Example And Drawing Quotes & Sayings
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Top Example And Drawing Quotes

Just think of Emily Bronte, for example: psychotically bookish - but was there ever a woman screaming out so loudly for a good f***ing? I even suspect that's why Wuthering Heights carries on decades too long rather than sensibly drawing the curtains a little after Cathy's death. It was Bronte saying, 'Look - I'm simply going to keep on writing this stuff until someone comes and shags me raw. — Mil Millington

The strange feature of partial reflection by two surfaces has forced physicists away form making absolute predictions to merely calculating the probability of an event. Quantum electrodynamics provides a method for doing this-drawing little arrows on a piece of paper. The probability of an event is represented by the area of the square of an arrow. For example, an arrow representing a probability of 0.04 (4%) has a length of 0.2. — Richard Feynman

There is something evocative about the idea of destruction. This act of destruction is the expression of an idea ... that what we call reality is not real at all. When I draw a head, for example, I immediately feel an urge to destroy it, to erase it, because the drawing only captures an outward appearance, and for me the vital issue is what lies behind the visual form of the head. — Antoni Tapies

No one can be an unbeliever nowadays. The Christian Apologists have left one nothing to disbelieve. — Hector Hugh Munro

I don't deserve you."
"See, that's where you're wrong ... That's where you've always been wrong. You deserve everything. — Jennifer L. Armentrout

Remember that some organizations, especially activist groups, have no obligation to rigorous, unbiased data. They are working to convince you to adopt their view of the world and thus aren't necessarily impartial [...] This type of bias or spin is common, and you need to be on the alert for it in the reports you read. In fact, bias is a major reason to get multiple kinds of trend data before drawing conclusions. Even if activist groups don't publish false information, they might leave out key data, which might lead you in another direction. If you read particularly alarming data, for example, a trend that says, "we're losing 10 percent of all bird species each year," you should make sure you verify it with other sources.
In a world that moves as fast as ours does, sensational problems sometimes arise, but if it's really an issue, more than one expert will be covering it. — Eric Garland

Never, never do I set to work on a canvas in the state it comes in from the shop. I provoke accidents - a form, a splotch of color. Any accident is good enough. I let the matiere decide. Then I prepare a ground by, for example, wiping my brushes on the canvas. Letting fall some drops of turpentine on it would do just as well. If I want to make a drawing I crumple the sheet of paper or I wet it; the flowing water traces a line and this line may suggest what is to come next. — Joan Miro

Let every young man and woman be warned by my example, and understand that good handwriting is a necessary part of education. I am now of the opinion that children should first be taught the art of drawing before learning how to write. Let the child learn his letters by observation as he does different objects, such as flowers, birds, etc., and let him learn handwriting only after he has learnt to draw objects. He will then write a beautifully formed hand. — Mahatma Gandhi

One should never trust a person who, while assuring you of something, puts his hands on his heart. — Georg C. Lichtenberg

Indian monks were the first to choose the garden as the proper setting for their lives, which were devoted to the
contemplation of the divine; but with a prophetic eye we may see that the garden will often be dedicated in a
like manner: at a later time Greek philosophers, and monks in early Christian days, will retire into their
gardens for united, yet silent, contemplation. — Marie-Luise Gothein

Is it really that hard for you to just agree with me for once?"
"I never disagree."
"You always have an answer for everything." She shook her head. "It's insufferable. — Sarah J. Maas

A treble clef, for example, resembles a Muscovite or Leningrader in a bulky hooded parka. A bass clef bends as simply and painfully as a silhouetted widow in Leningrad drawing water from the whiteness of a frozen canal. — William T. Vollmann

Forgery is just the most dramatic example of the importance of origin. Arthur Koestler described a friend who owned a drawing that she first took to be a reproduction. When she later discovered that it was an original by Picasso, she displayed it more prominently, claimed that she saw it differently, and enjoyed it more. For her, its value went up. — Paul Bloom

A.N. Kolmogorov and Yasha Sinai had worked out some illuminating mathematics for the way a system's "entropy per unite time" applies to the geometric pictures of surfaces stretching and folding in phase space. The conceptual core of the technique was a matter of drawing some arbitrarily small box around some set of initial conditions, as one might draw a small square on the side of a balloon, then calculating the effect of various expressions or twists on the box. It might stretch in one direction, for example, while remaining narrow in the other. The change in area corresponded to an introduction of uncertainty about the system's past, a gain or loss of information. — James Gleick

I decided it would be helpful to provide an example, drawing on a story in which emotional behavior would have led to disastrous consequences. "Imagine," I said, "you're hiding in a basement. The enemy is searching for you and your friends. Everyone has to keep totally quiet, but your baby is crying." I did an impression, as Gene would, to make the story more convincing: "Waaaaa." I paused dramatically. "You have a gun. — Graeme Simsion

I don't feel when I'm writing that I'm drawing from any other writer, but of course I must be. The writers I've admired have been not so very different from myself: Evelyn Waugh, for example, that kind of crystalline prose. And I've always admired W. Somerset Maugham more than any other writer. — Charles McCarry

Until I saw my drawings replayed on the iPad, I'd never seen myself draw. Someone watching me would be concentrating on the exact moment, but I'd always be thinking a little bit ahead. That's especially so in a drawing where you are limiting yourself, a line drawing for example. When you are doing them you are very tense, because you have to reduce everything to such simple terms. — David Hockney