Esthetic Quotes & Sayings

The writer who develops a beautiful style, but has nothing to say, represents a kind of arrested esthetic development; he is like a pianist who acquires a brilliant technique by playing finger-exercises, but never gives a concert. — Ayn Rand

It's the kind of human junk that deepens the landscape, makes it sadder and lonelier and places a vague sad subjective regret at the edge of your response - not regret so much as a sense of time's own esthetic, how strange and still and beautiful a chunk of concrete can be, lived in fleetingly and abandoned, the soul of wilderness signed by men and women passing through. — Don DeLillo

Two avenues of approach to these rewards lie open to the ambitious fictioneer. On the one hand, he may throw all intelligible standards of merit to the winds, and devote himself to manufacturing new stories that are frankly bad, trusting to the fact that nine persons out of ten are utterly devoid of esthetic sense and hence unable to tell the bad from the good. And on the other hand, he may take stories, or parts of stories that have been told before, or that, in themselves, are scarcely worth the telling, and so encrust them with the ornaments of wit, of shrewd observation, of human sympathy and of style
in brief, so develop them
that readers of good taste will forget the unsoundness of the material in admiration of the ingenious and workmanlike way in which it is handled. — H.L. Mencken

Someone should write an erudite essay on the moral, physical, and esthetic effect of the Model T Ford on the American nation. Two generations of Americans knew more about the Ford coil than the clitoris, about the planetary system of gears than the solar system of stars. With the Model T, part of the concept of private property disappeared. Pliers ceased to be privately owned and a tire pump belonged to the last man who had picked it up. Most of the babies of the period were conceived in Model T Fords and not a few were born in them. The theory of the Anglo Saxon home became so warped that it never quite recovered. — John Steinbeck

Are you an artist? Look about you. Is there a physical tool whose use you have mastered, a part of your body that responds utterly to your control? Is your motive esthetic? If so, you are an artist. If not, you are probably a writer. — Robert Breault

I know that the black man's sick attitude toward the white woman is
a revolutionary sickness: it keeps him perpetually out of harmony with the
system that is oppressing him. Many whites flatter themselves with the idea that the Negro male's
lust and desire for the white dream girl is purely an esthetic attraction,
but nothing could be further from the truth. His motivation is often of such
a bloody, hateful, bitter, and malignant nature that whites would really
be hard pressed to find it flattering. — Eldridge Cleaver

I can say-not as a patriotic bromide, but with full knowledge of the necessary metaphysical, epistemological , ethical, political and esthetic roots-that the United States of America is the greatest, the noblest and, in its original founding principles, the only moral country in the history of the world. — Ayn Rand

Surely knowledge of the natural world, knowledge of the human condition, knowledge of the nature and dynamics of society, knowledge of the past so that one may use it in experiencing the present and aspiring to the future
all of these, it would seem reasonable to suppose, are essential to an educated man. To these must be added another
knowledge of the products of our artistic heritage that mark the history of our esthetic wonder and delight. — Jerome Bruner

The sense of ultimate truth is the intellectual counterpart of the esthetic sense of perfect beauty, or the moral sense of perfect good. — George Savile, 1st Marquess Of Halifax

How seriously would we take person who said, "I have faith in Adolf Hitler, or in John Dilinger. I can't explain why they did the things they did, but I can't believe they would have done them without a good reason." Yet people try to justify the deaths and tragedies God inflicts on innocent victims with almost these same words.
Furthermore, my religious commitment to the supreme value of an individual life makes it hard for me to accept an answer that is not scandalized by an innocent person's pain, that condones human pain because it supposedly contributes to an overall work of esthetic value. If a human artist or employer made children suffer so that something immensely impressive or valuable could come to pass, we would put him in prison. Why then should we excuse God for causing such undeserved pain, no matter how wonderful the ultimate result may be? — Harold S. Kushner

In general, in America, every discourse in literature in 15 minutes degenerates into a conversation about ethics, morality and this and that. The Holocaust and the consequences of it. Well, I find it terribly boring, predictable and unimportant, because what matters about literature is esthetic achievement. — Joseph Brodsky

Half the fun of the travel is the esthetic of lostness. — Ray Bradbury

Art is the human disposition of sensible or intelligible matter for an esthetic end. — James Joyce

As far as I am concerned, I resign from humanity. I no longer want to be, nor can still be, a man. What should I do? Work for a social and political system, make a girl miserable? Hunt for weaknesses in philosophical systems, fight for moral and esthetic ideals? It's all too little. I renounce my humanity even though I may find myself alone. But am I not already alone in this world from which I no longer expect anything? — Emil Cioran

