Duniawi Adalah Quotes & Sayings

[4It is hard to be carefree when you have many anxieties. But the more you have, the more necessary it is to feel carefree for a time, so that you will get some new ideas on how to deal with your anxieties.] — Brenda Ueland

Everyone knows of the talking artists. Throughout all of the known history of the world they have gathered in rooms and talked. They talk of art and are passionately,almost feverishly, in earnest about it. They think it matters much more than it does. — Sherwood Anderson

What I believe is really good in the so-called documentary approach to photography is the addition of lyricism.[this quality] is usually produced unconsciously and even unintentionally and accidentally by the cameraman. — Walker Evans

Get into the habit of saying, 'Speak, Lord,' and life will become a romance. — Oswald Chambers

The great challenge working on this show for me is wearing polyester all day long and having the worst haircut known to man at the top of my head and sitting under fluorescent lights. That is America, people. Polyester, bad haircuts, under fluorescent lights. — Rainn Wilson

The foundation of government is ... laid, not in imaginary rights of men, (which at best is a confusion of judicial with civil principles,) but in political convenience, and in human nature; either as that nature is universal, or as it is modified by local habits and social aptitudes. The foundation of government ... is laid in a provision for our wants, and in a conformity to our duties; it is to purvey for the one; it is to enforce the other. — Edmund Burke

What is that in his hand?"
"A cleaver. As in-"
"Butcher's knife."
"You got it."
"I hope not."
"He does not look happy."
"Are you sure it's a he?"
"I don't want to know. — Ridley Pearson

What you are speaks louder than what you say. — Hazrat Inayat Khan

I'm old enough to remember when the air over American cities was a lot dirtier than it is now. — P. J. O'Rourke

The canvases which Mr. St. Jones referred to with a paintbrush that was long and slightly bowed: for the most part interiors, or undergrounds, of pocked and craggy holes, rock vaults with mossy floors and slimy walls, or narrow scenic vistas that skinny silver streams squirmed through like sidewinders flipped on their backs, beneath downward grasping tentacles of roots, stalactites dagger-sharp and dangling by threads of stone, stalagmites teetering, all doused, frozen in molten electric white that suggested what a glimpse of hell might be, too beautiful, some still lifes too, great bulbous beets, hoary legumes, giant scallions, white carrots, tomatoes, berries, squash in huge radiant bowls, and portraits, signed by Ionia, of shadows, from which gleamed eyes and teeth and nails and, here and there, a glowing bubble, or scrotum, caught the eye. Near the door a counter clacked but rather quietly. — Douglas Woolf

I often thought I was in the wrong business. I was pretty seriously thinking of tossing it in before I shot Shine. I do not know why. I was pretty restless, I had been through a bad period of stress induced anxiety - panic attacks - and I was not sure of what I wanted to do. — Geoffrey Rush