Down Terrace Quotes & Sayings
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Well ... yes, and here we go again. But before we get to The Work, as it were, I want to make sure I know how to cope with this elegant typewriter - (and, yes, it appears that I do) - so why not make this quick list of my life's work and then get the hell out of town on the 11:05 to Denver? Indeed. Why not? But for just a moment I'd like to say, for the permanent record, that it is a very strange feeling to be a 40-year-old American writer in this century and sitting alone in this huge building on Fifth Avenue in New York at one o'clock in the morning on the night before Christmas Eve, 2000 miles from home, and compiling a table of contents for a book of my own Collected Works in an office with a tall glass door that leads out to a big terrace looking down on The Plaza Fountain. Very strange. — Hunter S. Thompson

The afternoon was very hot, so hot that the breaking of the waves on the shore sounded like the repeated sigh of some exhausted creature, and even on the terrace under an awning the bricks were hot, and the air danced perpetually over the short dry grass. The red flowers in the stone basins were drooping with the heat, and the white blossoms which had been so smooth and thick only a few weeks ago were now dry, and their edges were curled and yellow. Only the stiff and hostile plants of the south, whose fleshy leaves seemed to be grown upon spines, still remained standing upright and defied the sun to beat them down. — Virginia Woolf

Well, I think I laid down my sunshade first,'said Mrs. Twining reflectively. 'Ah, that doesn't interest you. I told Finch that I wanted to tidy my hair (a euphemism for "powder my nose", of course), and would show myself out on to the terrace.'
'And you did in fact powder your nose, Mrs. Twining, at the mirror over the fireplace?'
'Most thoroughly,' she agreed.
'How long did that take you?'
She looked rather amused. 'When a woman powders her nose, Inspector, she loses count of time. My own estimate would be a moment or two; almost any man, I feel, would probably say, ages.'
'Were you as long, perhaps, as five minutes?'
'I hope not. Let us say three - without prejudice. — Georgette Heyer

Waste forces within him, and a desert all around, this man stood still on his way across a silent terrace, and saw for a moment, lying in the wilderness before him, a mirage of honourable ambition, self-denial, and perseverance. In the fair city of this vision, there were airy galleries from which the loves and graces looked upon him, gardens in which the fruits of life hung ripening, waters of Hope that sparkled in his sight. A moment and it was gone. Climbing to a high chamber in a well of houses, he threw himself down in his clothes on a neglected bed, and its pillow was wet with wasted tears. — Charles Dickens

I am the saint at prayer on the terrace like the peaceful beasts that graze down to the sea of Palestine.
I am the scholar of the dark armchair. Branches and rain hurl themselves at the windows of my library.
I am the pedestrian of the highroad by way of the dwarf woods; the roar of the sluices drowns my steps. I can see for a long time the melancholy wash of the setting sun.
I might well be the child abandoned on the jetty on its way to the high seas, the little farm boy following the lane, its forehead touching the sky.
The paths are rough. The hillocks are covered with broom. The air is motionless. How far away are the birds and the springs! It can only be the end of the world ahead. — Arthur Rimbaud

At Bramasole, the first secret spot that draws me outside is a stump and board bench on a high terrace overlooking the lake and valley. Before I sit down, I must bang the board against a tree to knock off all the ants. Then I'm happy. With a stunted oak tree for shelter and a never-ending view, I am hidden. No one knows where I am. The nine-year-old's thrill of the hideout under the hydrangea comes back: My mother is calling me and I am not answering. — Frances Mayes

Feelings that would not have disgraced a leader who, now that the snow has begun to fall and the mountain-top is covered in mist, knows that he must lay himself down and die before morning comes, stole upon him, paling the colour of his eyes, giving him, even in the two minutes of his turn on the terrace, the bleached look of withered old age. Yet he would not die lying down; he would find some crag of rock, and there, his eyes fixed on the storm, trying to the end to pierce the darkness, he would die standing. He would never reach R. — Virginia Woolf

Had he but turned back then, and looked out once more on to the rose-lit garden, she would have seen that which would have made her own sufferings seem but light and easy to bear
a strong man, overwhelmed with his own passion and despair. Pride had given way at last, obstinacy was gone: the will was powerless. He was but a man madly, blindly, passionately in love and as soon as her light footstep had died away within the house, he knelt down upon the terrace steps, and in the very madness of his love he kissed one by one the places where her small foot had trodden, and the stone balustrade, where her tiny hand had rested last. — Emmuska Orczy

You sleep with a dream of summer weather,
wake to the thrum of rain - roped down by rain.
Nothing out there but drop-heavy feathers of grass
and rainy air. The plastic table on the terrace
has shed three legs on its way to the garden fence.
The mountains have had the sense to disappear.
It's the Celtic temperament - wind, then torrents, then remorse.
Glory rising like a curtain over distant water.
Old stonehouse, having steered us through the dark,
docks in a pool of shadow all its own.
That widening crack in the gloom is like good luck.
Luck, which neither you nor tomorrow can depend on. — Anne Stevenson

