End Of A Book Quotes & Sayings

I don't have any one way to tell a story. I don't have any rule book of how it's supposed to be done. But I've always said that if a story would be more emotionally involving told, beginning, middle, and end, I'll tell it that way. I won't jigsaw it, just to show what a clever boy I am. I don't do anything in my script just to be clever. — Quentin Tarantino

I think the reason why I don't read so much, is because as I have observed, whole books all boil down to a drop of essence. You can read a book full of ten thousand words and at the end, sum it up in one sentence; I am more for the one sentence. I am more for the essence. It's like how you need a truckload of roses to extract one drop of rose oil; I don't want to bother with the truckload of roses because I would rather walk away with the drop of rose oil. So in my mind, I have written two hundred books. Why? Because I have with me two hundred vials with one drop of essence in each! — C. JoyBell C.

A flop is often the result of the fact that each of the talents involved, while working on the same project, may in effect have been working on a different show from all the others. If all contributors do not share the same vision of the evening, the end product will not evince the harmony of diverse elements-the seeming inevitability of book, score, and staging-of a good musical. — Ethan Mordden

I always have a few ideas that are percolating, and then after I've finished a book and it's a year later, and things are sort of festering and things are disgusting in my house and I have to get back to work, whatever project I keep thinking about is the one I end up working on. Sort of a very simple process of elimination. — Colson Whitehead

The best ending ever, for a science fiction book - or any novel, now that I think about it - was in Rendezvous With Rama. You know that you're at the end of the book and yet, there is no resolution. Then he hits you with those last six words. Better yet, the power is in the very last word. Wow! — John Gaver

Just the knowledge that a good book is waiting one at the end of a long day makes that day happier. — Kathleen Norris

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

The central theme of Anna Karenina," he said, "is that a rural life of moral simplicity, despite its monotony, is the preferable personal narrative to a daring life of impulsive passion, which only leads to tragedy."
"That is a very long theme," the scout said.
"It's a very long book," Klaus replied.
[ ... ]
"Or maybe a daring life of impulsive passion leads to something else," the scout said, and in some cases this mysterious person was right. A daring life of impulsive passion is an expression which refers to people who follow what is in their hearts, and like people who prefer to follow their head, or follow a mysterious man in a dark blue raincoat, people who lead a daring life of impulsive passion end up doing all sorts of things. — Lemony Snicket

The Light in the Labyrinth is a beautifully written book, a gem. I savoured every word; words written with so much 'colour'. Even though I know the story of Queen Anne Boleyn, Dunn's perspective on her last days is missing in so many other books of the genre. Dunn gives grace to the history and an honest, and very compassionate look at Anne's last days. I cried in the end, shedding tears for the young Kate, Anne and her little Bess. I have not yet read a Tudor book that has moved me to tears, as this wonderful journey does. Dunn's dedication and research shines through in this unforgettable book, a book not just for young readers, but also for all." - Lara Salzano, avid Tudor reader. — Wendy J. Dunn

When you're writing a book that is going to be a narrative with characters and events, you're walking very close to fiction, since you're using some of the methods of fiction writing. You're lying, but some of the details may well come from your general recollection rather than from the particular scene. In the end it comes down to the readers. If they believe you, you're OK. A memoirist is really like any other con man; if he's convincing, he's home. If he isn't, it doesn't really matter whether it happened, he hasn't succeeded in making it feel convincing. — Samuel Hynes

The first aim of a good college is not to teach books, but the meaning and purpose of life. Hard study and the learning of books are only a means to this end. We develop power and courage and determination and we go out to achieve Truth, Wisdom and Justice. If we do not come to this, the cost of schooling is wasted. — John B. Watson

I wrote the last sentence of The Patron Saint of Liars in early April and stumbled out of my apartment and into the beautiful spring feeling panicked and amazed. There is no single experience in my life as a writer to match that moment, the blue of the sky and the breeze drifting in from the bay. I had done the thing I had always wanted to do: I had written a book, all the way to the end. Even if it proved to be terrible, it was mine. — Ann Patchett

If this book is a thriller, it's also a requiem, the story of the last days of a great figure and the end of his movement. — Hampton Sides

Detach the writer from the milieu where he has experienced his greatest sense of belonging, and you have created a discontinuity within his personality, a short circuit in his identity. The result is his originality, his creativity comes to an end. He becomes the one-book novelist or the one-trilogy writer. — Henry Roth

