Eyes Looking In Different Quotes & Sayings

I seem to walk in the world as two people. The normal everyday-me is as preoccupied, unobservant and oblivious to visual clues as I ever was. Then there is the photographer-me, the one who has a camera in hand and a specific project in mind, and then the world suddenly jumps to life with potential pictures, as if a switch had been thrown in my brain and a different person is looking out of the same eyes. — Bill Jay

Priss tried to open her door, but it still didn't budge. "Unlock it."
Instead he pulled her around to face him. He started to blast her, but something funny happening. Instead of reading her the riot act, he stared into her eyes, then down at her mouth. His entire demeanor changed. He looked just as tense, but now for different, hotter reasons.
He still stared intently at her mouth when Priss heard the lock click open. She glanced down and saw that Trace had reached back for the door, all without breaking that disturbing, electrifying visual contact with her.
She met his gaze again, and softened. Damn, but resisting Trace wouldn't be easy, not if he kept looking at her like that. "You're coming in, too?"
"Yes." Suddenly, almost violently, he turned away from her and left the car. Still a gentleman, he strode around to her side and opened her door. "Let's get this night over with."
Well. That sounded insulting. — Lori Foster

If you fear looking at your true self, you'll find many ways to distract yourself from it. Busyness, drama, and addictions are ways of avoiding facing yourself. To find the peace you seek, stop running and just he. Get to know who you really are. Remember the wholeness you felt before you joined the rush to nowhere. Then you'll recognize yourself through the eyes of love, and everything will be different. — Alan Cohen

All three men looked at the woman in the doorway, but they all saw different things.
Alex saw a rather attractive young lady with a remarkable air of vitality in her silver eyes.
John saw the woman he'd come to like and admire tremendously this past week, looking rather fetching and grown-up in her new gown and coiffure.
Dunford saw an angel. — Julia Quinn

He asked, looking at her dark-rimmed eyes, "You do not sleep?"
She shivered. "No. I do not want to sleep any more. I sleep too much already. It is so cold, where Quincy sends me in my sleep. Deep into the house, farther in, not into the house we see. It is as if that house were a face, and when you see a face you can't see the brain or the thoughts of the person behind it. And it is so strange - the house inside the house."
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"How is it strange - this that you call the house inside the house?"
She said vaguely, her eyes growing glassy, "Strange. Shapes change, and sizes. The rooms are different: bigger and blacker and longer and the shadows are full of things. Creatures - or sometimes the rooms get smaller, fewer, and the furnishings change and change, like the scenes in a kaleidoscope, and I see the people in the portraits walking about in them. — Evangeline Walton

I'm looking into a different actor's eyes every couple days, and I'm learning so much just to see the different processes people go through, and how their acting works for them. — Oren Moverman

Audiences have become so much more sophisticated, and they're looking for different eyes and different ways to tell a story. And 'Scandal' certainly gives us the freedom to take those chances. — Tom Verica

Cal's eyes flicker, out to the trees. But he's not looking at the leaves. His gaze is in the past, to something more painful. "She killed my true mother as well. And she'll kill all of us if we let her." The words come out hard and harsh, a rusty blade to saw f lesh. They taste wonderful in my mouth. "Not if I kill her first." For all his talents, Cal is not a violent person. He can kill you in a thousand different ways, lead an army, burn down a village, but he will not enjoy it. So his next words take me by surprise. "When the time comes," he says, staring at me, "we'll flip a coin. — Victoria Aveyard

The next thing about the air in the library is that no other place smells anything like it. If you close your eyes and try to pick out what it is that you're sniffing you're only going to get confused, because all the smells have blended together and turned themselves into a different one. As soon as I got into the library I closed my eyes and took a deep breath. I got a whiff of the leather on all the old books, a smell that got real strong if you picked one of them up and stuck your nose real close to it when you turned the pages. Then there was the smell of the cloth that covered the brand-new books, the books that made a splitting sound when you opened them. Then I could sniff the paper, that soft, powdery, drowsy smell that comes off the pages in little puffs when you're reading something or looking at some pictures, a kind of hypnotizing smell. — Christopher Paul Curtis

