Dramatic Writing Quotes & Sayings

I prefer to think that no writer has got time to be too concerned with style, that he is simply telling this dramatic instance in the most effective way he knows, that the book, the story, creates its own style. — William Faulkner

At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone ... Often a writer is aware as he works that a certain critic is going to hate this one ... You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation. — Lanford Wilson

The more complex and overwhelming the threat to a protagonist, the better the opportunity for the author to create a compelling conflict and a dramatic resolution. — Terry Brooks

Failure in the theater is more dramatic and uglier than any other form of writing. It costs so much, you feel so guilty. — Lillian Hellman

It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know. — Don DeLillo

The only rule I have when writing is to try to tell the truth. That doesn't mean you can't exaggerate, edit, rewrite things to make them more dramatic. But emotional truth is what I look for in writing. — Erica Jong

I tend to work most often from the method of ignoring any ritualistic writing for long periods of time, and then I'll spend three straight weeks writing for 12 hours a day and just going through the motions with my worldly business because the compulsion to write descends upon me like a kind of madness. I don't mean to be dramatic, but it feels that way when it strikes. — Kevin Keck

I don't have an aversion to quote unquote remakes, because I understand what dramatic writing is, what the dramatic profession has always been about, which is talent, not the pretext for its exhibition. — William Monahan

The play is one of the very few pieces of great dramatic and comic writing that I have read in a long, long time. I was drawn to it because of the power of the writing, which gives me the actor a chance to explore many facets of myself. — Linda Lavin

At the time, I was in L.A., just auditioning and hoping to land a part, dramatic or comedic. I started to feel really stagnant, waiting for a part. I was also taking classes at UCB and Groundlings, and at the higher levels, they focus on writing. It was such a relief to be able to write. During those programs, I wrote a one-woman show called Me, Myself, and Iran, and it ended up getting to Tina Fey. She recommended me to audition for SNL, so I got my first of two auditions through her. — Nasim Pedrad

Vonnegut along with critically acclaimed novelists like Lawrence Durrell and Iris Murdoch, Scholes explained that Vonnegut uses the rhetorical potential of the short sentence and short paragraph better than anyone now writing, often getting a rich comic or dramatic effect by isolating a single sentence in a separate paragraph or excerpting a phrase from context for a bizarre chapter-heading. The apparent simplicity and ordinariness of his writing mask its efficient power ... — Kurt Vonnegut

One of the general patterns of good (i.e., striking and memorable) writing is the effect of repetition. If you use a certain element - a plot device, an image, a noticeable phrase - once, readers may or may not notice it consciously, but it doesn't disturb the flow of their reading. If you use that element twice, they won't notice it consciously - but they will notice it subconsciously, and it will add to the resonance of the writing or to their sense of depth and involvement (and if it's a plot device, it will heighten the dramatic tension). But if you use that element three times, everybody will notice it the third time you do it. — Diana Gabaldon

Any character who goes after a desire and is impeded is forced to struggle (otherwise the story is over.) And that struggle makes him change. So the ultimate goal of the dramatic code, and of the storyteller, is to present a change in a character or to illustrate why that change did not occur. — John Truby

Keep me up till five because all your stars are out, and for no other reason ... Oh dare to do it Buddy! Trust your heart. You're a deserving craftsman. It would never betray you. Good night. I'm feeling very much over-excited now, and a little dramatic, but I think I'd give almost anything on earth to see you writing a something, an anything, a poem, a tree, that was really and truly after your own heart. — J.D. Salinger

In the greatest fiction, the writer's moral sense coincides with his dramatic sense, and I see no way for it to do this unless his moral judgement is part of the very act of seeing, and he is free to use it. I have heard it said that belief in Christian dogma is a hindrance to the writer, but I myself have found nothing further from the truth. Actually, it frees the storyteller to observe. It is not a set of rules which fixes what he sees in the world. It affects his writing primarily by guaranteeing his respect for mystery ... — Flannery O'Connor

I have a handful of prayers that I pray all the time ... One is that God will put my books into the right hands at the right times. I've prayed this prayer thousands of times, and God has answered it in dramatic fashion countless times. The right book in the right hands at the right time can save a marriage, avert a mistake, demand a decision, plant a seed, conceive a dream, solve a problem, and prompt a prayer. That is why I write. And that's why, for me, a book sold is not a book sold; a book sold is a prayer answered. I don't know the name and situation of every reader, but God does, and that's all that matters. — Mark Batterson

