Eye Colour Quotes & Sayings
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Top Eye Colour Quotes

To my eye Rubens' colouring is most contemptible. His shadows are a filthy brown somewhat the colour of excrement. — William Blake

(Excerpt from Leaving Things Alone)
You train your eye and your vision lusts after colour. You train your ear, and you long for delightful sound. You delight in doing good, and your natural kindness is blown out of shape. You delight in righteousness, and you become righteous beyond all reason. — Thomas Merton

He'll pinch a cigarette between his fingers. He'll take a drag, blow that drag between his lips. He'll look at the firl with eyes the colour of the sky before it turns black and he will see heaven, and the pictures of all those other girls floating inside his head will blow away like the clouds of the cigarette and he'll see only the girl inside himself and the world will stop. — Maureen Medved

Some people's taste is to an educated taste as is the visual impression received by a purblind eye to that of a normal eye. Where a normal eye will see something clearly articulated, a weak eye will see a blurred patch of colour. — Ludwig Wittgenstein

Iconic clothing has been secularized ... A guardsman in a dress uniform is ostensibly an icon of aggression; his coat is red as the blood he hopes to shed. Seen on a coat-hanger, with no man inside it, the uniform loses all its blustering significance and, to the innocent eye seduced by decorative colour and tactile braid, it is as abstract in symbolic information as a parasol to an Eskimo. It becomes simply magnificent. — Angela Carter

I walk in the garden, I look at the flowers and shrubs and trees and discover in them an exquisiteness of contour, a vitality of edge, or a vigour of spring, as well as an infinite variety of colour that no artefact I have seen in the last sixty years can rival ... each day, as I look, I wonder where my eyes were yesterday. — Bernard Berenson

It took me a long time, my lifetime so to speak, to realise that the colour of an eye half seen, or the source of some distant sound, are closer to Giudecca in the hell of unknowing than the existence of God, or the origins of protoplasm, or the eistence of self, and even less worthy than these to occupy the wise, It's a bit much, a lifetime, to achieve this consoling conclusion, it doesn't leave you much time to profit by it. — Samuel Beckett

The eye and soul are caressed in the contemplation of form and colour. The subtle changes of colour over a surface - transitions that are like music - are intangible in their reaction upon us. There is an immediate sensuous appeal! — John F. Carlson

With an artist no sane man quarrels, any more than with the colour of a child's eyes. — George Santayana

Quite often, most of us are defined first by our vital statistics - our sex, our height, our weight, the colour of our eyes and then we're defined by our job. — Tom Hiddleston

I loved playing football. In this particular match the ball happened to hit my right eye, the only one which I could see light and colour with. — Andrea Bocelli

I don't know you. I'll give you that very easily. I DON'T know you. I only know things about you, the colour of your hair, the shape of your shoulders, the pools of brown eye, very seductive. I know your temperament. I know some of your expressions. I have a collection of words written by you. You share a few ideas. You use too many adjectives. But I don't know anything about who, exactly, you are, in fact. — Bill Shapiro

I had an idea for a story about a young woman who was living with people who were different, not just superficially different - such as hair colour, or eye colour, or skin colour - but different in some significant way. — Jean M. Auel

There was nobody. Her words faded. So a rocket fades. Its sparks, having grazed their way into the night, surrender to it, dark descends, pours over the outlines of houses and towers; bleak hillsides soften and fall in. But though they are gone, the night is full of them; robbed of colour, blank of windows, they exist more ponderously, give out what the frank daylight fails to transmit - the trouble and suspense of things conglomerated there in the darkness; huddled together in the darkness; reft of the relief which dawn brings when, washing the walls white and grey, spotting each windowpane, lifting the mist from the fields, showing the red brown cows peacefully grazing, all is once more decked out to the eye; exists again. I am alone; I am alone! — Virginia Woolf