Life is just like a book. Only after you've read it do you know how it ends. It is when we are at the end of life that we know how our life ran. Mine, until now, has been black. As black as my skin. Black as the garbage dump where I live. — Carolina Maria De Jesus

Part of what impelled him was stubbornness; resentment, even. The system had filed him among the rejects, and what he was studying was considered - at the decision-making levels, the levels of real power - an archaic waste of time. Well then, he would pursue the superfluous as an end in itself. He would be its champion, its defender and preserver. Who was it who'd said that all art was completely useless? Jimmy couldn't recall, but hooray for him, whoever he was. The more obsolete a book was, the more eagerly Jimmy would add it to his inner collection. — Margaret Atwood

In reading, one should notice and fondle details. There is nothing wrong about the moonshine of generalization when it comes after the sunny trifles of the book have been lovingly collected. If one begins with a readymade generalization, one begins at the wrong end and travels away from the book before one has started to understand it. Nothing is more boring or more unfair to the author than starting to read, say, Madame Bovary, with the preconceived notion that it is a denunciation of the bourgeoisie. We should always remember that the work of art is invariably the creation of a new world, so that the first thing we should do is to study that new world as closely as possible, approaching it as something brand new, having no obvious connection with the worlds we already know. When this new world has been closely studied, then and only then let us examine its links with other worlds, other branches of knowledge. — Vladimir Nabokov

There is a truth in Schopenhauer's view that philosophy is an organism, and that a book on philosophy, with a beginning and end, is a sort of contradiction. ... In philosophy matters are not simple enough for us to say 'Let's get a rough idea', for we do not know the country except by knowing the connections between the roads. — Ludwig Wittgenstein

I fear dying in the middle of a book. It would be so annoying to write 80,000 words and not get to the end. I'm phobic about it. So when I'm writing a book I leave messages all over the house for people to know how the story ends, and then someone can finish it for me. — Anthony Horowitz

But it's like the feeling you get at the end of a book you love. — Stuart Murdoch

Writing a mystery is like drawing a picture and then cutting it into little pieces that you offer to your readers one piece at a time, thus allowing them the chance to put the jigsaw puzzle together by the end of the book. — Ashwin Sanghi

I have always believed in the magic of childhood and think that if you get your life right that magic should never end. I feel that if adults cannot enjoy a children's book properly there is something wrong with either the book or the adult reading it. This of course, is just a smart way of saying I don't want to grow up. — Colin Thompson

I was brought up on the books of The Wizard of Oz and my mother told me that these were great philosophies. It was a very simple philosophy, that everybody had a heart, that everybody had a brain, that everybody had courage. These were the gifts that are given to you when you come on this earth, and if you use them properly, you reach the pot at the end of the rainbow. And that pot of gold was a home. And home isn't just a house or an abode, its people, people who love you and that you love. That's a home. — Ray Bolger

What more do I need?
I don't know how my book
will end.
All I know is that love
is not the modern invention
of rebellious young girls.
Love is ancient.
A legend.
The truth. — Margarita Engle

Books, like lives, are always unfinished even when they end, for to write is to struggle with contingency, to impose a certain false order upon the endless, and endlessly frustrating, nature of thought. — Mark Kingwell

I used to pinch those pages closed when I read the book to keep from having to see Joan [of Arc] fail. But now I love that picture. I love it so much. I love how Joan kept going right up to the end. It reminds me that sometimes defeat is the price of taking action. If you do something, you become a target. People want to take you down. That's a risk. But it's better to do too much, better to try to hard, better to have a crisis of faith and get thrown and climb back up on your horse and keep riding, than to see something wrong in the world and not do anything at all. — Madeleine George

The way Smith sees it, this kind of approach denotes a certain category of writer: the Micro Manager. Authors fall into one of two primary camps, she explained in her 2009 book of essays, Changing My Mind.691 Macro Planners work out the structure of their novels and then write within that structure. Micro Managers, on the other hand, don't rely on an overarching configuration (don't even conceive of one), but rather home in on each sentence, one by one, and each sentence, as they come to it, becomes the only thing that exists. If there is a spectrum starting with Macro Planners on one end and Micro Managers on the other, Smith would be somewhere to the right of the page. Smith's writing is entirely incremental and cumulative. The grand plan is that there is no grand plan; working things out ahead of time ruins everything, "feels disastrous."She prefers the writing of a novel as a process of discovery. "The thinking goes on on the page," not beforehand. — Sarah Stodola

That's how we're going to face the end of the world? Reading a book? — Orson Scott Card

