Editor For Quotes & Sayings

When an editor works with an author, she cannot help seeing into the medicine cabinet of his soul. All the terrible emotions, the desire for vindications, the paranoia, and the projection are bottled in there, along with all the excesses of envy, desire for revenge, all the hypochondriacal responses, rituals, defenses, and the twin obsessions with sex and money. It other words, the stuff of great books. — Betsy Lerner

Years ago, when I was about to go on a book tour for Someplace to Be Flying, my editor at the time Terri Windling and I sat down to figure out what to call what I was writing for the interviews that were to come. Terri came up with the term mythic fiction and I think that sums it up perfectly. There are almost invariably mythic elements in my fiction (as well as bits of folk and faerie lore) and the term doesn't lock me into writing only in an urban setting since many of my stories take place in rural areas. It never caught on, but when I don't describe what I do as simply fiction, I'll go with mythic fiction. — Charles De Lint

Arthur followed Ford's finger, and saw where it was pointing. For a moment it still didn't register, then his mind nearly blew up. "What? Harmless? Is that all it's got to say? Harmless! One word!" Ford shrugged. "Well, there are a hundred billion stars in the Galaxy, and only a limited amount of space in the book's microprocessors," he said, "and no one knew much about the Earth, of course." "Well, for God's sake, I hope you managed to rectify that a bit." "Oh yes, well, I managed to transmit a new entry off to the editor. He had to trim it a bit, but it's still an improvement." "And what does it say now?" asked Arthur. "Mostly harmless, — Douglas Adams

The two keys to success as a sportswriter are: 1) A blind willingness to believe anything you're told by the coaches, flacks, hustlers and other "official spokesmen" for the team-owners who provide the free booze ... and: 2) A Roget's Thesaurus, in order to avoid using the same verbs and adjectives twice in the same paragraph.
Even a sports editor, for instance, might notice something wrong with a lead that said: "The precision-jack-hammer attack of the Miami Dolphins stomped the balls off the Washington Redskins today by stomping and hammering with one precise jack-thrust after another up the middle, mixed with pinpoint-precision passes into the flat and numerous hammer-jack stomps around both ends ... — Hunter S. Thompson

I began using pseudonyms early in my career, when I was being paid a quarter a cent a word for my work, and when I had to write a lot to earn a living. Sometimes I had three or four stories in a single magazine without the editor knowing they were all by me. — Evan Hunter

Passion for books is the most important thing in being an editor/translator. Work with love. — Listiana Srisanti

I was incredibly determined - I wrote short stories, I wrote the beginnings of novels. I wrote a little children's book and sent it to the editor-in-chief of the children's division of Simon and Schuster and she asked me to write a little children's book for a series she was doing. — Candace Bushnell

We have to defend views we don't share and impose them on the public; deal with questions we don't understand and vulgarize them for the gallery. We can't have ideas of our own, we have to have those of the editor; and even the editor doesn't have the right to think with his own head, because when he's sent for by the board of directors he has to stifle his own views, if he has any, and support those of the shareholders. — Pitigrilli

Jesus said his disciples would be known for their love, not for their placards of protest and angry letters to the editor. — Brian Zahnd

Every reporter who came up in legacy media can tell you about a come-to-Jesus moment when an editor put them up against a wall and tattooed a message deep into their skull: show respect for the fundamentals of the craft, or you would not soon be part of it. — Mary Karr

I've been leading newsrooms for a while now and it's been an honor serving as Editor in Chief of N.J., but I really think that my best shot at moving the needle in politics is by getting close to it - by reading, reporting, tweeting and writing. — Ron Fournier

Back in the "leather and lace" eighties, I was the fantasy editor for a publishing company in New York City. It was a great time to be young and footloose on the streets of Manhattan - punk rock and folk music were everywhere; Blondie, the Eurythmics, Cyndi Lauper, and Prince were all strutting their stuff on the newly created MTV; and the eighties' sense of style meant I could wear my scruffy black leather into the office without turning too many heads. The fantasy field was growing by leaps and bounds, and I was right in the middle of it, working with authors I'd worshiped as a teen, and finding new ones to encourage and publish. — Terri Windling

