Eye And Camera Quotes & Sayings

I seem to walk in the world as two people. The normal everyday-me is as preoccupied, unobservant and oblivious to visual clues as I ever was. Then there is the photographer-me, the one who has a camera in hand and a specific project in mind, and then the world suddenly jumps to life with potential pictures, as if a switch had been thrown in my brain and a different person is looking out of the same eyes. — Bill Jay

The difference in 'seeing' between the eye and the lens should make it obvious that a photographer who merely points his camera at an appealing subject and expects to get an appealing picture in return, may be headed for a disappointment. — Andreas Feininger

Ask me anything, Bailey challenged.
What are you scared of? The question got out of Tibby's mouth before she meant to ask it.
Bailey thought. I'm afriad of time, she answered. She was brave, unflinching in the big Cyclops eye of the camera. There was nothing prissy or self-conscious about Bailey. I mean, I'm afraid of not having enough time, she clarified. Not enough time to understand people, how they really are, or to be understood myself. I'm afraid of the quick judgments and mistakes that eerybody makes. You can't fix them without time. I'm afraid of seeing snapshots instead of movies.
Tibby looked at her in disbelief. She was struck by this new side of Bailey, this philosophical-beyond-her-years Bailey. Did cancer make you wise? Did those chemicals and X rays supercharge her twelve-year-old brain? — Ann Brashares

The camera is an eye that sees and records the lives of filthy people. Its pictures are hung in museums and published in thick books that future generations can see how horrible life was. — David Shrigley

I dream
for an absentee and oft maligned
device - the accident-maker,
the soul-taker, my camera;
its factory guaranteed
third eye, without which I am duly dim
and memory denied. No pictures
for my contrived Arbus to declare,
excepting some stitch of Sexton
manages these sentences
of despair. — Kristen Henderson

What the human eye observes causally and incuriously, the eye of the camera notes with relentless fidelity. — Berenice Abbott

This is a whole new world to explore as a developer to go in and learn these new gameplay mechanics, to learn what it's like to actually control a character from a top-down, 'God's eye' view, and to figure out how the game camera can be controlled by the player's head. — Brendan Iribe

A Leica camera is a camera we can keep both eyes open. You can look for the free eye that doesn't look to viewfinder and in all directions. It's like backwards - and sometimes also backwards, and you can look for the viewfinder and see your picture. — Horst Faas

My eyes has been my camera taking pictures of the world and my songs has been my messages that I tried to scatter across the back sides and along the steps of the fire escapes and on the window sills and through the dark halls ... — Woody Guthrie

Seeing is itself touched with elegy. Reality seems to press its light into us, it is happening, but that's not the way things are. The eye can process only so many images per second, taking in sights the way a camera takes a series of stills. The reality we see is the sketchpad comics we made as kids, me and my brothers and sister. Draw a stickman taking a step on one page, and on the next draw that same figure, only his foot is slightly further ahead, and again on the next page, draw this figure, but with his foot on the ground. Flip through them quickly, and he appears to walk. That's the mechanics of the eye, too. We think we are seeing life as it happens, but pictures are missing. Moments disappear between the stills and make up our unwitnessed lives. To see is to miss things. Loss is always with us. — Ryan Knighton

Her eyes rounded. "They don't open until eleven."
"Unless you're me, and you strike up a conversation with the prep cook who starts work at seven."
"Ah."
"Get your mind out of the gutter," he said, uncurling his forefinger from around his own cup to point it at her. "His name is George and he has a wife and three kids."
"My mind's not in the gutter!" Well, not since she woke from a twenty-minute midnight doze during which she'd imagined herself stretched out on her bed, Gage standing at its foot, slowing stripping off his clothes.
He grinned at her, then reached into his front pocket to pull free a slim camera. Still juggling his coffee, he managed to bring the viewfinder to his eye and snap a shot. "I'll call it 'Guilty as Charged.'"
"That's an invasion of privacy," she said, frowning at him.
"I think that blush indicates that you've been mentally invading mine."
"Gage! — Christie Ridgway

By this Yoshida explains that 'when we look at the actual conditions of this world through the camera's lens, we must deny the random movements of the human eye and restrain the eye's constant movements in order to focus on one point. — Isolde Standish

