Dying Language Quotes & Sayings

Is language actually getting better, shorter, and easier? Nowadays we often hear exactly the opposite. Teenager slang is awful, students no longer learn Latin, our children - not to mention our president - cannot put together a grammatical sentence. The whimsical poet Ogden Nash was at least half serious in his "Laments for a dying language":

Coin brassy words at will, debase the coinage;
We're in an if-you-cannot-lick-them-join age,
A slovenliness-provides-its-own-excuse age,
Where usage overnight condones misusage.
Farewell, farewell to my beloved language,
Once English, now a vile orangutanguage. — Charles Yang

Languages are dying at an unprecedented rate. A language dies every 14 days. — Patricia Ryan

We thought we were special, opening our perceptions, honing our empathy, spilling that cauldron of shared pain onto the dance floor of language and then trying to make a minuet out of all that chaotic hurt. It doesn't matter a damn bit. We're no avatars, no sons of god or man. We're only us, scribbling our conceits alone, reading alone, and dying alone. — Dan Simmons

There is no such thing as an ugly language. Today I hear every language as if it were the only one, and when I hear of one that is dying, it overwhelms me as though it were the death of the earth. — Elias Canetti

Rin thought of the crossbow bolt. Of the whoosh and sting of wind and fire heat and the man who would have killed her. Of pushing in front of Enna. Of almost dying. Of home and Ma and being farther away than the lands in tales, and maybe never going home. Of standing by a strange tree in a faraway wood with girls who spoke the language of fire. Of a queen of Kel who wanted them dead. — Shannon Hale

This nothingness into which the West is sliding is not the natural end, the dying, the sinking of a flourishing community of peoples. Instead, it is again a specifically Western nothingness: a nothingness that is rebellious, violent, anti-God, and antihuman. Breaking away from all that is established, it is the utmost manifestation of all the forcesopposed to God. It is nothingness as God; no one knows its goal or its measure. Its rule is absolute. It is a creative nothingness[113] that blows its anti-God breath into all that exists, creates the illusion of waking it to new life, and at the same time sucks out its true essence[114] until it soon disintegrates into an empty husk and is discarded. Life, history, family, people, language, faith - the list could go on forever because nothingness spares nothing - all fall victim to nothingness.[115] — Dietrich Bonhoeffer

With That Moon Language Admit something: Everyone you see, you say to them, "Love me." Of course you do not do this out loud; Otherwise, Someone would call the cops. Still though, think about this, This great pull in us to connect. Why not become the one Who lives with a full moon in each eye That is always saying With that sweet moon Language What every other eye in this world Is dying to Hear. — Gregory Boyle

What language shall I borrow To thank Thee, dearest Friend, For this, Thy dying sorrow, Thy pity without end? O make me Thine forever, And should I fainting be, Lord, let me never, never Outlive my love for Thee. — Robert Morgan

It would be easy, however, to exaggerate the havoc wrought by such artificial conditions. The monotony we observe in mankind must not be charged to the oppressive influence of circumstances crushing the individual soul. It is not society's fault that most men seem to miss their vocation. Most men have no vocation; and society, in imposing on them some chance language, some chance religion, and some chance career, first plants an ideal in their bosoms and insinuates into them a sort of racial or professional soul. Their only character is composed of the habits they have been led to acquire. Some little propensities betrayed in childhood may very probably survive; one man may prove by his dying words that he was congenitally witty, another tender, another brave.But these native qualities will simply have added an ineffectual tint to some typical existence or other; and the vast majority will remain, as Schopenhauer said, Fabrikwaaren der Natur. — George Santayana

We need poetry as living language, the core of every language, something that is still spoken, aloud or in the mind, muttered in secret, subversive, reaching around corners, crumpled into a pocket, performed to a community, read aloud to the dying, recited by heart, scratched or sprayed on a wall. That kind of language. — Adrienne Rich