I think being an editor really helped me take other people's notes on my writing. I'd get a note like 'It's too wet' or 'The first couple chapters are good, but then the rest of the pages were so wet that they were completely illegible' or 'Did you dip this in Sprite? This smells like Sprite. Why would you dip your novel in Sprite?' And instead of pushing back, I'd listen. That's an incredibly important skill for a young writer to have. — Toni Morrison

I got married three days after graduation, and the first thing I did what I was expected to do which was to work on a small newspaper. So we were in Chicago where my husband worked for the Chicago Sun-Times and we were having dinner with his editor and he said 'So what are you 'gonna do honey?' and I said 'I'm going to work on a newspaper', and he said 'I don't think so, because Newspaper Guild regulations said that I couldn't work on the same newspaper as my husband. — Madeleine Albright

When I reach for my pen, nothing is out of reach. — Rob Bignell, Editor

I know that what had happened with my father - his insults, his criticism, the way he made me feel that I was defective and deformed - had hurt me. I'd encountered enough of those self-help articles in women's magazines to know that you don't go through that kind of cruelty unscathed. With every man I met, I'd watch myself carefully.
Did I really like that editor, I'd wonder, or am I just searching for Daddy? Do I love this guy, I'd ask myself, or do I just think he'd never leave me, the way my father did? — Jennifer Weiner

Data matters. It's the very essence of what we care about. Personal data is not equivalent to a real person - it's much better. It takes no space, costs almost nothing to maintain, lasts forever, and is far easier to replicate and transport. Data is worth more than its weight in gold - certainly so, since data weighs nothing; it has no mass. Data about a person is not as valuable as the person, but since the data is so much cheaper to manage, it's a far better investment. Alexis Madrigal, senior editor at The Atlantic, points out that a user's data can be purchased for about half a cent, but the average user's value to the Internet advertising ecosystem is estimated at $1,200 per year. Data's value - its power, its meaning - is the very thing that also makes it sensitive. The more data, the more power. The more powerful the data, the more sensitive. So the tension we're feeling is unavoidable. — Eric Siegel

I grew up around fashion - my mom was an editor for Vogue. Compared to the music industry, though, I'd say [fashion] is a little bit more disorganized. But it's exciting for me because, when you're a performer, there is a fashion element. — Zachary Cole Smith

When the author is not traveling, he works at an L-shaped desk, which affords a view north through a large sunny window. He writes everything on an electric typewriter because "it has to be a book from the first day," he explains. He has no daily routine because of all the traveling he does, but follows a very disciplined writing process. He writes each page six times, then places it in a three-ring binder with a DePauw University cover ("a talisman," he calls this memento from his alma mater). When he feels that he has gotten a page just right, he takes out another 20 words. "After a year, I've come to the end. Then I'll take this first chapter, and without rereading it, I'll throw it away and write the chapter that goes at the beginning. Because the first chapter is the last chapter in disguise." He always hands in a completed manuscript, and his editor is his first reader. — Jennifer M. Brown

An early editor characterized my books as 'romantic comedy for intelligent adults.' I think people see them as funny but kind. I don't set out to write either funny or kind, but it's a voice they like, quirky like me ... And you know, people like happy endings. — Elinor Lipman

In terms of age, I think I've covered about as wide a range as is possible, having written everything from picture books to early chapter books to middle grade novels to YA to one adult novel - and having been editor and lead writer for a magazine for retired people! — Bruce Coville

I would love to direct a western. I love taking photographs and I'm always fascinated with angles. Also, my father was a film editor, and I have a talent for thinking of things that aren't always in a script. — Johnny Crawford

