Dream Reader Quotes & Sayings

Indeed, whoever imagines he has explained Zen has in fact only explained it away; it can no more be bound by a definition than the wind can be shut in a box without ceasing to be wind. Thus any attempt to write on Zen may seem an absurdity from the beginning, but that is only so if either reader or writer imagines that Zen can be contained in a set of ideas. A book about London is in no sense London itself, and no sane person would dream of thinking that it is. Yet apparently intelligent people often make the equally ridiculous mistake of identifying a philosophical system, a dogma, a creed, with Ultimate Truth, imagining that they have found that Truth embraced in a set of propositions which appeals to their reason. There — Alan W. Watts

Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream. — Joan Didion

Now let's say you've finished your first draft. Congratulations! Good job! Have a glass of champagne, send out for pizza, do whatever it is you do when you've got something to celebrate. If you have someone who has been impatiently waiting to read your novel-a spouse, let's say, someone who has perhaps been working nine to five and helping to pay the bills while you chase your dream-then this is the time to give up the goods ... if, that is, your first reader or readers will promise not to talk to you about the book until you are ready to talk to them about it. — Stephen King

I love to walk through snow, to climb mountains, to smell the fresh air and I love to dream about flying. Soaring through the air, watching the earth from above, feeling the wind in my face and touching the clouds would be an amazing experience. — Oliver Neubert

I may be permitted, kind reader, to doubt whether you have ever been enclosed in a glass bottle, unless some vivid dream has teased you with such magical mishaps. — E.T.A. Hoffmann

A cold, calculating nightmare. Sharp as a finely honed blade. 'The Lucid Dreaming' cuts, separating the flesh before you even know you've been injured. It makes you bleed as a reader. — Del Howison

I was a voracious reader and the library fed my curiosity, imagination and my soul. I read by the shelf - biographies, fantasy - all and everything fed my dreams. Then as an adult whenever I would go on location the first thing we would do as a family is sign up at the closest library. Not only would we find books, but what was happening in that town, because the library is the head of the community. — Susan Sarandon

The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream. — Slavoj Zizek

To write a novel is to dream a story and write it down on the page. That's why the power of a really good story is one of true magic. Good stories engage the reader utterly in the writer's dream so the dream becomes theirs, too. — Wendy J. Dunn

I have a handful of prayers that I pray all the time ... One is that God will put my books into the right hands at the right times. I've prayed this prayer thousands of times, and God has answered it in dramatic fashion countless times. The right book in the right hands at the right time can save a marriage, avert a mistake, demand a decision, plant a seed, conceive a dream, solve a problem, and prompt a prayer. That is why I write. And that's why, for me, a book sold is not a book sold; a book sold is a prayer answered. I don't know the name and situation of every reader, but God does, and that's all that matters. — Mark Batterson

He was over ninety years of age, his walk was erect, he talked loudly, saw clearly, drank neat, ate, slept, and snored. He had all thirty-two of his teeth. He only wore spectacles when he read. He was of an amorous disposition, but declared that, for the last ten years, he had wholly and decidedly renounced women. He could no longer please, he said; he did not add: "I am too old," but: "I am too poor." He said: "If I were not ruined
Heee!" All he had left, in fact, was an income of about fifteen thousand francs. His dream was to come into an inheritance and to have a hundred thousand livres income for mistresses. He did not belong, as the reader will perceive, to that puny variety of octogenaries who, like M. de Voltaire, have been dying all their life; his was no longevity of a cracked pot; this jovial old man had always had good health. — Victor Hugo

The reader's impression is one of a dream - the only thing that's left upon waking is the memory of a melody at the end of a concert. — Dumitru Tepeneag

We get heroes with impossible abilities and heroines with strengths we can only dream of. And for a little while, we are those characters. That hero is in love with us. That heroine is you, the reader, and you are all kinds of powerful. And you might even, given the right circumstances, save the world. — Darynda Jones

The writer is always tricking the reader into listening to their dream. — Joan Didion

Once, when I was a child, I dreamed that Grimbeard the Ghastly, on the deck of his ship The Endless Journey, threw the sword Endeavor up into the air. Up and up it spun, through the inky blackness, across the cavernous span of a hundred years, until, entirely of its own accord, my own left hand sprang out of space and stars and never-ending time and caught it. Now that I am so very old, I am dreaming once again. And in my dream, I am the one throwing the sword. It is spinning now, in the black starlit waters of my dream, right above your head, dear reader. A sword that may look second-best, and secondhand, but but carries the memories of a thousand lost fights, a history lesson in itself. Reach out, and catch it by the hilt. Swear by its name, Endeavor, to do your utmost to make the world a better place than when you arrived in it. For look! There will be dragons all around you, as camouflaged as a Stealth Dragon. — Cressida Cowell

The Internet is transient. Information can be removed with a couple of mouse-clicks; it is an Orwellian dream. We have been advised, by people who claim to know about these things, that there is no point in protesting against a social network. Whoever owns the network will run it as they see fit, normally to maximize their profit margin. Members who dispute the rules will simply be thrown out. The Terms of Use are written so as not to allow them any recourse. — G.R. Reader

Sentimentality, in all its forms, is the attempt to get some effect without providing due cause. (I take it for granted that the reader understands the difference between sentiment in fiction, that is, emotion and feeling, and sentimentality, emotion or feeling that rings false, usually because achieved by some form of cheating or exaggeration. Without sentiment, fiction is worthless. Sentimentality, on the other hand, can make mush of the finest characters, actions, and ideas.) The theory of fiction as a viid, uninterrupted dream in the reader's mind logically requires an assertion that legitimate cause in fiction can be of only one kind: drama; that is, character in action. — John Gardner