YEN
What happens if you take a cup? Put it to your lips. A cup of desire. Of dazzling colour. Of intoxicating aroma. You can't resist. Drink. And in the bottom of the cup. There is a fish. And the fish says "You have uncovered me! Now I am condemned. To die."
What happens if you find a box? 35mm by 35mm exactly. And are curious. You open it quickly. Of course. And inside there is an eye. And the eye seems to think that the box is its exclusive property. And fixes you with a terrifying glare.
What happens if you catch a soft sound? A voice whispering in the air. Above the tree tops. And you can't quite hear what it is saying. But you have to listen. So you float up. Then you find you can't come down again. When the conversation is finished. — Jay Woodman

But that which most attracts the eye is opposite the Lion d'Or inn, the chemist's shop of Monsieur Homais. In the evening especially its argand lamp is lit up and the red and green jars that embellish his shop-front throw far across the street their two streams of colour; then across them as if in Bengal lights is seen the shadow of the chemist leaning over his desk. — Gustave Flaubert

It is so easy to waste our lives: our days, our hours, our minutes. It is so easy to take for granted the pale new growth on an evergreen, the sheen of the limestone on Fifth Avenue, the colour of our kids' eyes, the way the melody in a symphony rises and falls and disappears and rises again. It is so easy to exist instead of live. Unless you know there is a clock ticking. — Anna Quindlen

One late-autumn day I opened the back door to fetch some water, and there was a young hare sat on my back step. Save for the twitching of its nose, it froze in position as if I had surprised it as it was about to knock. It was already the size of a full-grown rabbit, and its black-tipped ears were longer than any rabbit's would ever be. I stood there and waited for it to flush. After a while I began to doubt that it would, and squatted down to its level for a closer look, eye to eye. It stared at me apparently unconcerned, chewing silently, with bulging eyes that were such a rich golden colour they were almost orange, with black depths like the keyhole of a door to another world. — Neil Ansell

She waited for so long that something strange happened. She started to be able to see. There wasn't any more light to see by. It was just that her eyes decided to give her more information. She'd been told in a lesson once about something called accommodation. The rods and cones of the eye, especially the rods, change their zone of sensitivity so that they can see details and distinctions in what previously looked like total darkness. But there are functional limits to that process, and the resulting picture is mostly black and white because rods aren't good at gradations of colour. This was different. It was like an invisible sun came up in the room, and Melanie could see by its light as well as she could see by day. Or like the space below her went from black ocean to dry land over the space of a few minutes. She wondered if this was something only hungries could do. She — M.R. Carey

Nature is the mother of creativity in a blink of eye it changes its colour. — Kishore Bansal

For me, poetry is the colour of Elizabeth Taylor's eyes, or the pauses in Pinter's plays - only the pauses, not the words. — Roger Lewis

When he at least reached the door the handle had cease to vibrate. Lowering himself suddenly to his knees he placed his head and the vagaries of his left eye (which was for ever trying to dash up and down the vertical surface of the door), he was able by dint of concentration to observe, within three inches of his keyholed eye, an eye which was not his, being not only of a different colour to his own iron marble, but being, which is more convincing, on the other side of the door. — Mervyn Peake

I was having trouble making sense of all that Rosie was saying, doubtless due to the effects of the alcohol and her perfume. However, she had given me an opportunity to keep the conversation on safe ground. The inheritance of common genetically influenced traits such as eye colour is more complex than is generally understood, and I was confident that I could speak on the topic for long enough to occupy the remainder of our journey. But I realised that this was a defensive action and impolite to Rosie who had risked considerable embarrassment and damage to her relationship with Stefan for my benefit. — Graeme Simsion

The proprietor had hair so red that pigmentation had flowed out into every visible inch of his skin and even into the pinks of his eyes, as the colour of flowering cherry trees stains their leaves. — Quentin Crisp

Far, far away, there is a beautiful Country which no human eye has ever seen in waking hours. Under the Sunset it lies, where the distant horizon bounds the day, and where the clouds, splendid with light and colour, give a promise of the glory and beauty which encompass it. Sometimes it is given to us to see it in dreams. — Bram Stoker

The plate at each point only sends back to the eye the simple colour imprinted. The other colours are destroyed by interference. The eye thus perceives at each point the constituent colour of the image. — Gabriel Lippmann

