Quotes & Sayings About Epigraphs

Read the book of life or a life in a book: it's all epigraphs and anagrams. — Johnny Rich

I was sick and tired of reading other people's epigraphs. They all seemed to be in ancient Greek, middle French or, when they were translated, they never seemed to relate to the book at hand. Basically, they seemed to be there just to baffle you and to impress you with how smart the writer is. — Jim Crace

Epigraphs from Ballroom Dancing: An Erotic Romance of Dominance and Submission

"He's like my father in a way - loves the chase and is bored with the conquest - and once married, needs proof he's still attractive, so flirts with other women and resents you."
- Jacqueline Bouvier, July, 1952, making an observation about her future husband in a letter to her priest "Father L," the Reverend Joseph Leonard of Dublin, Ireland.

"Happy Birthday to you, Happy Birthday to you, Happy Birthday, Mr. President..."
- Norma Jeane Mortenson, May 19, 1962, Madison Square Garden, New York City. — Anna Andreesen

Radcliffe is the first important English novelist to use poetic epigraphs, interpolated poems, and poetic fragments decoratively, as it were, for their suggestive or mood-enhancing effects. (Matthew — Ann Radcliffe

One of the things I try to do is try to make repetitions, rhymes, and mirrorings across the subject matter of my own books so that the chapter titles and the epigraphs and pictures all kind of form a tapestry. In this book, I retell fifteen of the stories. You have the critical frame, and then you have these rosettes like the motif in a carpet. — Marina Warner

They were beautiful books, sometimes very thick, sometimes very thin, always typographically exhilarating, with their welter of title pages, subheads, epigraphs, emphatic italics, italicized catchwords taken from German philosophy and too subtle for translation, translator's prefaces and footnotes, and Kierkegaard's own endless footnotes, blanketing pages at a time as, crippled, agonized by distinctions, he scribbled on and on, heaping irony on irony, curse on curse, gnashing, sneering, praising Jehovah in the privacy of his empty home in Copenhagen. — John Updike

Despite the proliferation of personal storytelling in recent years, and the shift in social conditions that has facilitated these stories being told and heard, there are still certain stories that cannot be told - either because we have no language with which to articulate them or because there is no interpretive community to hear and understand them. These stories become, instead, secrets and lies - stories that signal social isolation and disempowerment rather than connection and strength. One such story within contemporary culture, as the epigraphs from Dorothy Allison and Victoria Brownworth suggest, is the story of class - a story that often only becomes tellable as a lie, joke, or dirty secret. This is especially the case with the category of "white trash. — Annalee Newitz