Emotion In Literature Quotes & Sayings

I take many things seriously. Rudyard Kipling, Harper Lee, Oscar Wilde, and Elmore Leonard are all held in the highest regard. I am dead serious when I discuss the many reasons that Ernest Hemingway's greatest contribution to literature was his generous decision to take his own life. I will not be sucked into a discussion of politics by people who prefer emotion to reason. The designated hitter is an abomination, and the day pitchers and catchers report is the start of the new year despite what those ill-informed calendar makers might try to tell you." "I — Brian D. Meeks

The very essence of literature is the war between emotion and intellect, between life and death. When literature becomes too intellectual - when it begins to ignore the passions, the emotions - it becomes sterile, silly, and actually without substance. — Isaac Bashevis Singer

Oh literature is a wonderful thing, Varenka, a very wonderful thing: I discovered that from being with those people the day before yesterday. It is a profound thing. It strengthens people's hearts and instructs them, ... Literature is a picture, or rather in a certain sense both a picture and a mirror; it is an expression of emotion, a subtle form of criticism, a didactic lesson and a document ... — Fyodor Dostoyevsky

Humans were so preoccupied with love. They were all desperate to form an attachment to one person they could refer to as their other half. It seemed from my reading of literature that being in love meant becoming the beloveds entire world. The rest of the universe paled into insignificance compared to the lovers. When they were separated, each fell into a melancholy state, and only when they were reunited did their hearts start beating again. Only when they were together could really see the colors of the world. When they were apart, that color leached away, leaving everything a hazy gray. I lay in bed, wondering about the intensity of this emotion that was so irrational and so irrefutably human. What if a persons face was so sacred to you it was permanently inscribed in your memory? What if their smell and touch were dearer to you than life itself? — Alexandra Adornetto

Creation signifies, above all, emotion, and that not in literature or art alone. We all know the concentration and effort implied in scientific discovery. Genius has been defined as an infinite capacity for taking pains. — Henri Bergson

Occasionally, noticing an exact identity of thought between what I felt but could not articulate and the clearly expressed idea of a writer, I was so carried away by emotion that, dropping the book, I would stand up and pace the room for a while to compose myself before continuing to read. In this way my mind was moulded by degrees as much by my own inborn ideas about the nature of things, developed by the exercise of reason in the healthy atmosphere of literature, as by the influence of the great thinkers whose ideas I imbibed from their works. — Gopi Krishna

Creating something out of nothing means making something up. But when you make something out of something, you take things that are already there, like an emotion, and you turn it into a narrative. The nature of literature is not to invent things, but to articulate what is already there. When you read a good book you don't think that the author is making up lies, but you say, "Oh, yes, I know what he is talking about." The fact that you know this means that it isn't made up. — Etgar Keret

He believes that if talent is demanded of a literary publisher or a writer, it must also be demanded of a reader. Because we mustn't deceive ourselves: on the journey of reading we often travel through difficult terrains that demand a capacity for intelligent emotion, a desire to understand the other, and to approach a language distinct from the one of our daily tyrannies ... Writers fail readers, but it also happens the other way around and readers fail writers when all they ask of them is confirmation that the world is how they see it. — Enrique Vila-Matas

You can see the meaning of the statement that "Literature is a living art" most easily and clearly, perhaps, by contrasting Science and Art at their two extremes - say Pure Mathematics and Acting. Science as a rule deals with things, Art with man's thought and emotion about things. — Arthur Quiller-Couch

When you are falling short in vocabulary to explain the emotion in your story.Than you are writing the right story — Tushar Upreti

Today, the people who make things change, the people who have that knowledge, are the scientists and the technologists, who are the true driving force of humanity. And before you say what about the Beethovens and the Michelangelos? Let me suggest something with which you may disagree violently: that at best, the products of human emotion, art, philosophy, politics, music, literature, are interpretations of the world, that tell you more about the guy who's talking, than about the world he's talking about. Second hand views of the world, made third hand by your interpretation of them. — James Burke

You never stopped thinking of yourself as a writer biding his time in the Department of Factual Verification. But between the job and the life there wasn't much time left over for emotion recollected in tranquillity. — Jay McInerney

Like literature, music can overwhelm you with sudden emotion, can move you to absolute sorrow or ecstasy; like literature, painting has the power to astonish, and to make you see the world through fresh eyes. But only literature can put you in touch with another human spirit, as a whole, with all its weaknesses and grandeurs, its limitations, its pettinesses, its obsessions, its beliefs; with whatever it finds moving, interesting, exciting, or repugnant. — Michel Houellebecq

There's always been anger in the making of music or literature or dance. — Michael Ondaatje

