it's just you and me. No one else exists. — Kristen Callihan

We are not killers," Gideon says firmly.
"In my experience everyone is a killer." Baz's eyes go cold. He leans back against the wall. "Or a victim. Some people just need a little coaxing to choose a side. — Paula Stokes

And then suddenly I hear his footsteps approaching. He's behind me, thirty feet away, at a guess.
No wonder I couldn't see him.
I should turn. Right now I should turn. This is the moment that it would be natural to swivel round
and greet him. Call out a hello; wave my phone in the air.
But my feet are rooted to the spot. I can't bring myself to move. Because as soon as I do, it will be
time to be polite and matter-of-fact and back to normal. And I can't bear that. I want to stay here. In
the place where we can say anything to each other. In the magic spell.
Sam pauses, right behind me. There's an unbearable fragile beat as I wait for him to shatter the quiet. But it's as though he feels the same way. He says nothing. All I can hear is the gentle sound
of his breathing. Slowly, his arms wrap round me from behind. I close my eyes and lean back
against his chest, feeling unreal. — Sophie Kinsella

Emma, listen to me," he says, and stupidly, I press the phone tighter to my ear. "I need you to stall your mom. We're about two hours away from you. Don't let her take off again."
I roll my eyes. "Yeah, it was stupid of me to let her drug me that last time. Really should have seen that one coming."
I can almost hear Galen grin. "Be good, angelfish. We'll be there soon. — Anna Banks

I'm confused, Beatrice," she says. "What exactly do you want us to do?"
"I didn't come here to ask you for help," I say. "I thought you should know that a lot of people are going to die, very soon. And I know you don't want to stay here doing nothing while that happens, even if some of your faction does."
She looks down, her crooked mouth betraying just how right I am.
"I also wanted to ask you if we can talk to the Erudite you're keeping safe here," I say. "I know they're hidden, but I need access to them."
"And what do you intend to do?" she says.
"Shoot them," I say, rolling my eyes.
"That isn't funny."
I sigh. "Sorry. I need information. That's all. — Veronica Roth

So what is it really like? What happens when people die? Noor asks Alice Bhatti, who after finishing her shift has changed into a loose maxi and is lying down on a wheelie stretcher, her forearm covering her eyes. A half-torn poster on the wall behind the stretcher says : Bhai, your blood will bring a revolution. Someone has scrawled under it with a marker: And that revolution will bring more blood. Someone has added Insha'allah in an attempt to introduce divine intervention into the proceedings. Some more down-to-earth soul has tried to give this revolution a direction, and drawn an arrow underneath and scribbled, Bhai, the Blood Bank is in Block C. — Mohammed Hanif

Lebedeva's eyes shone. Masha, listen to me. Cosmetics are an extension of the will. Why do you think all men paint themselves when they go to fight? When I paint my eyes to match my soup, it is not because I have nothing better to do than worry over trifles. It says, I belong here, and you will not deny me. When I streak my lips red as foxgloves, I say, Come here, male. I am your mate, and you will not deny me. When I pinch my cheeks and dust them with mother-of-pearl, I say, Death, keep off, I am your enemy, and you will not deny me. I say these things, and the world listens, Masha. Because my magic is as strong as an arm. I am never denied. — Catherynne M Valente

This is called My Youth in Vienna. It's a very nice edition
an association copy, Schnitzler to his Latin master, one Johann Auer, 'with thanks for the Auerisms.' [ ... ] Here he apologizes for writing so much on 'the so-called Jewish question.' But he says that no Jew, no matter how assimilated, was allowed to forget the fact of his birth. [ ... ] 'Even if you managed to conduct yourself so that nothing showed, it was impossible to remain completely untouched; as for instance a person may not remain unconcerned whose skin has been anesthetized but who has to watch, with his eyes open, how it is scratched by an unclean knife, even cut until the blood flows.' [ ... ] He wrote that in the early 1900s. The imagery is very chilling, is it not, in the light of what followed ... — Geraldine Brooks

I told you to make yourself at home," he says. "I don't want you to feel like you have to tiptoe around, afraid of doing something wrong or hearing something you shouldn't, like phone conversations." My blood runs cold at those words. I can feel his eyes on me and not the screen. "I, uh ... " I don't know what to say. "It's okay," he says, those words silencing me. He kisses the top of my head again, subject closed as he goes back to watching the movie. A few minutes pass before Naz lets out a light laugh. "So, tell me something ... did you at least google me? — J.M. Darhower