I use the camera as a dumb copying device that only serves to document whatever phenomenon appears before it through the conditions set by a system. No esthetic choices are possible. Other people often make the photographs. It makes no difference. — Douglas Huebler

In some of the greatest recordings ever made, the performance is a part of the recording. Dylan's 'Rainy Day Women No. 12 and 35' is all about the esthetic of that performance. You can hear the room. — Moby

Let the labyrinth of wrinkles be furrowed in my brow with the red-hot iron of my own life, let my hair whiten and my step become vacillating, on condition that I can save the intelligence of my soul - let my unformed childhood soul, as it ages, assume the rational and esthetic forms of an architecture, let me learn just everything that others cannot teach me, what only life would be capable of marking deeply in my skin! — Salvador Dali

We are destroying all esthetic standards in the name of social justice. — Harold Bloom

It isn't enough to talk about integration without coming to see that integration is more than something to be dealt with in esthetic or romantic terms. I think in the past all too often we did it that way. We talked of integration in romantic or esthetic terms and it ended up as merely adding color to a still predominantly white power structure. — Martin Luther King Jr.

In the first case, he personally enjoyed the esthetic; in the second case, he esthetically enjoyed his personality. — Soren Kierkegaard

And although this (marital love) cannot be portrayed artistically, then let your consolation be, as it is mine, that we are not to read about or listen to or look at what is highest and the most beautiful in life, but are, if you please, to live it.
Therefore, when I readily admit that romantic love lends itself much better to artistic portrayal than marital love, this does not at all mean that it is less esthetic than the other - on the contrary, it is more esthetic. — Soren Kierkegaard

If the subjectivist view hold true, thinking cannot be of any help in determining the desirability of any goal in itself. The acceptability of ideals, the criteria for our actions and beliefs, the leading principles of ethics and politics, all our ultimate decisions are made to depend upon factors other than reason. They are supposed to be matters of choice and predilection, and it has become meaningless to speak of truth in making practical, moral or esthetic decisions. — Max Horkheimer

The savage deals largely with crude stimuli; we have weighted stimuli. Prior human efforts have made over natural conditions. As they originally existed they were indifferent to human endeavors. Every domesticated plant and animal, every tool, every utensil, every appliance, every manufactured article, every esthetic decoration, every work of art means a transformation of conditions once hostile or indifferent to characteristic human activities into friendly and favoring conditions. Because the activities of children today are controlled by these selected and charged stimuli, children are able to traverse in a short lifetime what the race has needed slow, tortured ages to attain. The dice have been loaded by all the successes which have preceded. — John Dewey

I think there is a period of esthetic discovery that happens to a man and he can do all sorts of things at white heat. — Walker Evans

Music needs the juxtaposition of opposites to achieve its drama, so harshness and dissonance are simply part of the material a musician can use to create a musical work. All one thing is a bore-all dissonance, or all fatuous consonance. George Winston and Guns and Roses are two sides of the same worthless coin in my esthetic world. — Chuck Israels

There is a classic esthetic which romantics often miss because of its subtlety. The classic style is straightforward, unadorned, unemotional, economical and carefully proportioned. Its purpose is not to inspire emotionally, but to bring order out of chaos and make the unknown known. — Robert M. Pirsig

There is a form of poetic and esthetic and moral genius necessary to make philosophical issues truly incandesce for students, and even though I indeed had some world-class professors myself when I went through the curriculum, I rarely saw such gnosic or concretist/poetic passion among them. I am not speaking of broad histrionics or melodramatic delivery, but rather a moral investment of concern, of loving delight and pathos in exposing one's consciousness to the full horrific and magnificent implications of the materials. — Kenny Smith

Seine et Danube was launched in 2003 with the help of Romanian authorities who had finally realized the necessity of promoting literature and Romanian culture in general. Along with focusing on the literature of the countries the Danube traversed (with an emphasis on Romania), we printed work that interested us from the banks of the Seine: French and French-Romanian authors like Cioran and Fondane. We dedicated our last edition to surrealism and Esthetic Onirisme. — Dumitru Tepeneag

Integration proceeds by just the opposite route: a deliberate heightening of every organic function; a release of impulses from circumstances that irrationally thwarted them; richer and more complex patterns of activity; an esthetic heightening of anticipated realizations; a steady lengthening of the future; a faith in cosmic perspectives. — Lewis Mumford

There are few poets today who can equal, in their esthetic exploitation of language, in their depth of commitment to their medium, in their range of conceptual understanding, in the purity of their closed forms, the work of Nabokov, Borges, Beckett, Barth, Broch, Gaddis, or Calvino, or any of half-a-dozen extraordinarily gifted South Americans. — William H Gass