In film, you're so much in the hands and at the mercy of the editor, so sometimes it's good to watch it just to see how it turns out - it can be so different than how you imagined it. But sometimes it's better to just let it go for your own sense of self worth. — Finn Wittrock

Religion embarrasses the commentators. It is offbounds. An editor of the old Life magazine once assigned me a book on religion with remark that I was the only 'religious nut' - his term for a believer - in his stable of regular reviewers. — Garry Wills

Cheers,' she said as I left, 'and don't forget you're seeing Matt and I on Monday.'
I thought for a moment she'd said 'matineye', an East End pronunciation of 'matinee'. Was I meant to review it?
Then I remembered Matt was the production editor.
'Me won't forget,' me muttered as me went downstairs. — Sebastian Faulks

I was able to come up with a couple articles for the magazine, I was able to solicit help from a bunch of my friends to contribute pieces: Patton Oswalt, Seth Green, Emo Phillips, Chris Hardwick, John Hodgman, and more. It's very much a "Weird Al" themed issue, so I'd like to think that there's a lot of "Weird Al" flavor throughout but I think it'd be generous really to call me an editor. — Al Yankovic

I was a writer for 'New York' magazine. I had been to business school, but what did I know? Still, everybody from the receptionists on up to the editor would ask me what they should do with their money. — Andrew Tobias

I still feel needles in my back when I think about all the horrible disasters that would have befallen me if I had permanently moved to San Francisco and rented a big house, joined the company dole, become national-affairs editor for some upstart magazine-that was the plan around 1967. But that would have meant going to work on a regular basis, like nine to five, with an office-I had to pull out. — Hunter S. Thompson

I never had a plan, except to write. I love what I do, and have from the beginning. Loving what you do makes it a lot easier to work, every day, to face the tough spots and heel in for the long haul. Nothing against plans; they work for some people. But for me, if I'd been planning, worrying about numbers, trying to micro-manage my career, I wouldn't have focused on the writing. If you don't write, you're not read. If you're not read, you don't sell. So that's my Master Plan, I guess. Write the books, let the agent agent, the editor edit, the publisher publish. — Nora Roberts

The writer who can't do his job looks to his editor to do it for him, though he won't dream of sharing his royalties with that editor. — Alfred A. Knopf

I was the executive editor on a little magazine called Greek Accent, whose only claim to fame is that its art director went on to be the art director of Discover for many years. — Jane Haddam

Sometimes I write less than I'd like but do research. Other times, editor's notes or a copy-edited manuscript or page proofs for a forthcoming novel mean that I need to put my attentions elsewhere for a day or two, but I always come back to writing. — Jane Lindskold

The times do not call for grassroots political activism, as if the next election might be enough to reverse a massive cultural earthquake. They do not call for working just a little bit harder: a few more speeches, another letter to the editor, another fundraiser, the next vote, the next committee meeting. These noble efforts aren't even rearranging the deck chairs on the Titanic; they are tending the seaweed on its watery grave.
The times call for a new generation of book hunters. Like the book hunters of the Middle Ages, the new book hunters take it as their mission to uncover and salvage the best of what came before: to cherish it; hold it up for praise and emulation; study it; above all, to love it and pass it on. — Paul D. Miller

He started to do that, started to inform me of everything; the inconsequential, the meaningful; conversations that ended in a cul-de-sac of unanswerable rhetoric. i think it was because I knew everything about him, had read it all - the beautiful, the sordid, the all of his book. I had been his editor for 5 years, and now it seemed, had become his editor away from the printed page. — Sarah Winman

While writing my first 90 books, I was magazine editor, publisher, book publisher, executive, etc., so I was established in publishing. three of my seven or so books were biographies of sports stars and really opened doors for me in that area. — Jerry B. Jenkins