The first really important book I read about filmmaking was The Film Technique by Pudovkin. This was some time before I had ever touched a movie camera and it opened my eyes to cutting and montage. — Stanley Kubrick

As for garden photographers, how differently they see things. With what ease the camera seems to compose a picture of great beauty with its discriminating lens. The naked eye can't censor some ugly sight on the periphery of vision; the photographer takes the perfect shot and picks for us just what we need to see. — Mirabel Osler

I have a license," says a voice behind us. I turn to find 17C scrolling through pictures on his camera, standing in the front yard like a deep-rooted tree, like he's been there for years. Somehow, that black eye only makes him more desirable. "And you are . . . ?" asks Moses. A) Perfect B) The god of Devastating Attractiveness C) A flawless specimen, created in a lab by mad scientists in an effort to toy with the heart of Mary Iris Malone D) All of the above I circle D. Final effing answer. — David Arnold

One time I told this lady to give me all her money, she said no. So I cut her and pulled her eyes out. I would do someone in and then take a camera and set the timer so I could sit them up next to me and take our picture together. — Richard Ramirez

The photographs of space taken by our astronauts have been published all over the place. But the eye is a much more dynamic mechanism than any camera or pictures. It's a more exciting view in person than looking at the photographs. Of course, I personally am sick and tired of hearing people talk like that: I want to see it myself! — Burt Rutan

When you grow up on camera and in the public eye, you feel you have to put forth this image. I just took that to the extreme and there was a lot of pressure on me. — Shannon Miller

The camera is not your eye, and it's not the eye of the audience. I don't think it's my eye, either. It belongs to the film. — Claire Denis

I preferred that option, where my camera (and by proxy, me) could look them straight in the eye. The way they reacted to me was always interesting. Sometimes hard young men would reveal vulnerability and a softer side. In the case of teenage girls, I often got a fascinating glimpse of the woman inside. — Derek Ridgers

Jerusalem - a divided city, where demonstrations for and against various issues occur regularly. One day, during an Orthodox demonstration against autopsies, I happened to click a few frames while a young man pushed his hamsa (spread hand) into my camera, which is seen by some as 'the evil eye.' As it happened, it was the tail end of my roll of film and the image is actually a double exposure. This taught me that in spite of your careful framing, chance occurrences create the most interesting images. — Micha Bar-Am

I am certain that if I have any merit, it is knowing how to make good use of my eyes, to guide the camera in its task of capturing not only colors, lights and shadows, but the movement of life itself. — Gabriel Figueroa

Abruptly the drumbeat softens into heartbeat. The camera becomes his eye. This was what had summoned him - a human heart beating from within a ripped-off, rolled-up tiny piece of cloth. A discarded newborn. Black. A useless, half-dead, famished, thrown-away boy. The madwoman's? No, she's beyond childbearing years. He approaches, his steps making no sound at all. When he reaches down to turn it over, the thing quivers. Suddenly Milo's brain fills with a soft cascade of men and women's voices from the past in French and English, German and Dutch, Cree and Gaelic. They gurgle and babble and blend as he stares at the unwanted infant. Is it breathing? Yes, — Nancy Huston

Curiosity broke her earlier resolve. "Have you ever been tested?"
"No." He stood behind Sara, holding the camera in front so she could see. "Zoom here," he said, flicking the toggle.
"You could probably-"
"This is macro."
"Will-"
"Super macro." He kept talking over her until she gave up. "Here's where you adjust for color. This is light. Anti-shake. Red-eye." He clicked through the features like a photography instructor.
Sara Finally relented. "Why don't I point and you shoot?"
"All right." His back was stiff, and she could tell that he was irritated.
"I'm sorry I-"
"Please don't apologize."
Sara held his gaze for a few moments longer, wishing she could fix this. There was nothing to say if he wouldn't even let her apologize. — Karin Slaughter

Eddie had come to understand that what a man saw and what actually existed in the natural world often were contradictory. The human eye was not capable of true sight, for it was constrained by its own humanness, clouded by regret, and opinion, and faith. Whatever was witnessed in the real world was unknowable in real time. It was the eye of the camera that captured the world as it truly was. — Alice Hoffman

