European Art Quotes & Sayings

Don't talk to me about Matisse
the European style of 1900, the tradition of the studio
where the nude style woman reclines forever
on a sheet of blood.

Talk to me instead about the culture generally
how the murderers were sustained
by the beauty robbed of savages: to our remote
villages the painters came, and our white-washed
mud-huts were splattered with gunfire. — Michael Ondaatje

My life is like a memento more painting from European art: there is always a grinning skull at my side to remind me of the folly of human ambition. — Yann Martel

Philosophers of genius, children, and the people are equally wise - because they ask equally foolish questions. Foolish to a civilized man who has a well-furnished European apartment, with an excellent toilet, and a well-furnished dogma. — Yevgeny Zamyatin

If the European grows accustomed not to rule, a generation and a half will be sufficient to bring the old continent, and the whole world along with it, into mortal inertia, intellectual sterility, universal barbarism. It is only the illusion of rule, and the discipline of responsibility which it entails, that can keep Western minds in tension. Science, art, technique, and all the rest live on the tonic atmosphere created by the consciousness of authority. If this is lacking, the European will gradually become degraded. Minds will no longer have the radical faith in themselves which impels them, energetic, daring, tenacious, towards the capture of great new ideas in every order of life. The European will inevitably become a day-to-day man. Incapable of creative, specialized effort, he will always be falling back on yesterday, on custom, on routine. He will turn into a commonplace, conventional, empty creature, like the Greeks of the decadence and those of the Byzantine epoch. — Jose Ortega Y Gasset

Since the days of Peter the Great, Russia had looked to the West for her civilization, even to the extend of adopting French as a second language - or as a first for people of station and learning. The United States, recently cut loose politically from England, still drew heavily on the Old World for her art, literature, science and philosophy. Intellectuals from both nations flocked to Europe in search of eduction and aesthetic stimulation, and many became so enthralled with European civilization that they failed to return. In Russia as well as in the United States many an indignant patriot would rant about the need for serving European apron strings. — Perry D. Westbrook

American students, we are told, are falling behind in reading and math; on test after test, they score below most European students (at the level of Lithuania), and the solution, rather than seeking to engage their curiosity, has been testing and more testing - a dry and brittle method that produces lackluster results. And so resources are pulled from the "soft" fields that are not being tested. Music teachers are being fired or not replaced; art classes are quietly dropped from the curriculum; history is simplified and moralized, with little expectation that any facts will be learned or retained; and instead of reading short stories, poems and novels, students are invited to read train schedules and EPA reports whose jargon could put even the most committed environmentalist to sleep. — Azar Nafisi

There was a year between school and getting going as an actor when I basically just watched films. Video shops were the new thing, and there was a good one round the corner and me and my brother just watched everything, from the horror to the European art-house. — Aidan Gillen

A Conrad student informed me in Scotland that Africa is merely a setting for the disintegration of the mind of Mr. Kurtz.
Which is partly the point. Africa as setting and backdrop which eliminates the African as human factor. Africa as a metaphysical battlefield devoid of all recognizable humanity, into which the wandering European enters at his peril. Can nobody see the preposterous and perverse arrogance in thus reducing Africa to the role of props for the break-up of one petty European mind? But that is not even the point. The real question is the dehumanization of Africa and Africans which this age-long attitude has fostered and continues to foster in the world. And the question is whether a novel which celebrates this dehumanization, which depersonalizes a portion of the human race, can be called a great work of art. — Chinua Achebe

As much as we'd like to believe that our work is great and that we're infallible, we're not. Hollywood movies are made for the audience. These are not small European art films we're making. — Harold Ramis

You see how all occidental art loses by the fact that the magnificent expressions of love have been denied it. With us, eroticism is poor, stupid and frigid. It is always presented in ambiguous attitudes of sin, while here it preserves all its vital scope, all its passionate poetry and the stupendous pulse of all nature. But you are only a european lover ... a poor, timid, chilly little soul. — Octave Mirbeau

There is scarcely any great author in European literature, old or new, who has not distinguished himself in his treatment of the supernatural. In English literature, I believe there is no exception from the time of the Anglo-Saxon poets to Shakespeare, and from Shakespeare to our own day. And this introduces us to the consideration of a general and remarkable fact, a fact that I do not remember to have seen in any books, but which is of very great philosophical importance: there is something ghostly in all great art, whether of literature, music, sculpture, or architecture. It touches something within us that relates to infinity — Lafcadio Hearn

