Drawing As Language Quotes & Sayings

some linguists have also concluded that, while the innatist perspective provides a plausible explanation for first language acquisition, something else is required for second language acquisition, since it so often falls short of full success. From the cognitive psychology perspective, however, first and second language acquisition are seen as drawing on the same processes of perception, memory, categorization, and generalization. The difference lies in the circumstances of learning as well as in what the learners already know about language and how that prior knowledge shapes their perception of the new language. — Patsy M. Lightbown

What is going on inside me I cannot tell. In the sky a thousand stars are magnetized, and I lie glued by the swing of the planet to the sand. A different weight brings me back to myself. I feel the weight of my body drawing me towards so many things. My dreams are more real than these dunes, than that moon, than these presences. My civilization is an empire more imperious than this empire. The marvel of a house is not that it shelters or warms a man, nor that its walls belong to him. It is that it leaves its trace on the language. Let it remain a sign. Let it form, deep in the heart, that obscure range from which, as waters from a spring, are born our dreams. — Antoine De Saint-Exupery

In every art we are always obliged to return to the accepted means of expression, the conventional language of the art. What is a black-and-white drawing but a convention to which the beholder has become so accustomed that with his mind's eye he sees a complete equivalent in the translation from nature? — Eugene Delacroix

Architectural drawing is a language with conventions where the rules can be deliberately misused; a well-composed architectural drawing can both contain correct and incorrect arrangements of meaningful things. — Jimenez Lai

Drawing on my fine command of language, I said nothing. — Mark Twain

Drawing on my fine command of the English language, I said nothing. — Robert Benchley

On our part there must be positive reciprocation if this secret drawing of God is to eventuate in identifiable experience of the Divine. In the warm language of personal feeling this is stated in the Forty-second Psalm: As the hart panteth after the water brooks, so panteth my soul after thee, O God. My — A.W. Tozer

Film does not replace language, for it cannot exist without it. Film displaces language, exposes the abyss that threatens to engulf every semantic signification. Film parasitizes language, much as the animal does, drawing into its imaginary panorama that which remains undisclosed in discursivity. Cinema is a parasite. — Akira Mizuta Lippit

When I was a kid, it was thought I would do something in the visual arts because I was always drawing, but when we emigrated to Australia from Holland when I was seven, I learnt the English language, and I fell in love with it. — Michel Faber

Drea, why don't you turn a circle and give us a good look?" the talker said, his chest all puffed out, as if he'd had something to do with making me perform.
"Fuck you," I said, nice and clear, in spite of my fuller voice, so everyone could hear.
A couple of teens near the back of the crowd laughed, but the mothers scowled and covered their children's ears.
"Sorry about that, ladies and gentlemen," the talker called with an amiable chuckle. "Most of our exhibits were born and raised in the carnival, and they hear a lot of rough language."
"Most of our handlers are full of shit," I added, drawing more laughter from the back of the crowd. "I learned to cuss the same place all of your kids did. In middle school. — Rachel Vincent

And one of my firmest conclusions is that we always think by seeking and drawing parallels to things we know from our past, and that we therefore communicate best when we exploit examples, analogies, and metaphors galore, when we avoid abstract generalities, when we use very down-to-earth, concrete, and simple language, and when we talk directly about our own experience. — Douglas R. Hofstadter

We speak and understand best our native language. We feel most comfortable speaking that language. The more we use a secondary language, the more comfortable we become conversing in it. If we speak only our primary language and encounter someone else who speaks only his or her primary language, which is different from ours, our communication will be limited. We must rely on pointing, grunting, drawing pictures, or acting out our ideas. We can communicate, but it is awkward. — Gary Chapman

By the time the child can draw more that scribble, by the age of four or five years, an already well-formed body of conceptual knowledge formulated in language dominates his memory and controls his graphic work. Drawings are graphic accounts of essentially verbal processes. As an essentially verbal education gains control, the child abandons his graphic efforts and relies almost entirely on words. Language has first spoilt drawing and then swallowed it up completely. — Karl Buhler

Drawing - it's the first language of human beings, before writing, before even talking, before words, human beings was drawing. — Marjane Satrapi