Alex!" Brittany yells my name from the front of the gallery.
I'm still smoking and trying to forget that she brought me here because I'm her dirty little secret. I don't want to be a fucking secret anymore.
My pseudo-girlfriend crosses the street. Her designer shoes click on the pavement, reminding me she's a class above. She eyes Mandy and me, the two blue collars, smoking together.
"Mandy here was about to show me her tattoos," I tell Brittany to piss her off.
"I'll bet she was. Were you going to show her yours, too?" She eyes me accusingly.
"I'm not into drama," Mandy says. She throws down her cigarette and smashes it with the tip of her gym shoe. "Good luck, you two. God knows you need it. — Simone Elkeles

Travel is useful, it exercises the imagination. All the rest is disappointment and fatigue. Our journey is entirely imaginary. That is its strength.
It goes from life to death. People, animals, cities, things, all are imagined. It's a novel, just a fictitious narrative. Littre says so and he's never wrong.
And besides, in the first place, anyone can do as much. You just have to close your eyes.
It's on the other side of life. — Louis-Ferdinand Celine

Avery slides on his glasses and opens his eyes again. "Dammit!" he says again with more feeling. "Why does stuff like this keep happening?"
"You say that as if it's a bad thing," Rob says, smirking. — Laura Kreitzer

that people here see her as an eccentric, the actor's wife who inks mysterious cartoons that no one's ever laid eyes on - "My wife's very private about her work," Arthur says in interviews - and who doesn't drive and likes to go for long walks in a town where nobody walks anywhere and who has no friends except a Pomeranian, although does anyone really know this last part? She hopes not. Her friendlessness is never mentioned in gossip blogs, which she appreciates. She hopes she isn't as awkward to other people as she feels to herself. — Emily St. John Mandel

What is she to him?" I try not to sound jealous or like I'm fishing for information, but I am on both counts. "She," he says, looking at my chest, because he is still Drew, before pulling his gaze up to my eyes, "is a poor man's Sunshine." I — Katja Millay

It's okay,' he says, eyes closed. He's not even awake. 'It's okay.'
He says these words even in his sleep, like he has said them so often that it's his mouth's default sentiment. All this pain in his life, all this care he doles out to everyone else. And yet he still cracks his broken heart open even wider - wide enough to fit me, too. I wonder how much this must hurt him, the toll it just take to give more of himself to me when he already has so little left to give.
In slumber, his arm stays wrapped around me, encasing me for safekeeping. He would protect me even in his unconscious state, as we lie beneath my ceiling's half-painted sky.
This thought is enough to swell my heart - to swell, and to break. — Emery Lord

He says, he loves my daughter;
I think so too; for never gaz'd the moon
Upon the water, as he'll stand and read,
As 'twere, my daughter's eyes: and, to be plain,
I think, there is not half a kiss to choose,
Who loves another best. — William Shakespeare

Do me a favor," he whispers, curling my fingers over the back of his and bringing them to his mouth. "What?" His eyes never leave mine as he brushes his lips over my knuckles. "Dream of me tonight," he says softly. He watches me, waiting for a response. I have no words, so I simply nod. He doesn't need to know that no one else occupies my dreams. No one. "Dream of my lips, teasing you." Straightening one of my fingers, he kisses the tip. His voice is like velvet and his words are like an aphrodisiac. "Dream of my tongue, tasting you." His tongue sneaks out to flick the end of my finger. A surge of desire rocks my core. "And I'll dream of you. Of what it feels like to be inside your warm, wet body. — M. Leighton

His Noise saying, No, no, not now, not NOW-
And then he says, Viola?
"I'm here, Todd," I say, my voice breaking, shouting with desperation. "I'm here!"
And he says Voila? again-
Asking it-
Asking like he's not sure I'm there-
And then his Noise falls completely silent-
And he stops struggling-
And looking right into my eyes-
He dies.
My Todd dies. — Patrick Ness

Juliette, love," he says to me, still holding my eyes. "You have just started a war. — Tahereh Mafi

The power of the artform is stronger than stone, the poet says, and chooses the sonnet, a form concerned with argument and persuasion, to say so. This sonnet, he says, will last longer than any gravestone-and you'll be made shinier, brighter, by it. In this form it will-and therefore you will-avoid destruction by war, history, time generally; it'll even keep you alive after death; in fact it'll form a place for you to live, not die, where you'll be seen in the eyes of and the context of this love right to the end of time. — Ali Smith