The radiance of which he speaks is the scholastic quidditas, the whatness of a thing. The supreme quality is felt by the artist when the esthetic image is first conceived in his imagination. The mind in that mysterious instant Shelley likened beautifully to a fading coal. The instant wherein that supreme quality of beauty, the clear radiance of the esthetic image, is apprehended luminously by the mind which has been arrested by its wholeness and fascinated by its harmony is the luminous silent stasis of esthetic pleasure, a spiritual state very like to that cardiac condition which the Italian physiologist, Luigi Galvani, using a phrase almost as beautiful as Shelley's, called the enchantment of the heart. — James Joyce

There are no arguments. Can anyone who has reached the limit bother with arguments, causes, effects, moral considerations, and so forth? Of course not. For such a person there are only unmotivated motives for living. On the heights of despair, the passion for the absurd is the only thing that can still throw a demonic light on chaos. When all the current reasons - moral, esthetic, religious, social, and so on - no longer guide one's life, how can one sustain life without succumbing to nothingness? Only by a connection with the absurd, by love of absolute uselessness, loving something which does not have substance but which simulates an illusion of life.
I live because the mountains do not laugh and the worms do not sing. — Emil Cioran

As to scenery (giving my own thought and feeling), while I know the standard claim is that Yosemite, Niagara Falls, the Upper Yellowstone and the like afford the greatest natural shows, I am not so sure but the prairies and plains, while less stunning at first sight, last longer, fill the esthetic sense fuller, precede all the rest, and make North America's characteristic landscape. — Walt Whitman

For all those who are interested in the spiritual, emotional, intellectual, esthetic, historical or any other aspects of our dance art ... It is high time that our universities had faculties for dance, giving the art its due place in the academic world. — Padma Subrahmanyam

It's partly the fault of the institutions of education. But it's partly the decision to be relieved of responsibility. Literature is simply the most focused form of the demands on the evolution of the species. It imposes a certain responsibility, moral, ethical and esthetic responsibility, and the species simply doesn't want to oblige. — Joseph Brodsky

There is always, in the fine arts, a physical interface between the artist's esthetic vision and the material result he seeks. The interface may be the application of brush to canvas, chisel to marble, bow to string ... It may be the control of voice in song or the control of body in dance. It is the mastery of the interface that comprises the artistry; it is what constitutes the 'art' in fine art. — Robert Breault

... no industrial designer worth his salt, or our attention, has been trained to work exclusively on any particular product, unless by accident. What he has been trained to do is practice a process called design, a process that includes esthetic choices but does not consist only of them. — Ralph Caplan

Oh, yes, I was a great retoucher. A retoucher is an esthetic surgeon ! — Man Ray

What a difference! Under the esthetic sky, everything is buoyant, beautiful, transient! when ethics arrives on the scene, everything becomes harsh, angular and infinitely boring — Soren Kierkegaard

Despite its overwhelming virtues, the Core Theory is imperfect. Indeed, precisely because it is such a faithful description of reality, we must, in pursuit of our Question, hold it to the highest esthetic standards. So scrutinized, the Core Theory reveals flaws. Its equations are lopsided, and they contain several loosely connected pieces. Furthermore, the Core Theory does not account for so-called dark matter and dark energy. Although those tenuous forms of mater are negligible in our immediate neighborhood, they persist in the interstellar and intergalactic voids, and thereby come to dominate the overall mass of the Universe. For those and other reasons, we cannot remain satisfied. — Frank Wilczek

THE BEAUTY
Poetry is beautiful, in my eyes.
Its words are aged with wisdom.
A poets tears burn words, to vanish sighs,
As eternal as silence is sincere.
A sphinx pressed against the sky,
Is as pure as an angel's virginity.
The words of a poet articulates sound
Nor tears, nor laughter prohibits meaning.
Poets who speak wisely with conceit,
Interpret words beyond reason.
To consume the hour with extensive study;
Is admired for its esthetic beauty.
Poetry, the mirror image of perfection:
Meaningful text, burn words internally!
- Angela Khristin Brown — Angela Khristin Brown

The romantic mode is primarily inspirational, imaginative, creative, intuitive. Feelings rather than facts predominate. "Art" when it is opposed to "Science" is often romantic. It does not proceed by reason or by laws. It proceeds by feeling, intuition and esthetic conscience. — Robert M. Pirsig

The sciences do not try to explain, they hardly even try to interpret, they mainly make models. By a model is meant a mathematical construct which, with the addition of certain verbal interpretations, describes observed phenomena. The justification of such a mathematical construct is solely and precisely that it is expected to work - that is correctly to describe phenomena from a reasonably wide area. Furthermore, it must satisfy certain esthetic criteria - that is, in relation to how much it describes, it must be rather simple. — John Von Neumann

