Edna O Brien Quotes & Sayings
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Top Edna O Brien Quotes
But we want young men. Romance. Love and things, I said, despondently. — Edna O'Brien
Irish Catholicism is very much founded on the stone of fear and of punishment. — Edna O'Brien
she wants to give her Rusheen, she wants to go out home just for the day and go back to the same solicitor that she has already been to and make a new will giving her Rusheen. "There's no hurry," Eleanora says. "But you love it, don't you?" "Yes, I love it." "Then it's decided . . . go downstairs to the matron and tell her we're going out for the day. . . " Eleanora looks rapidly and frantically about — Edna O'Brien
Darkness is drawn to light, but light does not know it; light must absorb the darkness and therefore meet its own extinguishment. — Edna O'Brien
I know the mistake I am making. I see the exits in life. — Edna O'Brien
Nothing but rules. Rule the first: no callers at the front door. Rule the second: no callers at the back door. Rule the third: no going out after dark. The six dusters had to be washed each evening and accounted for. — Edna O'Brien
Life was a bitch. Love also was a bitch. — Edna O'Brien
Fiction should be in its way subversive. I don't think books should be neat or gentle or genteel or comforting. I think they should be raw. They should be written as perfectly as possible, but what they do is to stir up, to lance the reader. — Edna O'Brien
After that dark woman you search for someone who will fit into the irregular corners of your heart. — Edna O'Brien
What matters is the imaginative truth. — Edna O'Brien
motherless mothers with their skinless mysteries. — Edna O'Brien
There was I, devouring books and yet allowing a man who had never read a book to walk me home for a bit of harmless fumbling on the front steps. — Edna O'Brien
Money talks, but tell me why all it says is just Goodbye. — Edna O'Brien
Michael, my darling light. Be sure to have Masses said for the repose of his soul and for us. Your loving mother, Bridget — Edna O'Brien
Kindness. The most unkind thing of all. — Edna O'Brien
I have some women friends but I prefer men. Don't trust women. There is a built-in competition between women. — Edna O'Brien
People liking you or not liking you is an accident and is to do with them and not you. That goes for love too, only more so. — Edna O'Brien
I knew I had done something awful. I had killed love, before I even knew the enormity of what love meant. — Edna O'Brien
Death in its way comes just as much of a surprise as birth. — Edna O'Brien
It was the first time that I came face to face with madness and feared it and was fascinated by it. — Edna O'Brien
My mother is dead, my mother is dead," she kept saying it in her numbed state, because it had not sunk in. It is outside of her, it is a figment, both because it is so sudden and because she cannot pinpoint the exact moment, it being such and such a time in one land and a different time on the clock of the other. It had happened in lost time. The three previous days are jumbled, — Edna O'Brien
On the island of tears, we were subjected to every kind of humiliation, — Edna O'Brien
We don't know others. They are an enigma. We can't know them, especially those we are most intimate with, because habit blurs us and hope blinds us to the truth. — Edna O'Brien
The other me, who did not mean to drown herself, went under the sea and remained there for a long time. Eventually she surfaced near Japan and people gave her gifts but she had been so long under the sea she did not recognize what they were. She is a sly one. Mostly at night we commune. Night. Harbinger of dream and nightmare and bearer of omens which defy the music of words. In the morning the fear of her going is very real and very alarming. It can make one tremble. Not that she cares. She is the muse. I am the messenger. — Edna O'Brien
THE TWO OTHER GIRLS in the room, Mabel and Deirdre, said I imagined it. But they were wrong. My brother appeared to me there. A beam of light from the streetlamp lay in a crooked zigzag along the floor, toward the bed, and my brother stepped onto it, his face pensive but not crying, dressed as he might be for a wedding, his good suit, his collar and tie, and not a mark on him, no bloodstain, — Edna O'Brien
I would not leave a mother alone in her plight. They described how she had kept the news of my brother's death from our ailing father and on the evening that he was brought home, chapel bells rang out and kept ringing in honor of him, his valor, and my father kept asking if it was a bishop or something that was visiting the parish, not knowing that it was his own son. — Edna O'Brien