When the late Lord Northcliffe found a newspaper using a picture of him which he didn't want published, he wrote the editor a letter. But did he say, 'Please do not publish that picture of me any more; I don't like it'? No, he appealed to a nobler motive. He appealed to the respect and love that all of us have for motherhood. He wrote, 'Please do not publish that picture of me any more. My mother doesn't like it. — Dale Carnegie

Irwin Silber, the editor of the folk magazine Sing Out! was there, too. In a few years' time he would castigate me publicly in his magazine for turning my back on the folk community. It was an angry letter. I liked Irwin, but I couldn't relate to it. Miles Davis would be accused of something similar when he made the album Bitches Brew, a piece of music that didn't follow the rules of modern jazz, which had been on the verge of breaking into the popular marketplace, until Miles's record came along and killed its chances. Miles was put down by the jazz community. I couldn't imagine Miles being too upset. — Bob Dylan

Well I've made no secret of my life long love of MAD Magazine, it's probably my first and greatest influence in terms of my comic sensibilities. I've known John [Ficarra] for many years, and we've been friends. About four or five months ago, at a dinner in New York, John made the very nice offer of my being guest editor for an issue of MAD and I thought about it for about half a nanosecond and decided that was a pretty good idea. — Al Yankovic

Approaching my second novel was, admittedly, a bit of a struggle. But having an amazing team at Atheneum Books, especially my very patient, brilliant editor Namrata Tripathi, took a stressful situation and turned it into a really great learning experience for me. — John Corey Whaley

A perfect movie is a different thing, but a funny movie is easy. I was really happy that I got everyone that I got. Everybody got to play to their strengths and was paired up in the right scenarios. It was very fortunate. It was exciting, the whole process. It makes more difficulty in editing 'cause there's more footage, but the guy I had handle it was a documentarian editor for a long time, so it was very useful. — Matt Walsh

I couldn't decide on a title for my first novel and my editor came up with Everything Good Will Come. After that, I thought I should name my own books.A Bit of Difference seems just right. — Sefi Atta

The other thing that's happened with writing is that I'm not afraid it will go away. Up until a couple of years ago, I feared that sitting down with paper and pencil revealed too much desire and that for such ambition I would be punished. My vocabulary would contract anorexia, ideas would be born autistic, even titles would not come to flirt with me anymore. I suppose this was tied to that internal judge, the serpent who eats her own tail. She insinuates you're not good enough; you believe her and try less, ratifying her assessment; so you try even less; and on and on. This snake survives on your dying. Finally, now, the elided words of my wisest writing teacher, the poet David Wojahn, make sense. "Be ambitious," he said, "for the work." Not for the in-dwelling editor. That bitch was impossible to please anyway. — Marsha L. Larsen

Pace begins in the screenplay. Cliche or not, we must control rhythm and tempo. It needn't be a symmetrical swelling of activity and shaving of scene lengths, but progressions must be shaped. For if we don't, the film editor will. And if to trim our sloppy work he cuts some of our favorite moments, we have no one to blame but ourselves. We're screenwriters, not refugees from the novel. Cinema is a unique art form. The screenwriter must master the aesthetics of motion pictures and create a screenplay that prepares the way for the artists who follow. — Robert McKee

I'm not sure how writers and artists of other graphic novels join forces, but this is how the process worked for me: First, I produced my final script. Then, Mark Siegel, my editor at First Second, assembled information about 10 or 12 different artists and had me look through their portfolios to see what kind of styles appealed to me. — Sharon Shinn

Hermione end up with Ron. As the author told Emma Watson, guest editor for the upcoming edition of the quarterly British lifestyle magazine "Wonderland, — Anonymous

I always think, if I were an editor, and I was invited to a show, and I would have to wait for 45 minutes in the dark or in the cold or in the heat, maybe I would like to have a fresh drink or a piece of chocolate. — Alber Elbaz