He tip-toed past the double bed that had been placed in a corner - wrought-iron headboard, embroidered pillows, amulets against the evil-eye and a satiny, cobalt-blue bedspread. Blue was Iskender's favourite colour. It was the colour for boys, which meant the sky was a boy. So were the rivers and lakes. And the oceans, though he had yet to see one. — Elif Shafak

I had joked about my bones being found by the roadside. Notify the four winds. Up here i might never be found. Keen-eyed vultures would pick the bones clean. Wind and rain would bleach them and in time they'd dissolve into the earth.
I looked up, and a gust of wind swirled the mist, and i saw that glint of gold, so close now, just up ahead. one last effort, to haul and drag myself up over ragged rocks, and at last I stood, breath rasping, limbs shaking, my body one long ache, covered in grime and thick greasy sweat, in front of Hakuyu's cave. The patch of colour I'd seen was a simple bamboo blind, yellowed with age, and painted on it was the outline of a dragon, and the dragon's eye was a dot of gold. That was what had led me all this way. — Alan Spence

I let myself go. I thought little of the houses and trees, but applied colour stripes and spots to the canvas ... Within me sounded the memory of early evening in Moscow - before my eyes was the strong, colour-saturated scale of the Munich light and atmosphere, which thundered deeply in the shadows. — Wassily Kandinsky

Food for her was as much about colour, smell and presentation as taste: the experience of eating should start in the eye and the nose and then erupt in the imagination. Chewing and tasting were the climax to a sensual experience. On — Hannah Mary Rothschild

There is something strikingly different about the quality of photographs of that time. It has nothing to do with age or colour, or the feel of paper ... In modern family photographs the camera pretends to circulate like a friend, clicking its shutters at those moments when its subjects have disarranged themselves to present to it those postures which they would like to think of as informal. But in pictures of that time, the camera is still a public and alien eye, faced with which people feel bound either to challenge the intrusion by striking postures of defiant hilarity, or else to compose their faces, and straighten their shoulders, not always formally, but usually with just that hint of stiffness which suggests a public face. — Amitav Ghosh

She is standing on my lids
And her hair is in my hair
She has the colour of my eye
She has the body of my hand
In my shade she is engulfed
As a stone against the sky
She will never close her eyes
And she does not let me sleep
And her dreams in the bright day
Make the suns evaporate
And me laugh cry and laugh
Speak when I have nothing to say — Paul Eluard

What hands are here? ha! they pluck out mine eyes! Will all great Neptune's ocean wash this blood clean from my hand? No; this my hand will rather the multitudinous seas incarnadine, making the green one red." "My hands are of your colour; but I shame to wear a heart so white. A little water clears us of this deed: How easy it is then! Your constancy hath left you unattended. — William Shakespeare

And you didn't tell me?"
He rolled his eyes. "When could I have told you? The day you weren't speaking to me, or the day after when you still weren't speaking to me?"
Ugh he was such a pain in the-
Just a complete and utter ass with-
Infuriating, irritating, treacherous-
"OK." October watched her wide-eyed. "I was wrong. That eye colour is working for you...if you could drown and suffocate him with that look I think you would. — Samantha Young

No paint or dye can give so splendid a colour as gilding. The merit of their beauty is greatly enhanced by their scarcity. With the greater part of rich people, the chief enjoyment of riches consists in the parade of riches, which in their eye is never so complete as when they appear to possess those decisive marks of opulence which nobody can possess but themselves. In their eyes the merit of an object which is in any degree either useful or beautiful is greatly enhanced by its scarcity, or by the great labour which it requires to collect any considerable quantity of it, a labour which nobody can afford to pay but themselves.
Book I, Chapter 11 - Rent of Land, part II — Adam Smith

To my mind's eye, my buried memories of Brandham Hall are like effects of chiaroscuro, patches of light and dark: it is only with effort that I see them in terms of colour. There are things I know, though I don't know how I know them, and things that I remember. Certain things are established in my mind as facts, but no picture attaches to them; on the other hand there are pictures unverified by any fact which recur obsessively, like the landscape of a dream. — L.P. Hartley