Once digital came, I could see my images instantly right there on the camera. I think that makes you a better photographer because you can see right there if your subject's eyes are closed or if you exposed it wrong and if it's too bright or dark. You can fix it right here. With film, you wouldn't know until you got the prints back if something was messed up, and then there was nothing you could do. That was a huge advantage. — Scott Kelby

TinyWall is a firewall application that by default blocks every program and keeps them from accessing the internet. You can approve individual processes or executables and allow them internet access. This will help to make sure you aren't unwittingly leaking information. If you suspect that someone might be physically accessing your computer while you are away, you can set up a hidden camera to keep an eye on the computer while you are gone. — Rob Robideau

Our perceptions take on richness and depth as a result of all the things that we learn. The eye is not a camera that objectively takes a photo of the "world out there." Rather, what the eye sees is determined by what the brain has learned. This suggests a short mantra: learn more, see more. — Richard Restak

She was the best model because she not only had perfect facial features, but a great body and wasn't ashamed to show it. It was impossible to take a bad photo of her. Bettie Page was always ready for the camera's eye. — Bunny Yeager

I think it's broken," Greg said, holding on to the camera. "The photos just don't come out right. It's hard to explain."
"Maybe it's not the photos. Maybe it's the photographer," Shari teased.
"Maybe I'll take a photo of you getting a knuckle sandwich," Greg threatened. He raised the camera to his eye and pointed it at her.
"Snap that, and I'll take a picture of you eating the camera," Shari threatened playfully. — R.L. Stine

On stage you can get away with a lot more in the sense of emotion and truthfulness. But the camera is the eye of God. It sees everything. — Cindy Busby

The camera has an uncanny ability to capture the world as it is, to seize events as they happen, and also to conjure visions of the future. But by the time the image reaches the eyes of the viewer, it belongs to the past, taking on the status of something retrieved. — A.O. Scott

It is an illusion that photos are made with the camera ... they are made with the eye, heart and head. — Henri Cartier-Bresson

I have spent too much time with my eye glued to the viewfinder and ended up missing both the image of the mind and that on film. — Doug Peacock

My mother's advertising firm specialized in women's accessories. All day long, under the agitated and slightly vicious eye of Mathilde, she supervised photo shoots where crystal earrings glistened on drifts of fake holiday snow, and crocodile handbags-unattended, in the back seats of deserted limousines-glowed in coronas of celestial light. She was good at what she did; she preferred working behind the camera rather than in front of it; and I knew she got a kick out of seeing her work on subway posters and on billboards in Times Square. But despite the gloss and sparkle of the job (champagne breakfasts, gift bags from Bergdorf's) the hours were long and there was a hollowness at the heart of it that-I knew-made her sad. — Donna Tartt

Your most important gear is your eye, heart and soul. — Marius Vieth

I am the camera's eye. I am the machine that shows you the world as I alone see it. Starting from today I am forever free of human immobility. I am in perpetual movement. I approach and draw away from things-I crawl under them-I climb on them-I am on the head of a galloping horse. — Dziga Vertov

Behind the camera, I was invisible. When I lifted it up to my eye it was like I crawled into the lens, losing myself there. and everything else fell away. — Sarah Dessen

Hardy's poetry is pre-eminently about ways of seeing. This is evident in the numerous angles of vision he employs in so many poems. Sometimes it involves creating a picture, as in 'Snow in the Suburbs', which allows the eye to follow the cascading snow set off by a sparrow alighting on a tree; or it employs the camera effect, as in 'On the Departure Platform', which tracks the gradually diminishing form and disappearance of a muslin-gowned girl among those boarding the train. However, Hardy is also a poet of social observation. His humanistic sympathies emerge in a variety of poems drawing upon his experience of both Dorset and London. — Geoffrey Harvey

Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye. — Robert Smithson

You have to communicate on a much greater scale. With a camera, you can use the flick of an eye. On stage, a lot of other things are happening that can pull focus or energy. You're always thinking the same way, but you have to amplify your thoughts with the volume of your speech and the ways you use your whole body to communicate what you're feeling. It's a little bit different from film. — Jeremy Irons

