Quotes & Sayings About Elizabeth's Pride In Pride And Prejudice

My dear, dear aunt,' she rapturously cried, what delight! what felicity! You give me fresh life and vigour. Adieu to disappointment and spleen. What are men to rocks and mountains? Oh! what hours of transport we shall spend! And when we do return, it shall not be like other travellers, without being able to give one accurate idea of any thing. We will know where we have gone
we will recollect what we have seen. Lakes, mountains, and rivers shall not be jumbled together in our imaginations; nor, when we attempt to describe any particular scene, will we begin quarrelling about its relative situation. Let our first effusions be less insupportable than those of the generality of travellers. — Jane Austen

Discussing the character of Elizabeth Bennet in Pride and Prejudice is a matter of content (of 'what?'), whereas examining Jane Austen's techniques of characterisation is a question of form (or 'how?'). Some may find these fine distinctions scholastic, but then some find any fine distinctions scholastic. — Terry Eagleton

Elizabeth laughed and pushed her father's shoulder. "Go, Papa, and be kind to him. I love him so. And it would be to your advantage to be on his good side."
Mr. Bennet raised his eyebrows. "Oh, and why is that?"
Because I have seen both his libraries in London and at Pemberley, Papa."
Interested and amused, Mr. Bennet said, "Ahh, and are they very grand, Lizzy?"
A more exquisite sight you will not see," she assured him. — KaraLynne Mackrory

I have a respect for family pride. If it be a prejudice, it is a prejudice in its most picturesque shape. But I hold it is connected with some of the noblest feelings in our nature. — Letitia Elizabeth Landon

Let's make a game of it, shall we?" she said. "Whoever kills the most, wins."
"I will kill twenty!" Lydia declared.
"I will kill thirty!" Kitty countered.
Mary paused for a moment of sober calculation.
"I will kill thirty-two." she said.
"I will kill as long as I must," said Jane.
"And I will kill as long as I can," said Elizabeth — Steve Hockensmith

I love you, Fitzwilliam Darcy--with all my heart."
"And I love you, my dearest Elizabeth. Forever and ever. — Regina Jeffers

Had Elizabeth Bennet known how wildly Darcy's heart beat for her, 'Pride and Prejudice' would barely have made it into a short story. Their torturously slow-burning romance is a classic example of how men and women still struggle to communicate the most basic of emotions. — Mariella Frostrup

Jane Austen's Pride and Prejudice should create in the discerning male reader a deeply rooted concupiscence for Elizabeth Bennet that springs not from her vivacity or from her wit but from her unerring instinct to follow the deeply moral directives of her own character even against the influences and arguments of society, of convention, of seeming necessity, and of her friends and family. Properly read, Austen should be a form of pornography for the morally and spiritually discriminating man. — Gerald Weaver

Elizabeth Bennet: I'm very fond of walking. Mr. Darcy: Yes... yes I know. (from Pride & Prejudice, the movie) — Jane Austen

Elizabeth had never been more at a loss to make her feelings appear what they were not. It was necessary to laugh, when she would rather have cried. — Jane Austen

In their own brief conversations, he had the distinct impression that she was toying with him, verbally challenging him to a duel that she was certain to win, for she established the rules and kept them a secret from him. As perplexing as this was, he found her game engaging, and he inexplicably wanted more of it. — Diana J. Oaks

I am determined that nothing but the deepest love could ever induce me into matrimony. [Elizabeth] — Jane Austen

My object then," replied Darcy, "was to show you, by every civility in my power, that I was not so mean as to resent the past; and I hoped to obtain your forgiveness, to lessen your ill opinion, by letting you see that your reproofs had been attended to. How soon any other wishes introduced themselves I can hardly tell, but I believe in about half an hour after I had seen you. — Jane Austen

They parted at last with mutual civility, and possibly a mutual desire of never meeting again. — Jane Austen

The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes. — Andrew Davies

As for Elizabeth Bennet, our chief reason for accepting her point of view as a reflection of her author's is the impression that she bears of sympathy between them
an impression of which almost every reader would be sensible, even if it had not the explicit confirmation of Jane Austen's letters. Yet, as she is presented to us in Pride and Prejudice, she is but a partial and sometimes perverse observer. — Mary Lascelles

What on earth did you say to Isola? She stopped in on her way to pick up Pride and Prejudice and to berate me for never telling her about Elizabeth Bennet and Mr. Darcy. Why hadn't she known there were better love stories around? Stories not riddled with ill-adjusted men, anguish, death and graveyards! — Mary Ann Shaffer

There is seldom a physical description of a character or scene in Pride and Prejudice and yet we feel that we have seen each of these characters and their intimate worlds; we feel we know them, and sense their surroundings. We can see Elizabeth's reaction to Darcy's denunciation of her beauty, Mrs. Bennet chattering at the dinner table or Elizabeth and Darcy walking in and out of the shadows of the Pemberley estate. The amazing thing is that all of this is created mainly through tone - different tones of voice, words that become haughty and naughty, soft, harsh, coaxing, insinuating, insensible, vain.
The sense of touch that is missing from Austen's novels is replaced by a tension, an erotic texture of sounds and silences. She manages to create a feeling of longing by setting characters who want each other at odds. — Azar Nafisi

