Evil Characters Quotes & Sayings
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Top Evil Characters Quotes

I'm not a pretty princess, and I'm aware of that, so I like music that is really intense, really bold, and characters that in a way almost have a dark side and are kind of evil because, for me, that's when I feel my strongest and fiercest, when I'm not necessarily the good girl. — Ashley Wagner

You have to imbue the characters with their own sort of feeling of justification and morality. Everyone has that, whether we see them as evil or not. So I try to bring the characters to life by making them likable or lovable, in the sense that they can be, at least to themselves. — Mark Russell

Though, technically, I'm shooting on location, my films are actually based inside a woman's heart. I think women are more emotional than men, and that's a thread I've explored in all my films. When I see TV these days, I'm shocked at how all the main women characters are portrayed as evil. Women are the foundation of everything, and they deserve to be treated that way on camera. — Yash Chopra

What is their potential for evil; what is their potential for wickedness? That's the only time that those characters become interesting to watch. — Jennifer Beals

I usually make up stories for my kids.I like to tell them stories and make up any kind of crazy to involve them in characters. The kind of fairytales I don't like are the ones with happy endings, where there's just good and evil and things are perfect. I think when there's a good story for children it has a moral tale, so that's what I try to teach my kids. — Angelina Jolie

Intensely vivid characters, terrible crimes, and a brutal deep-frozen landscape all prove beyond a reasonable doubt that cold nurtures good and evil as readily as heat ... and that Giles Blunt is a really tremendous crime novelist. — Lee Child

How could people like these, without words to put to their emotions and passions, manage? They could, at best, only suffer dumbly. Their pains and humiliations would work themselves out in their characters alone: like evil spirits possessing a body, so that the body itself might appear innocent of what it did. — V.S. Naipaul

Christian morality (so called) has all the characters of a reaction; it is, in great part, a protest against Paganism. Its ideal is negative rather than positive; passive rather than action; innocence rather than Nobleness; Abstinence from Evil, rather than energetic Pursuit of Good: in its precepts (as has been well said) 'thou shalt not' predominates unduly over 'thou shalt. — John Stuart Mill

Novelists are evil psychopomps, basically. We treat a few characters as real, but the rest of them are cannon fodder. — Scott Westerfeld

If you were to bother to read my books, to behave as any educated person would, you would learn that they are not sexy, and do not argue in favor of wildness of any kind. They beg that people be kinder and more responsible than they often are. It is true that some of the characters speak coarsely. That is because people speak coarsely in real life. Especially soldiers and hardworking men speak coarsely, and even our most sheltered children know that. And we all know, too, that those words really don't damage children much. They didn't damage us when we were young. It was evil deeds and lying that hurt us. — Kurt Vonnegut

Since the purpose of reading, of education, is to become good, our most important task is to choose the right books. Our personal set of stories, our canon, shapes our lives. I believe it is a law of the universe that we will not rise above our canon. Our canon is part of us, deeply, subconsciously. And the characters and teachings in our canon shape our characters
good, evil, mediocre, or great. — Oliver DeMille

In politics, they have ran with the hare and hunted with the hound. In criticism, they have, knowingly and unblushingly, given false characters, both for good and for evil; sticking at no art of misrepresentation, to clear out of the field of literature all who stood in the way of the interests of their own clique. They have never allowed their own profound ignorance of anything (Greek for instance) to throw even an air of hesitation into their oracular decision on the matter. They set an example of profligate contempt for truth, of which the success was in proportion to the effrontery; and when their prosperity had filled the market with competitors, they cried out against their own reflected sin, as if they had never committed it, or were entitled to a monopoly of it. The latter, I rather think, was what they wanted. Mr. — Thomas Love Peacock

Orwell's 1984 [ ... ] is political thought disguised as a novel; the thinking is certainly lucid and correct, but it is distorted by its guise as a novel, which renders it imprecise and vague. [ ... ] the situations and the characters are as flat as a poster.
The pernicious influence of Orwell's novel resides in its implacable reduction of a reality to its political dimension alone, and in its reduction of that dimension to what is exemplarily negative about it. I refuse to forgive this reduction on the grounds that it was useful as propaganda in the struggle against totalitarian evil. For that evil is, precisely, the reduction of life to politics and of politics to propaganda. So despite its intentions, Orwell's novel itself joins in the totalitarian spirit, the spirit of propaganda. It reduces (and teaches others to reduce) the life of a hated society to the simple listing of its crimes. — Milan Kundera

The problem, if anything, was precisely the opposite. I had too much to write:
too many fine and miserable buildings to construct and streets to name and clock towers to set chiming,
too many characters to raise up from the dirt like flowers whose petals I peeled down to the intricate frail organs within,
too many terrible genetic and fiduciary secrets to dig up and bury and dig up again,
too many divorces to grant,
heirs to disinherit,
trysts to arrange,
letters to misdirect into evil hands,
innocent children to slay with rheumatic fever,
women to leave unfulfilled and hopeless,
men to drive to adultery and theft,
fires to ignite at the hearts of ancient houses. — Michael Chabon