In the morning this light breasts your windowpane and, having pried your eye open like a shell, runs ahead of you, strumming its lengthy rays - like a hot-footed schoolboy running his stick along the iron grate of the park or garden - along arcades, colonnades, red-brick chimneys, saints and lions. "Depict! Depict!" it cries to you, either mistaking you for some Canaletto or Carpaccio or Guardi, or because it doesn't trust your retina's ability to retain what it makes available, not to mention your brain's capacity to absorb it. Perhaps art is simply an organism's reaction against its retentive limitations. At any rate, you obey the command and grab your camera, supplementing both your brain cells and your pupil. Should this city ever be short of cash, it can go straight to Kodak for assistance - or else tax its products savagely. By the same token, as long as this place exists, as long as winter light shines upon it, Kodak shares are the best investment. — Joseph Brodsky

None of the characters in (the story) were distinguished ones
not even the lion.
He was an old lion, prepared from birth to lose his life rather than to leave it. But he had the dignity of all free creatures, and so he was allowed his moment. It was hardly a glorious moment.
The two men who shot him were indifferent as men go, or perhaps they were less than that. At least they shot him without killing him, and then turned the unsconscionable eye of a camera upon his agony. It was a small, a stupid, but a callous crime. — Beryl Markham

Kurt Cobain, when he did his videos, you look into his eyes and he couldn't even face the camera; he was in pain and I'm angry about Kurt. This guy didn't have to die. — Steven Tyler

We could not be further from ballooning's established tropes: freedom, spiritual exaltation, human progress. Redon's eternally open eye is deeply unsettling. The eye in the sky; God's security camera. And that lumpish human head invites us to conclude that the colonisation of space doesn't purify the colonisers; all that has happened is that we have brought our sinfulness to a new location. — Julian Barnes

Photojournalism has its tremendous rewards and it's wonderful work. In what other work can you wander aimlessly with a camera around your neck, armed only with your personal interest and your eyes? — Larry Towell

Your eyes is camera and your brain is a file cabinet. — George Balanchine

The common ancient ancestor of mulluses and chordates could not possibly have possessed a camera eye, so quite clearly they have evolved independently. The solution has been arrived at by completely different routes. — Simon Conway Morris

It was my second show as a writer, and Justin Timberlake was just coming off boy-band stardom. People were rolling their eyes, but I used to watch the Mickey Mouse Club, and I knew all those kids were talented as hell. Justin was as comfortable on camera in that first episode as any of our cast members. — Jason Sudeikis

But now the train had finally begun to move, and Albie had switched the fearless truth-telling eye of his camera lens from his untied laces to the walls of the tunnels under east London, because you can never have enough pictures of dirty concrete. — David Nicholls

Think about it; the quicktank is given a job most of us would laugh out of town. Build a sophisticated camera capable of full 3-D input and peripheral pickup, using only water and jelly.
Build an eye. — Warren Ellis

PERCIVAL: Now, who is telling the story?
SEVERIN: The camera is telling the story. It's watching everything, and you can't lie to it, or it will know.
PERCIVAL: My girl is so clever! No, the camera witnesses the story and records it, but it is outside the story. Like a very tiny god with one big, dark eye ... Which of [the characters] is the authority? Who controls how the story is told? And who is the audience, for whom all these wonderful things are meant?
SEVERIN: They are all telling the story to me. — Catherynne M Valente

I look very different on camera compared with how I do in real life. On camera, I look my best when everything is enhanced, especially my eyes - I like a smoky eye. In real life, I like myself best in tinted moisturiser, lip balm and mascara. — Martine McCutcheon

It is probably well on the conservative side to estimate that during the past ten to fifteen years the camera has destroyed a thousand pairs of eyes, corrupted ten thousand, and seriously deceived a hundred thousand, for every one pair that it has opened, and taught. — James Agee

It was here that Isobel first felt the twinge of an inward pull on her mind. Slowly the words started to get out of the way and let images of courtiers revolve, in slow motion, through her mind's eye. It was as though she had somehow adapted to the density of the language. Soon the words smudged away from the page, and in their place, she was left with the sensation of gliding through the scene, like she'd become a movie camera, sweeping through the sets of rooms and over the heads of costumed actors. — Kelly Creagh