About a week earlier I had finished a book (on the Hell's Angels, scheduled this fall by Random House) and I felt that I needed about a week of total degeneration to cool out my system. To this end I went down to Big Sur and Monterery and filled my body with every variety of booze and drug available to modern man. For six or seven days I ran happily amok - spending money, sitting in baths, and futilely hunting wild boar with a .44 Magnum revolver. At one point I gave my car away to a man who paid $25 for the privilege of pushing it off a 400-foot cliff.
- to Max Scherr editor, Berkley Barb 7/20/1966 — Hunter S. Thompson

Yet, I also began to have the sense, fostered in part by the cross-contamination of research, that around the world enclaves that never knew one another - writers who could not have read each other - still had communicated across decades and across vast distances, had stared up at the same shared unfamiliar constellations in the night sky, heard the same unearthly music: a gorgeous choir of unique yet interlocking imaginations and visions and phantoms. At such times, you wonder as both a writer and an editor if you are creating narrative or merely serving as a conduit for what was already there. — Jeff VanderMeer

I have been blessed to have the same editor and work for a great publishing house. — Vince Flynn

Before MS moved in on me, I'd worked for seven years as a city lawyer, as the editor of a literary magazine, and before the age of 20, I'd also worked as a cadet journalist and as an assistant director in both film and TV. And then, after the lesions of MS, both on my spine and in my brain, I was the opposite of bionic. — M. J. Hyland

I learned early on that it's heartbreaking to - there's the editor that comes in, and then they have to craft the movie together, and sometimes you give a whole performance that's just been cut up, and maybe it's better for it, absolutely, but you still have to deal with the loss of that. — Tavis Smiley

Crabtree's father was a Pentecostalist preacher somewhere out in Hogscrotum County, MO, and his mother was the editor-in-chief of a magazine for knitting-machine enthusiasts. 'She can make you anything,' went a favorite line of his. 'She made me a queer.' He had been lost to the clutch of Satan since early adolescence and hadn't seen them in years. — Michael Chabon

Don't make the editor's decision for her by not submitting. — Victoria Janssen

It's impossible for an editor to know every source for every story. — Rebekah Brooks

There's never any humongous next draft. I know a writer who every time he finished a novel - you would know his name very well - but his editor would come and live with him for a month. And they would go through the manuscript together. — Dean Koontz

Rosenfeld went to work for the Herald Tribune after his graduation from Syracuse University and has always been an editor, never a reporter. He was inclined to worry that too many reporters on the metropolitan staff were incompetent, and thought even the best reporters could be saved from self-destruction only by the skills of an editor. His natural distrust of reporters was particularly acute on the Watergate story, where the risks were very great, and he was in the uncomfortable position of having to trust Bernstein and Woodward more than he had ever trusted any reporters.

-- Carl Bernstein, Bob Woodward — Carl Bernstein

James is scared about his work. Every time he finishes a piece, he's scared he won't get another one. When he gets another assignment (he always does, but it doesn't make any difference), he's scared he won't make the deadline. When he makes the deadline, he's scared his editor (or editors-there are always faceless editors lurking around in dark little offices at magazines), won't like the piece. When they like the piece, he's scared that it won't get published. When it does get published, he's scared that no one will read it or talk about it and all his hard work will have been for nothing. If people do talk about it (and they don't always, in which case he's scared that he's not a great journalist), he's scared that he won't be able to pull it off again. — Candace Bushnell

And my editor, Tom Dupree, for his patience, enthusiasm, and shared good taste for loving Mystery Science Theater 3000. — Dan Simmons

I'm a writer, not an editor, and though the editing rarely cut into my writing time, it did take away from that walking-around-thinking-about-it-when-you're-not-thinking-about-it time that I think is important for writers. When you're half-thinking about what you're working on while driving, cooking ... just letting things sift and settle, come to you. — Ben Fountain

I was the editor of the school newspaper and in drama club and choir, so I was not a popular girl in the traditional sense, but I think I was known for being relatively scathing. — Tina Fey