If the Holy Communion touched my teeth, I thought that was a mortal sin — Edna O'Brien
Ordinary life bypassed me, but I also bypassed it. It couldn't have been any other way.Conventional life and conventional people are not for me. — Edna O'Brien
Gabriel, the man she might have tied the knot with except that it was not meant to be. Putting memories to sleep, like putting an animal down. — Edna O'Brien
Only fools think that men and women love differently. Fools and pedagogues. I tell you, the love of men for women is just as heartbreaking, just as muddled, just as bewildering, and in the end, just as unfinished. — Edna O'Brien
It was all terrible and tiring and meaningless. — Edna O'Brien
Countries are either mothers or fathers, and engender the emotional bristle secretly reserved for either sire. — Edna O'Brien
Writers really live in the mind and in hotels of the soul. — Edna O'Brien
There was always a real reason for everything - why spoons tarnished, and jam furred, and people declined into God, or drink, or card games. — Edna O'Brien
Irish? In truth I would not want to be anything else. It is a state of mind as well as an actual country. It is being at odds withother nationalities, having quite different philosophy about pleasure, about punishment, about life, and about death. At least it does not leave one pusillanimous. — Edna O'Brien
You have to be lonely to be a writer — Edna O'Brien
We all leave one another. We die, we change - it's mostly change - we outgrow our best friends; but even if I do leave you, I will have passed on to you something of myself; you will be a different person because of knowing me; it's inescapable ... — Edna O'Brien
My hand does the work and I don't have to think; in fact, were I to think, it would stop the flow. It's like a dam in the brain that bursts. — Edna O'Brien
We hide the truer part of ourselves when we love. — Edna O'Brien
I crossed the room, and what you did was to feel my hair over and over again and in different ways, touch it, with the palm of your hand ... felt it, strands of hair, with your fingers, touched it as if it were cloth, the way a child touches its favorite surfaces. — Edna O'Brien
We have so many voices in us, how do we know which ones to obey? — Edna O'Brien
She said the reason that love is so painful is that it always amounts to two people wanting more than two people can give. — Edna O'Brien
Opposite to where she sat the water was a boggy brown, but not too far along it was a dark violet colour, always changing, the way the sweep of the current changed, but as she saw it, her own life did not change at all - the same routine, the same longing and the same loneliness. — Edna O'Brien
The night before I left home, there was the wake in our kitchen as was the custom for anyone going so far away. The kitchen was full of people, two men left their flash lamps lit — Edna O'Brien
When anyone asks me about the Irish character, I say look at the trees. Maimed, stark and misshapen, but ferociously tenacious. — Edna O'Brien
What makes us so afraid is the thing we half see, or half hear, as in a wood at dusk, when a tree stump becomes an animal and a sound becomes a siren. And most of that fear is the fear of not knowing, of not actually seeing correctly. — Edna O'Brien
I always want to be in love, always. It's like being a tuning fork. — Edna O'Brien
A mother with an infant but without a father was not welcomed in the new world. "You kilt it." "She kilt it." "I had no milk for it," she answered back. — Edna O'Brien
Is that Rococo, Pascal?" Chrissie said as she stood by the missus's desk, peering into the nests of pigeonholes and cubbies. "Oh, don't touch there or you'll be shot," Pascal said, because it was where the missus kept her souvenirs, love letters from men before him, locks of hair, dried shamrock, and the words of songs that she rehearsed for her parties. Her family was musical, — Edna O'Brien
Flaubert claimed that we each have a royal room in our hearts into which only very few are admitted. — Edna O'Brien
I'm a tuning fork, tense and twanging all the time ... — Edna O'Brien
There are times when the thing we are seeing changes before our very eyes, and if it is a landscape we praise nature, and if it is celestial we invoke God, but if it is a loved one who defects, we excuse ourselves and say we have to be somewhere and are already late for our next appointment. We do not stay to put pennies over the half-dead eyes. — Edna O'Brien
Shadows of love, inebriations of love, foretastes of love, trickles of love, but never yet the one true love. — Edna O'Brien
All my life I had feared imprisonment, the nun's cell, the hospital bed, the places where one faced the self without distraction, without the crutches of other people. — Edna O'Brien