If I begin my book with a review of the coup, it is only to show that my abiding interests for Australia did not end with it. They shall end only with a long and fortunate life. — Gough Whitlam

Like many others who have gone into prisons and jails with us, Chuck and Carol Middlekauff demonstrate what our ministry is all about. We train Christian 'teammates' to share the good news and love of Christ with 'the least of these' so they can continue to do it with others they encounter as they go along. In this book, Carol has written the stories of some of those encounters so you can appreciate how easy it is to tell people about Jesus. It happens when you realize God does all the work, and all you have to do is show up. I hope you will be encouraged by reading the book and then join us soon for a Weekend of Champions to find out for yourself."
Bill Glass, retired NFL all-pro defensive end, evangelist, founder of Bill Glass Champions for Life prison ministries, and author of numerous books, including The Healing Power of a Father's Blessing and Blitzed by Blessings — Bill Glass

Your generation is suffering from what for lack of a better word I shall call over-debunk. There was a lot of debunking that had to be done, of course. Bigotry, militarism, nationalism, religious intolerance, hypocrisy, phonyness, all sorts of dangerous, ready-made, artificially preserved false values. But your generation and the generation before yours went too far with their debunking job. You went overboard. Over-debunk, that's what you did. It's moral overkill. It's like those insecticides Rachel Carson speaks of in her book, that poison everything, and kill all the nice, useful bugs as well as the bad ones, and in the end poison human beings as well. In the end, it poisons life itself, the very air we breathe. That's what you did, morally and intellectually speaking. Yours is a silent spring. You have overprotected yourselves. You are all no more than twenty, twenty-two years old, but yours is a silent spring, I'm telling you. Nothing sings for you any more. — Romain Gary

For me, the favourite chapters have always been the last chapters in the books. I knew exactly how each book would end - and how the first chapter of the following book would begin. I knew I wanted to leave the readers with answers - and a bunch of new questions! — Michael Scott

Your intention is for readers to benefit from your experiences and avoid the costly and time consuming mistakes you may have made. You want to help your readers know the short cuts and what you would have avoided, and why. As you write, keep a clear sense of why writing this is important to you, but also share your why within the body of the book. Why do your readers need to take the steps you describe? Are you saving them time, money, resources? Why did you start your journey to begin with? Did you want to change the world or get from point "A" to point "B"? Why did you keep going even when it was difficult? Was there a light at the end of the tunnel, a reward at the end? Why should they hang in there? All of these things will work magically if implemented correctly and consistently. — Kytka Hilmar-Jezek

Usually I read several books at a time - old books, new books, fiction, nonfiction, verse, anything - and when the bedside heap of a dozen volumes or so has dwindled to two or three, which generally happens by the end of one week, I accumulate another pile. — Vladimir Nabokov

I have a sign on my door. I look at it every single day of the week. The sign says, "Attitude is everything, so pick a good one." You need a very strong internal knowing. For instance, when I sat down to write the book The Power of Intention, I had a very strong internal knowing that I call thinking from the end. — Wayne Dyer

Altruism, compassion, empathy, love, conscience, the sense of justice - all of these things, the things that hold society together, the things that allow our species to think so highly of itself, can now confidently be said to have a firm genetic basis. That's the good news. The bad news is that, although these things are in some ways blessings for humanity as a whole, they didn't evolve for the "good of the species" and aren't reliably employed to that end. Quite the contrary: it is now clearer than ever how (and precisely why) the moral sentiments are used with brutal flexibility, switched on and off in keeping with self-interest; and how naturally oblivious we often are to this switching. In the new view, human beings are a species splendid in their array of moral equipment, tragic in their propensity to misuse it, and pathetic in their constitutional ignorance of the misuse. The title of this book is not wholly without irony. — Robert Wright

I see every book as a problem that you have to solve. That is what dictates the form you use. It's not that you say, 'I want to write a science fiction book.' You start from the other end, and what you have to say dictates the form of it. — Doris Lessing

Once more, he was immersing himself in books, reaching the end of long articles, even going back over paragraphs to make sure he'd grasped things. How much more satisfying it was than all that skimming, all that jumping around. At present, he was working his way, deliciously, through a book on Mendel, the father of genetics. A man who might not have spend seven years watching peas, if he'd had the internet. — Julie Highmore