His eyes were rolling in their sockets, and his face had taken on the colour and expression of a devout tomato. I could see he loved like a thousand bricks. — P.G. Wodehouse

If Rosie's mother had known that eye colour was not a reliable indicator of paternity, and organised a DNA test to confirm her suspicions, there would have been no Father Project, no Great Cocktail Night, no New York Adventure, no Reform Don Project - and no Rosie Project. Had it not been for this unscheduled series of events, her daughter and I would not have fallen in love. And I would still be eating lobster every Tuesday night.
Incredible. — Graeme Simsion

The design of the gum is expressed in the flow of it trunk and limbs, and the design of the European tree mainly in its foliage. In Europe great masses of foliage first attract the eye, here the limbs and trunk, which, on account of their proportion and colour, make themselves felt first, and one thinks of the foliage as a secondary matter. — Hans Heysen

Colour is the touch of the eye,
Music to the deaf,
A word out of darkness. — Orhan Pamuk

I just found out that people with brown eyes actually have blue eyes or blue-grey eyes underneath! The brown is just a layer that covers the real colour underneath. And brown is the only colour eye that is multilayered like that. So in other words, people with brown eyes are layered individuals with deep souls; pull away the top layer and you'll find an ocean underneath! — C. JoyBell C.

Every decided colour does a certain violence to the eye, and forces the organ to opposition. — Johann Wolfgang Von Goethe

Was it the case that colours dimmed as the eye grew elderly? Or was it rather that in youth your excitement about the world transferred itself onto everything you saw and made it brighter? — Julian Barnes

Day was breaking at Plashwater Weir Mill Lock. Stars were yet visible, but there was dull light in the east that was not the light of night. The moon had gone down, and a mist crept along the banks of the river, seen through which the trees were the ghosts of trees, and the water was the ghost of water. This earth looked spectral, and so did the pale stars: while the cold eastern glare, expressionless as to heat or colour, with the eye of the firmament quenched, might have been likened to the stare of the dead. — Charles Dickens

Having talent is like having blue eyes. You don't admire a man for the colour of his eyes. I admire a man for what he does with his talent. — Anthony Quinn

Because right now, he is staring at me with these blue eyes. Not the usual blue. Not like my Mister-Know-It-All-blue. My mister has turquoise-blue eyes. This guy has a more sophisticated version of turquoise. His eyes are teal. Teal signifies trustworthiness and reliability. It promotes spiritual advancement and commitment. — Ritika Chhabra

I don't wear base, as I don't like to cover up my freckles, but I couldn't live without YSL Touche Eclat for hiding my under-eye circles. I love the smoky-eye look, so I use Dior's 5-Colour Eyeshadow in Night Dust and lashings of mascara. I finish with a dash of bronzer for a healthy glow. — Eva Green

I think it's because it was an emotional story, and emotions come through much stronger in black and white. Colour is distracting in a way, it pleases the eye but it doesn't necessarily reach the heart. — Kim Hunter

Shut your eyes, wait, think of nothing. Now, open them ... one sees nothing but a great coloured undulation. What then? An irradiation and glory of colour. This is what a picture should give us ... an abyss in which the eye is lost, a secret germination, a coloured state of grace ... loose conciousness. Descend with the painter into the dim tangled roots of things, and rise again from them in colours, be steeped in the light of them. — Paul Cezanne

The ladies of St. James's! They're painted to the eyes; Their white is stays for ever, Their red it never dies; But Phyllida, my Phillida! Her colour comes and goes; It trembles to a lily,
It wavers to a rose. — Henry Austin Dobson

In acute diseases the physician must conduct his inquiries in the following way. First he must examine the face of the patient, and see whether it is like the faces of healthy people, and especially whether it is like its usual self. Such likeness will be the best sign, and the greatest unlikeness will be the most dangerous sign. The latter will be as follows. Nose sharp, eyes hollow, temples sunken, ears cold and contracted with their lobes turned outwards, the skin about the face hard and tense and parched, the colour of the face as a whole being yellow or black. — Hippocrates