You didn't like him, did you, Dad?"
"It wasn't that I didn't like him," my dad says slowly. "It was just that he lives in a completely different world, and I worried that he didn't really approve of you the way you are, that he was trying to change you into something else."
God, I never realized my dad was that perceptive..
"You see, the thing is," he says after we've both sat for a while in the sunshine, "the thing is that love is really the most important thing. I know it's hard for you to see it now" - he chuckles quietly- "but when I first laid eyes on your mother I thought she was fantastic, and I've never stopped loving her, not for a second. Oh yes, we've had our rough patches, and she can be a bit of an old battle-ax at times, but I still love her. That in-love feeling at the beginning settles down into a different, familiar sort of love, but it has to be there right from the start, otherwise it just won't work. — Jane Green

A sematary," I say. "A what?" Viola says, looking round at all the square stones marking out their graves. Must be a hundred, maybe two, in orderly rows and well-kept grass. Settler life is hard and it's short and lotsa New World people have lost the battle.
"It's a place for burying dead folk," I say.
Her eyes widen. "A place for doing what?"
"Don't people die in space?" I ask.
"Yeah," she says. "But we burn them. We don't put them in holes." She crosses her arms around herself, mouth and forehead frowning, peering around at the graves. "How can this be sanitary? — Patrick Ness

From the very first time I rest my eyes on you, girl,
My heart says follow through. — Bob Marley

There is a proverb that says, 'Talk so that I may know who you are.' But I say, 'Show me your eyes and I will know who you are. — Nawal El Saadawi

God is good at both comfort and challenge. You remember He says I am with you always, I will neither leave you nor forsake you, you are the apple of my eyes, you are a complete package, you don't need somebody to complete you, I know what you need. — Patience Johnson

It's only sixteen ninety-five," I say with a flutter of my lashes.
"You're serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don't I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be - " I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he'd be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he's not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do. — Stacey Jay

I loved making you mad," he says to me, his eyes wicked. "I love making you mad. — Tahereh Mafi

Inside your head you hear
a phone ringing, and when you open your eyes you're washing up
in a stranger's bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom's gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away. — Richard Siken

Listen, Alex," she says, whipping herself around and tossing that sun-kissed hair over her shoulder. She faces me with clear eyes made of ice. "I don't date guys in gangs, and I don't use drugs."
"I don't date guys in gangs, either," I say, stepping closer to her. — Simone Elkeles

Just close your eyes and try to think it over
You realize I'm not the man you know, girl
I hypotize ya
I paralyze ya
Go on and scream cause nobody's gonna find ya

Did I ever think to tell you I am a monster?
You ain't ever seen this side of me
Maybe I should wear a warning that says there is danger,
If you ever get too close to me... — Kris Allen

There will be ribbons in a range of colors with placings noted and records kept. Ribbons aren't worth much more than that; they're only a symbol. It's your partnership that mattered. That the two of you spent weekends challenging yourselves to improve, always competing against your last show, and balancing winning and losing into a place of faith and trust. That the two of you built a special relationship that made a difference, if not in the huge world, certainly in your own hearts. You persevered through joy and pain, thrill and dread, and in the end, there was a place that the two of your shared. Ribbons say it was worth celebrating. In a world where horses struggle, suffer, and die for the whims of humans, it says that you saw past the surface and shared breath and heart with another soul. You lifted your eyes higher. — Anna Blake

It's too soon, too fast. We don't even know each other."
"Says who?" Ethan demanded. "Who decides how long it should take? Who makes the rules?"
Erica shrugged because she really didn't know it just seemed like common sense.
He put his index finger under her chin and swept his thumb just under her lower lip. "I do know you." He whispered. "I know you love chocolate and hate roses. I know you are kind and compassionate and generous. I know you feed the homeless and the stray cat that lives behind your apartment. I know you are a hopeless romantic. You are fiercely loyal." His eyes took on a mischievous glint. "I know you are ticklish; I know what makes you moan; I know what makes you squirm." He kissed her softly. "I know when I am with you I don't want to be anywhere else." He kissed her again and this time she wrapped her arms around his neck and kissed him back. Their tongues tangled in a duel that left her breathless. — Melissa Hale

