Driot Oujda Quotes & Sayings

(Sam) "We need to focus and having Maya moon over Rafe us making everyone uncomfortable."
Rafe grinned. "Doesn't bother me."
"Because your ego really needs the encouragement." — Kelley Armstrong

When I go from a role with heavy prosthetic makeup, which I've done quite a bit of as well, and then do a role where I'm not wearing any, I have to be conscious of toning everything down. Because when you're wearing prosthetic makeup, of course, you have to really move your face a lot more to convey things through the makeup. — Warwick Davis

Why does 'writer' have no gender, but 'actor' has a gender? What is that? — Abbi Jacobson

In setting out the walls of a city the choice of a healthy situation is of the first importance: it should be on high ground, neither subject to fogs nor rains; its aspects should be neither violently hot nor intensely cold, but temperate in both respects. — Vitruvius

Do you try to pick up all the mortal girls you almost kill?"
"Just the ones who don't scream and run," he said. And then he startled me further by touching my face, just under one eye. I tensed just a little, as I always did when someone noticed my eyes. Bracing myself for the if only.
But there was no revulsion in his gaze and nothing but fascination in his touch. "And the ones with pretty eyes," he added. — N.K. Jemisin

We have to play as a team at our best every night. — Evgeni Malkin

Infinity fascinated her. How systems and universes could keep getting infinitely smaller in one direction and infinitely larger in another. How the shape of an atom so precisely mimicked the shape of the solar system. How there wasn't an end to anything. — Wendy Wunder

It is not part of the functions of the national government to find employment for people and if we were to appropriate a hundred millions for this purpose, we should be taxing forty millions of people to keep a few thousand employed. — James A. Garfield

What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up. — Paul Muldoon