Literature offered a safe circumscribed outlet for sadness. — Richard Brookhiser

Just like literature, wine takes time to learn. Before having access to the emotion of a stunning poem or to the vigor of a captivating novel, we all had to go through a long initiation. First, we need to learn the alphabet, the sound of each letter. In wine, that would be learning about the grapes and their characteristics. Then, once we master our letters, we need to learn the arrangements of letters, the pronunciation, the grammar, the structure of sentences. Now we can read. In wine, that would be the stage when we start noticing differences between two reds. You no longer drink wine: you start drinking this wine. — Olivier Magny

I come from a family where the only emotion respectable to show is irritation. In some this tendency produces hives, in others literature, in me both. — Flannery O'Connor

In literature there is no such thing as a pure thought; in literature, thought is always the handmaid of emotion. — J. Middleton Murry

It's your fiction that interests me. Your studies of the interplay of human motives and emotion. — Isaac Asimov

Oldboy makes us feel a part of something bigger than ourselves. It's a grand, gritty, indelible experience, the sort of picture that mimics great literature in the way it envelops you in a well-told story while also evoking subtle but strong gradations of emotion. — Stephanie Zacharek

There are two methods for the literary study of any book - the first being the study of its thought and emotion; the second only that of its workmanship. A student of literature should study some of the Bible from both points of view. — Lafcadio Hearn

Children may not understand all that's happening below the surface of a story. It doesn't matter. Because even though they may not be able to define or verbalize it, they sense there's something more than meets the eye; on an almost subliminal level, they're aware of a richness of texture, or meaning and emotion
a richness that, in a great book, is inexhaustible. And the child may well come back to it again and again, perhaps long after he's stopped being a child. — Lloyd Alexander

Sentimentality was used because other political avenues were closed, and authors hoped that through it they could bring about a political change that would fulfill the egalitarian promises of the Revolution. Real political venues were unavailable, so fiction became a medium for authors to appeal to audiences for change. — Todd M. Brenneman

The man who is contented to be only himself, and therefore less a self, is in prison. My own eyes are not enough for me, I will see through those of others. Reality, even seen through the eyes of many, is not enough. I will see what others have invented. Even the eyes of all humanity are not enough. I regret that the brutes connot write books. Very gladly would I learn what face things present to a mouse or a bee; more gladly still would I perceive the olfactory world charged with all the information and emotion it carries for a dog. Literary experience heals the wound, without undermining the privilege, of individuality ... in reading great literature I become a thousand men and yet remain myself. Like the night sky in the Greek poem, I see with a myriad of eyes, but it is still I who see. Here, as in worship, in love, in moral action, and in knowing, I transcend myself; and am never more myself than when I do. — C.S. Lewis

There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be. — Alain De Botton

The Roman genius, and perhaps the Roman flaw was an obsession with order. One sees it in their architecture, their literature, their laws - this fierce denial of darkness, unreason, chaos. Easy to see why the Romans, usually so tolerant of foreign religions, persecuted the Christians mercilessly - how absurd to think a common criminal had risen from the dead, how appalling that his followers celebrated him by drinking his blood. The illogic of it frightened them and they did everything they could to crush it. In fact, I think the reason they took such drastic steps was because they were not only frightened but also terribly attracted to it. Pragmatists are often strangely superstitious. For all their logic, who lived in more abject terror of the supernatural than the Romans? The Greeks were different. They had a passion for order and symmetry, much like the Romans, but they knew how foolish it was to deny the unseen world, the old gods. Emotion, darkness, barbarism. — Donna Tartt

...human beings are able to attend to issues longer, to think harder about them, to receive deeper impressions that last longer, if information is presented in a context of emotion--a sort of hot dressing--than if it is presented wholly without affect. — Mette Hjort

I am no longer a writer. Just an emotion. An emotion that is unable to stay within its own body, and is therefore, trying to make its way into yours. — Zaeema J. Hussain

There's an immense dramatic possibility in describing that universe. The books, for me, were an enormous relief in that sense of how they were written to allow primary emotion, elemental emotion, to matter enormously but to give the thing an extraordinary flow so you don't notice at what point that you're actually overwhelmed by this. There's no showiness, at all. It's the opposite of showiness. I think, if it was a painting, it could be very grey abstract, almost, with some lines and very, very beautiful. But you wouldn't have a notion of where the beauty was.
(Talking about the short stories of Alistair MacLeod, who he discovered while working on The Modern Library.) — Colm Toibin

I know of no trunk full of old heirlooms, no felt hats or army uniforms. There are no tarnished medals or gold watches. I've stopped dreaming of discovering the old shoe box filled with the history of our family, the documents and letters that recorded our family's arrival and the historical milestones as my grandfathers left their mark on a place. There is no journal or diary. I do not know if they knew how to read or write. I could easily dismiss their existence. Their lives seem empty and still, void of emotion. I cannot tell if they wear scars. I only know of my grandfathers as broken old men. — David Mas Masumoto