I know those kinds of lenses, said Tuppence. By the time you've adjusted the shutter and stopped down and calculated the exposure and kept your eye on the spirit level, your brain gives out and you yearn for the simple browning. — Agatha Christie

[Richard Avedon's] camera dwells on the horrible things that age can do to people's faces - on the flabby flesh, the slack skin, the ugly growths, the puffy eyes, the knotted necks, the aimless wrinkles, the fearful and anxious set of the mouth, the marks left by sickness, madness, alcoholism, and irreversible disappointment. — Janet Malcolm

For the spectator does not see space, he sees the objects and events; he does not perceive the coordinates with the same cyclopean eye of the camera. With his entire body, desires, and fantasies, he perceives the existential dimensions by which the world is organized. — Mikel Dufrenne

It is inescapable that Ringo was the catalyst for the others. He certainly completed the jigsaw and The Beatles, with Ringo, became a magnet for the great camera artists of the world, a target for the jaded, lately hostile eyes of people who had hardly known that popular music existed. — Brian Epstein

I never had a "project." I would go out and shoot, follow my eyes ... I tried to capture with my camera, for others to see. — Helen Levitt

On my iPad, and I'm quite a fool for this, but I use Post-It notes to cover up the camera. It's just weird with that little eye there and sometimes it'll be green and I know I didn't turn it on. It's very spooky. — Taraji P. Henson

Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on. — Matt Damon

Handheld camera is approximating what we're seeing when we're looking at each other, and kind of looking around, and your eyes whipping around. It adds an immediacy, where you feel like you are watching something through your own eyes, standing there with them. And that just allows you to take more liberties and have more fun with people's behavior. — Paul Feig

Creation rather than painting, or if painting, yet such, and with such co-presence of the whole picture flash'd at once upon the eye, as the sun paints in a camera obscura. (Describing his poetic ideal, 1817) — Samuel Taylor Coleridge

Director Michelle MacLaren is the John Cage of this malevolent silence, able to wield it as precisely as a pointillist with a paintbrush. And with 'To'hajiilee,' the final episode of Breaking Bad she'll ever direct, she has painted her masterpiece. Under the unblinking eye of her relentless camera, this was television not as entertainment but as endurance. It was agonizing, nauseating, unbearable. I loved every minute but hated every second. I couldn't wait for it to be over but I never wanted it to end. And I especially never wanted it to end like that. — Andy Greenwald

Photography begins not in the camera but in the
mind and the eye. The real work is one of noticing and appreciating, seeing things clearly and differently, and
sharing that vision with others. I have developed my
vision and my photographic craft in order to bring
the beauty of nature to light in a fresh way that
can inspire and nourish people. — Bill Atkinson

Do not be afraid of mistakes. They will be with you always,every time you put a camera to your eye. [If you] shoot safe, and don't at least occasionally court disaster, you are not trying. Time to hang up the camera. — Joe McNally

Anybody doesn't like these pitchers don't like potry, see? Anybody don't like potry go home see television shots of big hatted cowboys being tolerated by kind horses. Robert Frank, Swiss, unobtrusive, nice, with that little camera that he raises and snaps with one hand he sucked a sad poem right out of America onto film, taking rank among the poets of the world. To Robert Frank I now give this message: You got eyes. — Jack Kerouac

Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life. — Leonard Nimoy

He tried to make each painting capture that gently fuzzed qualit the camera gave everything, as if someone had patted away a top layer of clarity and left behind something kinder than the eye alone would see. — Hanya Yanagihara

We were in production on a movie called All the Real Girls, which filmed in the Fall of 2001, and we really discovered who Danny McBride was, as an actor. When I say we, I mean me and a crew and a small audience that would hit the art house. He'd never acted before, and it was a really refreshing, eye-opening experience to watch him unleash, in front of the camera, all this comedic potential that we knew he had, as a human being and as the guy doing keg-stands at the party. — David Gordon Green

I enjoy traveling and recording far-away places and people with my camera. But I also find it wonderfully rewarding to see what I can discover outside my own window. You only need to study the scene with the eyes of a photographer. — Alfred Eisenstaedt