The power of a text is different when it is read from when it is copied out. Only the copied text thus commands the soul of him who is occupied with it, whereas the mere reader never discovers the new aspects of his inner self that are opened by the text, that road cut through the interior jungle forever closing behind it: because the reader follows the movement of his mind in the free flight of day-dreaming, whereas the copier submits it to command. — Walter Benjamin

That's one of the most bewitching things about romance for me, as a reader and writer. Romances harbor hope for the reader. They create a direct emotional experience of certainty and potential to bridge the dark moments and help lead us into the light. No small wonder that romance is the source of all fictional genres and that romance continues to outsell every other form of human literary output. Hope is a magical thing, hard-won and easily snuffed. Anyone can point out ways for us to stay disappointed, compromised, and anxious, but opening anyone's eyes to possibilities helps them dream harder and reach further. Any book that can do that deserves a place on my shelves. — Damon Suede

The Dream of a Common Language by Adrienne Rich; Motherless Daughters by Hope Edelman; As I Lay Dying by William Faulkner; The Ten Thousand Things by Maria Dermout; My First Summer in the Sierra by John Muir; The Land of Little Rain by Mary Austin; The Pacific Crest Trailside Reader by Rees Hughes and Corey Lewis; Into the Wild by Jon Krakauer; Half Broke Horses by Jeannette Walls; A Walk in the Woods by Bill Bryson; Eat, Pray, Love by Elizabeth Gilbert. — Cheryl Strayed

The written word can make one pause and contemplate. It can make a reader sigh to dream or question a belief in considerable depth. But all of that is nothing if those words fail to touch the heart and make one feel. — Richelle E. Goodrich

The profession of the writer has its thorns about which the reader does not dream. — Henryk Sienkiewicz

I would write:
"The soft melting hunk of butter trickled in gold down the stringy grooves of the split yam."
Or:
"The child's clumsy fingers fumbled in sleep, feeling vainly for the wish of its dream."
"The old man huddled in the dark doorway, his bony face lit by the burning yellow in the windows of distant skycrapers."
My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative. — Richard Wright

A good story is a dream shared by the author and the reader. Anything that wakes the reader from the dream is a mortal sin. — Victor J. Banis

Here's what I mean by the miracle of language. When you're falling into a good book, exactly as you might fall into a dream, a little conduit opens, a passageway between a reader's heart and a writer's, a connection that transcends the barriers of continents and generations and even death ... And here's the magic. You're different. You can never go back to being exactly the same person you were before you disappeared into that book. — Anthony Doerr

Every poet has his dream reader: mine keeps a look out for curious prosodic fauna like bacchics and choriambs. — W. H. Auden

Mrs. Todds my English teacher gives an automatic F if anyone ever writes "I woke up and it was all a dream" at the end of a story. She says it violates the deal between reader and writer, that it's a cop-out, it's the Boy Who Cried Wolf. But every single morning we really do wake up and it really was all a dream. — David Mitchell

To write a novel is to dream while awake, then express the dream to the reader in an absorbing way. The road leading from the writer's inner world to the readers' is paved with prose. — Alan Joshua

Should I dream of a day, in the future, when I'll no longer need the dictionary, the notebook, the pen? A day when I can read in Italian without tools, the way I read in English? Shouldn't that be the point of all this? I don't think so. When I read in Italian, I'm a more active reader, more involved, even if less skilled. I like the effort. I prefer the limitations. I know that in some way my ignorance is useful to me. — Jhumpa Lahiri

If I so do my best, may this story be recorded and printed and zipped and zapped into hands and eyes and ears and minds and hearts everywhere, and may it no longer be my story but belong to each reader who drinks it in, to make them bigger or smaller as needed; to fill in those tiny holes and smooth over the rough places; to make them sigh and laugh and dream and wonder; to pass a lonely afternoon or enliven a dull evening; to in every regard do just what a story is supposed to do, which is become whatever each reader needs most at that moment. — Shannon Hale

My own sense of the world is that very little is absolute or black and white or easily understood. I suppose in all my writing I'm trying to cast the reader into this spiritually ambivalent dream world, which hopefully mirrors more honestly the complex reality we find ourselves in. — Andre Dubus

A story invites both writer and reader into a kind of superficial ease: we want to slide along, pleasingly entertained, lost in the fictional dream. — Steven Erikson

What readers seek is an experience different from their own. Story is how readers dream. Story is what sells the book. The power of the premise is what captures the reader, editor, or agent's attention - not the characters and prose. Unless we care about the story we will never welcome the actors on stage. It is this power of desire that pulls us into the story. — Eddie Jones

When I write, I never know the endings. What I think works in [my] stories is the fact that when I write, I really want to find out what is going on-I'm writing for myself as a reader. It's like when you dream a dream. I want to know what's behind the door. If I navigate, it's from a place that's totally intuitive. — Etgar Keret

In rereading one of the best essays I know on Dante's Paradiso, Giovanni Getto's "Aspetti della poesia di Dante" (Aspects of Dante's Poetry, 1947), one can see that there is not one single image of Paradise that does not stem from a tradition that was part of the medieval reader's heritage, I won't say of ideas, but of daily fantasies and feelings. It is from the biblical tradition and the church fathers that these radiances come from, these vortices of flame, these lamps, these suns, these brilliances and brightnesses emerging "like a horizon clearing" (Par. 14.69) ... For medieval man, reading about this light and luminosity was equivalent to when we dream about the sinuous gracefulness of a movie star, the elegant lines of a car ... It is this appeal to a poetry of understanding that can make the Paradiso fascinating even for the modern reader who has lost the reference points familiar to his medieval counterpart. — Umberto Eco

I hope that when the characters in my novels dream beyond their current circumstance, it inspires the reader to do the same. — Kristine Scarrow