I am crying because there is no other way to show what I feel: I am alive. I am alive in every pore and every cell of my body. I am alive. — Paulo Coelho

Two hours ago I took a break from writing this to take a walk before the sun went down. I had an urge to play Willie Nelson's "Crazy" on the Red Hot Country CD before going out, but didn't. When I turned the bend on 49th Terrace, my usual walk, Crazy sung by Patsy Cline was pouring, I mean POURING, out the windows of a house. I leaned back against a fence across the street and watched the house lift off. An operatic, cinematic moment, everything locked into a single frame that gets you high. Like You I'm Trapped. — Chris Kraus

I like to sit down, relax, have a cup of coffee on the terrace and read a book. I like to travel the world - and I'm lucky to see so much through cycling. — Marianne Vos

I think ... I could walk part of the way," she managed to say. "You wouldn't make it down the terrace steps," Hunt said flatly. "Indulge me while I demonstrate the chivalrous side of my nature. Can you put your arms around my neck? — Lisa Kleypas

Cities have often been compared to language: you can read a city, it's said, as you read a book. But the metaphor can be inverted. The journeys we make during the reading of a book trace out, in some way, the private spaces we inhabit. There are texts that will always be our dead-end streets; fragments that will be bridges; words that will be like the scaffolding that protects fragile constructions. T.S. Eliot: a plant growing in the debris of a ruined building; Salvador Novo: a tree-lined street transformed into an expressway; Tomas Segovia: a boulevard, a breath of air; Roberto Bolano: a rooftop terrace; Isabel Allende: a (magically real) shopping mall; Gilles Deleuze: a summit; and Jacques Derrida: a pothole. Robert Walser: a chink in the wall, for looking through to the other side; Charles Baudelaire: a waiting room; Hannah Arendt: a tower, an Archimedean point; Martin Heidegger: a cul-de-sac; Walter Benjamin: a one-way street walked down against the flow. — Valeria Luiselli

A map is the dead body of where you've been. A map is the unborn baby of where you're going. There are no maps. Maps are pictures of what isn't. — Russell Hoban

At times one wanders, doubting the facts, even when one has discovered the secrets of the good life. To be sure, my solution is not the ideal.
But when you don't like your own life, when you know that you must change lives, you don't have any choice, do you? What can one do to become
another?Impossible. One would have to cease being anyone, forget oneself for someone else, at least once.But how? Don't bear down too hard on me.
I am like that old beggar who wouldn't let go of my hand one day on a cafe terrace: Oh, sir,he said, its not just that I am no good, but you lose
track of the light.Yes, we have lost track of the light, the mornings, the holy innocence of those who forgive themselves. — Albert Camus

Miss Charingford." The words seemed unwillingly wrested from his chest.
"Yes?"
"You are only the eleventh prettiest woman in all of Leicester until you open your mouth."
Her mouth dropped open. To insult her, atop all the other horrible, awful, impolite, unacceptable things that he'd said? "Thank you so much for those kind words, Grantham," she snapped out. "I'm glad to know that my mannerisms so sink me."
But this time, he didn't smile at her; his eyes didn't sparkle with that familiar mischief. "Once you speak," he said, "you have no equal. — Courtney Milan

It is the omnipresent rush of water which give the Este Gardens their peculiar character. From the Anio, drawn up the hillside at incalculable cost and labour, a thousand rills gush downward, terrace by terrace, channeling the stone rails of the balusters, leaping from step to step, dripping into mossy conches, flashing in spray from the horns of sea-gods and the jaws of mythical monsters, or forcing themselves in irrepressible overflow down the ivy-matted banks. — Edith Wharton

Without love, violence will change the world; it will change it into a more violent one. — William Sloane Coffin

Then, as we ascend into the fifth and final act of the show, we can choose what we want to take back with us: a piece of our underworld self that, frankly, the cheating boyfriend may need to meet, or the boss that doesn't appreciate you, or the terrorizing Bitch at school - or maybe you're the terrorizing Bitch, maybe I am. Some fragments that took their masks off while we were on this underworld journey sometimes walk quietly with me. Only I know that after the show they will be staying with me as my figurative New Renter in my seafront condo, down the street from Pituitary Lane, behind Heart Terrace. Then again, some unmasked Beings that I see during a performance find me once I'm back in my dressing room and receive from me the Okay you, thank you for the perspective and the vision, but in this century you can't just chop people's heads off and feed them to your cats, and I know these guys are bad guys, and thank you for the vision. So you can haunt me during the show again in Indy — Tori Amos

I was born on the other side of the tracks, in public housing in Brooklyn, New York. My dad never made more than $20,000 a year, and I grew up in a family that lost health insurance. So I was scarred at a young age with understanding what it was like to watch my parents lose access to the American dream. — Howard Schultz