Boredom is a form of evil; perhaps one of Kierkegaard's characters was more correct when he said, "Boredom is the root of all evil." Boredom is a preview of death, if not itself a form of death, and when trapped in prolonged boredom, even the most saintly of us will hope for, pray for, or even engineer relief, however demonic. — Fred B. Craddock

Books allow us to escape from the pressures of modern life. By far, the best vehicles of escape are Young Adult Science Fiction or Fantasy genre allowing us to lose ourselves in worlds far away from the reality we know. This escapism works because we totally immerse ourselves and:-
We become the hero or heroine.
We are the ones who thwart evil.
We laugh as we socialise with characters we have never met but feel they are as close as our family.
We cry when we lose a good friend. — Peter Graham

I enjoy playing evil, but not one-dimensional evil characters. I like the ebbs and cracks in the armor. — Rodrigo Santoro

First of all, I never think of my characters as good or evil. I play them as honestly as I can. When you're playing a good character, you have an idea that you're playing the hero and the good guy. — Dennis Haysbert

You don't buy evil characters lattes. That's not normal behavior. — Rob James-Collier

Discernment and detachment (Jurists and apatheia) are two characters of the mature Christian soul. They are not yet the mark of a mystic, but they bear witness that one is traveling the right way to mystical contemplation, and that the stage of beginners is passed. The presence of discernment and detachment is manifested by a spontaneous thirst for what is good - charity, union with the will of God - and an equally spontaneous repugnance for what is evil. The man who has this virtue no longer needs to be exhorted by promises to do what is right, or deterred from evil by threat of punishment. — Thomas Merton

The unknown characters of writing seem to be endowed with an evil of life of their own as though sentient, and fain would wrest themselves forth from the parchment and wreak mischief on whomsoever gazes upon them. — E. Hoffmann Price

Just because something isn't good doesn't mean it's bad. — Rebecca McNutt

When I would do good, evil is present with me. But, blessed be God, though we must feel hourly cause for shame and humiliation for what we are in ourselves, we have cause to rejoice continually in Christ Jesus, who, as He is revealed unto us under the various names, characters, relations, and offices, which He bears in the Scripture, holds out to our faith a balm for every wound, a cordial for every discouragement, and a sufficient answer to every objection which sin or Satan can suggest against our peace. — John Newton

'Evil' is quite a blanket term. People aren't the demonic characters we would like them to be sometimes. — David Morrissey

What intrigues me is that people kind of naturally want to label or pigeonhole the characters. They want to make it easy for themselves to go, "All right. There's the good guy, there's the bad guy, there's the girl. Okay, I get it now." But life isn't one-dimensional. The world isn't simply divided into good versus evil. I think we're all capable of both. So any time the hero does something I'm not crazy about, or the bad guy does something I can relate to, I'll find it more interesting. — Alexander Skarsgard

I think there's a dishonorable tradition in Hollywood to give the idea, particularly to children, that evil characters are dark. — Tilda Swinton

The part of the tradition that I knew best was mostly written (or rewritten for children) in England and northern Europe. The principal characters were men. If the story was heroic, the hero was a white man; most dark-skinned people were inferior or evil. If there was a woman in the story, she was a passive object of desire and rescue (a beautiful blond princess); active women (dark, witches) usually caused destruction or tragedy. Anyway, the stories weren't about the women. They were about men, what men did, and what was important to men. — Ursula K. Le Guin

Why must I be surrounded by frickin' idiots? — Mike Myers

Whether a character is good or evil depends on your perspective. — Steve Jones Snr

Characters, for good or evil, are part of an author's family. Once we have let them out of our imaginations, they stay with us forever. — Andrew M. Ferrell

Perfect. Then imagine that you started reading the most interesting and fascinating comic book ever created. You fell in love with some characters, you hated others. Endless plots unfolded and every one was an emotional page-turner you couldn't read fast enough because you had to know what was going to happen next. You felt like the world would end if you didn't find out how the story ended. But then you get to the end and there was no end. The author didn't finish it. You don't know if good or evil won. You don't know if the guy got the girl. You don't know any of the answers to all your important questions — Karen Amanda Hooper

I do like to explore evil characters in my books. — Thomas Perry

Beware 'good' main characters who have a limited repertory of culturally acceptable feelings, while your evil bastards have a full range of vivid, passionate feelings. — Bill Johnson

The apple which tempts my characters is the one that will remove the knowledge of good and evil. I suppose it's something of a reversal of the conventional Eden story: Freedom of thought is perhaps the greatest good, and needs to be fought for and sacrificed for. — John Christopher

There were two books I remember changing my life as a introverted, bookish 14 year old. The Fountainhead by Ayn Rand and The Lord of the Rings by JRR Tolkien. One was set in a fantastic world, populated by outlandish characters,tired prose, foul monsters, evil incarnate and a message about losing one's humanity. The other book was about hobbits. — Christopher Odell Homsley

All the stories we've been telling about the presence of an evil power in the world, all the dark characters that have sent chills down our spines and given us restless nights - they are spoken to us as warnings.
There is evil cast around us ... there is an evil force in this world. — John Eldredge