Darcy: 'I certainly have not the talent which some people possess, of conversing easily with those I have never seen before. I cannot catch their tone of conversation, or appear interested in their concerns, as I often see done.'
Elizabeth:'My fingers do not move over this instrument in the masterly manner which I see so many women's do. They have not the same force or rapidity, and do not produce the same expression. But then I have always supposed it to be my own fault
because I would not take the trouble of practicing. It is not that I do not believe my fingers as capable as any other woman's of superior execution. — Jane Austen

His reason for coming strengthened his resolve, and without further delay, his words spilled out. "Mr. Bennet, I request a private audience with Miss Bennet."
The room was thick with silence. Elizabeth blinked several times, trying to convince herself she had heard him correctly. The heaviness that had settled over her heart lifted, and her mouth turned up into a small smile. Before her father could respond to Mr. Darcy's request, they heard her mother blurt, "Good Lord! It is about time! — KaraLynne Mackrory

The insistence in Darcy's voice is a symptom of his passion for Elizabeth; it emerges even in their most mundane interactions. We can trace the development of Darcy's feelings for Elizabeth in the tone of his voice. This reaches its climax in the scene in which he proposes to her. His negative persistence, beginning his speech with 'In vain have I struggled. It will not do,' becomes almost violent, in part because the novel itself is so restrained and Darcy is the most restrained of all the characters.
Now, please listen carefully to that 'you.' Darcy seldom if ever addresses Elizabeth by her name, but he has a special way of saying 'you' when he addresses her a few times that makes the impersonal pronoun a term of ultimate intimacy. One should appreciate such nuances in a culture such as ours, where everyone is encouraged to demonstrate in the most exaggerated manner his love for the Imam and yet forbidden from any public articulation of private feelings, especially love. — Azar Nafisi

What is your favorite book?" "Pride and Prejudice, by Jane Austen," I said. Her expression was of a pleasant surprise. She asked me why. "Elizabeth Bennett is a resilient woman. She is unapologetic about who she is, and is a strong character who does not care what others think of her. My mother is that way too. — Gramash Paul

I should have known you were no better than the rest of them. You are only a man, you do not have the ability to control yourself, but she," Lady Catherine nodded sagely, "she knew exactly what she was doing. Fluffing her feathers and shaking her tail for you! It was disgraceful! — Elizabeth Adams

You may ask questions which I shall not choose to answer. — Jane Austen

What was she to think? Oh, teasing, teasing man! It would be so much easier if he could simply tell her what he meant by all his confusing actions. And so she had another shock: Jane Bennet was irritated with Mr. Bingley. — Elizabeth Adams

She was convinced that she could have been happy with him, when it was no longer likely they should meet. — Jane Austen

For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom. — Rebecca Solnit

When a gentleman spends quite some time telling me in detail about his father's courtship of his mother, I have to assume there is some moral for me in the tale. Since in this case that courtship consisted primarily of his father insisting repeatedly they were to marry and his mother refusing him almost as often, I take the moral to be that there is very little point in refusing, since it would only lead to the question being repeated until I agreed to it out of sheer exhaustion. — Abigail Reynolds

I do hope we shall meet again. Perhaps we could have a reading club of some sorts. I 've read that one." She leaned in. "Have you reached the part where Mr. Darcy proposes?"
Asriel narrowed his gaze on Cross. "She did that on purpose."
Pippa shook her head. "Oh, I did not ruin it. Elizabeth refuses." She paused. "I suppose I did ruin that. Apologies. — Sarah MacLean

He almost said to himself that he did not like her, before their conversation ended; he tried so hard to compensate himself for the mortified feeling, that while he looked upon her with an admiration he could not repress, she looked at him with proud indifference, taking him, he thought, for what, in his irritation, he told himself - was a great fellow, with not a grace or a refinement about him. — Elizabeth Gaskell

So what do you think, Miss Bennet? Will you come to Pemberley?" He Spoke quietly over her shoulder; she hadn't realized he was so close. Feeling a mischievous impulse, likely from her nervousness at his proximity, she said the first thing that came to her mind.
"It is tolerable, I suppose, but not hadsome enough to tempt me."
Mr. Darcy's face went from shocked and angry, to hurt and confused, and finally to understanding as her words sunk in. — Elizabeth Adams

I should mortify a dozen Sir Johns if it might aid my investigation." - Elizabeth Bennet — Debbie Cowens

Marina rolled her eyes. "Besides, I saw the way you were staring at each other during lunch. You tow are so completely Pride and Prejudice."
"You mean he'll scorn me for my family while convincing my sister's soul mate that he doesn't really love her?" I asked hopefully. — Robyn Schneider

As the tide of feminism that crested two decades ago recedes and the old advance-and-retreat games of courtship return, "Pride & Prejudice" speaks wistfully to the moment. Elizabeth Bennet and Fitzwilliam Darcy are tantalizing early prototypes for a Katharine Hepburn-Spencer Tracy ideal of lovers as brainy, passionate sparring partners. That the world teems with fantasies of Mr. Darcy and his ilk there is no doubt. How many of his type are to be found outside the pages of a novel, however, is another matter. — Stephen Holden

And so ended his affection," said Elizabeth impatiently. "There has
been many a one, I fancy, overcome in the same way. I wonder who first
discovered the efficacy of poetry in driving away love!"
"I have been used to consider poetry as the food of love," said Darcy. — Jane Austen

The celestial brightness of Pride and Prejudice is unequalled even in Jane Austen's other work; after a life of much disappointment and grief, in which some people would have seen nothing but tedium and emptiness, she stepped forth as an author, breathing gaiety and youth, robed in dazzling light. — Elizabeth Jenkins