Things seem more obvious behind the camera. Like the way Corgi keeps one eye on the game and the other on Happy. The way Yelp's hands are shaking and his eyes are shadowed, and the way Jorge watches him without seeming — Dot Hutchison

I once got a little camera to use for details of architecture and so forth but the photo was always so different from the perspective the eye gives, I gave it up. — Edward Hopper

We've got a nation of people who have one eye looking out for the next speed camera, another looking for a speed limit sign and another looking at the speedometer - which is a bit of a shame, when you only have two eyes. — Paul Smith

There is something strikingly different about the quality of photographs of that time. It has nothing to do with age or colour, or the feel of paper ... In modern family photographs the camera pretends to circulate like a friend, clicking its shutters at those moments when its subjects have disarranged themselves to present to it those postures which they would like to think of as informal. But in pictures of that time, the camera is still a public and alien eye, faced with which people feel bound either to challenge the intrusion by striking postures of defiant hilarity, or else to compose their faces, and straighten their shoulders, not always formally, but usually with just that hint of stiffness which suggests a public face. — Amitav Ghosh

We all experience it. Those moments when we gasp and say, Oh, look at that. Maybe it's nothing more than the way a shadow glides across a face, but in that split second, when you realize something truly remarkable is happening and disappearing right in front of you, if you can pass a camera before your eye, you'll tear a piece of time out of the whole, and in a breath, rescue it and give it new meaning. — Joel Meyerowitz

Bleak factory buildings and billboard-cluttered avenues look as beautiful, through the camera's eye, as churches and pastoral landscapes. — Susan Sontag

It was from him, and from this picture in particular, that Henri Cartier-Bresson had developed the ideal of the decisive moment. Photography seemed to me, as I stood there in the white gallery with its rows of pictures and its press of murmuring spectators, an uncanny art like no other. One moment, in all of history, was captured, but the moments before and after it disappeared into the onrush of time; only that selected moment itself was privileged, saved, for no other reason than its having been picked out by the camera's eye. — Teju Cole

Photography is light-writing, the language of images. Less abstract than written or spoken language, it selects images from the existing world of appearances and arranges them in patterns. The camera-eye doesn't think, it recognizes. It shows us what we already know, but don't know that we know. — David Levi Strauss

I knew if I continued to look around it would be difficult for me to contain my own emotions. So I turned away from the red eyes of the crowd and looked only at the red eye of the camera, talking to all the nation. — Richard M. Nixon

On Laurence Olivier as Hamlet in a 1948 film: Olivier's idea of introspection was to hood his eyes, dentalize his consonants and let the camera circle his blondined head like a sparrow looking for a place to deposit its droppings. — Robert Brustein

Two men with a camera, thoughtfully observing the visual cacophony of one major thoroughfare and the complicated interplay of its history, its present, and the certainty of change, have laid the groundwork for a dialogue and a vision that reaches farther than human eyes can see. — Vicki Goldberg

With photography, everything is in the eye and these days I feel young photographers are missing the point a bit. People always ask about cameras but it doesn't matter what camera you have. You can have the most modern camera in the world but if you don't have an eye, the camera is worthless. Young people know more about modern cameras and lighting than I do. When I started out in photography I didn't own an exposure meter - I couldn't , they didn't exist! I had to guess. — Alfred Eisenstaedt

When I began to photograph nudes, I let myself be guided by this camera, and instead of photographing what I saw, I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed. — Bill Brandt

The kids in the League knew about the camps-vaguely. There were only a few of us who had actually lived in one and experienced the life firsthand, but there was an unspoken rule we didn't talk about it. Everyone knew the truth, but the truth didn't live inside them the same way it did for us. They'd heard about the sorting machines, the cabins, the testing, but most of their stories were gossip, completely wrong. These kids had never stood for hours on end in an assembly lime. They didn't know fear came in the shape of a small black camera lens, an eye that followed you everywhere at all times. — Alexandra Bracken