Forrest Mims is the author of the famous book 'Getting Started in Electronics,' published by RadioShack for many years. I bought the book in the 1980s and had a blast making the projects in it. When I was editor-in-chief of 'MAKE,' I asked Forrest to write a column for the magazine, called 'The Backyard Scientist.' — Mark Frauenfelder

The "Florida bail bond racket" was, according to a former Orlando newspaper editor, the "most lucrative business in the state." The bondsmen worked hand in glove with employers to secure labor in exchange for fines and bond costs. Citrus grove foremen informed bondsmen how many men were needed, and workers were "secured from the stockades." If workers attempted to flee across state lines, they could be recaptured "without the formality of extradition proceedings." They had no choice but to work to pay off their fines at whatever grove or camp they were taken to, and they often worked under the supervision of armed guards, as they might on a chain gang. — Gilbert King

It seems important to me that beginning writers ponder this - that since 1964, I have never had a book, story or poem rejected that was not later published. If you know what you are doing, eventually you will run into an editor who knows what he/she is doing. It may take years, but never give up. Writing is a lonely business not just because you have to sit alone in a room with your machinery for hours and hours every day, month after month, year after year, but because after all the blood, sweat, toil and tears you still have to find somebody who respects what you have written enough to leave it alone and print it. And, believe me, this remains true, whether the book is your first novel or your thirty-first. — Joseph Hansen

[A comic book writers' union] will never happen. Someone will always be willing to write Batman for free ... You sit at a bar with an editor at a show and you see 19 people come up and pitch ideas at them. If everybody writing the top 20 books all quit and demanded, 'Union now, union forever,' those 19 guys would be getting phone calls. There will never be a union. I think things are getting better - I bet things have never been so good - but there will never be a union. — Matt Fraction

I'm trying to work only with established, respected directors. I took a lot of bad scripts and worked for a lot of lazy directors, and it was discouraging to go to the screenings and see that the director had added nothing, the editor had added nothing, there was nothing to see. — Michael Caine

That is an editor. He is trying to think of a word. He props his feet on a chair, which is the editor's way; then he can think better. I do not care much for this one; his ears are not alike; still, editor suggests the sound of Edward, and he will do. I could make him better if I had a model, but I made this one from memory. But is no particular matter; they all look alike, anyway. They are conceited and troublesome, and don't pay enough. — Mark Twain

As a result of its investigation, the NIH said that to qualify for funding, all proposals for research on human subjects had to be approved by review boards - independent bodies made up of professionals and laypeople of diverse races, classes, and backgrounds - to ensure that they met the NIH's ethics requirements, including detailed informed consent. Scientists said medical research was doomed. In a letter to the editor of Science, one of them warned, When we are prevented from attempting seemingly innocuous studies of cancer behavior in humans ... we may mark 1966 as the year in which all medical progress ceased. — Rebecca Skloot

I got that experience through dating dozens of men for six years after college, getting an entry level magazine job at 21, working in the fiction department at Good Housekeeping and then working as a fashion editor there as well as writing many articles for the magazine. — Judith Krantz

And yet I wasn't sure what his weakness was. We all do that as we get to know someone. Like a tabloid editor, we search for both greatness and weakness, jotting down notes in our heads for future exploitation. We are never comfortable with those who have no visible flaw. — Wayne Elise

I didn't approve of murder on general principles. Not even of people who seemed to go around begging for it. — Josh Lanyon

And this is not the happiness of a magazine writer who sends in his gay little philosophy of life to the editor for the one paragraph spread in front of the magazine: This is a serious happiness full of doubts and strengths. I wonder if happiness is possible. It is a state of mind, but I'd hate to be a bore all my life, if only because of those I love around me. Happiness can change into unhappiness just for the sake of change. — Jack Kerouac

I think it's especially important for an editor to say what he's enjoying. For a novelist to be told, midstream, what he's doing right can actually influence the unwritten parts of a novel in a positive way - praise helps a writer know what's good about what he's written, what's interesting and exciting, and what to work for in writing the conclusion. — Donna Tartt