In books, people were charming and friendly, and life followed certain set patterns. If a person dreamed of doing something, then you could be almost certain that, by the end of the book, they would almost certainly be doing that very thing. And they would find someone to do it with. In the real world, you could be almost certain that person would end up doing absolutely anything other than what they had dreamed of. "They're — Katarina Bivald

Characters in a book are very much like personalities divvied up within a family. In the end, it all averages out to a sort of overall averageness. — Douglas Coupland

Like an unexpected wet mop in the face of tired complacency, The Sovereignty Solution works on the receptive mind as a pry bar works on a tightly sealed box. Written with courage and passion, this is a book whose often counterintuitive clarity shakes entombed assumptions like an earthquake. Whether you end up convinced or not, you will never think about American national security the same way ever again. — Adam Garfinkle

I was writing a film criticism book on Sergio Corbucci, the director who did the original Django. So, I was kind of getting immersed in his world. Towards the end of the Inglourious Basterds press tour I was in Japan. Spaghetti Westerns are really popular there, so I picked up a bunch of soundtracks and spent my day off listening to all these scores. And all of a sudden the opening scene [Django] just came to me. — Quentin Tarantino

Criminalistics doesn't exist in a vacuum. The more you know about your environment, the better you can apply- (This quote was never completed in the book because Rhyme stopped abruptly at the end of it. I really wish he had finished his thought.) — Jeffery Deaver

This diary will tell the real life story of my great-grandmother Yasutani Jiko. She was a nun and a novelist and New Woman7 of the Taisho era.8 She was also an anarchist and a feminist who had plenty of lovers, both males and females, but she was never kinky or nasty. And even though I may end up mentioning some of her love affairs, everything I write will be historically true and empowering to women, and not a lot of foolish geisha crap. So if kinky nasty things are your pleasure, please close this book and give it to your wife or co-worker and save yourself a lot of time and trouble. 4. — Ruth Ozeki

And if I really can see the future, then what does it mean? Is there any sense in our lives if everything is already out there, just waiting to happen? For if that were so, then life would be a horrible monster indeed, with no chance of escape from fate, from destiny. It would be like reading a book, but reading it backwards, from the final chapter down to chapter one, so that the end is already known to you. — Marcus Sedgwick

I don't do much public speaking. I did a lot of stuff for Bones, and then ended up having said yes to a lot of things that kept me on the road for a while for that, but then I pretty much stopped. I'm touring for this book, but when the tour is done, that'll be the end of it. — Alice Sebold

My fear is you have to be careful as a writer to not get caught up in social media and blogging, because it can start to feed into your writing time. When you are writing a book, it's such a long journey where the payoff is way at the end, sometimes years away. The payoff of the blog post is today. You get the reinforcement, comments or "likes" immediately. It's appealing. You have to be patient with the book. — Matt De La Pena

In the end, we learn about the most basic philosophical questions - like "How to live?" - from a broad mixture of sources, including literature and philosophy, history and anthropology. These sources can guide our reflections on our own experiences, as we explore and reconsider. Mann contributed to such explorations in a distinctive way, and I hope my book brings that out. — Philip Kitcher

At first, I spend about four hours a day writing. Toward the end of a book, I spend up to 16 hours a day on it, because all I want to do is make it good and get it done. — Tracy Kidder

Sitting in the bathroom, reading the book again, he became so involved in the story that his legs fell asleep. He kept reading, intending to get up at the end of this page, then at the end of this page, if only because he would feel more comfortable with his pants up and buttoned, but he read on. He rose finally at the end of a chapter, although he read a little into the next chapter before he made himself stop. His legs were buoyant with saws and needles as he buttoned up, and he had to hold a hand against the wall not to sway from balance. Then he checked the thickness of pages he had read between his fingers, and experienced something he had never experienced before. Some of it was pride - he was reading a book - and some of it was a preciousness the book had assumed. Feeling relaxed, unthreatened, he wanted to keep the book in his hands, for what it offered. He did not want to turn the pages, for then they would be gone and spent; nor did he want to do anything but turn the pages. — Theodore Weesner

Writing your book is not the end all of your strategy. It is a powerful catalyst that will push you to the top of your game. You see, something magical happens when you write your book and this is the best place to mention it because a sale happens when your book is complete. You sell yourself on the idea that you are more than you previously believed yourself to be. You get to experience that "I did it" moment where your mind releases these wonderful stimulators that make you feel awesome. You see yourself in a different way and this opens up a greater opportunity for accomplishment, achievement, and success. — Kytka Hilmar-Jezek

Romeo and Juliet"

The world is full of girls! Of all different kinds and shapes and sizes. They're all big question marks, incognito and unknown. They're a page in a book that's never been written or perhaps yet read. They're a title that's never been chosen, a language that's never been understood. Yet perhaps a treasure that hasn't been discovered.