Dramatic fiction - William Shakespeare made his biggest mark writing dramatic love stories. — Nicholas Sparks

In dramatic writing, the very essence is character change. The character at the end is not the same as he was at the beginning. He's changed-psychologically, maybe even physically. — Robert Towne

What I like writing about are people's relationships, not necessarily great big dramatic things but the smaller things in life and how they affect characters and challenge and change the people that they are. I do like a happy ending, so my books have to have a happy ending. — Penny Jordan

Graphomania (a mania for writing books) inevitably takes on epidemic proportions when a society develops to the point of creating three basic conditions: -
(1) an elevated level of general well being which allows people to devote themselves to useless activities
(2) a high degree of social atomization and , as a consequence, a general isolation of individuals;
(3) the absence of dramatic social changes in the nation's internal life. — Milan Kundera

The trick in writing children's books is to set up danger, mystery and excitement on page one. Force the kid to turn the page ... Then in the middle of each chapter there's a dramatic point of excitement, and at chapter's end, a cliffhanger. — Jerry West

To present a scientific subject in an attractive and stimulating manner is an artistic task, similar to that of a novelist or even a dramatic writer. The same holds for writing textbooks. — Max Born

From a tale one expects a bit of wildness, of exaggeration and dramatic effect. The tale has no inherent concern with decorum, balance or harmony ... A tale may not display a great deal of structural, psychological, or narrative sophistication, though it might possess all three, but it seldom takes its eye off its primary goal, the creation of a particular emotional state in its reader. Depending on the tale, that state could be wonder, amazement, shock, terror, anger, anxiety, melancholia, or the momentary frisson of horror. — Peter Straub

All the writing elements are the same. You need to tell a good story ... You've got good characters ... People think there's some dramatic difference between writing 'Little Bear' and the 'Hunger Games,' and as a writer, for me, there isn't. — Suzanne Collins

People don't live their lives in a series of scenes that form a dramatic narrative, they don't speak in dialogue, they're not lit by a cinematographer or scored by a composer. The properties of real life and the properties of drama have almost nothing to do with each other. The difference between writing about reporters and being a reporter is the same as the difference between drawing a building and building a building. — Aaron Sorkin

When I'm writing in my bedroom, in a bar, at my kitchen table or wherever, I'm conjuring it all up on the page. That's all well and good, but it is going to be a limited perspective at that point and time. Occasionally, what I write might read really well initially, but then you change your mind while hunting for locations when you discover settings which offer even better opportunities for drama or dramatic staging. — Quentin Tarantino

... ... , but as I am a scholar I feel obliged to document what it is like here, most of the time, between the dramatic climaxes. In truth it is like this: You cannot imagine how time can be so still. It hangs. It weighs, and yet there is so little of it. It goes so slowly and it is so scarce. If I was writing this scene it would last a full 15 minutes. I would lie here and you would sit there. — Margaret Edson

New dramatic writing has banished conversational dialogue from the stage as a relic of dramaturgy based on conflict and exchange: any story, intrigue or plot that is too neatly tied up is suspect. — Patrice Pavis

It has always seemed to me that so long as you produce your dramatic effect, accuracy of detail matters little. I have never striven for it and I have made some bad mistakes in consequence. What matter if I hold my readers? — Arthur Conan Doyle

My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories. — Nicholas Sparks

The creative writer is compulsively concrete ... His fictional house should be haunted by ideas, not inhabited by them; they should flit past the windows after dark, not fill the rooms. The moment anyone tries to make poems or stories of ideas alone he is at the edge of absurdity; he can only harangue, never interest and persuade, because ideas in their conceptual state are simply not dramatic. They have to be put into the form of people and actions ... — Wallace Stegner

The society to which we belong seems to be dying or is already dead. I don't mean to sound dramatic, but clearly the dark side is rising. Things could not have been more odd and frightening in the Middle Ages. But the tradition of artists will continue no matter what form the society takes. And this is another reason to write: people need us, to mirror for them and for each other without distortion-not to look around and say, 'Look at yourselves, you idiots!,' but to say, 'This is who we are. — Anne Lamott

The teachers introduced a program that explicitly trained the students to construct coherent arguments, with a focus on the connections between successive ideas. It was a radical shift from the kind of assignment that dominates high school writing instruction today, in which students are asked to write memoirs and personal reflections. The students showed dramatic improvements in their test scores in several subjects, and many more of them graduated from high school and applied to college. It's no coincidence that — Steven Pinker

A romance is never just a romance, there's adventure, mystery and movement.