About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction. — Barry B. Longyear

(I must note that the copy editor for this book, upon reading this section, actually allowed me to use singular they throughout the book. Here's to them in awed gratitude!) — John McWhorter

I was a book editor for nine years. I'm familiar with the opposite experience, bracing myself for the likelihood that no one would want to publish my book. — Karen Thompson Walker

After I had written more than a dozen adult genre novels, an editor I knew in New York asked me to write a mystery for young adults. — Rodman Philbrick

My first teacher was Steven Spielberg. I worked on Amazing Stories. That was my first job, as a writer and as a story editor. Watching him and his command of the tools of filmmaking, and his admiration for writing and the story itself, was the greatest lesson I ever had. — Mick Garris

A specific editor in a specific place likes the book, and you're in. A different editor on a different day goes, 'Oh, this isn't for me', or doesn't even look at it, and that's it. — Adrian McKinty

For 10 years, I'd been working as a freelance writer and editor, making money but not a living. It was a good arrangement family-wise, allowing me to stay home with our daughter, but not so great financially or, sometimes, ego-wise. — Will Allison

Why isn't the manuscript ready? Because every book is more work than anyone intended. If authors and editors knew, or acknowledged, how much work was ahead, fewer contracts would be signed. Each book, before the contract, is beautiful to contemplate. By the middle of the writing, the book has become, for the author, a hate object. For the editor, in the middle of editing, it has become a two-ton concrete necklace. However, both author and editor will recover the gleam in their eyes when the work is completed, and see the book as the masterwork it really is. — Samuel S. Vaughan

My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages. — Jeffery Taylor

I'd gotten myself into a kind of journalism that wasn't really compatible with rearing an infant. I'd been a foreign correspondent for a long time and had this subspecialty in covering catastrophes. It had spoiled me a little because you have a tremendous amount of autonomy, and I couldn't really see being an editor in an office. — Geraldine Brooks

Photojournalist? With a few exceptions, those of us working as photojournalists might now more appropriately call ourselves illustrators. For, unlike real reporters, whose job it is to document what's going down, most of us go out in the world expecting to give form to the magazine, or to newspaper editor's ideas, using what's become over the years a pretty standardized visual language. So we search for what is instantly recognizable, supportive of the text, easiest to digest, or most marketable - more mundane realities be damned. — Eugene Richards

The truly great books are flawed: The Brothers Karamazov is unwieldy in structure; a present-day editor would probably want to cut the Grand Inquisitor scene because it isn't necessary to the plot. For me The Brothers Karamazov is one of the greatest novels ever written, and this is perhaps because of, rather than in spite of, its human faults. — Madeleine L'Engle

I am thrilled to become international 'Vogue' editor at Conde Nast International, which has a real commitment to journalistic excellence, and to have the opportunity to write for a wider global audience through the 'Vogue' websites. — Suzy Menkes

Sussman had the ability to seize facts and lock them in his memory, where they remained poised for instants recall. More than any other editor at the Post, or Bernstein and Woodward, Sussman became a walking compendium of Watergate knowledge, a reference source to be summoned when even the library failed. On a deadline, he would pump these facts into a story in a constant infusion, working up a body of significant information to support what otherwise seemed like the weakest of revelations. In Sussman's mind, everything fitted. Watergate was a puzzle and he was a collector of the pieces.