Will any of this ever be revealed? That is even a bigger question mark. Yet, adventurous men, the brave and the naive ones, still pursue their endeavor toward their unknown dreams.

Will there ever be another Romeo and Juliet?
Or are we all Romeos and Juliets at the end? — Mauro Lannini

Without sounding too pretentious, I was sort of a slave to the narrative. When the narrative cracks in, I have to go where it takes me. I had to go to the Bohemian Grove. It was the obvious end to the book. — Jon Ronson

There is a larger lesson here, because the book encompasses not just the lives of prisoners in a Soviet prison camp, but every one of us. Shukhov squeezes everything he can out of a mouthful of soup or a bite of bread ... So frozen that he can't even feel his feet, he trowels cement and lays a cinder block wall with care and patience ... Shukhov takes pride in his work. In fact, even though he is starving, he can barely tear himself away at the end of the long day to go eat. He cares about his work and in that way he remains a man. Isn't this kind of pride and gratitude and ironic detachment valuable for all people? — Eric Bogosian

Conversion for those first Christians was not a destination; it was the beginning of a journey. And right there is where the Biblical emphasis differs from ours ... . In the book of Acts, faith was for each believer a beginning, not an end; it was a journey, not a bed in which to be waiting for the day of our Lord's triumph. — A.W. Tozer

I'm always amazed at friends who say they try to read at night in bed but always end up falling asleep. I have the opposite problem. If a book is good I can't go to sleep, and stay up way past my bedtime, hooked on the writing. Is anything better than waking up after a late-night read and diving right back into the plot before you even get out of bed to brush your teeth? — John Waters

Lie on!' cried the usurer, 'with your iron tongue! Ring merrily for births that make expectants writhe, and marriages that are made in hell, and toll ruefully for the dead whose shoes are worn already! Call men to prayers who are godly because not found out, and ring chimes for the coming in of every year that brings this cursed world nearer to it's end.
No bell or book for me! Throw me on a dunghill, and let me rot there, to infect the air! — Charles Dickens

Fitzpatrick: Back when I was doing Perl-even for people that knew Perl really well-I would recommend MJD's Higher-Order Per!. The book is really fun in that it starts somewhat simple and you're like, "Yeah, yeah, I know what a closure is." And then it just continues to fuck with your head. By the end of the book, you're just blown away. — Peter Seibel

She seems to give a respectful credence to the statement that "God is love"only to hurry on to explore with real interest the possibility that "God is wrath." She can read from the book of Revelation with a ringing conviction in her voice that can make the creation seem only a stage setting for the triumphant thunderation of end. — Wendell Berry

He was angry with himself for having kissed her and enjoyed it, only to be disappointed by her in the end.
He knew that love was never simple, but it was even less so for a vampire.
He shook his head in disbelief as he walked away. He had really thought that she was the one for him and had genuinely believed that he
was going to spend the rest of his life with her, but now, he knew better. — Elaine White

It had a crisp paper jacket, unlike the paper-covered library books I was used to, and the way the pages parted, I could tell I was the first to open it ... I valued that half-dream state of being lost in a book so much that I limited the number of pages I let myself read each day in order to put off the inevitable end, my banishment from that world. I still do this. — Allison Hoover Bartlett

He could help you, He can do sums, and he knows how to read and write. I know Chett can't read, and Clydas has weak eyes. Sam read every book in his father's library. He'd be good with the ravens too. Animals seem to like him. Ghost took to him straight off. There's a lot he could do, besides fighting. The Night's Watch needs every man. Why kill one, to no end? Make use of him instead. — George R R Martin

But, in the end, the books that surround me are the books that made me, through my reading (and misreading) of them; they fall in piles on my desk, they stack behind me on my shelves, they surprise me every time I look for one and find ten more I had forgotten about. I love their covers, their weight and their substance. And like the child I was, with the key to the world that reading gave me, it is still exciting for me to find a new book, open it at the first page and plunge in, head first, heart deep. — Ramona Koval