Eventually you will get into the habit of enjoying line as a language all of its own. — Margaret Stevens

She crooned, twining her legs around his, pressing her forehead to his breastbone. It was all he needed. Easing her backward, supporting her until she lay upon his desk, he pumped into her in aching need while his heart threatened to burst inside and his pulse almost drowned out the praise and the most sacred of promises that he whispered in the language of his fathers. Telling her how hot arguing with her made him, how proud he was of how she stood up to him, he held her gaze while he took her, and even as she coalesced around him again, drawing him into the surging power of her heartbeat, her ultimate pleasure. — Jennifer Blake

Ali and the woman whose baby crawled out on the roof


A woman comes to Ali. My baby has crawled out on the roof near

the water drain, where I cannot go. He won't listen to me. I talk, but he doesn't understand

language. I make gestures. I show him my breast, but he turns away. What can I do?

Take another baby his age up to the roof. The woman does, and the child sees his friend and

crawls away from the edge. The prophets are human for this reason, that we may see them

and delight in their friendly presence, and crawl away from the downspout. Muhammad calls himself

a man like you. Likeness is a great drawing force. Those of mean dispositions learn hatred

from each other, and they try to draw others in. Anyone whose haystack has burned

does not enjoy seeing someone else's candle lit. — Jalaluddin Rumi

Drawing is the first language of the human being before writing. It's a transcription of how the human being sees reality, not reality itself. — Marjane Satrapi

I consider drawings finished works of art, first of all. However, the ideas can be something that can be developed into something larger. I don't make so many drawings anymore since I'm working with language. I used to make more when I worked with sculptural things, especially the wire pieces. — Robert Barry

The first degree of proficiency is, in painting, what grammar is in literature, a general preparation for whatever the student may afterward choose for more particular application. The power of drawing, modeling, and using colors, is very properly called the language of the art. — Joshua Reynolds

Melissa popped open the clattery little Rotring tin. Pencils, putty rubber, scalpel. She sharpened a 3B, letting the curly shavings fall into the wicker bin, then paused for a few seconds, finding a little place of stillness before starting to draw the flowers. Art didn't count at school because it didn't get you into law or banking or medicine. It was just a fluffy thing stuck to the side of Design and Technology, a free A level for kids who could do it, like a second language, but she loved charcoal and really good gouache, she loved rolling sticky black ink on to a lino plate and heaving on the big black arm of the Cope press, the quiet and those big white walls. — Mark Haddon

Said by whom? Said to whom? Not by a mind to a mind, but by a being who has body and language to a being who has body and language, each drawing the other by invisible threads like those who hold the marionettes-making the other speak, think, and become what he is but never would have been by himself. Thus things are said and are thought by a Speech and by a Thought which we do not have but which has us. There is said to be a wall between us and others, but it is a wall we build together, each putting his stone in the niche left by the other. Even reason's labors presuppose such infinite conversations. All those we have loved, detested, known, or simply glimpsed speak through our voice. — Maurice Merleau Ponty

What makes it worth it though, is I love drawing. I LOVE IT. I love making comics. I love starting a new page and buying new paper, ink and brushes. I love telling stories! I love the people I work with, I love the people I meet. I love thinking about the syntax and language of comics. I love esoteric discussions about the comic book industry. I love the opportunities I've had in life because of comics. The second I stop loving it I will find something else to do.
Comics are hard work. Comics are relentless. Comics will break your heart. Comics are monetarily unsatisfying. Comics don't offer much in terms of fortune and glory, but comics will give you complete freedom to tell the stories you want to tell, in ways unlike any other medium. Comics will pick you up after it knocks you down. Comics will dust you off and tell you it loves you. And you will look into it's eyes and know it's true, that you love comics back. — Becky Cloonan

Drawing conclusions is up to the jury, that is, the readers. My only job is to be talented, that is, to know how to distinguish important testimony from unimportant, to place my characters in the proper light and speak their language. — Janet Malcolm