It's like we learn to think something's ugly. Maybe if we're could all stop being taught that only certain things are right or pretty, or that only certain things are the way that everything else should be, you know, I mean physically, then we could start looking at things through fresh eyes. And then we're wouldn't look at things or people in a way that would make them sad or that would exclude them. It might even stop us from constantly trying to change our own body image, and maybe we'd just learn to enjoy what we have, enjoy what great gifts we've been given and revel in them instead of wishing they'd be different. — John C. Horst

Admittedly, man is small and insignificant in nature's scheme; but he is part of it. And are we to think less of the man who exposes himself to nature's forces than of him who just delights in looking at her, safe from dangers and tempests? Even those ridiculous earthworms know that an icicle can "sneeze"; but they have learned by obervation when and where it happens, and will do their best to avoid the danger with clear-eyes alertness and which they owe to their own daring. They are not deaf; they too hear the mighty voice of the mountains, but they understand and interpret it in a different way from those who enjoy it so passively and with such self-satisfaction. — Heinrich Harrer

I was so done with looking at life through the eyes of beer-drinking cheese-heads. I wanted to go on that mission trip and look through the eyes of someone from a different culture and see what they saw. I wanted to meet people who didn't crush the can of what they just drank on their forehead.-Rebecca Meyer, Crooked Lines — Holly Michael

Many oriental cultures make a distinction between two ways of looking - 'hard eyes' and 'soft eyes'. When we look with hard eyes, we see specific details with sharp focus, but we don't see the relationships between different details as well. When we look with soft eyes we see the relationships between everything in our field of vision, but with this softer focus, we don't see all the details as clearly. It's possible to look in two ways at once. — John Paul Caponigro

As Molly wrapped one of the freshly made flour tortillas around several slices of perfectly cooked steak and piled on guacamole, she began talking. The more she talked, the faster her words came. It was as if she were afraid that someone else would say something or ask her a question. She said that she was working for a firm in Los Angeles that designed sets for television and movies.
"It's different from what you do," she said looking at Boomer. "Sets have to be bigger than life. They have to create an impact. Not boring stuff like the designs for offices."
Elizabeth saw Boomer's eyes flash, but he answered with perfect control, "What's the name of the firm you work for?"
"It's new; it's going through a name change, and they're not sure what name they're going to settle on."
"What movies have they worked on?"
"Oh, a whole bunch. Stuff with Tom Cruise and Johnny Depp. Big movies. — Joyce Swann

Prayer is looking out from a different set of eyes, which are not comparing, competing, judging, labeling or analyzing, but receiving the moment in its present wholeness and unwholeness. That is what is meant by contemplation. — Richard Rohr

( ... )"He said we all have this different idea of what love is and that's what makes our circle. The more ideas and misconceptions you throw in, the larger the diameter and the harder it is to connect with someone. We," he said, squeezing Hunter's hand and signaling Margie and everyone around them, "all sit around the edge looking at everyone else around the circle. Sometimes we just settle for the person next to us because it's easy or convenient and we skip our way around its circumference, never really knowing what love is all about."
He took a sip of his Coke and kept his eyes on Margie. "But other times, you see that person across from you, staring back at you, and you fight like hell trying to get across while he does the same. If you're lucky, there's a rope you can toss over and help draw each other in, never looking away, never worrying about those still on the circumference; just you and him, pulling each other in, deeper and deeper." — Brandon Shire

Looking at a human being or even a picture of a human being is different from looking at an object. Newborn babies, only hours old, copy the expressions of adults. They pucker up, try to grin, look surprised, and stick out their tongues. The photographs of imitating infants are both funny and touching. They do not know they are doing it; this response is in them from the beginning. Later, people learn to suppress the imitation mechanism; it would not be good if we went on forever copying every facial expression we saw. Nevertheless, we human beings love to look at faces because we find ourselves there. When you smile at me, I feel a smile form on my own face before I am aware it is happening, and I smile because I am seeing me in your eyes and know that you like what you see. — Siri Hustvedt