When you're writing a book, it's rather like going on a very long walk, across valleys and mountains and things, and you get the first view of what you see and you write it down. Then you walk a bit further, maybe up onto the top of a hill, and you see something else. Then you write that and you go on like that, day after day, getting different views of the same landscape really. The highest mountain on the walk is obviously the end of the book, because it's got to be the best view of all, when everything comes together and you can look back and see that everything you've done all ties up. But it's a very, very long, slow process. — Roald Dahl

If there is anything I want you to understand at the end of this book, it's this: don't settle for a secondhand relationship with God. That's not the life of passion He is calling you to. Knowing God will keep you stable in hard times. It will make you secure and enable you to press past fear. It will cause you to know He is always with you whether you feel His Presence or not. You can know His forgiveness and mercy, His restoration and favor; truly knowing God will fuel your passion for life. When we see how beautiful and wonderful He really is, and realize all He has done for us in love, how can we not pursue Him and His will passionately? — Joyce Meyer

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

It's been a harder book to write for personal reasons too. What gets me most are not the scary scientific studies about melting glaciers, the ones I used to avoid. It's the books I read to my two-year-old. Looking For a Moose is one of his favorites. It's about a bunch of kids that really, really, really want to see a moose. They search high and low - through a forest, a swamp, in brambly bushes and up a mountain, for "a long legged, bulgy nosed, branchy antlered moose." The joke is that there are moose hiding on each page. In the end, the animals all come out of hiding and the ecstatic kids proclaim: "We've never ever seen so many moose! — Naomi Klein

What matters is the character of ... stereotypes, and the gullibility with which we employ them. And these in the end depend upon ... our philosophy of life. If in that philosophy we assume that the world is codified according to a code which we possess, we are likely to make our reports of what is going on describe a world run by our code. But if our philosophy tells us that each man is only a small part of the world, that his intelligence catches at best only phases and aspects in a coarse net of ideas, then, when we use our stereotypes, we tend to know that they are only stereotypes, to hold them lightly, to modify them gladly. We tend, also, to realize more and more clearly when our ideas started, where they started, how they came to us, why we accepted them. All useful history is antiseptic in this fashion. It enables us to know what fairy tale, what school book, what tradition, what novel, play, picture, phrase, planted one preconception in this mind, another in that mind. — Walter Lippmann

Roth Unbound is filled with intelligent readings and smart judgments. Because of the author's sympathy and sharp mind, it offers real insight into the creative process itself, and into Philip Roth's high calling as a great American artist. The book is, in some ways, a radical rereading of Roth's life and his work. It is impossible, by the end, not to feel a tender admiration for Roth as a novelist and indeed for Claudia Roth Pierpont as an empathetic and brilliant critic. — Colm Toibin

Except when it didn't, as in the case of names that already end in an s, such as Jones' book (a practice that is now out of style). — Ammon Shea

There he is, bent over the page, with a monocle in his right eye, wholly devoted to the noble but rugged task of ferreting out the error. He has already promised himself to write a little monograph in which he will relate the finding of the book and the discovery of the error, if there really is one hidden there. In the end, he discovers nothing and contents himself with possession of the book. He closes it, gazes at it, gazes at it again, goes to the window and holds it in the sun. The only copy! At this moment a Caesar or a Cromwell passes beneath his window, on the road to power and glory. He turns his back, closes the window, stretches in his hammock, and fingers the leaves of the book slowly, lovingly, tasting it sip by sip ... An only copy! — Machado De Assis

I asked myself what I believed. I had never prayed a lot. I hoped hard, wished hard, but I didn't pray. I had developed a certain distrust of organised religion growing up, but I felt I had the capacity to be a spiritual person, and to hold some fervent beliefs. Quite simply, I believed I had a responsibility to be a good person, and that meant fair, honest, hardworking and honorable. If I did that, if I was good to my family, true to my friends, if I gave back to my community or to some cause, if I wasn't a liar, a cheat, or a thief, then I believed that should be enough. At the end of the day, if there was indeed some Body or presence standing there to judge me, I hoped I would be judged on whether I had lived a true life, not on whether I believed in a certain book, or whether I'd been baptised. — Lance Armstrong

Lots of people want to have written; they don't want to write. In other words, they want to see their name on the front cover of a book and their grinning picture on the back. But this is what comes at the end of a job, not at the beginning. — Elizabeth George

The latest gorgeous entry in the Belknap Press' growing library of annotated Jane Austen novels arrives, this time the mighty Emma under the exactingly careful guidance of Bharat Tandon of the University of East Anglia. Belknap has once again done its end of the job superbly: the book is a physical treat-luxuriantly over-sized, heavy with quality paper and solid binding, decked out in a beautiful cover and dozens of well-chosen illustrations throughout. This is one of the prettiest Jane Austen volumes available in bookstoresthis season. — Steve Donoghue

