Events Theme Quotes & Sayings

It is simply wrong to begin with a theme, symbol or other abstract unifying agent, and then try to force characters and events to conform to it. — Thomas Pynchon

The theme to this year's MSLS is "Embracing the Future, Preserving the Past: The Role of Youth in Nation Building". Now, having organised events like this before, I understand the need for a tagline that is sufficiently grand, sufficiently optimistic and sufficiently vague that all the speakers would be able to relate to and support. Everyone wants to "embrace the future" and no one would deny that the youth have a role in nation building.

But the middle part -- "preserving the past" -- needs some attention. It's necessary, surely, to determine which aspects of the past are worth preserving. And this is a very difficult exercise, because one fundamental problem in our country is that the past is so poorly understood -- and not just by much of the youth but by the establishment as well. — Tunku Zain Al-'Abidin Muhriz

What fascinates me - and what serves as a central theme of this book - is why we make the choices we do. What separates us from the world we have and the kind of ethical universe envisioned by someone like Havel? What prompts one person to act boldly in a moment of crisis and a second to seek shelter in the crowd? Why do some people become stronger in the face of adversity while others quickly lose heart? What separates the bully from the protector? Is it education, spiritual belief, our parents, our friends, the circumstances of our birth, traumatic events, or more likely some combination that spells the difference? More succinctly, do our hopes for the future hinge on a desirable unfolding of external events or some mysterious process within? — Madeleine K. Albright

It may seem that my discussion of synchronicity has led me away from my main theme, but I feel it is necessary to make at least a brief introductory reference to it because it is a Jungian hypothesis that seems to be pregnant with future possibilities of investigation and application. Synchronistic events, moreover, almost invariably accompany the crucial phases of the process of individuation. But too often they pass unnoticed, because the individual has not learned to watch for such coincidences and to make them meaningful in relation to the symbolism o f his dreams. — C. G. Jung

There is something universal in the theme of a man trying to save his family in the midst of the most terrible circumstances. It is not limited to Sierra Leone. This story could apply to any number of places where ordinary people have been caught up in political events beyond their control. — Edward Zwick

Of course, from one point of view the unhappy events of our own century might be regarded as, say, demonstration ballets on the theme 'Hydrocarbon Synthesis' with strong audience participation. — J.G. Ballard

I would wish this book could take the form of a plea for everlasting peace, a plea from one who knows ... Or it would be fine to confirm the odd beliefs about war: it's horrible, but it's a crucible of men and events and, in the end, it makes more of a man out of you.
But, still, none of these notions seems right. Men are killed, dead human beings are heavy and awkward to carry, things smell different in Vietnam, soldiers are afraid and often brave, drill sergeants are boors, some men think the war is proper and just and others don't and most don't care. Is that the stuff for a morality lesson, even for a theme?
Do dreams offer lessons? Do nightmares have themes, do we awaken and analyze them and live our lives and advise others as a result? Can the foot soldier teach anything important about war, merely for having been there? I think not. He can tell war stories. — Tim O'Brien

Although our American friends, some of whose generals visited us, took a more alarmist view of our position, and the world at large regarded the invasion of Britain as probable, we ourselves felt free to send overseas all the troops our available shipping could carry and to wage offensive war in the Middle East and the Mediterranean. Here was the hinge on which our ultimate victory turned, and it was in 1941 that the first significant events began. In war armies must fight. Africa was the only continent in which we could meet our foes on land. The defence of Egypt and of Malta were duties compulsive upon us, and the destruction of the Italian Empire the first prize we could gain. The British resistance in the Middle East to the triumphant Axis Powers and our attempt to rally the Balkans and Turkey against them are the theme and thread of our story now. — Winston S. Churchill

If creative fiction writing is a process of translating an abstraction into the concrete, there are three possible grades of such writing: translating an old (known) abstraction (theme or thesis) through the medium of old fiction means (that is, characters, events or situations used before for that same purpose, that same translation) -- this is most of the popular trash; translating an old abstraction through new, original fiction means -- this is most of the good literature; creating a new, original abstraction and translating it through new, original means. This, as far as I know, is only me -- my kind of fiction writing. — Ayn Rand

Simply raising the theme of animals in the Third Reich means that our narrative is no longer only an account of what human beings have done to one another, but also about our relations with the natural world. If,viewed against the magnitude and terror of historical events, our personal lives appear almost trivial, the lives of animals may seem more so, and even
to raise the subject can at first seem either insensitive or pedantic. At the
same time, this new dimension places the events in an even vaster perspective still, one in which even the greatest battles and horrendous
crimes can begin to fade into insignificance. This is the standpoint of evolutionary time, in which humankind itself may be no more than a
relatively brief episode. Perhaps the focus on animals may help us to find
a more harmonious balance between the personal, historic, and cosmic
levels, on which, simultaneously we conduct our lives. — Boria Sax

A circular plot structure, often seen in adventure novels and quest fantasies, is a narrative devise involving setting, character, and theme. Typically a protagonist ventures from home (or the starting place of the story), goes on a journey, often a dangerous one in which many challenges are overcome, and then returns home a changed person. The plot is usually chronological, with the events occurring in a setting that becomes a circle. By returning the character to the place where he started, the author can emphasize the character's growth or change while also highlighting the theme of the story. — Carl M. Tomlinson

plot is how the dramatic events (action) in a story change and/or transform the main character (emotion) over time in a meaningful way (theme). — Martha Alderson

Look at the major events in your life and write them down on a piece of paper. Note everything significant you can remember, even the things that seem silly or irrelevant but come to mind for some reason. Don't try to decode the meaning; just put down everything you can think of. As you reach the end of the list, look for a common thread, some recurring theme. — Jeff Goins

The images which the [press] photographer has filtered from reality, whether particular events or the anguish of human reactions to them, already bear a stamp of authenticity which the photographer is powerless to alter by one jot or tittle; the meaning of the objects, by a process of purification, itself becomes the theme of the work. — Yukio Mishima

But in spacious, vigorous story-telling, in the use of an historical framework, in the relating of human events to a larger philosophical and spiritual context, in the deployment of fiction as a social and political weapon, in the exultation of 'the people' as a supreme authority, in the treatment of suffering as a dominant theme--in all these matters Hugo exerted a profound influence on Tolstoy. — Peter Washington

Facta! Yes, Facta ficta! - A historian has to do, not with what actually happened, but only with events supposed to have happened: for only the latter have produced an effect. Likewise only with supposed heroes. His theme, so-called world history, is opinions about supposed actions and their supposed motives, which in turn give rise to further opinions and actions, the reality of which is however at once vaporised again and produces an effect only as vapour - a continual generation and pregnancy of phantoms over the impentetrable mist of unfathomable reality. All historians speak of things which have never existed except in imagination. — Friedrich Nietzsche

I had one simple idea about telling friends about arts and technology events. People in the community suggested everything else to us, and that's our theme. We're really run by the people who use the site. We just run the infrastructure, and help out with problems. — Craig Newmark