Some people, he says, they hide themselves away from the eyes of the world. They hunker down and shiver. They find four walls high enough to put between them and everything else. Those people, to them the world is a frightful place. See, you and me, we're different. When we are called on to move, we move. It don't matter the cause or the distance. Revenge or ministration, reason or folly - it's all the same to us. — Alden Bell

So Captain Jack's come a-courtin'." Her hands stilled on the basket. "Who?" "The tall Shawnee who come by your cabin." The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. "He come by, but I don't know why." "Best take a long look in the mirror, then." Lael's eyes roamed the dark walls. Ma Horn didn't own one. "Beads and a blanket, was it?" She nodded and looked back down. "I still can't figure out why some Shawnee would pay any mind to a white girl like me." Ma Horn chuckled, her face alight in the dimness. "Why, Captain Jack's as white as you are." "What?" she blurted, eyes wide as a child's. Ma Horn's smile turned sober. "He's no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name - Jack. — Laura Frantz

I think I would really lay down and die. Music comes from a very primal, twisted place. When a person sings, their body, their mouth, their eyes, their words, their voice says all these unspeakable things that you really can't explain but that mean something anyway. People are completely transformed when they sing; people look like that when they sing or when they make love. But it's a weird thing - at the end of the night I feel strange, because I feel I've told everybody all my secrets. — Jeff Buckley

For a moment nothing happens. The figure stands still and I stand cold and alive and-
He starts to run. I make my way down the rocks, slipping, sliding, trying to get to the plain. I wish, I think, my feet clumsy, moving too fast, not fast enough, I wish i could run, I wish I'd written a whole poem, I wish I kept the compass-
And then I reach the plain and wish for nothing but what I have. Ky. Running toward me. I have never seen him run like this, fast, free, strong, wild. He looks so beautiful, his body moves so right. He stops just close enough for me to see the blue of his eyes and forget the red on my hands and the green I wish I wore. "You're here," he says, breathing hard and hungry. sweat and dirt cover his face, and he looks at me as though I'm the only thing he ever needed to see. I open my mouth to say yes. But I only have time to breathe in before he closes the last of the distance. All I know is the kiss. — Ally Condie

If God's Word says He hears and answers prayer, and if that Word doesn't depart from before your eyes, then you're bound to see yourself with the things you asked for. If you don't see yourself with the things you desire, then God's Word has departed from before your eyes. — Kenneth E. Hagin

The willow is full plumage and is no help, with its insinuating whispers.
Rendevous, it says. Terraces;
the sibilants run up my spine, a shiver as if in fever. The summer dress rustles against the flesh of my thighs, the grass grows underfoot, at the edges of my eyes there are movements, in the branches; feathers, flittings, grace notes, tree into bird, metamorphosis run wild. Goddesses are possible now and the air suffuses with desire ...
Winter is not so dangerous. I need hardness, cold, rigidity; not this heaviness, as if I'm a melon on a stem, this liquid ripeness. — Margaret Atwood

When you were little, what inspired you to feel this way?' Then he paused and asked, 'Looking in the mirror and having it crack in two?'
Instead of clobbering him, I laughed-the kind of laugh that escapes into the air before you can catch it. The kind of chuckle that shows a tiny form of acceptance.
Trevor obviously didn't expect me to find his remark entertaining. He was primed for a fight. We both cracked up and locked eyes. His gaze lingered a little too long, not in a creepy way, but in a way that says I'm not ready to let this moment go. — Ellen Schreiber

Still, Lindsay stops getting dressed, even though he's only half-done, because he gets this urge to ambush the kid with a hug. Just that, nothing else. He wraps his arms around Valentine's skinny body and pulls him close and rests his cheek on the still-damp hair and inhales the cherry-almond scent of his shampoo, and Valentine says, "Oh!" in a really odd way, like he's just read a particularly interesting fact on the back of a Penguin biscuit wrapper. Lindsay's got his eyes shut but he can feel the kid's hands creeping up his bare arms, over his shoulders. One stays there and the other comes to rest on the back of his neck, fingers playing idly with the ends of his hair, and several minutes pass without sound or movement, just the gentle thud of heartbeats.
"What's that for?" Valentine asks, when Lindsay finally lets him go.
"Don't know. Nothing. Just seemed the kind of thing you'd like. BAM, surprise ninja cuddles. — Richard Rider