People keep asking me, 'What evil lurks in you to play such bad characters?' There is no evil in me, I just wear tight underwear. — Dennis Hopper

Every human being has a fascinating existence, with a big cast of good and evil characters in each. And almost always, somewhere along the way, magic. — Lucinda Riley

The most unrealistic thing I've ever read in comics is when some group of characters calls themselves the Brotherhood of Evil or the Masters of Evil. I don't believe any character believes their goals to be truly evil. — Len Wein

Make sure your characters are worth spending ten hours with. That's how long it takes to read a book. Reading a book is like being trapped in a room for ten hours with those characters. Think of your main characters as dinner guests. Would your friends want to spend ten hours with the characters you've created? Your characters can be loveable, or they can be evil, but they'd better be compelling. If not, your reader will be bored and leave. — Po Bronson

In order for good to blossom it must be cultivated and exercised by constant practice, and to be truly righteous there is required a daily pruning of the evil growth of our characters by a daily repen- tance from sin. — Harold B. Lee

If the writer believes that our life is and will remain essentially mysterious, if he looks upon us as beings existing in a created order to whose laws we freely respond, then what he sees on the surface will be of interest to him only as he can go through it into an experience of mystery itself. His kind of fiction will always be pushing its own limits outward toward the limits of mystery, because for this kind of writer, the meaning of a story does not begin except at a depth where adequate motivation and adequate psychology and the various determinations have been exhausted. Such a writer will be interested in what we don't understand rather than in what we do. He will be interested in possibility rather than probability. He will be interested in characters who are forced out to meet evil and grace and who act on a trust beyond themselves - whether they know clearly what it is they act upon or not. — Flannery O'Connor

Dwight Langley, the painter, is the pure exponent of the evil the play is attacking; he is, in effect, the spokesman for Platonism, who explicitly preaches that beauty is unreachable in this world and perfection unattainable. Since he insists that ideals are impossible on earth, he cannot, logically enough, believe in the reality of any ideal, even when it actually confronts him. Thus, although he knows every facet of Kay Gonda's face, he (alone among the characters) does not recognize her when she appears in his life. This philosophically induced blindness, which motivates his betrayal of her, is a particularly brilliant concretization of the play's theme, and makes a dramatic Act I curtain. — Ayn Rand

You want everyone to be a full character. No one is just evil, or very few people are, hopefully. They're characters, so you want to flush them out. You've got to show all sides of them. There is definitely an antagonistic relationship between guards and prisoners, and I do think it flares up. — Jenji Kohan

There are no black and white, good or bad characters in 'Game Of Thrones,' but Joffrey was an exception. Just pure evil. — Sophie Turner

The problem of good and evil is not the problem of good and evil, but only the problem of evil. In opposition to good there are evil characters, but there are no good characters in opposition to evil. Evil is arguable, but good is not. Therefore the Devil always wins the argument. — Laura Riding

And those characters [in a fairy tale] dwell in a moral world, whose laws are as clear as the law of gravity. That too is a great advantage of the folk tale. It is not a failure of imagination to see the sky blue. It is a failure rather to be weary of its being blue- and not to notice how blue it is. And appreciation of the subtler colors of the sky will come later. In the folk tale, good is good and evil is evil, and the former will triumph and later will fail. This is not the result of the imaginative quest. It is rather its principle and foundation. It is what will enable the child later on to understand Macbeth, or Don Quixote, or David Copperfield. — Anthony Esolen

I think Cruella is evil, because she's the devil. But all the other characters, I was able to find a common humanity with them somewhere, knowing where they're most fragile, where they're most vulnerable, knowing some of the things that happened to them that might have formed this kind of behavior. — Glenn Close

Men are willing to keep their evil characters if they can but get rid fo their evil reputations. They are scrupulously studious of appearances. — F.W. Boreham

Barrie and the wonderful characters he created, Lewis Carroll, even French literature, like Baudelaire or over in the States, Poe, you open those books, you open The Flowers of Evil and begin to read. If it were written today, you'd be absolutely stupefied by the work. It's this incredible period where the work is timeless, ageless. So yeah, I just love all those guys. It's my deep passion in those great 19th century writers. — Johnny Depp

No writer besides Shakespeare has created more memorable characters attached to vices and virtues. In even their least sympathetic characters, one senses a kind of helplessness to passion quivering between the poles of good and evil. — Roger Rosenblatt

I think even the characters that are fundamentally evil and wrong, I want people to really love them. I think that's important to writing believable characters. They don't have to be likable but they have to be loved, at least by the author. — Mark Russell

I have the belief that truly evil people, it's a genetic evil. I only have the experience of exploring the landscape of some of the characters I've played that people have labeled as evil; I don't think they're evil. — Glenn Close

All we can do about this nightmare we live in is to create, if we are very lucky, a few islands of love and trust to sustain us and help us forget. But love dies while the lovers go on living, and Woolrich excels at making us watch while relationships corrode. He knew the horrors that both love and lovelessness can breed, yet he created very few irredeemably evil characters; for with whoever loves or needs love, Woolrich identifies, all of that person's dark side notwithstanding.
("Introduction") — Francis M. Nevins Jr.