-- Carl Bernstein, Bob Woodward — Carl Bernstein

Science is what scientists do, not what nonscientists think they do or ought to be doing.
Wetenschap is wat wetenschappers doen.
[Flanagan's motto as magazine editor for selecting content to put in Scientific American.] — Dennis Flanagan

For writers, handing a manuscript off to an editor is like walking into a parole hearing. You've done the time but wonder if it's going to satisfy the judge. — Shandy L. Kurth

And out of the blue, I got a call from an editor friend at Knopf and she said that they were interested in putting out an update for their vintage paperback line. So I was more than thrilled and it was suggested that perhaps I could do a 1,000 word new introduction covering what's happened with the whole Warhol thing since 1990 when the first edition hardcover came out and, uh, that was about August 1st and I sat down at my computer here in East Hampton and on on August 30th I'd written almost 10,000 words! — Bob Colacello

I was a fashion editor for years in London before I came to 'Vogue,' and I spent my life arranging the folds of a ball gown skirt for a picture and pinning fabric and using all those stylist tricks. And you don't have to do that now because they can do it in Photoshop. — Hamish Bowles

I am shocked to find that some people think a 2 star 'I liked it' rating is a bad rating. What? I liked it. I LIKED it! That means I read the whole thing, to the last page, in spite of my life raining comets on me. It's a good book that survives the reading process with me. If a book is so-so, it ends up under the bed somewhere, or maybe under a stinky judo bag in the back of the van. So a 2 star from me means,yes, I liked the book, and I'd loan it to a friend and it went everywhere in my jacket pocket or purse until I finished it. A 3 star means that I've ignored friends to finish it and my sink is full of dirty dishes. A 4 star means I'm probably in trouble with my editor for missing a deadline because I was reading this book. But I want you to know ... I don't finish books I don't like. There's too many good ones out there waiting to be found. Robin Hobb, author — Robin Hobb

The professions of novelist and journalist are very separate. As a novelist, you are ultimately working for yourself. Yes, you need the approval of a publisher and an audience, but what is valued in fiction writing - style, individual voice, insight - is scorned by the editor who is combing through your newspaper article. — Jon Weisman

I am a hopeless pantser, so I don't do much outlining. A thought will occur to me, and I'll just throw it into the story. I tell myself I'll worry about untangling it later. I'm glad no one sees my first drafts except for my poor editor and agent. — Marie Lu

I was a film editor for eight years before I made my first feature, 'Dog Soldiers.' I am from Newcastle upon Tyne, in the northeast of England. — Neil Marshall

I'd written my first novel for adults, which was called Basic Eight and was set in a high school, and we were having a devil of a time selling it. It ended up in the hands of an editor of a children's publishing house, for which it was entirely inappropriate. She said, "Well, we can't publish this, but I think you should write something for children," which I thought was a really terrible idea. — Daniel Handler

Nearly every writer writes a book with a great amount of attention and intention and hopes and dreams. And it's important to take that effort seriously and to recognize that a book may have taken ten years of a writer's life, that the writer has put heart and soul into it. And it behooves us, as book-review-editors, to treat those books with the care and attention they deserve, and to give the writer that respect."
Pamela Paul, New York Times Book Review editor, in a Poets & Writer's interview
(something for all reviewers to think about) — Madeline Sharples

But for me, being an editor I've been an editor of all kinds of books being an editor of poetry has been the way in which I could give a crucial part of my time to what I love most. — Peter Davison

here that he learns of the disappointment of Ana's best friend, Kate, editor of the student newspaper, about not having original photos to illustrate the article. To see Ana again, Grey agrees to a photo shoot, and then invites the young woman out for a drink. A few hours after their date, she receives an original edition of Tess of the d'Urbervilles by Thomas — Bright Summaries

I first got into writing because I got involved in the production of a magazine for army wives. They were short of copy one day and the editor asked me to write a piece about being an army wife "and make it funny". Good at obeying orders I did as I was told, the piece was a success, I was asked to write a regular piece and slowly it ended up as a book. — Catherine Jones

Whenever I visit Korea she [Kang] buys me lunch and takes me to a gallery. As if all this wasn't enough, she has incredible respect for translation as a creative, artistic practice - she insists that each English version is 'our book', offered to share her fees with me when she found out I wasn't getting paid for translating her publicity stuff, always asks the editor to credit me, and does so herself whenever she's interviewed. Too good to be true. — Deborah Smith