These rules, the sign language and grammar of the Game, constitute a kind of highly developed secret language drawing upon several sciences and arts, but especially mathematics and music (and/or musicology), and capable of expressing and establishing interrelationships between the content and conclusions of nearly all scholarly disciplines. The Glass Bead Game is thus a mode of playing with the total contents and values of our culture; it plays with them as, say, in the great age of the arts a painter might have played with the colours on his palette. — Hermann Hesse

[T]his impulse toward spiritual intimacy is found not only in the Abrahamic faiths, but in Buddhism, Hinduism, and native religions. Far too many people who understand God in these ways probably do not know how rich the tradition is that speaks of God with us, God in the stars and sunrise, God as the face of their neighbor, God in the act of justice, or God as the wonder of love. The language of divine nearness is the very heart of vibrant faith. Yet it has often been obscured by vertical theologies and elevator institutions, which, I suspect, are far easier to both explain and control. Drawing God within the circle of the world is a messy and sometimes dangerous business. — Diana Butler Bass

I shan't get free of my emotion by copying the tree faithfully, or by drawing its leaves one by one in the common language, but only after identifying myself with it. — Henri Matisse

Writing fiction is a solitary occupation but not really a lonely one. The writer's head is mobbed with characters, images and language, making the creative process something like eavesdropping at a party for which you've had the fun of drawing up the guest list. Loneliness usually doesn't set in until the work is finished, and all the partygoers and their imagined universe have disappeared. — Hilma Wolitzer

Magic happens when the wand of language strikes a stone and makes it melt, touches a spindle and turns it into gold, or taps a trunk and makes it fly. By drawing on a syntax of enchantment that conjures fluidity, ethereality, flimsiness, and transparency, writers turn solidity into resplendent airy lightness to produce miracles of linguistic transubstantiation.

What is the effect of that beauty? How do readers respond to words that create that beauty? In a world that has discredited that particular attribute and banished it from high art, beauty has nonetheless held on to its enlivening power in children's books. It draws readers in, then draws them to understand the fictional worlds it lights up. — Maria Tatar

The sky [above Tehran] was like a star-eaten black blanket, and so far as I could read them its constellations were unfamiliar. Lawrence speaks somewhere of drawing 'strength from the depths of the universe'; Malcolm Lowry speaks about the deadness of the stars except when he looked at them with a particular girl; I had neither feeling. The founder of the Jesuits used to spend many hours under the stars; it is hard to be certain whether his first stirrings of scientific speculation or pre-scientific wonder about space and the stars in their own nature were some element in his affinity with starlight, or whether for him they were only a point of departure, but in this matter I think I am about fifty years more modern than Saint Ignatius; stars mean to me roughly what they meant to Donne's generation, a bright religious sand imposing the sense of an intrusion into human language, and arousing a certain personal thirst to be specific. — Peter Levi

I'm scared that the pencil sides might disappear, just as a drawing can be rubbed out by an eraser. Bengali will be taken away when my parents are no longer there. It's a language that they personify, that they embody. When they die, it will no longer be fundamental to my life. — Jhumpa Lahiri

For centuries the writing-desk has contained sheets fit precisely for the communication of friends. Masters of language, poets of long ages, have turned from the sheet that endures to the sheet that perishes, pushing aside the tea-tray, drawing close to the fire (for letters are written when the dark presses around a bright red cave), and addressed themselves the task of reaching, touching, penetrating the individual heart. — Virginia Woolf

Mathilde returned and strolled past the drawing-room windows; she saw him busily engaged in describing to Madame de Fervaques the old ruined castles that crown the steep banks of the Rhine and give them so distinctive a character. He was beginning to acquit himself none too badly in the use of the sentimental and picturesque language which is called wit in certain drawing-rooms. — Stendhal

Most children are given far too much praise for their early drawings, so much so that they rarely learn the ability to refine their first crude efforts the way their early attempts at language are corrected. — Charles De Lint

I found sometimes, that it is of great help in handling such a case, to encourage them, to express their peculiar contents either in the form of writing or of drawing and painting. There are so many incomprehensible intuitions in such cases, phantasy fragments that rise from the unconscious, for which there is almost no suitable language. I let my patients find their own symbolic expressions, their mythology. — C. G. Jung