The Dream of a Common Language by Adrienne Rich; Motherless Daughters by Hope Edelman; As I Lay Dying by William Faulkner; The Ten Thousand Things by Maria Dermout; My First Summer in the Sierra by John Muir; The Land of Little Rain by Mary Austin; The Pacific Crest Trailside Reader by Rees Hughes and Corey Lewis; Into the Wild by Jon Krakauer; Half Broke Horses by Jeannette Walls; A Walk in the Woods by Bill Bryson; Eat, Pray, Love by Elizabeth Gilbert. — Cheryl Strayed

If (or rather when) you move to death, you'll learn its language through the educational process known as total immersion. (7) — Sandra M. Gilbert

Maybe that was why the French called orgasms "las petites morts": because the things that bring us passion tend to slip past our defenses, to creep insidiously into every facet of our consciousnesses and kill us as ruthlessly, and efficiently, as any drug. — Nenia Campbell

There was terror in each and every one of the people on that beautiful beach and on that breathtakingly beautiful evening. Terror of being alone, terror of the darkness filling their imaginations with devils, terror of doing anything not in the manuals of good behaviour, terror of God's judgement, of what other people would say, of the law punishing any mistake, terror of trying and failing, terror of succeeding and having to live with the envy of other people, terror of loving and being rejected, terror of asking for a rise in salary, of accepting an invitation, of going somewhere new, of not being able to speak a foreign language, of not making the right impression, of growing old, of dying, of being pointed on because of one's defects, of not being pointed out because of one's merits, of not being noticed either for one's defects or one's merits. Terror, terror, terror. Life was a reign of terror, in the shadow of the guillotine. — Paulo Coelho

It is a part of our office to stand uncloaked, masked, sword bared, upon the scaffold for a long time before the client is brought out. Some say this is to symbolize the unsleeping omnipresence of justice, but I believe the real reason is to give the crowd a focus, and the feeling that something is about to take place. A crowd is not the sum of the individuals who compose it. Rather it is a species of animal, without language or real consciousness, born when they gather, dying when they depart. Before the Hall of Justice, a ring of dimarchi surrounded the scaffold with their lances, and the pistol their officer carried could, I suppose, have killed fifty or sixty before someone could snatch it from him and knock him to the cobblestones to die. Still it is better to have a focus, and some open symbol of power.
Wolfe, Gene (1994-10-15). Shadow & Claw: The First Half of 'The Book of the New Sun' (p. 184). Tom Doherty Associates. Kindle Edition. — Gene Wolfe

The years of his life had not been gentle, and there was something untamable about him; his eyes seemed to say everything and nothing at all, almost as if they spoke a dying language few could appreciate or even understand. — Chris Nicolaisen

In the language of Ecclesiastes, are there situations in business or in life where you are trying to birth things that should be dying? Trying to heal something that should be killed off? Laughing at something that you should be weeping about? Embracing something (or someone) you should shun? Searching for an answer for something when it is time to give up? Continuing to try to love something or someone when it is time to talk about what you hate? — Henry Cloud

Dying, we tell ourselves, is like going to sleep. This figure of speech occurs very commonly in everyday thought and language, as well as in the literature of many cultures and many ages. It was apparently quite common even in the time of the ancient Greeks. — Raymond Moody

Once I spoke the language of the flowers,
Once I understood each word the caterpillar said,
Once I smiled in secret at the gossip of the starlings,
And shared a conversation with the housefly
in my bed.
Once I heard and answered all the questions
of the crickets,
And joined the crying of each falling dying
flake of snow,
Once I spoke the language of the flowers ...
How did it go?
How did it go? — Shel Silverstein

No, he focused on the one thing that he knew would keep him grounded the way the demon said he'd need to be.
"Take your brother outside as fast as you can - don't look back. Now, Dean, go!"
Sam's not dying. Not on my watch. You protect your family no matter what.
I'm coming for you, Sammy. Just hold tight.
And don't look back.
He opened his eyes. Behind him, he could hear Kat's voice muttering an incantation in a language he didn't recognize. It wasn't Latin, certainly. Since it was demon magic, it was probably some language that was even more dead than Latin.
The chanting stopped.
Dean screamed. — Keith R.A. DeCandido