Elizabeth Taylor is, in my opinion, the greatest actress in film history. She instinctively understands the camera and its nonverbal intimacies. Opening her violet eyes, she takes us into the liquid realm of emotion, which she inhabits by Pisces intuition. Richard Burton said that Taylor showed him how to act for the camera. Economy and understatement are essential. At her best, Elizabeth Taylor simply is. An electric, erotic charge vibrates the space between her face and the lens. It is an extra-sensory, pagan phenomenon. — Camille Paglia

The funny thing is that the process of coming up with an idea for a column or a 'Candid Camera' sequence is essentially the same thing. I just live my life with eyes and ears perhaps a little bit wider open than some people. Whatever bothers me or seems off kilter or in need of parody-or on a serious subject, in need of examination-in the past I had done a sequence about it. Now I write a column about it. — Peter Funt

The contemporary artist ... is not bound to a fully conceived, previsioned end. His mind is kept alert to in-process discovery and a working rapport is established between the artist and his creation. While it may be true, as Nathan Lyons stated, 'The eye and the camera see more than the mind knows,' is it not also conceivable that the mind knows more than the eye and the camera can see? — Jerry Uelsmann

Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. — Henri Cartier-Bresson

The camera is not only an extension of the eye but of the brain. It can see sharper, farther, nearer, slower, faster than the eye. It can see by invisible light. It can see in the past, present, and future. Instead of using the camera only to reproduce objects, I wanted to use it to make what is invisible to the eye - visible. — Wynn Bullock

The dominant problem of pictorial art since the nineteen-fifties is photography, and, by extension, film and video. The basilisk eye of the camera has withered the pride of handworked mediums. Painting survives on a case-by-case basis, its successes amounting to special exemptions from a verdict of history. — Peter Schjeldahl

He lifted the slice of cake and bit into it and turned the page. The old musty album with its foxed and crumbling paper seemed to breathe a reek of the vault, turning up one by one these dead faces with their wan and loveless gaze out toward the spinning world, masks of incertitude before the cold glass eye of the camera or recoiling before this celluloid immortality or faces simply staggered into gaga by the sheer velocity of time. Old distaff kin coughed up out of the vortex, thin and cracked and macled and a bit redundant. The landscapes, old backdrops, redundant too, recurring unchanged as if they inhabited another medium than the dry pilgrims shored up on them. Blind moil in the earth's nap cast up in an eyeblink between becoming and done. I am, I am. An artifact of prior races. — Cormac McCarthy

Realism and superrealism are what I'm after. This world is full of things the eye doesn't see. The camera can see more, and often 10 times better. — Andreas Feininger

When I was starting, I was very much influenced by the straight up, eyes to camera style of August Sander. He is really the only one. Had I known then the work of people like Ken Russell, Vivian Maier, Helen Levitt, and Steven Berkoff, they would undoubtedly have influenced me too. — Derek Ridgers

There are things that happen so quickly. A better cameraman can capture them, but if the light is not bright and you hoist up your camera by the time you've dialed in your settings. there are eye blink moments where you're like "Aaahhhh, I wish," but those are too many to catalogue. Nothing really sticks out. — Henry Rollins

If you go to the octopus, and if you're not too squeamish, dissect it. You'll find that it has a camera eye which is remarkable similar to our own. And yet we know that the octopus belongs to an invertebrate group called cephalopod mulluses, evolutionarily very distant indeed from the chordates to which we belong. — Simon Conway Morris

3D needs a trained eye. It can't be done by everybody. People who just do 3D just for the sake of commercializing their movie another five or six percent and they don't know really how to do it, they should care how to do it better by bringing other directors and collaborators into their lives to help teach and instruct how you really make a 3D movie because it's not just like putting a new lens on a camera and forgetting it. It takes a lot of very careful consideration. It will change your approach to where you put the cameras. So, 3D isn't for everybody. — Steven Spielberg

When I start a film, I can sort of shut my eyes, sit somewhere quiet and imagine the movie finished. I can imagine the camera angles, I can even imagine the type of music. Without knowing the tune, I can imagine the type of music it needs to be. — Peter Jackson

To me photography can be simultaneously both a record and a mirror or window of self-expression the camera is generally assumed to be unable to depict that which is not visible to the eye and yet, the photographer who wields it well can depict what lies unseen in his memory. — Eikoh Hosoe