But though she's told a longer version of the story a thousand times before to a thousand different people, she gets the feeling that Oliver might understand better than anyone else. It's something about the way he's looking at her, his eyes punching a neat little hole in her heart. She's knows it's not real: It's the illusion of closeness, the false confidence of a hushed and darkened plane, but she doesn't mind. For the moment, at least, it feels real. — Jennifer E. Smith

He shook his head and thought about it for a second. "Maybe I'm not straight? Can I still be straight when I'm sitting here looking into your eyes?" he asked. Maybe it was the alcohol talking or maybe he wasn't as straight as he thought he was.
"Yes. Absolutely." Cormag nodded and watched him closely.
"Even when I think they're so pretty? They are, you know. So many different shades of brown ... and a little green. Just a touch; not a lot. So pretty." He sighed happily, watching those dark eyes staring back at him in surprise. He lay his head on his arms, smiling at the way Cormag flushed in embarrassment and turned his full attention onto his bottle of beer.
"Wow, you are super drunk. — Elaine White

JERRY: Look at the way you're looking at me. I can't wait for you. I'm bowled over, I'm totally knocked out, you dazzle me, you jewel, my jewel, I can't ever sleep again, no, listen, it's the truth, I won't walk, I'll be a cripple, I'll descend, I'll diminish, into total paralysis, my life is in your hands, that's what you're banishing me to, a state of catatonia, do you know the state of catatonia? do you? do you? the state of ... where the reigning prince is the prince of emptiness, the prince of absence, the prince of desolation. I love you.
EMMA: My husband is at the other side of that door.
JERRY: Everyone knows. The world knows. It knows. But they'll never know, they'll never know, they're in a different world. I adore you. I'm madly in love with you. I can't believe that what anyone is at this moment saying has ever happened has ever happened. Nothing has ever happened. Nothing. Your eyes kill me. I'm lost. You're wonderful. — Harold Pinter

It's emotion. When you are watching a movie you see a woman sitting with her daughter and looking in her eyes and you see butterflies flying in the background and then you suddenly hear scary movie music and it changes the whole thing. But if something sounds different it changes the movie. Music is the back drop of what you talk about. — Yung Joc

You had no right. No right to stand in front of me." He turned back now, his eyes vividly blue with temper that had gone from frigid to blaze. "No fucking right to risk yourself on my behalf"
"Oh really. Is that so?" She stalked forward until they were toe to toe. "Okay, you tell me. You keep looking me dead in the eye and you tell me you wouldn't have done the same if it was me in jeopardy."
"That's entirely different."
"Why?" Her chin came up and her finger jabbed hard into his chest. "Because you have a penis? — J.D. Robb

'Now you're uncomfortable?' Leander smirked, 'After all that?'
'That's different,' Axton said, sitting up and pulling a pillow to his chest, unconsciously hiding.
'Fine,' Leander said, rolling his eyes, 'You have these stupid gold eyes, something something, I love looking into them, PS: fuck you. Is that better?' — S.P. Wayne

I'm looking into his terrified eyes and for the first time since we met ... I think I actually understand him. All of him. He doesn't react the way he does because there are five different sides to
his personality. He reacts the way he does because there's only one side to Dean Holder.
Passionate. — Colleen Hoover

We are the eyes of the cosmos. So that in a way, when you look deeply into somebody's eyes, you are looking deeply into yourself, and the other person is looking deeply into the same self, which many-eyed, as the mask of Vishnu is many-faced, is looking out everywhere, one energy playing myriads of different parts. — Alan Watts

Different subjects required different sitting arrangements, Azur explained. For politics, scattered and amorphous; for sociology, a neat triangle; for statistics, a rectangle; and for international relations, a parallelogram. But God has to be discussed in a circle, everyone on the circumference equidistant from the center, looking at one another's eyes. — Elif Shafak