The rock has split, the egg has hatched, the prismatically plumed bird of life has escaped from its cage. It spreads its wings and is perched now on the peak of the huge African mountain Kilimanjaro.
Strange recompense, in the depths of our despair at the unfathomable mist into which all mankind is plunging, a curious force awakens. It is Hope long asleep, aroused once more. Wilson has taken an army of advisers and sailed for England. The ship has sunk. But the men are all good swimmers. They take the women on their shoulders and buoyed on by the inspiration of the moment they churn the free seas with their sinewy arms, like Ulysses, landing all along the European seaboard.
Yes, hope has awakened once more in men's hearts. It is NEW! Let us go forward!
The imagination, freed from the handcuffs of "Art", takes the lead! Her Feet are bare and not too delicate. In fact those who come behind her have much to think of. Hm. Let it pass. — William Carlos Williams

Farber says (in my recollection, anyway) the European (or classical) art, including film, is culturally assumed to be a monumental slab. It's about that slab, and how it's been shaped, or what's been carved on it. In "termite art" though, your slab has been wormholed countless times, and its meaning is really taking place in the resulting interstices. The actual art of the piece, in other words, and your enjoyment of it, is taking place in the cracks, and the shape of the slab is coincidental and ultimately meaningless. — William Gibson

The state of female artists is very good. But the very definition of art has been biased in that 'art' was what men did in a European tradition and 'crafts' were what women and natives did. But it's actually all the same. — Gloria Steinem

Yes, a lot of European cinema and a lot of independent films and art-house stuff. She is a photographer. She is a visual artist and photographer and my dad is, too. My mum, I must credit for showing me good films. With my career, my parents were great and though they were a little wary, maybe, of the acting ambitions they have always been supportive. — Mia Wasikowska

It's a European art form, and you're used to seeing a certain type of person as a ballerina. And I don't look like a lot of the girls around me. — Misty Copeland

Most painting in the European tradition was painting the mask. Modern art rejected all that. Our subject matter was the person behind the mask. — Robert Motherwell

The art of Europe is drowned in the centuries in the war-scarred face of a motherland.. — John Geddes

I had grown up thinking of movies as something to eat popcorn with. Bergman and the other European directors were the first ones to open my eyes to film as art. — Richard Corliss

There were positive things about the church, that is, in the European cultural sense, the architecture, the liturgy, the music, the art, such as it was, the stations of the cross in the church, the tradition, and the atmosphere of awe and mystery in the mass. The atmosphere of miracle, one of mainly mystery, that's what fascinates me. — Frank McCourt

European films had art. And it was easy to make a European film. They didn't come from the studio system, they weren't shot in sound studios, and that's a good thing, because in the studio system those movies would never have had a chance. And since we were coming from Europe, it was natural for us to use that simple style. Small budgets, less equipment, that was just how it was. — Vilmos Zsigmond

What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures. — David Hockney

The reason why the continental European is, to the Englishman or American, so surprisingly ignorant of the Bible, is that the authorized English version is a great work of literary art, and the continental versions are comparatively artless. — George Bernard Shaw

Hanns Heinz Ewers tells a short story of a boy who was so unnatural of disposition as to take a special delight in people sick with elephantiasis. Our "European intellectuality" finds itself in an identical condition today which, through Jewish pens, worships the Kokoschka, Chagalls and Pechsteins as the leaders of the Art of the future. Features of degeneracy are already apparent, as, for instance, with Schwalbach, who dares representing Jesus as flat footed and bow legged. — Alfred Rosenberg

The general public long ago stopped looking for beauty in high culture. But it still has TV and the movies....you are far more likely to find genuinely mesmerising images and real beauty in big-budget Hollywood movies -- think of, say, Christopher Nolan's Interstellar or his Dark Knight Trilogy -- than in any European art-house — Sohrab Ahmari

As a result of World War II, European artists migrated to America, enlarging the scene and diminishing Paris as the center. America was beginning its dominance of the art world with the emergence of the Abstract Expressionists. — Arne Glimcher

We are accused of being obsessed by property. The truth is the other way round. It is the society and culture in question which is so obsessed. Yet to an obsessive his obsession always seems to be of the nature of things and so is not recognized for what it is. The relation between property and art in European culture appears natural to that culture, and consequently if somebody demonstrates the extent of the property interest in a given cultural field, it is said to be a demonstration of his obsession. And this allows the Cultural Establishment to project for a little longer its false rationalized image of itself. — John Berger

What initially attracted me to The Seventh Seal was that it had values and characteristics which I was familiar with in other art forms, most notably, the European novel and certain forms on English drama, and indeed, in relation to my rather academic interest in history
not "history" in the normal sense, but history as a form of entertainment . It might be a very unfashionable view but I believe that history is an amazing bank or reserve area of plots, characterisations, extraordinary events, etc. — Peter Greenaway

In fact I don't think of literature, or music, or any art form as having a nationality. Where you're born is simply an accident of fate. I don't see why I shouldn't be more interested in say, Dickens, than in an author from Barcelona simply because I wasn't born in the UK. I do not have an ethno-centric view of things, much less of literature. Books hold no passports. There's only one true literary tradition: the human. — Carlos Ruiz Zafon