A statue of Apollo in a museum does not seem naked, but attach a tie to its neck and it will strike us as indecent ... The text is one of the components of an artistic work, albeit an extremely important component ... But the artistic effect as a whole arises from comparisons of the text with a complex set of ontological and ideological esthetic ideas. — Yuri Lotman

Transparency is therefore more than an esthetic triumph; it is a victory that will be reflected in lower costs throughout the software's life cycle. 6.2.2 — Eric S. Raymond

The Constitution exists precisely so that opinions and judgments, including esthetic and moral judgments about art and literature, can be formed, tested, and expressed. What the Constitution says is that these judgments are for the individual to make, not for the Government to decree, even with the mandate or approval of a majority. Technology expands the capacity to choose; and it denies the potential of this revolution if we assume the Government is best positioned to make these choices for us. — Anthony Kennedy

A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence. — Robert Smithson

On the other hand, the pleasure caused by laughter, even on the stage, is not an unadulterated enjoyment; it is not a pleasure that is exclusively esthetic or altogether disinterested. It always implies a secret or unconscious intent, if not of each one of us, at all events of society as a whole. In laughter we always find an unavowed intention to humiliate, and consequently to correct our neighbour, if not in his will, at least in his deed. — Henri Bergson

But we are curious about the result, just as we are curious about the way a book turns out. We do not want to know anything about the anxiety, the distress, the paradox. We carry on an esthetic flirtation with the result. It arrives just as unexpectedly but also just as effortlessly as a prize in a lottery, and when we have heard the result, we have built ourselves up. — Soren Kierkegaard

And how deeply do I let business considerations affect [screenwriting] choices that might otherwise be more or less esthetic? ... Do I choose the upbeat rather than the downer ending because I know it will score better at the preview? Can the idea be sold in a single sentence? Can it compete with space aliens and tornadoes and missions impossible? — Edward Zwick

If there is a main problem in American art today," says critic Tom Piazza, "it is not that we need the new to unshackle us from a suffocating and outmoded tradition. The new is constantly pumped out, by the ton and 24 hours a day, into the esthetic rivers, reservoirs and gullies of our culture, and nobody needs to go looking for it. With all the economic force of corporate profit and advertising behind it, pop culture, with its Billy the Kid ethos, has in fact become the new establishment. In a truly Orwellian irony, the new is the status quo."36 — James Bau Graves

To me documentary photography means making a picture so that the viewer doesn't think about the man who made the picture. At its esthetic core is very old tradition in art: naturalism. And its purpose is to document all facets of social relationships. — Aaron Siskind

The tragic emotion, in fact, is a face looking two ways, towards terror and towards pity, both of which are phases of it. You see I use the word ARREST. I mean that the tragic emotion is static. Or rather the dramatic emotion is. The feelings excited by improper art are kinetic, desire or loathing. Desire urges us to possess, to go to something; loathing urges us to abandon, to go from something. The arts which excite them, pornographical or didactic, are therefore improper arts. The esthetic emotion (I used the general term) is therefore static. The mind is arrested and raised above desire and loathing. — James Joyce

Capital is necessary to the cultivation of esthetic value. — Harold Bloom

Conscience is the most dangerous thing you possess. If you wake it up, it may destroy you. To live a life of total moral rigor is not necessarily the way to go. It's the path for very few people. Most people need to come up with some kind of middle ground that satisfies their practical, moral, and philosophical esthetic needs. — John Patrick Shanley

Have you ever experienced a beauty of soul, an esthetic grace, that was so intense it made you want to cry?
From Central Park Song ( A Screenplay ) — Zack Love

Love," as he now conceived of it, involved "slow growth, many slowly formed bonds, tests by vicissitudes as well as pleasure, mutual sharing of esthetic experiences, humor, sensory things from food through music to passion, etc." Any truly lasting relationship, he concluded would necessitate "a lengthy apprenticeship. — Jennet Conant

I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful esthetic pleasure, but having read, one after the other, works regarded as his best: "King Lear," "Romeo and Juliet," "Hamlet" and "Macbeth," not only did I feel no delight, but I felt an irresistible repulsion and tedium ... Shakespeare can not be recognized either as a great genius, or even as an average author ... far from being the height of perfection, [King Lear] is a very bad, carelessly composed production, ... can not evoke among us anything but aversion and weariness ... All his characters speak, not their own, but always one and the same Shakespearian, pretentious, and unnatural language ... — Leo Tolstoy