So many that had died on the scaffold and many more to die including, though she did not know it then, her own son. — Edna O'Brien
Although one might seem relatively gregarious, the real self is at the desk," she said. "It is a trial for relationships, for friendships. Every writer dreads losing the connection to the work, the momentum, and to keep it, you can't truly be sociable. — Edna O'Brien
You would not believe how many words there are for 'home' and what savage music there can be wrung from it. — Edna O'Brien
After we had drunk the sherry I bought cider for us, and we were a little tipsy as we swayed on the high stools and looked out at the rain as it fell on the fields that shot past the train. But being tipsy we did not see very much and the rain did not touch us. — Edna O'Brien
That circular loop was fatal. Patsy giving them their Latin name, herpes zoster, describing how the pain attacked the line of the nerves, something Dilly knew beyond the Latin words when she had wept night after night, as they oozed and bled, when nothing, no tablet, no prayer, no interceding, could do anything for her, a punishment so acute that she often felt one half of her body was in mutiny against — Edna O'Brien
The words ran away with me. — Edna O'Brien
divide things equally between both children? If anything should happen to her she is appealing to him to honor this final wish. It is the first letter she has written to her husband in over fifty years, an admission that makes her choke back a tear. Fifty years. The golden jubilee that neither remembered. Fields let for grazing. No more the proud neighing thoroughbreds in the fields, the thoroughbreds on which his hopes centered — Edna O'Brien
It was no longer her sleeping room, it was our sleeping room now. We made friends the night it thundered, big claps of it and forked lightning flared then sizzled inside the room, she cowering under my bed, terrified that Eric Eric, the man with the clapper who broke up the big ships in the harbor in Malmo, was coming for her. — Edna O'Brien
Life, after all, was a secret with the self. The more one gave out, the less there remained for the center
that center which she coveted for herself and recognized instantly in others. Fruits had it, the very heart of, say, a cherry, where the true worth and flavor lay. Some of course were flawed or hollow in there. Many, in fact. — Edna O'Brien
Oh, love, what an unreasoning creature it grew to be. — Edna O'Brien
In the bodily garden the apple lurks. — Edna O'Brien
a mammy's boy who never married and who keeps a shotgun in case of trespassers, but loves his trees, loves his woodland, and honors a covenant set down by his great-uncle, which was that no tree should ever be wantonly cut down. — Edna O'Brien
When you fall in love, it is spring no matter when. Leaves falling make no difference, they are from another season ... — Edna O'Brien
You might have written. Every bit of your daily life interests me. I wrote this day fortnight but it was returned. Tampered with. — Edna O'Brien
I'm an Irish Catholic and I have a long iceberg of guilt. — Edna O'Brien
Wherever there were horses or ponies the mushrooms always sprang up. — Edna O'Brien
I hear stories. It could be myself telling them to myself or it could be these murmurs that come out of the earth. The earth so old and haunted, so hungry and replete. It talks. Things past and things yet to be. — Edna O'Brien
Cities, in many ways, are the best repositories for a love affair. You are in a forest or a cornfield, you are walking by the seashore, footprint after footprint of trodden sand, and somehow the kiss or the spoken covenant gets lost in the vastness and indifference of nature. In a city there are places to remind us of what has been. — Edna O'Brien
I have always espoused chastity except when one can no longer resist the temptation. — Edna O'Brien
holidays took the poisons out of everyday life. — Edna O'Brien
Horses are the ruination of everyone, your father has a craze for them but then we all do crazy things. — Edna O'Brien
Love ... is like nature, but in reverse; first it fruits, then it flowers, then it seems to wither, then it goes deep, deep down into its burrow, where no one sees it, where it is lost from sight, and ultimately people die with that secret buried inside their souls. — Edna O'Brien
In a way winter is the real spring, the time when the inner things happen, the resurge of nature. — Edna O'Brien
She was an auxiliary nurse but training to be a true nurse because that was her calling, to serve mankind. She was a Martha. There were Marys and Marthas, but Marys got all the limelight because of being Christ's handmaiden, but Marthas were far more sincere. — Edna O'Brien
