Enormous Room Quotes & Sayings

Margaux looks around the table; this is not working. All of a sudden she's thinking about a safe room, something she's only heard of but suddenly wants: water, oxygen, bulletproof door, dead bolts, a thousand books. Utterly quiet. Completely silent. No girls she barely knows in saggy leather pants, no girls in mesh strippers' gloves and jeans sanded thin as a bee's wing, and no girls who can't stay home one night a year because they are always and forever out. On their way to. Coming from.
And then her heart open. Just a little, but it does. Because she remembers all that. How she felt then: the self-reproach, the utter confusion ... That's why her heart opens. For those girls at the table who always feel baffled and sad, tender and malign, repulsive and desirable, innocent and contemptuous of innocence.
So she cries. For them, mostly. For herself a little ... everything hesitates. So that for a second there's no sound in the enormous room but that of Margaux sobbing. — Ron Koertge

And so, finding that, for once, I was not sorry to be alone, I said to myself: I am happy. Perfectly happy, I repeated, as my eyes roamed wide over the brilliant desolate sea and the empty contours of the land. Were they, after all, searching for something that was lacking? I hardly knew. A tiny obstinate figure by the dwarf obelisk under an enormous sky, I declared for the third time: I am absolutely happy, absolutely content. And, increasingly overcome by a profound melancholy which I interpreted simply as an appetite for supper I began to walk downhill, towards my sitting room, my holiday task and my lonely bed. — Christopher Isherwood

We took a cab to the hotel. We looked at each other on the way but neither of us spoke. I checked us in, and when we got to the room, we left the lights off. It seemed natural that we should walk over to the enormous windows, where we watched the urban mass of Shinjuku twinkling in the violet light around us. I looked out at the city from my lofty perch and thought of all the events that had led to this precise instant, this moment I had imagined and ridiculously longed for so many times and that I was now trying to savor even as I felt it slipping irrevocably away. At some point I felt her looking at me. I turned and reached out, tracing the outline of her face and neck with the back of my fingers, trying to burn all the details into my mind, wanting to have them with me later when she would be gone. — Barry Eisler

The world she was walking through was a pale nothingness, like a blank sheet of paper or an enormous, empty white room. It had no temperature, no smell, no texture and no taste. — Neil Gaiman

What can she do but shrink with terror? Soon she is only doll-size in dark doll's costume. Quivering bones and feverish blood are the stuffings of this doll, its entrails tickled by fear's funereal plume. It flies to a corner of the room and cringes within enormous shadows, sometimes dreaming there throughout the night - of carriage wheels rioting in a lavender mist or a pearly fog, of nacreous fires twitching beyond the margins of country roads, of cliffs and stars. — Thomas Ligotti

We walked through a high hallway into a bright rosy-colored space, fragilely bound into the house by French windows at either end. The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea.
The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house. I must have stood for a few moments listening to the whip and snap of the curtains and the groan of a picture on the wall ... — F Scott Fitzgerald

Well, you always discover a lot in the editing room. Particularly the action, because you have to over-shoot a lot and shoot an enormous amount of material because many of the sequences have to be discovered in the editing and manipulation of it. — Christopher Nolan

I came to recognize the landscape of my life in the lives of many women. Their stories and the places they spoke of spanned a world beyond my experience, from mill towns to suburbs, from logging camps to ethnic neighborhoods, from inner cities to Indian reservations. Few shared my place of origin or the events of my life, but many, it seems, shared my experience. Listening to their stories, I came to understand how women can be isolated by circumstances as well as by distance, and how our experiences, though geographically distinct, often translated into the same feelings. Away from the physical presence of my past, I found it easy to argue that what mattered most was the story, the truth of what we tell ourselves, the versions we pass along to our daughters. But as I stood in the living room of my rock house that afternoon, I was again reminded of the enormous power of this prairie, its silence and the whisper I made inside it. I had forgotten how easily one person can be lost here. — Judy Blunt

Every now and then, I'm lucky enough to teach a kindergarten or first-grade class. Many of these children are natural-born scientists - although heavy on the wonder side and light on scepticism. They're curious, intellectually vigorous. Provocative and insightful questions bubble out of them. They exhibit enormous enthusiasm. I'm asked follow-up questions. They've never heard of the notion of a 'dumb question'.
But when I talk to high school seniors, I find something different. They memorize 'facts'. By and large, though, the joy of discovery, the life behind those facts, has gone out of them. They've lost much of the wonder, and gained very little scepticism. They're worried about asking 'dumb' questions; they're willing to accept inadequate answers; they don't pose follow-up questions; the room is awash with sidelong glances to judge, second-by-second, the approval of their peers. — Carl Sagan

An enormous urn of coffee was being put to use by both cops and servers. One of her own uniforms was helping himself to a tray of fancy finger food and another was already hitting the dessert cart.