Bengalis love to celebrate their language, their culture, their politics, their fierce attachment to a city that has been famously dying for more than a century. They resent with equal ferocity the reflex stereotyping that labels any civic dysfunction anywhere in the world 'another Calcutta.' — Bharati Mukherjee

Death was in every fibre of these creatures. It was hidden in their languages and at the root of their civilizations. You could hear it in the sounds they made and see it in the way they moved. It darkened their pleasures and lightened their despair. — Andre Alexis

I want to give a beautiful speech at the end of the world - a rousing and inspiring collection of thoughts expressed eloquently through a dying language that is ultimately too little too late; absurd and utterly meaningless - almost insulting as life burns away. — Jonathan Douglas Duran

A crowd is not the sum of the individuals who compose it. Rather it is a species of animal, without language or real consciousness, born when they gather, dying when they depart. — Gene Wolfe

Language is accurate: you run for your life. If you are dying, leave. If you are suffering, move. There is no other law, only movement. — Amelie Nothomb

Himself - What if the dying who seem thus divided from us, are but looking over the tops of insignificant earthly things? What if the heart within them is lying content in a closer contact with ours than our dull fears and too level outlook will allow us to share? One thing their apparent withdrawal means - that we must go over to them; they cannot retrace, for that would be to retrograde. They have already begun to learn the language and ways of the old world, begun to be children there afresh, while we remain still the slaves of new, low - bred habits of unbelief and self-preservation, which already to them look as unwise as unlovely. — George MacDonald

The more we sink into the infirmities of age, the nearer we are to immortal youth. All people are young in the other world. That state is an eternal spring, ever fresh and flourishing. Now, to pass from midnight into noon on the sudden, to be decrepit one minute and all spirit and activity the next, must be a desirable change. To call this dying is an abuse of language. — Jeremy Collier

There is a language to dying. It creeps like a shadow alongside the passing years and the taste of it hides in the corners of our mouths. It finds us whether we are sick or healthy. It is a secret hushed thing that lives in the whisper of the nurses' skirts as they rustle up and down our stairs. They've taught me to face the language one syllable at a time, slowing creating an unwilling meaning. — Sarah Pinborough

I wondered if all of us churchgoers were just exhausted by grief. For the dying priest and us, I thought, "God" always refused to become glorious, instead stubbornly remaining plain, a headache, a sorrowful knot of language. — Virginia Heffernan

Sarcasm is the language of people whose emotions are dying. — Barry Webster

In the end, it doesn't matter a damn bit. We thought we were special, opening our perceptions, honing our empathy, spilling that cauldron of shared pain onto the dance floor of language and then trying to make a minuet out of all that chaotic hurt. It doesn't matter a damn bit. We're no avatars, no sons of god or man. We're only us, scribbling our conceits alone, reading alone, and dying alone. Goddamn it hurts. — Dan Simmons

I actually used to make these little plays. I would stand there, and I would act out where I was dying or something. I would make them sit there and watch all my plays. I would be talking in gibberish language, like I was talking in a different language, and my parents would be like, 'Oh that was great!' and I'd be like, 'Wait, it's not done!' — Madison Davenport

There's a certain language, a dying language, and I can't remember who speaks it or where in the world they are, but in that language the future is referred to as being behind us. It must be behind us, since we can see the past. We walk backwards, blind, into the future, only knowing where we've already been. — Andra Brynn

California nurse Jared Axen was holding a dying hospice patient's hand when he began to sing an old hymn. The woman, who didn't speak English, hadn't been responsive in days. But when Axen sang to her, she squeezed his hand, a response that soothed the woman's family. Six years later, Axen, a classically trained musician, sings to some of his patients every day. "It gives them their humanity back," he said. "Music is a common language that helps me connect with my patients." Many patients also claim to feel better and to need fewer pain medications, Axen said. "It's become a vital tool for my patients and their families. — Alexandra Robbins