Everyone, this is the new girl. Elder knows her. New girl, this is everyone." A few people look up politely; some actually smile. Most, however, look wary at best, disgusted at worse. The nurse closest to me jabs her finger behind her ear and starts whispering to nobody.
"What's wrong with her?" I ask Harley as he leads me to the table he was sitting at.
"Oh, don't worry, we're all mad here."
I giggle, mostly from nerves. "It's a good thing I read Alice in Wonder-land . I definitely think I've fallen into the rabbit hole."
"Read what?" Harley asks.
"Never mind." All around me, eyes follow my every move.
"Look," I say loudly. "I know I look different. But I'm just a person, like you." I hold my head up high, looking them all in the eyes, trying to hold their stares for as long as possible.
"You tell 'em," says Harley with another Cheshire grin. — Beth Revis

Old age. All the facial detail is visible; all the traces life has left there are to be seen. The face is furrowed, wrinkled, sagging, ravaged by time. But the eyes are bright and, if not young, then somehow transcend the time that otherwise marks the face. It is as though someone else is looking at us, from somewhere inside the face, where everything is different. One can hardly be closer to another human soul. — Karl Ove Knausgard

But there was something different about Flynn, and it wasn't just the way he was looking at her. His grip tightened on her wrist
not painfully, but possessively. His other arm went up as he leaned against the shelving, effectively boxing her in with his body without making any further contact.
To her horror, she felt herself go warm and liquid in places she shouldn't. "Let go of me." Evie whispered.
His eyes were green. A bright mind-blowing green. And they were staring into hers intently, daring her to lean in closer, to taste those sinful lips ... — M.A. Grant

No, Daemon," Jaenelle said gently, looking up at him with her ancient, wistful, haunted eyes. "Everyone knows I'm different. It just doesn't matter to some - and it matters a lot to others." A tear slipped down her cheek. "Why am I different?" Daemon looked away. Oh, child. How could he explain that she was dreams made flesh? That for some of them, she made the blood in their veins sing? That she was a kind of magic the Blood hadn't seen in so very, very long? "What does the Priest say?" Jaenelle sniffed. "He says growing up is hard work." Daemon smiled sympathetically. "It is that. — Anne Bishop

A painter may be looking at the world in a way which is very different from everyone else. If he's a craftsman, he can get other people to see the world through his eyes, and so he enlarges our vision, perception, and there's great value in that. — Edward De Bono

Our eyes see different things, I thought. They always have. Even when we're looking in the same direction, standing side by side. — Cameron Dokey

We are very used to imagining that we see a three-dimensional world when we look around ourselves. But is this really true? If we keep in mind that what we see is the result of photons impinging on our eyes, it is possible to imagine our view of the world in quite a different way. Look around and imagine that you see each object as a consequence of photons having just travelled from it to you. Each object you see is the result of a process by which information travelled to you in the shape of a collection of photons. The farther away the object is, the longer it took the photons to travel to you. So when you look around you do not see space-instead, you are looking back through the history of the universe. What you are seeing is a slice through the history of the world. Everything you see is a bit of information brought to you by a process which is a small part of that history. — Lee Smolin

Well, it's one of the things that will. Words are good, and words help us become the leading species on earth to the point where we are now ready to wipe ourselves off the earth. But I think that all the arts are needed, and sports too, and cooking, food, and all these different ways of communication. Smiles, looking into eyes directly, all these different means of communication are needed to save this world. But certainly a great melody — Pete Seeger

There's something different about looking someone in the eyes and doing something dishonest to doing it over the phone or screen. — Justin Welby

When we are children, we have a tranquil acceptance of mystery which is driven out of us later on, by curiosity and education and experience. But it is possible to find one's way back. With affection and respect, I disagree totally with Penelope Lively's conviction about the 'absolute impossibility of recovering a child's vision.' There _are_ ways, imperfect, partial, fleeting, of looking again at a mystery through the eyes we used to have. Children are not different animals. They are us, not yet wearing our heavy jacket of time. — Susan Cooper