It only took her presence to have the room falling into stillness, and silence.

"Officers, if you can manage to tear yourselves away from the all-you-can-eat buffet, take posts outside the doors of both kitchen exits. As cause of death has not yet been officially called, I'll remind you that you're stuffing evidence in your faces. If necessary, I'll have you both cut open so that evidence can be removed. — J.D. Robb

My palms began sweating as I took in the enormous, opulent study. Tomes lined each wall like the soldiers of a silent army, and couches, desks, and rich rugs were scattered throughout the room. — Sarah J. Maas

Laughter was like an enormous trap waiting patiently in the room with them; but hidden behind a thin wall. — Milan Kundera

Man lives in only one small room of the enormous house of his consciousness. — William James

As someone said to me
I can't remember now who it was
it is really remarkable that when you wake up in the morning you nearly always find everything in exactly the same place as the evening before. For when asleep and dreaming you are, apparently at least, in an essentially different state from that of wakefulness; and therefore, as that man truly said, it requires enormous presence of mind or rather quickness of wit, when opening your eyes to seize hold as it were of everything in the room at exactly the same place where you had let it go on the previous evening. That was why, he said, the moment of waking up was the riskiest moment of the day. Once that was well over without deflecting you from your orbit, you could take heart of grace for the rest of the day. — Franz Kafka

And while Trish stared - stared, as it now seemed, into her own eyes - Guy held her hand and watched the crowd: how it bled colour from the enormous room and drew all energy towards itself, forming one triumphal being; how it trembled, then burst or came or died, releasing individuality; and how the champion was borne along on its subsidence, his back slapped, his hair tousled, mimed by female hands and laughing, like the god of mobs. — Martin Amis

The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea. The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house. — F Scott Fitzgerald

There is a struggle inside you between these two parts. It's as if at times your heart becomes a battlefield! The secret part, full of light, seems so small and weak in the face of the discouraging and morbid part, which seems enormous and overwhelming. However, if you light a small candle in a dark room, everything is lit up. It is a matter of trusting in this little light in the deepest part of your being which can gradually chase away the darkness. — Jean Vanier

I have to say that the situation didn't look very promising. There was a woman in the bed right enough. But there was a man there too. Fully clothed, enormous in midnight-blue serge suit and peaked cap, he knelt above her rhythmically slapping her face with a pendulum action of his heavy-gloved hand. No, this didn't look like our kind of thing at all. Warily John slipped out of his socks and shirt. You have to give him credit: he keeps his cool and works the percentages. Now the two mean moved strangely past each other; and with some diffidence John climbed into bed. The other guy stared at us, with raised, with churning face. Then he did some shouting and strode out of there - though he paused, and thoughtfully dimmed the lights, as he left the room. We heard his boots on the stairs. The lady clutched me.

"My husband!" she explained. — Martin Amis

I hate kitchens. I don't understand these enormous American kitchens that take up half the living room and then they just order pizza. — Marina Abramovic

Of all the art forms, poetry is the most economical. It is the one which is the most secret, which requires the least physical labor, the least material, and the one which can be done between shifts, in the hospital pantry, on the subway, and on scraps of surplus paper. Over the last few years, writing a novel on tight finances, I came to appreciate the enormous differences in the material demands between poetry and prose. As we reclaim our literature, poetry has been the major voice of poor, working class, and Colored women. A room of one's own may be a necessity for writing prose, but so are reams of paper, a typewriter, and plenty of time. — Audre Lorde

Eve rose stiffly when he strode out of the house. In silence, she watched Julia look after him. "The male ego," Eve murmured as she crossed the room to put an arm around Julia's shoulders. "It's a huge and fragile thing. I always envision it as an enormous penis made of thin glass. — Nora Roberts