If a man call himself Rasta today, by next week that is him speaking prophecy. He don't have to be too smart either, just know one or two hellfire and brimstone verse from the Bible. Or just claim it come from Leviticus since nobody ever read Leviticus. This is how you know. Nobody who get to the end of Leviticus can still take that book seriously. Even in a book full of it, that book is mad as shit. Don't lie with man as with woman, sure I can run with that reasoning. But don't eat crab? — Marlon James

She was too wonderful a character to be allowed to die and I realize now that I should have allowed her to appear at hte end of my book. [Ray writes about the character Clarisse] — Ray Bradbury

Oftentimes
when I read a book,
I want to savor
each word,
each phrase,
each page,
loving the prose
so much,
I don't want it
to end.

Other times
the story pulls me in,
and I can hardly
read fast enough,
the details flying by,
some of them lost
because all that matters
is making sure
the character
is all right
when it's over. — Lisa Schroeder

You have started the book with this bubble over your head that contains a cathedral full of fire - that contains a novel so vast and great and penetrating and bright and dark that it will put all other novels ever written to shame. And then, as you get towards the end, you begin to realise, no, it's just this book. — Michael Cunningham

I've got lots of good friends. I could have affairs. I can read a book all night, put the cat on the end of the bed. I can pick up my passport and go to France. I don't have to ask anybody. — Joanna Lumley

I have thought I am creature of a day, passing through life as an arrow through the air. I am a spirit come from God and returning to God; just hovering over the great gulf, till a few moments hence I am no more seen. I drop into an unchangeable eternity! I want to know one thing, the way to heaven
how to land safe on that happy shore. God himself has condescended to teach the way: for this very end he came from heaven. He hath written it down in a book. O give me that book! At any price give me the Book of God! I have it. Here is knowledge enough for me. Let me be homo unius libri [a man of one book]. — John Wesley

So while this is a book about fighting back, in the end this is a book about love. The songbirds and the salmon need your heart, no matter how weary, because even a broken heart is still made of love. They need your heart because they are disappearing, slipping into that longest night of extinction, and the resistance is nowhere in sight. We will have to build that resistance from whatever comes to hand: whispers and prayers, history and dreams, from our bravest words and braver actions. It will be hard, there will be a cost, and in too many implacable dawns it will seem impossible. But we will have to do it anyway. So gather your heart and join with every living being. With love as our First Cause, how can we fail? — Derrick Jensen

At the end of the day this is nothing more than a blog. It's nice to hit them high notes - but REALLY - how significant do you think something that sort of sounds like the sound of a flatulent frog being run over by a clown car really needs to be? — Steve Vernon

The paradox of reading is that the path toward ourselves passes through books, but that this must remain a passage. It is a traversal of books that a good reader engages in - a reader who knows that every book is the bearer of part of himself and can give him access to it, if only he has the wisdom to not end his journey there. — Pierre Bayard

I knew that Clara kept Carax's book in a glass cabinet by the arch of the balcony. I crept up to it. My plan, or my lack of it, was to lay my hands on the book, take it out of there, give it to that lunatic, and lose sight of him forever after. Nobody would notice the book's absence, except me. Carax's book was waiting for me, as it always did, its spine just visible at the end of a shelf. I took it in my hands and pressed it against my chest, as if embracing an old friend whom I was about to betray. Judas, I thought. I decided to leave the place without making Clara aware of my presence. I would take the book and disappear from Clara's life forever. Quietly, I stepped out of the library. The door of her bedroom was just visible at the end of the corridor ... I walked slowly up to the door. I put my fingers on the doorknob. My fingers trembled. I had arrived too late. I swallowed hard and opened the door. — Carlos Ruiz Zafon

Bicycling beyond the Divide did what all great books do: it told me about me. In its tale of a journey made by two different men-both of them Daryl Farmer-this book offers us not only moving vistas and meaningful people, but also hope, that rarest of literary commodities these days. I didn't want this to end. — Bret Lott

I'm opening a store at the end of the month in the New York meatpacking district. I'm launching a line of bedding this summer, and I am writing a book that will be out next January. — Genevieve Gorder

Chum was a British boy's weekly which, at the end of the year was bound into a single huge book; and the following Christmas parents bought it as Christmas presents for male children. — A.E. Van Vogt