You need a grand, dramatic setting - the Swiss Alps were always an personal favourite of mine - and a chance meeting, on a train, a cruise, or perhaps the hero and heroine find themselves shipwrecked on a desert island.

The men are normally rich, well-to-do - but never vulgar with their money. Young men lack the maturity to take control so an older man is essential to provide the reassurance the heroine's needs.

There's always a fair amount of turbulence before he sweeps in to save the day. A happy ending is an absolute must. — Ida Pollock

I believe that one of the most sound ideas in dramatic writing is that in order to create the universal, you must pay very great attention to the specific. Universality, I think, emerges from truthful identity of what is. — Lorraine Hansberry

India went through a dramatic revolution after the '90s when our economy started opening up for the first time and Indians were now experiencing the Western life, if you will. Drugs and sex and a lot of those influences came in as the economy stabilized, and we were growing up and experiencing that. The Indian writing market was very small at that time. Our literature was very attuned to what Western audiences were interested in, so everybody was writing about the slums in India and magic realism or stories about Hindus and Muslims and partition. — Karan Bajaj

A successful story always offers its audience more than a simple resolution of events. A story offers a dramatic affirmation of human needs that are acted out to resolution and fulfillment. Even when that resolution and fulfillment are dark, the journey can still be vivid, potent and illuminating. — Bill Johnson

The impulse to write the poem, that impulse is a great dramatic impulse. But hell, anybody could write a play. I do know this: all writers are not dramatists. You may be a great writer, but that doesn't necessarily mean you're a dramatist. Very few people have done both. — August Wilson

I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake. — Kelly Link

If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be. — Patrick Rothfuss

When King Lear dies in act five, do you know what Shakespeare has written? He has written, 'He dies.' No more. No fanfare, no metaphor, no brilliant final words. The culmination of the most influential piece of dramatic literature is, 'He dies.' Now I am not asking you to be happy at my leaving but all I ask you to do is to turn the page and let the next story begin.
Mr. Magorium — Suzanne Weyn

I've always had a flare for the dramatic. I thought about being an actor and I thought about directing, but writing truly became something I needed to do, just to stay sane. It's my over-pressure valve. — Marti Noxon

Sometimes I think it is ... frustration with life as it is lived day to day that compels me to write such long letters to people who seldom reply in kind, if indeed they reply at all. Somehow by compressing and editing the events of my life, I infuse them with a dramatic intensity totally lacking at the time, but oddly enough I find that years later what I remember is not the event as I lived it but as I described it in a letter. — Elizabeth Forsythe Hailey

Writing for the stage is different from writing for a book. You want to write in a way that an actor has material to work with, writing in the first person not the third person, and pulling out the dramatic elements in a bigger way for a stage presentation. — Brian Greene

Humorous writing is often thought of as substandard in comparison to work with a more dramatic or tragic intent. I don't know what to say to this except that I disagree wholeheartedly. — Patrick DeWitt

I have found that educators yearn to be told something like this: There will be no more initiatives - at least for a time. Instead, we will focus only on what will have an immediate and dramatic impact on learning in your classrooms: ensuring the implementation of a common, content-rich curriculum; good lessons; and plenty of meaningful literacy activities (such as close reading, writing, and discussion) across the curriculum. — Mike Schmoker

Southern poets are still writing narrative poems, poems in forms, dramatic poems. — Robert Morgan

Thunderstorms were common in Sarantium on midsummer nights, sufficiently so to make plausible the oft-repeated tale that the Emperor Apius passed to the god in the midst of a towering storm, with lightning flashing and rolls of thunder besieging the Holy City. Even Pertennius of Eubulus, writing only twenty years after, told the story this way, adding a statue of the Emperor toppling before the bronze gates to the Imperial Precinct and an oak tree split asunder just outside the landward walls. Writers of history often seek the dramatic over the truth. It is a failing of the profession. — Guy Gavriel Kay

And if you are waiting for a new book in a long ongoing series, whether from George or from Pat Rothfuss or from someone else ...
Wait. Read the original book again. Read something else. Get on with your life. Hope that the author is writing the book you want to read, and not dying, or something equally as dramatic. And if he paints the house, that's fine.
And ( ... ) in the future, when you see other people complaining that George R.R. Martin has been spotted doing something other than writing the book they are waiting for, explain to them, more politely than I did the first time, the simple and unanswerable truth: George R. R. Martin is not working for you. — Neil Gaiman