Pop is everything art hasn't been for the last two decades ... It springs newborn out of a boredom with the finality and over-saturation of Abstract-Expressionism, which, by its own esthetic logic, is the END of art, the glorious pinnacle of the long pyramidal creative process. Stifled by this rarefied atmosphere, some young painters turn back to some less exalted things like Coca-Cola, ice-cream sodas, big hamburgers, super-markets and 'EAT' signs. They are eye-hungry; they pop ... — Robert Indiana

Why do I write? I write to entertain my friends and to exasperate our enemies. To unfold the folded lie, to record to truth of our time, and, of course, to promote esthetic bliss. — Edward Abbey

Sometimes magnificent visual art takes root in the humblest of soils. Advertisements painted on old barns, tattoos, fruit crate labels, hot rod embellishments - all these media and many other non-galleried forms have hosted and fostered esthetic delights that satisfy any rigorous definition of art. — Paul Di Filippo

As their ties to social, political, and religious institutions loosened, they could increasingly fashion their work solely according to the dictates of their own consciences. Beholden to no higher authority than their creative imagination, the progressive composer could experiment at will, following the inclination of the age to pursue the unique and unusual at the expense of the conventional and accepted. This new artistic freedom went hand in hand with the period's overall esthetic orientation, for the music was able to follow an independent course, without concern for the comprehension and receptivity of a broadly based public, the more it was able to serve as a vehicle for personal expression and to assume it's new role as a symbol of individuality or, eventually, of open revolt. — Robert P. Morgan

The four great motives for writing prose are sheer egoism, esthetic enthusiasm, historical impulse, and political purpose. — George Orwell

The essence of kitsch is the confusion of ethical and esthetic categories; kitsch wants to produce not the "good" but the "beautiful." — Hermann Broch

Books can be a source of solace, but I see them mainly as a source of pleasure, personal as well as esthetic. — Michael Dirda

It was not an esthetic room. Though Frank Shallard might have come to admire pictures, great music, civilized furniture, he had been trained to regard them as worldly, and to content himself with art which 'presented a message,' to regard 'Les Miserables' as superior because the bishop was a kind man, and 'The Scarlet Letter' as a poor book because the heroine was sinful and the author didn't mind. — Sinclair Lewis

They are the gateway for our modern esthetic development, the prophets of the new time. They are most of all, the primitives of the way they have begun; they have voiced most of all the imperative need of essential personalism, of direct expression of direct experience. — Marsden Hartley

Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world. — Dan Graham

I don't think esthetic schools are important. What is important is the use that is made of them, or whatever the individual writer does. — Jorge Luis Borges

The climbing as a whole is not very esthetic or enjoyable; it is merely difficult. — Yvon Chouinard

Painting for me is like a fabric, all of a piece and uniform, with one set of threads as the representational, esthetic element, and the cross-threads as the technical, architectural, or abstract element. These threads are interdependent and complementary, and if one set is lacking the fabric does not exist. A picture with no representational purpose is to my mind always an incomplete technical exercise, for the only purpose of any picture is to achieve representation. — Juan Gris

Simplicity is always a virtue. One kid on a riverbank working out a Stephen Foster tune on his new harmonica heard from the correct esthetic distance projects more magic and power than the entire Vienna Philharmonic and Chorus laboring (once again) through the Mozart Requiem or Bach's B Minor Mass. — Edward Abbey

Truth is beheld by the intellect which is appeased by the most satisfying relations of the intelligible; beauty is beheld by the imagination which is appeased by the most satisfying relations of the sensible. The first step in the direction of truth is to understand the frame and scope of the intellect itself, to comprehend the act itself of intellection. Aristotle's entire system of philosophy rests upon his book of psychology and that, I think, rests on his statement that the same attribute cannot at the same time and in the same connexion belong to and not belong to the same subject. The first step in the direction of beauty is to understand the frame and scope of the imagination, to comprehend the act itself of esthetic apprehension. — James Joyce

As a matter of fact, no one is more tiresome than the person who can understand only realism in art. It shows a rather low artistic mentality never to believe anything you see unless it appears to be real. One must be willing to allow that symbolic things also mirror realities and sometimes provide greater esthetic pleasure than the merely realistic. — Aaron Copland

The case for democracy is not esthetic. — George Will

Whenever I see a photograph of some sportsman grinning over his kill, I am always impressed by the striking moral and esthetic superiority of the dead animal to the live one. — Edward Abbey

We don't recount our dreams; we construct them with the materials of reality. We aren't looking for God, psychic truth or authenticity, but for esthetic effect. That's why I baptized our movement Structural, or Esthetic, Onirism. Dreams and music were our models. — Dumitru Tepeneag