What Tyler says about the crap and the slaves of history, that's how I felt. I wanted to destroy something beautiful I'd never have. Burn the Amazon rain forests. Pump chlorofluorocarbons straight up to gobble the ozone. Open the dump valves on supertankers and uncap offshore oil wells. I wanted to kill all the fish I couldn't afford to eat, and smother the French beaches I'd never see. I wanted the whole world to hit bottom. Pounding that kid, I really wanted to put a bullet between the eyes of every endangered panda that wouldn't screw to save its species and every whale or dolphin that gave up and ran itself aground — Chuck Palahniuk

She says she can read my eyes before I speak the words. — Mita Jain

See?" she says. "tricked you. You're always staring at your opponents eyes-but that gives you a bad peripheral view.If you want to track my arms and legs, you have to focus on my chest."
I raise my eyebrow at that. "say no more. — Marie Lu

Hi," he says simply.
I laugh. "Hi."
He looks around the room nervously before his eyes fall back to mine. "Is that good enough?" he asks.
I cock my head, because I don't really understand his question. "Is what good enough?"
He grins. "I was hoping that was enough talk for tonight."
Oh.
I get his question now. — Colleen Hoover

Conned any other women out of their valuables lately ?" she says quietly, so quietly that only he will hear it.
"Nope. I've been too busy stealing handbags and seducing the vulnerable."
Her head shoots up and his eyes lock on hers. He is, she sees with some shock, as furious as she is. — Jojo Moyes

Paco Fuentes, Mrs. Peterson says, pointing to the table behind Mary. The handsome young man with pale blue eyes like his mother's and smoky black hair like his father's takes his assigned seat. — Simone Elkeles

Nelson's first thought is that Father Hennessey looks as bad as he does. The priest is still an intimidating presence, with his rugby player's shoulders and boxer's nose, but his eyes are shadowed and he looks as if he hasn't slept. He puts his hat on the floor and accepts a cup of coffee. 'I'm giving up coffee for Lent,' he says. 'Better make the most of it.'

'This stuff's enough to make you give up coffee for life,' says Nelson. 'I should know. I've drunk about a gallon of it.'

Father Hennessey smiles and drinks his coffee in silence for a few minutes. — Elly Griffiths

A Christian is one who points at Christ and says, 'I can't prove a thing, but there's something about his eyes and his voice. There's something about the way he carries his head, his hands, the way he carries his cross-the way he carries me.' — Frederick Buechner

Day leans in toward me. He reaches up to touch my face. I can tell it still hurts him to use his fingers, and his nails are dark with dried blood. "You're brilliant," he says. "But you're a fool to stay wish someone like me."
I close my eyes at the touch of his hand. "Then we're both fools. — Marie Lu

Sometimes we cannot see and don't want to see because we are blinded. We need eye salve to put on our eyes. We cry out for revival, and yet God says, "I want to open your eyes so you can see what is before you. Revival has a face and a name. It lies bleeding on the roadside." If we want to see revival, we need to begin with the one in front of us. — Heidi Baker

Let me guess. Dark hair, brown eyes, great abs, white teeth, Abercrombie & Fitch." "Close," I say. "Light brown hair, correct on the eyes, abs, and teeth, but American Eagle Outfitters all the way." "Impressive," she says. "My turn," I say. "Thick blonde hair, big blue eyes, an adorable little white dress with a matching hat, royal blue skin, and you're about two feet tall." She laughs loudly. "You have a thing for Smurfette? — Colleen Hoover

That's a dangerous look," said Dimitri, giving me a brief glance before returning his eyes to the road.
"What look?" I asked innocently.
"The one that says you just got some idea."
"I didn't just get an idea. I got a great idea. — Richelle Mead

The boy gestured with his chin at Dimity. "She was shot." He sounded remarkably unconcerned for a brother with any degree of affection for his sibling."Good lord!" Sophronia climbed in to see to her new friend's health. The bullet had grazed Dimity's shoulder. It had ripped her dress and left a partly burned gash behind, but didn't look all that bad. Sophronia checked to make certain Dimity had no other injuries. Then she sat back on her heels."Is that all? I've had worse scrapes from drinking tea. Why has she come over all crumpled?"Pillover rolled his eyes. "Faints at the sight of blood, our Dimity. Always has. Weak nerves,father says. It doesn't even have to be her blood. — Gail Carriger

So you're her brother?" says Lynn. "I guess we know who got the good genes."
I laugh at the expression on Caleb's face, his mouth drawn into a slight pucker and his eyes wide. — Veronica Roth