I am in the Master of Professional Writing program teaching Humor Writing, Literary and Dramatic. — Shelley Berman

New perspectives give birth to new historic ages. Humankind has had many dramatic revolutions of understanding - great uses of fire and the wheel, language and writing. We found that the earth only seems flat, the sun only seems to circle the earth, matter only seems solid. — Marilyn Ferguson

[Referring to passage by Alice Munro] Finally, the passage contradicts a form of bad advice often given young writers
namely, that the job of the author is to show, not tell. Needless to say, many great novelists combine "dramatic" showing with long sections of the flat-out authorial narration that is, I guess, what is meant by telling. And the warning against telling leads to a confusion that causes novice writers to think that everything should be acted out
don't tell us a character is happy, show us how she screams "yay" and jumps up and down for joy
when in fact the responsibility of showing should be assumed by the energetic and specific use of language. — Francine Prose

Too many poets write poems which are only difficult on the surface, difficult because the dramatic situation is easily misunderstood. It's not difficult to write poems that are misunderstood. A drunk, a three-year-old-they are easily misunderstood. What is difficult is being clear and mysterious at the same time. The dramatic situation needs to be as clear in a poem as it is in a piece of good journalism. The why is part of the mystery, but the who, what, where, and when should all be understood. — Miller Williams

I want to keep doing different things. I'd like to do a more personal, dramatic movie next, I think. But as long as it's about characters and good writing and good parts for actors, that's what's important. — Tony Goldwyn

Shakespeare was the Homer, or father of our dramatic poets;Jonson was theVirgil, the pattern of elaborate writing; I admire him, but I love Shakespeare. — John Dryden

Sure, I'm dramatic and sloppily semi-cynical and semi-sentimental. But, in leisure years I could grow and choose my way. Now I am living on the edge. We all are on the brink, and it takes a lot of nerve, a lot of energy, to teeter on the edge, looking over, looking down into the windy blackness and not being quite able to make out, through the yellow, stinking mist, just what lies below in the slime, in the oozing, vomit-streaked slime; and so I could go on, my thoughts, writing much, trying to find the core, the meaning for myself. — Sylvia Plath

I used to think that loving somebody meant sacrificing anything for them. I thought it meant writing them a blank cheque. I thought it meant that you would die without each other. But it turns out that death and a broken heart are not he same.
These days, I think that love is not so dramatic as all that. Maybe loving somebody means simply they bring out the best in you, and you bring out the best in them - so that together, you are always the best possible versions of yourselves. — Leila Sales

The greatest rules of dramatic writing are conflict, conflict, conflict. — James Frey

I've never been satisfied or even pleased with a film that I've done. I make them, I'm finished, I've never looked at one after. I don't like them because there's a big gap between what you conceive in your mind when you're writing and you don't have to meet the test of reality. You're home, you write and it's funny and beautiful and romantic and dramatic, and then you have to show up on a cold morning, and you don't have enough of this and this goes wrong and you make the wrong choice on something and you screwed up and you can't go back. — Woody Allen

A mistake is the name we give to any action in which we perceive a difference between what we intended and what has occurred. Intention fuels every dramatic action, including the writing of dramatic stories, which involves a series of dramatic actions. In the course of writing, or finding, the story that wants to get itself told, it behooves the writer to liberate the characters by finding the faith and courage necessary for setting aside one's own conscious needs and expectations. Not to do so promotes 'mistakes' - i.e: confusion born of some incoherence in the emotional logic of the story). As the writer abandons his/her intentions - no matter how noble they may seem - only then does that most strange and ineffable quality we so casually refer to as 'the magic' have a chance of entering the story, and rendering even the 'mistakes' stimulating, daring and provocative. — Billy Marshall Stoneking

No one ever developed their character by arranging their experiences in such a way that only 'good' things are allowed to happen to them. Character is not purchased with a dance in the street. It is not cheap, and it's hard to come by, owing partly to the fact that it is the heir of disappointment, frustration, betrayal and deceit. However, it is not the inheritance that matters so much as what you do with it. In the face of seemingly insurmountable problems what do you do, and why do you do it? The same holds for dramatic characters whose strength, courage, insight and wisdom have to be earned. — Billy Marshall Stoneking

If you do not have an alert and curious interest in character and dramatic situation, if you have no visual imagination and are unable to distinguish between honest emotional reactions and sentimental approaches to life, you will never write a competent short story. — Edward Joseph Harrington O'Brien