A gentleman of ambition is aware of the people he wishes to be associated with both socially and commercially. He knows that moving through different levels of society is akin to stepping through different rooms in an enormous house, each door leading to a grander environment than the last. He may, of course, settle for the comfort of any room he reaches. Alternatively, he may continue through successive doors to surround himself with even greater fineries and riches. — Chris Murray

eyeing his blue overalls. A game of darts which was going on at the other end of the room interrupted itself for perhaps as much as thirty seconds. The old man whom he had followed was standing at the bar, having some kind of altercation with the barman, a large, stout, hook-nosed young man with enormous forearms. A knot of others, standing round with glasses in their hands, were watching the scene. 'I arst you civil — George Orwell

I went through a living room crowded with overstuffed furniture in a green-and-white jungle design from which eyes seemed to watch me, down a short hallway past a pink satin bedroom which reminded me of the inside of a coffin in disarray, to the open door of a bathroom. Tom's jacket lay across the threshold like the headless torso of a man, flattened by the passage of some enormous engine. — Ross Macdonald

I went to see Alison Krauss and Union Station at Disney Hall and I would say it was one of the most astonishing sonic experiences I have had. It's an enormous room that's acoustically perfect. My interpretation of receiving music as a layman is that the way the music kind of settled on me in that room was perfection. — John C. McGinley

It's nice to not feel like you're just re-enacting a preconceived moment, but there's room for an organic feeling to develop while the camera is rolling. Even amidst these enormous technical productions, Chris [ Nolan] always prioritized making sure that sort of spontaneous and organic feeling could happen at the moment. — Joseph Gordon-Levitt

The library was one enormous room, with long, high metal shelves and the perfect quiet that libraries provide for anyone looking for an answer. — Lemony Snicket

I was shown into a room. A red room. Red wallpaper, red curtains, red carpet. They said it was a sitting-room, but I don't know why they'd decided to confine its purpose just to sitting. Obviously, sitting was one of the things you could do in a room this size; but you could also stage operas, hold cycling races, and have an absolutely cracking game of frisbee, all at the same time, without having to move any of the furniture.
It could rain in a room this big. — Hugh Laurie

I wrapped myself in the flimsy hospital gown and tiptoed across the hospital room to sit down on the hospital bed, holding my arms across my chest, trying to contain my breasts. They seemed enormous and unpredictable without a bra. — Jessica Knoll

A revolution does not march a straight line. It wanders where it can, retreats before superior forces, advances wherever it has room, attacks whenever the enemy retreats or bluffs, and above all, is possessed of enormous patience. — Mao Zedong

The Apotheosis of Washington - a 4,664-square-foot fresco that covers the canopy of the Capitol Rotunda - was completed in 1865 by Constantino Brumidi. Known as "The Michelangelo of the Capitol," Brumidi had laid claim to the Capitol Rotunda in the same way Michelangelo had laid claim to the Sistine Chapel, by painting a fresco on the room's most lofty canvas - the ceiling. Like Michelangelo, Brumidi had done some of his finest work inside the Vatican. Brumidi, however, immigrated to America in 1852, abandoning God's largest shrine in favor of a new shrine, the U.S. Capitol, which now glistened with examples of his mastery - from the trompe l'oeil of the Brumidi Corridors to the frieze ceiling of the Vice President's Room. And yet it was the enormous image hovering above the Capitol Rotunda that most historians considered to be Brumidi's masterwork. Robert — Dan Brown

Why should I bother defending myself," Nesta said with lethal cold, "to a male who is so puffed up on his own sense of importance there's barely enough space in the room for his enormous head? — Sarah J. Maas

The next day I was driven down to New York City to take the physical. It was one of the strangest things I'd ever seen. Several hundred young men, maybe even a thousand, in their skivvies, walking around an enormous room, all of us lost, dazed, and confused.
Some of these guys had dodged the draft and were there under the watchful eyes of dozens of federal marshals lined up against one of the walls. After eight hours of being poked, prodded, stuck, and poked again, I was given a large red envelope. I had been rejected. I had the respiratory problems of an old man, high blood pressure, partial loss of hearing, very bad teeth, very flat, very wide feet and I tested positive for tuberculosis.
"Frankly," the doctor said, "I don't know how the hell you're even standing up," and that was when the sergeant told me that if they bottled everything that was wrong with me "we could take over the world without a shot. — John William Tuohy

No, what was sad in his case was that he, who didn't care for carved oak, should have his drawing-room panelled with it, while people who do care for it have to pay enormous prices to get it. It seems to be the rule of this world. — Jerome K. Jerome