Art, science, love, inspiration, ideals - choose out all the words with which humanity is wont, or has been in the past, to be consoled or to be amused - Chekhov has only to touch them and they instantly wither and die. And Chekhov himself faded, withered and died before our eyes. Only his wonderful art did not die - his art to kill by a mere touch, a breath, a glance, everything whereby men live and wherein they take their pride. And in this art he was constantly perfecting himself, and he attained to a virtuosity beyond the reach of any of his rivals in European literature. — Lev Shestov

Being American is, I think, a very difficult thing in art, because all the elements are European ... — Kingsley Amis

I think that in Sweden and a lot of European countries, there's this whole mythology of the wounded artist: that you can't really do any great art unless you're suffering. — Joel Kinnaman

Via the mediation of the Enlightenment, this movement had changed from a hobby among a tiny literate elite and their secretaries, an ostentatious amusement among princely and mercantile art patrons and their masterly suppliers (who established a first 'art system'), into a national, a European, indeed a planetary matter. In order to spread from the few to the many, the renaissance had to discard its humanistic exterior and reveal itself as the return of ancient mass culture. The true renaissance question, reformulated in the terminology of practical philosophy - namely, whether other forms of life are possible and permissible for us alongside and after Christianity, especially ones whose patterns are derived from Greek and Roman (perhaps even Egyptian or Indian) antiquity - was no longer a secret discourse or an academic exercise in the nineteenth century, but rather an epochal passion, an inescapable pro nobis. — Peter Sloterdijk

I'm sure that the camera is part of European art. — David Hockney

I'd heard "Rhapsody in Blue" a thousand times and it always amazed me. It was so humble and then so bombastic. It was beautiful, bright, and terrifying: old and new, European and American. At times it sounded like Debussy, at times it sounded like Stravinsky, and at times it sounded like the Lower East Side in 1910.
"Rhapsody in Blue" was a quintessentially New York work of art, but it was also about moving from east to west, from the old world to the new... — Moby

I hope it might help players have confidence in our own ways, and not to be afraid of them, as Bernstein showed - things like hoe-downs, fiddle songs, and the art of improvisation, and the New Orleans funeral tradition, and call-and-response church singing, and the fact that the blues run through everything. And in our relationship to European music, in that we don't have to imitate it, it's a part of us, inseparable. — Wynton Marsalis

There's more emphasis on art and culture in Europe than there is in the United States and I think that a lot of American directors and writers are just trying to copy other American horror films, they don't pick up much in the way that European filmmakers do. — Wes Craven

If only America would realize that the art of Europe is finished - dead - and that America is the country of the art of the future, instead of trying to base everything she does on European traditions! — Marcel Duchamp

I'm going to start these art museums that are basically converted homes, and I have one for modern art, and I have one for 19th century European art, and one for French impressionism. I've got Japanese. — Larry Ellison

Venice, it's temples and palaces did seem like fabrics of enchantment piled to heaven. — Percy Bysshe Shelley

Anna Karenina is sheer perfection as a work of art. No European work of fiction of our present day comes anywhere near it. Furthermore, the idea underlying it shows that it is ours, ours, something that belongs to us alone and that is our own property, our own national 'new word'or, at any rate, the beginning of it. — Fyodor Dostoyevsky

Still, for long the love of science triumphed over all other feelings. He became an artist deeply impressed by the marvels of art, a philosopher to whom no one of the higher sciences was unknown, a statesman versed in the policy of European courts. To the eyes of those who observed him superficially he might have passed for one of those cosmopolitans, curious of knowledge, but disdaining action; one of those opulent travelers, haughty and cynical, who move incessantly from place to place, and are of no country. — Jules Verne

If we say that a person has style we may wish to imply that he is unnatural, affected, self-conscious or ostentatious. In the sixteenth century 'maniera' was generally a desirable attribute of a work of art, but this positive aspect was accompanied by the realization of the negative one that correspond to what we now call, derogatively, stylization. — John Shearman

My life is like a memento mori painting from European art: there is always a grinning skull at my side to remind me of the folly of human ambition. I mock this skull. — Yann Martel

We do have Museums of African American Art in the United States, and there is a National Museum of Women's Art. However, I believe Latinos are best served by displaying their art next to the art of other groups, particularly North American, European, and even Asian artists. — Mari Carmen Ramirez

What we must think about is an agriculture with a human face. We must give standing to the new pioneers, the homecomers bent on the most important work for the next century - a massive salvage operation to save the vulnerable but necessary pieces of nature and culture and to keep the good and artful examples before us. It is time for a new breed of artists to enter front and center, for the point of art, after all, is to connect. This is the homecomer I have in mind: the scientist, the accountant who converses with nature, a true artist devoted to the building of agriculture and culture to match the scenery presented to those first European eyes. — Wes Jackson