What about you?" I ask her. "What do you think I should read next?" She takes my hand and leads me to the children's section. She looks around for a second, then heads over to a display at the front. I see a certain green book sitting there and panic. "No! Not that one!" I say. But she isn't reaching for the green book. She's reaching for Harold and the Purple Crayon. "What could you possibly have against Harold and the Purple Crayon?" she asks. "I'm sorry. I thought you were heading for The Giving Tree." Rhiannon looks at me like I'm an insane duck. "I absolutely HATE The Giving Tree." I am so relieved. "Thank goodness. That would've been the end of us, had that been your favorite book." "Here - take my arms! Take my legs!" "Take my head! Take my shoulders!" "Because that's what love's about!" "That kid is, like, the jerk of the century," I say, relieved that Rhiannon will know what I mean. "The biggest jerk in the history of all literature, — David Levithan

All through the Torah, God is pictured as having hands, a face. The rabbis say, Of course God doesn't really have hands, but the Torah uses the language of faces and hands and eyes so that we will have an easier time wrapping our minds around this infinite, handless God. That is what you say if you are a rabbi. But if you are a good novelist, you actually give Him hands and eyes by the end of the book, and that is what the Bible does. It says, in Deuteronomy, that God brought us out of Egypt with a mighty hand and an outstretched arm; and then it gives Him an arm in the Gospel of Matthew. — Lauren F. Winner

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed
he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog. — Graham Greene

In life, we are all on the same journey, we are all struggling to get from point A to point B. Different people have different point A originations and B destinations, but the path we travel is the same. If you can take what you have learned; share the experience and shortcuts you've discovered along the way, offer time saving tips and how you finally made it - then you can lighten the load of those who are just beginning on a similar path. Getting paid for it is an added bonus. My hope is that you do not end your journey at "I wrote a book" but rather understand that your book is just the beginning. Imagine the products you can create based on the contents of your book. Imagine the opportunities to share your knowledge with more people by speaking, training, coaching. You have an important message to share and the world is waiting ... — Kytka Hilmar-Jezek

And if, by the end [of this book], you reckon you might still disagree with me, then I offer you this: you'll still be wrong, but you'll be wrong with a lot more panache and flair than you could possibly manage right now. — Ben Goldacre

Insider can be more ludicrous. How did I ever end up [as one]? Carsick [Waters's book on hitchhiking] was on the New York Times best-seller list for five weeks. [One of the characters was] a singing asshole that does a duet with Connie Francis! Times have changed. That's mainstream, in a weird way. — John Waters

Hate is the hidden script in the letter of love; its foundations are shared with its opposite. The woman seduced by her partner's way of kissing her neck, turning the pages of a book, or telling a joke watches irritation collect at precisely these junctures. It is as if the end of love is already contained in its beginning, the ingredients of love's collapse eerily foreshadowed by those of its creation. — Alain De Botton

Having a book is somewhat like having a baby, as many woman writers have observed before me: the conception, the long preparation, the wait, the growing heaviness (not of body in this case but of the spirit and the manuscript) toward the end, the initial delight at the sight of the product, fully formed and seemingly perfect, and then the usual postpartum depression. What will people whose opinion I care about, and those whose views I don't value but have weight in the world of reader, think of it? — Doris Grumbach

Thus I came ... to a deep religiosity, which, however, reached an abrupt end at the age of 12. Through the reading of popular scientific books I soon reached a conviction that much in the stories of the Bible could not be true ... Suspicion against every kind of authority grew out of this experience ... an attitude which has never left me. — Albert Einstein

There's nothing I like better than a good book discussion with someone who can hold up his end of the argument. — Stephen King

He pinched the remaining chapters' pages delicately between his fingers and sighed. He always hated reaching the end of a good book. — David S.E. Zapanta

Now everything was changed. She walked about with cautious, anxious steps, staring constantly at the ground, on the lookout for things that crept and crawled. Bushes were dangerous, and so were sea grass and rain water. There were little animals everywhere. They could turn up between the covers of a book, flattened and dead, for the fact is that creeping animals, tattered animals, and dead animals are with us all our lives, from beginning to end. Grandmother tried to discuss this with her, to no avail. Irrational terror is so hard to deal with. [p. 136] — Tove Jansson

I am trying to give the best performance possible in 400 pages. I want readers to be scared; I want them to be moved. Entertainment doesn't necessarily mean something trivial, but it does mean people wanting to get to the end of a book. — Mark Billingham