Over time even two armed blind men in a room can do enormous damage to each other, not to speak of the room. — Henry A. Kissinger

It was all beginning to run together in the back of Eleanor's mind, and the things that had probably really happened were confused with the things that probably hadn't. And every day everything in her whole past life - the real things and the imaginary things - was being pushed farther and farther back, because going to high school was so enormous, so vast! so different from all of Eleanor's life before. The milling crowds in the hall between classes, all those jostling elbows and swollen shoulders and bosoms, all those enormous hands and feet, they pushed and thumped and shoved at Eleanor's childhood, until there was no room anymore for anything but now, right now, a hurrying rushing now that was just incredibly thrilling, or absolutely rotten and just disgusting, this heaving present moment, right now. — Jane Langton

I was too tired to think. I merely felt the town as a unique unreality. What was it? I knew
the moon's picture of a town. These streets with their houses did not exist, they were but a ludicrous projection of the moon's sumptuous personality. This was a city of Pretend, created by the hypnotism of moonnight.
Yet when I examined the moon she too seemed but a painting of a moon and the sky in which she lived a fragile echo of color. If I blew hard the whole shy mechanism would collapse gently with a neat soundless crash. I must not, or lose all. — E. E. Cummings

In the light from the rising moon, a miniature statue shimmered on a pedestal: a statue of a dragon, carved from an enormous emerald. He nearly tripped over his own feet in his haste to reach it. He stretched out his hands. His mouth went dry. A dazzling light flooded the room as a door swung open. Toad froze. His stomach dropped through the floor. His arms were still raised, inches from the statue, but his eyes were transfixed upon the giant figure standing in the doorway. — M.L. LeGette

Wildness and silence disappeared from the countryside, sweetness fell from the air, not because anyone wished them to vanish or fall but because throughways had to floor the meadows with cement to carry the automobiles which advancing technology produced. Tropical beaches turned into high-priced slums where thousand-room hotels elbowed each other for glimpses of once-famous surf not because those who loved the beaches wanted them there but because enormous jets could bring a million tourists every year - and therefore did. — Archibald MacLeish

I work in our living room, a strange room in a strange, topsy-turvy house. I work underneath this enormous bookshelf. — Nick Harkaway

All I want is a room somewhere, far away from the cold night air. With one enormous chair; Oh wouldn't it be loverly? Lots of choc'late for me to eat; Lots of coal makin' lots of heat. Warm face, warm 'ands, warm feet, Oh wouldn't it be loverly? Oh, so loverly sittin' abso-bloomin'-lutely still! I would never budge 'til Spring crept over my window sill. Someone's head restin' on my knee; Warm and tender as he can be, Who takes good care of me; Oh wouldn't it be loverly? Loverly, loverly, loverly, loverly. — Audrey Hepburn

The lights were turned off and the film began to roll. It was eerie, thought Lucy, watching the images of Luther Read flicking across the screen. Maybe he was dead or maybe he was fighting for his life, but in the darkened room he was an enormous, living presence.
Then the film ended. The final image of Luther Read's smiling face had hardly faded when the announcement came.
"Luther Read, our Newspaperman of the Year, is dead."
That was incredible enough, but an even more shocking announcement followed.
"Remain in your seats, please, as the police will be collecting information from everyone. — Leslie Meier

An enormous emotion beat on him; it was like something trying to get in, the pressure of gigantic wings against the glass. Dona nobis pacem. He withstood it, with all the bitter force of the school bench, the cement playground, the St. Pancras waiting room, Dallow's and Judy's secret lust, and the cold and unhappy moment on the pier. If the glass broke, if the beast
whatever it was
got in, God knows what it would do. He had a sense of huge havoc
the confession, the penance, and the sacrament
an awful distraction, and he drove blind into the rain. — Graham Greene

My mind stopped spinning as I was enveloped in waves of pleasure. Through half-open eyes, I saw fragments of the ancient room, the stone walls, the enormous wooden beams. I smelled history and ancient ground, war, and turmoil and worship. — Giselle Fox

WE LEAVE THE DORM, and Ethan shows us the gym, where he proudly informs us that in one month he's already doubled the weight he can curl, then the community room, which has an enormous flat-screen TV and a bunch of pinball and video games, then the computer room, and then his little corner patch of their big community garden, where he's growing lettuce and beets.

"But you don't eat vegetables," David says.

"Sammy says food tastes better when you grow it yourself."