But any book that is any good must be, to some extent, autobiographical, because one cannot and should not fabricate emotions; and although style and narrative are crucial, the bulwark, emotion, is what finally matters. With luck, talent, and studiousness, one manages to make a little pearl, or egg, or something ... — Edna O'Brien
To live with the work and the letters of James Joyce was an enormous privilege and a daunting education. Yes, I came to admire Joyce even more because he never ceased working, those words and the transubstantiation of words obsessed him. He was a broken man at the end of his life, unaware that Ulysses would be the number one book of the twentieth century and, for that matter, the twenty-first. — Edna O'Brien
FOR THREE NIGHTS in a row, Dilly has dreamed of Gabriel, a look of yearning on his face, the clothes hanging off him, making no attempt to come to her and yet making his presence felt, standing on an empty road, like he was waiting. Three nights in a row. "It must mean that he's trying to reach you," Sister says. "It doesn't," Dilly answers — Edna O'Brien
suddenly the window flew open, swung back and forth on its hinges, as if something was about to come in, and she waited in dread for what that something might be. — Edna O'Brien
Everything hinged on money, — Edna O'Brien
The difference in their age had begun to matter, she had just turned forty and Jack was in his sixties, no longer the 'Brooding Heathcliff' that used to sign birthday cards to her. He wanted less and less to meet people, keeping her to himself, shutting the world out, drawing the heavy velvet curtains too early on a bright evening. If she announced that they might invite a few friends, he worried, began to wonder what time these friends might arrive and more importantly, what time they would leave. — Edna O'Brien
We were a bookish family. we loved our books, but before long they were lined up next to the stove and my mother and my uncle fought over which should go first and which should be saved to the very last. The Iliad was a beautiful first edition, the pride of our library, but it too went: Agamemnon, king of men, Nestor, flower of Achaean chivalry, the Black Ships, Patroclus' corpse, Helen's bracelets, Cassandra's shrieks, all met the flames, for he sake of two or three suppers. My uncle was loath to let Mark Twain go...Huckleberry Finn and his river did not deserve such an ignominious end. — Edna O'Brien
I had not the heart to tell her that great love stories told of the pain and separateness between men and women. — Edna O'Brien
I am obsessive, also I am industrious. Besides, the time when you are most alive and most aware is in childhood and one is trying to recapture that heightened awareness. — Edna O'Brien
A stony road, hard on the feet. I would beg for us to sit down but you discouraged it, knowing that sitting was fatal, because of the willpower required to get up again. — Edna O'Brien
Dilly, do not ever forget your own people." My brother came with me to wait for the mail car. He took off his brown scapulars and gave them to me, it being his way of saying goodbye. "In your letters, better not mention politics," he said. He had a secret life from us, he was a Croppy Boy, so many young men were, but dared not speak of it for fear of informers. — Edna O'Brien
August is a wicked month. — Edna O'Brien
You're a right-looking eejit — Edna O'Brien
Writing is the product of a deeply disturbed psyche, and by no means therapeutic. — Edna O'Brien
What we forgot as children is that our parents are children, also. The child in them has not been satisfied or met or loved, often. — Edna O'Brien
Her little treasures. Each item reminding her of someone or of something. — Edna O'Brien
Books everywhere. On the shelves and on the small space above the rows of books and all along the floor and under chairs, books that I have read, books that I have not read. — Edna O'Brien
The vote means nothing to women. We should be armed. — Edna O'Brien
It is increasingly clear that the fate of the universe will come to depend more and more on individuals as the bungling of bureaucracy permeates every corner of our existence. — Edna O'Brien
Writers, however mature and wise and eminent, are children at heart. — Edna O'Brien
I wish you'd come for six months. I seem to have got a big burst of energy writing this whereas sometimes I haven't enough strength to hold pen or pencil. You will find that one day as you get older. I worry about you and your traveling to the different places. Nowhere is safe now. My undying love to you. — Edna O'Brien
She was happy I was home, I would come often, I would be company, — Edna O'Brien