"It's true," I say. David rolls his eyes and makes a snorting sound. "It is," I insist. "I once had a tomato plant, and I hate tomatoes, but I ate the one little tomato I succeeded in growing, and it was delicious. Then the plant died."

"I didn't want to grow tomatoes," Ethan says.

"I don't blame you. It only leads to heartbreak. — Claire LaZebnik

I don't work all day, every day on 'Rizzoli & Isles,' but I work every day. It may be a scene or two, or it may be an enormous workload, but there's really not a lot of room for anything else, and that's the choice I made. And that's why I stayed away from TV before: Because I know that that's what it is. — Bruce McGill

I wonder if a single thought that has helped forward the human spirit has ever been conceived or written down in an enormous room: except, perhaps, in the reading room of the British Museum. — Kenneth Clark

There seemed to be an enormous space between them all the time at the moment and it was easier to bear if they weren't in the same room — Adele Parks

So," dark Susurre said quietly, "if you follow the curve ... in a way your Damon did die to save Fell's Church from another massacre like the one on that Japanease island. He kept saying that was what he'd come to the Nether World to do. Do you not think he would be satisfied? At peace?"
"At PEACE?!" Stefan spat bitterly, and Sage growled.
"Woman," you obviously have never met Damon Salvatore before." The tone in his voice
more resonant, more threatening somehow
made Elena finally break off her staredown with the red-haired Idola. She turned and looked
and saw the enormous room filled with Sage's outspread wings. — L.J.Smith

But it is already light. How long has it been light? All this while, light has come percolating in, along with the cold morning air flowing now across his nipples: it has begun to reveal an assortment of drunken wastrels, some in uniform and some not, clutching empty or near-empty bottles, here draped over a chair, there huddled into a cold fireplace, or sprawled on various divans, un-Hoovered rugs and chaise longues down the different levels of the enormous room, snoring and wheezing at many rhythms, in self-renewing chorus, as London light, winter and elastic light, grows between the faces of the mullioned windows, grows among the strata of last night's smoke still hung, fading, from the waxed beams of the ceiling. All these horizontal here, these comrades in arms, look just as rosy as a bunch of Dutch peasants dreaming of their certain resurrection in the next few minutes. — Thomas Pynchon

Three years passed. Three years without a mother. In three years my grief has grown to enormous proportions.
Grief is now a giant, sad whale that I drag along with me wherever I go.
My grief fills rooms. It takes up space and it sucks out the air. It leaves no room for anyone else.
Grief and I are left alone a lot. We smoke cigarettes and we cry.
Grief holds my hand as I walk down the sidewalk, and grief doesn't mind when I cry because it's raining and I cannot find a taxi.
Grief acts like a jealous friend, reminding me that no one else will ever love me as much as it does.
Grief whispers in my ear that no one understands me.
Grief is possessive and doesn't let me go anywhere without it.
Grief is force and I am swept up in it. — Claire Bidwell Smith

Look, the Devil has asked me. We're very old acquaintances, he and I, and I couldn't turn him down. My estate is enormous, so he asked me for a little space, since hell has become totally overpopulated and there's no room left whatsoever. He doesn't have any choice in the matter Himself. Nowadays, everyone wants to go to hell, and the Devil, being as decent as he is, can't turn anyone down. You understand, don't you? There's nobody left in Heaven. Heaven has gone bankrupt,. — Alexandar Tomov

It's Also Tradition to Wear White,I Study Myself in The Mirror Now,as Annabelle Curls My Hair. My Dress is Strapless,Layers of ivory
chiffon Floating to The Floor.a Necklace of Diamonds and Rubies Sparkles at My Throat

Garnet Leans Against The Newel Post and Whistles As I Come Down The Stairs. My Cheeks Flush.

Have You Been To The Royal Palace Yet? Garnet Asks Me.I Stare at Him for a Second
Wondering if He's Joking. Yes, I Say Slowly. You Bumped Into Me at The Exetor's Ball.

Did I? Garnet's Eyebrows Pinch Together. Huh
Well,You Haven't Seen Anytging Until You've Seen The Winter Ball Decorations.

We are Escorted to a Extension Made Entirely of Glass. It is Lit with Thousands of Candles. Giving The Room a Beautiful Golden Glow. The Floor is Made Out Of Blue Glass and Enormous Ice Sculptures Glitter in The Flickering Light. I See What Garnet Meant-The Whole Effect is Magnificent. — Amy Ewing